Managing HPC Application Software with SPACK@LRZ
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Release Notes for X11R6.8.2 the X.Orgfoundation the Xfree86 Project, Inc
Release Notes for X11R6.8.2 The X.OrgFoundation The XFree86 Project, Inc. 9February 2005 Abstract These release notes contains information about features and their status in the X.Org Foundation X11R6.8.2 release. It is based on the XFree86 4.4RC2 RELNOTES docu- ment published by The XFree86™ Project, Inc. Thereare significant updates and dif- ferences in the X.Orgrelease as noted below. 1. Introduction to the X11R6.8.2 Release The release numbering is based on the original MIT X numbering system. X11refers to the ver- sion of the network protocol that the X Window system is based on: Version 11was first released in 1988 and has been stable for 15 years, with only upwardcompatible additions to the coreX protocol, a recordofstability envied in computing. Formal releases of X started with X version 9 from MIT;the first commercial X products werebased on X version 10. The MIT X Consortium and its successors, the X Consortium, the Open Group X Project Team, and the X.OrgGroup released versions X11R3 through X11R6.6, beforethe founding of the X.OrgFoundation. Therewill be futuremaintenance releases in the X11R6.8.x series. However,efforts arewell underway to split the X distribution into its modular components to allow for easier maintenance and independent updates. We expect a transitional period while both X11R6.8 releases arebeing fielded and the modular release completed and deployed while both will be available as different consumers of X technology have different constraints on deployment. Wehave not yet decided how the modular X releases will be numbered. We encourage you to submit bug fixes and enhancements to bugzilla.freedesktop.orgusing the xorgproduct, and discussions on this server take place on <[email protected]>. -
B.Casselman,Mathematical Illustrations,A Manual Of
1 0 0 setrgbcolor newpath 0 0 1 0 360 arc stroke newpath Preface 1 0 1 0 360 arc stroke This book will show how to use PostScript for producing mathematical graphics, at several levels of sophistication. It includes also some discussion of the mathematics involved in computer graphics as well as a few remarks about good style in mathematical illustration. To explain mathematics well often requires good illustrations, and computers in our age have changed drastically the potential of graphical output for this purpose. There are many aspects to this change. The most apparent is that computers allow one to produce graphics output of sheer volume never before imagined. A less obvious one is that they have made it possible for amateurs to produce their own illustrations of professional quality. Possible, but not easy, and certainly not as easy as it is to produce their own mathematical writing with Donald Knuth’s program TEX. In spite of the advances in technology over the past 50 years, it is still not a trivial matter to come up routinely with figures that show exactly what you want them to show, exactly where you want them to show it. This is to some extent inevitable—pictures at their best contain a lot of information, and almost by definition this means that they are capable of wide variety. It is surely not possible to come up with a really simple tool that will let you create easily all the graphics you want to create—the range of possibilities is just too large. -
Introduction to Tizen Mobile & Wearable Profile
Introduction to Tizen Mobile & Wearable Profile Taesoo Jun, Ph.D. @Software Center Samsung Electronics Tizen Overview Tizen... • Is W3C standard-based • Has strong industry support • Is open source project • Covers multiple profiles for mobile for TV Common & Profile-Specific Compliance Rules for printer for wearable • Releasing Profiles • Preparing Profiles for PC • Potential Profiles for camera for IVI 3 Release History Oct. ‘14 Nov. ‘13 2.3 July ‘13 2.2.1 Multi-profile, May ‘13 2.2 Minor Update New Native Feb. ‘13 2.1 Commercial - App. installation in Framework SD card 2.0 Hybrid Ready w/ - Mobile/ Wearable Add-on SDK profile Web/Native, Enhanced UX Apr. ‘12 Web/Native - OpenCL & WebCL - New native - H/W Menu & Back Framework Enhanced - In app purchase subsystem 1.0 key - Native API Security and - UI Customizer Web-centric - Unified SDK for Web Performance Platform & native - WebKit2 - Highest HTML5 Optimization - Tizen Device Web - Hybrid Web/Native API app. - Web UI framework - Systemd Linux kernel Linux kernel Linux kernel 2.6.36 3.0 w/ 3.4 features (e.g., CMA/IOMMU, eMMC 4.5, V4L2) 3.4 4 Tizen Mobile Profile Architecture Overview • Kernel: Linux kernel + device drivers • Native Subsystem: core functionalities for Tizen platform • Web Framework: web environment above Native subsystem • API • Native API: direct access to core functions in mobile profile • Web API: web-style(i.e., JS, markup) access to W3C standard and device functions Web Web Applications API Web Framework Native Native Applications API Native Subsystem Kernel Manufacturer -
The Unicode Cookbook for Linguists: Managing Writing Systems Using Orthography Profiles
