2008 Jay Maisel Workshop Schedule

Total Page:16

File Type:pdf, Size:1020Kb

2008 Jay Maisel Workshop Schedule THE JAY MAISEL WORKSHOP – “ALWAYS CARRY A CAMERA” THE JAY MAISEL WORKSHOP is a unique photography experience. Participants should expect five solid days (from 9:00am-10:00pm) of shooting, discussing, eating, and breathing photography with Jay at his “home” - the historic 35,000 square foot former Germania bank building and the surrounding New York City neighborhoods of Manhattan’s lower east side. Enrollment is limited to (9) people on a first come, first serve basis. The cost is $5,000. All meals are included. An application with full payment must be received to secure a spot. 2008 JAY MAISEL WORKSHOP SCHEDULE • November 17th – 21st, 2008 (SOLD OUT) • December 15TH – 19TH, 2008 SPACE AVAILABLE 2009 JAY MAISEL WORKSHOP SCHEDULE • March 16TH – 20TH, 2009 SPACE AVAILABLE • April 13TH – 17TH, 2009 SPACE AVAILABLE • May 18TH – 22nd, 2009 SPACE AVAILABLE • June 15TH – 19TH, 2009 SPACE AVAILABLE If you have any questions please don’t hesitate to contact us: (212) 431-5013 [email protected] TO SIGN UP Please submit your Enrollment Application (found on the next page) via email or print and mail