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2017 The Unicode Cookbook for Linguists: Managing writing systems using orthography profiles Moran, Steven ; Cysouw, Michael DOI: https://doi.org/10.5281/zenodo.290662 Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-135400 Monograph The following work is licensed under a Creative Commons: Attribution 4.0 International (CC BY 4.0) License. Originally published at: Moran, Steven; Cysouw, Michael (2017). The Unicode Cookbook for Linguists: Managing writing systems using orthography profiles. CERN Data Centre: Zenodo. DOI: https://doi.org/10.5281/zenodo.290662 The Unicode Cookbook for Linguists Managing writing systems using orthography profiles Steven Moran & Michael Cysouw Change dedication in localmetadata.tex Preface This text is meant as a practical guide for linguists, and programmers, whowork with data in multilingual computational environments. We introduce the basic concepts needed to understand how writing systems and character encodings function, and how they work together. The intersection of the Unicode Standard and the International Phonetic Al- phabet is often not met without frustration by users. Nevertheless, thetwo standards have provided language researchers with a consistent computational architecture needed to process, publish and analyze data from many different languages. We bring to light common, but not always transparent, pitfalls that researchers face when working with Unicode and IPA. Our research uses quantitative methods to compare languages and uncover and clarify their phylogenetic relations. However, the majority of lexical data available from the world’s languages is in author- or document-specific orthogra- phies. -
Font HOWTO Font HOWTO
Font HOWTO Font HOWTO Table of Contents Font HOWTO......................................................................................................................................................1 Donovan Rebbechi, elflord@panix.com..................................................................................................1 1.Introduction...........................................................................................................................................1 2.Fonts 101 −− A Quick Introduction to Fonts........................................................................................1 3.Fonts 102 −− Typography.....................................................................................................................1 4.Making Fonts Available To X..............................................................................................................1 5.Making Fonts Available To Ghostscript...............................................................................................1 6.True Type to Type1 Conversion...........................................................................................................2 7.WYSIWYG Publishing and Fonts........................................................................................................2 8.TeX / LaTeX.........................................................................................................................................2 9.Getting Fonts For Linux.......................................................................................................................2 -
Ghostscript and Mupdf Status Openprinting Summit April 2016
Ghostscript and MuPDF Status OpenPrinting Summit April 2016 Michael Vrhel, Ph.D. Artifex Software Inc. San Rafael CA Outline Ghostscript overview What is new with Ghostscript MuPDF overview What is new with MuPDF MuPDF vs Ghostscript MuJS, GSView The Basics Ghostscript is a document conversion and rendering engine. Written in C ANSI 1989 standard (ANS X3.159-1989) Essential component of the Linux printing pipeline. Dual AGPL/Proprietary licensed. Artifex owns the copyright. Source and documentation available at www.ghostscript.com Graphical Overview PostScript PCL5e/c with PDF 1.7 XPS Level 3 GL/2 and RTL PCLXL Ghostscript Graphics Library High level Printer drivers: Raster output API: Output drivers: Inkjet TIFF PSwrite PDFwrite Laser JPEG XPSwrite Custom etc. CUPS Devices Understanding devices is a major key to understanding Ghostscript. Devices can have high-level functionality. e.g. pdfwrite can handle text, images, patterns, shading, fills, strokes and transparency directly. Graphics library has “default” operations. e.g. text turns into bitmaps, images decomposed into rectangles. In embedded environments, calls into hardware can be made. Raster devices require the graphics library to do all the rendering. Relevant Changes to GS since last meeting…. A substantial revision of the build system and GhostPDL directory structure (9.18) GhostPCL and GhostXPS "products" are now built by the Ghostscript build system "proper" rather than having their own builds (9.18) New method of internally inserting devices into the device chain developed. Allows easier implementation of “filter” devices (9.18) Implementation of "-dFirstPage"/"-dLastPage" with all input languages (9.18) Relevant Changes to GS since last meeting…. -
Optimization of Fontconfig Library Optimization of Fontconfig Library
Michal Srb OPTIMIZATION OF FONTCONFIG LIBRARY OPTIMIZATION OF FONTCONFIG LIBRARY Michal Srb Bachelor's Thesis Spring 2017 Information Technology Oulu University of Applied Sciences ABSTRACT Oulu University of Applied Sciences Degree Programme in Information Technology, Internet Services Author: Michal Srb Title of the bachelor’s thesis: Optimization of Fontconfig Library Supervisor: Teemu Korpela Term and year of completion: Spring 2017 Number of pages: 39 + 1 appendix Fontconfig is a library that manages a database of fonts on Linux systems. The aim of this Bachelor's thesis was to explore options for making it respond faster to application's queries. The library was identified as a bottleneck during the startup of graphical applications. The typical usage of the library by applications was analyzed and a set of standalone benchmarks were created. The library was profiled to identify hot spots and multiple optimizations were applied to it. It was determined that to achieve an optimal performance, a complete rewrite would be necessary. However, that could not be done while staying backward compatible. Nevertheless, the optimizations applied to the existing fontconfig yielded significant performance improvements, up to 98% speedups in benchmarks based on the real-world usage. Keywords: fontconfig, optimization, benchmarking, profiling 3 CONTENTS 1 INTRODUCTION 6 2 BACKGROUND 7 1.1 Motivation 7 1.2 Fontconfig 8 1.2.1 Function 9 1.2.2 Configuration 11 2 ANALYSIS 12 2.1 Main entry functions 12 2.1.1 FcFontMatch 12 2.1.2 FcFontSort 14 2.1.3 -
Chapter 13, Using Fonts with X
13 Using Fonts With X Most X clients let you specify the font used to display text in the window, in menus and labels, or in other text fields. For example, you can choose the font used for the text in fvwm menus or in xterm windows. This chapter gives you the information you need to be able to do that. It describes what you need to know to select display fonts for use with X client applications. Some of the topics the chapter covers are: The basic characteristics of a font. The font-naming conventions and the logical font description. The use of wildcards and aliases for simplifying font specification The font search path. The use of a font server for accessing fonts resident on other systems on the network. The utilities available for managing fonts. The use of international fonts and character sets. The use of TrueType fonts. Font technology suffers from a tension between what printers want and what display monitors want. For example, printers have enough intelligence built in these days to know how best to handle outline fonts. Sending a printer a bitmap font bypasses this intelligence and generally produces a lower quality printed page. With a monitor, on the other hand, anything more than bitmapped information is wasted. Also, printers produce more attractive print with variable-width fonts. While this is true for monitors as well, the utility of monospaced fonts usually overrides the aesthetic of variable width for most contexts in which we’re looking at text on a monitor. This chapter is primarily concerned with the use of fonts on the screen. -
Ghostscript 5
Ghostscript 5 Was kann Ghostscript? Installation von Ghostscript Erzeugen von Ghostscript aus den C-Quellen Schnellkurs zur Ghostscript-Benutzung Ghostscript-Referenz Weitere Anwendungsmöglichkeiten Ghostscript-Manual © Thomas Merz 1996-97 ([email protected]) Dieses Manual ist ein modifizierter Auszug aus dem Buch »Die PostScript- & Acrobat-Bibel. Was Sie schon immer über PostScript und Acrobat/PDF wissen wollten« von Thomas Merz; Thomas Merz Verlag München 1996, ISBN 3-9804943-0-6, 440 Seiten plus CD- ROM. Das Buch und dieses Manual sind auch auf Englisch erhältlich (Springer Verlag Berlin Heidelberg New York 1997, ISBN 3-540-60854-0). Das Ghostscript-Manual darf in digitaler oder gedruckter Form kopiert und weitergegeben werden, falls keine Zahlung damit verbunden ist. Kommerzielle Reproduktion ist verboten. Das Manual darf jeoch beliebig zusammen mit der Ghostscript- Software weitergegeben werden, sofern die Lizenzbedingungen von Ghostscript beachtet werden. Das Ghostscript-Manual ist unter folgendem URL erhältlich: http://www.muc.de/~tm. 1 Was kann Ghostscript? L. Peter Deutsch, Inhaber der Firma Aladdin Enterprises im ka- lifornischen Palo Alto, schrieb den PostScript-Interpreter Ghostscript in der Programmiersprache C . Das Programm läuft auf MS-DOS, Windows 3.x, Windows 95, Windows NT, OS/2, Macintosh, Unix und VAX/VMS. Die Ursprünge von Ghost- script reichen bis 1988 zurück. Seither steht das Programmpa- ket kostenlos zur Verfügung und mauserte sich unter tatkräfti- ger Mitwirkung vieler Anwender und Entwickler aus dem In- ternet zu einem wesentlichen Bestandteil vieler Computerinstallationen. Peter Deutsch vertreibt auch eine kommerzielle Version von Ghostscript mit kundenspezifischen Anpassungen und entsprechendem Support. Die wichtigsten Einsatzmöglichkeiten von Ghostscript sind: Bildschirmausgabe. Ghostscript stellt PostScript- und PDF- Dateien am Bildschirm dar. -
Typesetting Music with PMX
Typesetting music with PMX by Cornelius C. Noack — Version 2.7 / January 2012 (PMX features up to version 2.617 included) II Acknowledgement This tutorial owes its very existence to the work by Luigi Cataldi, who a few years ago produced a wonderful manual for PMX in Italian. Luigi’s manual features many examples which help greatly in understanding some of the arguably arcane PMX notation. Even though the Cataldi manual is, as Don Simons has aptly remarked, “written in the language of music”, it nevertheless seemed useful to have access to it for non-Italian speakers, so Don asked around for help on a ‘retranslation’. In fact, that is what the present tutorial started out with: essentially a retranslation of the PMX part of Luigis manual back into English, us- ing, where that seemed feasible, Don’s original PMX manual. I had been thinking for some time of producing some examples (and an index) for the updated (PMX 2.40) version of that manual, and now, taking Luigis italian version as a basis, it seemed an easy thing to do. Of course, as such projects go: soon after the first version had appeared in 2002, it tended to get out of hand — Don Simons actively produced one new beta version of PMX after the other, and I simply could not keep up with his pace. So alas: 5 long years went by before the first update of the tutorial – re- flecting all PMX changes from Version 2.40 to Version 2.514 , in one giant step! – had become possible. -
PDF Copy of My Gsoc Proposal
GSoC Proposal for Haiku Add Haiku Support for new Harfbuzz library ● Full name: Deepanshu Goyal ● Timezone: +0530 ● Email address: [email protected] ● IRC username (freenode.net): digib0y ● Trac username (dev.haiku-os.org): digib0y ● Trac ticket(s) containing patches for Haiku/ Pull requests: ○ https://github.com/haiku/website/pull/26 ○ https://github.com/haiku/website/pull/41 ○ https://github.com/haikuports/haikuports/pull/1204 ○ https://github.com/HaikuArchives/ArtPaint/pull/54 We also had technical discussions over few issues in ArtPaint which you can checkout: https://github.com/HaikuArchives/ArtPaint/issues , I have also commented few lines of code in one the issues which you might be interested in! Apart from these I have submitted a patch to Haiku however most of the work on the patch was already done by a previous contributor . https://dev.haiku-os.org/attachment/ticket/11518/0001-Implemented-BFont-Blocks-added-build-featur e-for-fon.patch ● GitHub (or other public) repository: https://github.com/digib0y/ ● Will you treat Google Summer of Code as full time employment? Yes, I do understand that Google Summer of Code is a full time virtual internship and I have no other commitment to any other internship, job, and exams. ● How many hours per week will you work? I will work for 40-50 hours a week, with give work update on every alternate day to the assigned mentor.. ● List all obligations (and their dates) that may take time away from GSoC (a second job, vacations, classes, ...): One day per week will be an off day, most probably weekend only if the goals for the week has been completed. -
Digitale Typografie
Digitale Typografie Andreas F. Borchert Universität Ulm 7. Juli 2016 Syllabus 2 Inhalte: • Einführung und historischer Überblick • Von der geometrisch definierten Fläche zum Pixelraster mit einer Einführung in PostScript und MetaPost • Digitale Repräsentierungen von Schriften • Einführung in die Typografie • Ausgewählte Algorithmen und Verfahrenstechniken Was ist Typografie? 3 • »Typography exists to honor content.« (Robert Bringhurst) • »Typografie ist keine Kunst. Typografie ist keine Wissenschaft. Typografie ist Handwerk.« (Hans Peter Willberg) • »Typografie, das ist die Inszenierung einer Mitteilung in der Fläche, so die kürzeste Definition, die ich kenne.« (Erik Spiekermann) • »Good typography therefore is a silent art; not its presence but rather its absence is noticeable.« (Mittelbach and Rowley: The pursuit of quality – How can automated typesetting achieve the highest standards of craft typography?) Wozu dient Typografie? 4 Robert Bringhurst fasst es folgendermaßen zusammen: »[...] typography should perform these services for the reader: I invite the reader into the text; I reveal the tenor and the meaning of the text; I clarify the structure and the order of the text; I link the text with other existing elements; I induce a state of energetic repose, which is the ideal condition for reading.« Was ist digitale Typografie? 5 • »Digital typography is the technology of using computers for the design, preparation, and presentation of documents, in which the graphical elements are organized, positioned, and themselves created under digital control.« (Richard Rubinstein) • »[...] the problem of printing beautiful books had changed from a problem of metallurgy to a problem of optics and then to a problem of computer science. [...] The future of typography depends on the people who know the most about creating patterns of 0s and 1s; it depends on mathematicians and computer scientists.« (Donald E.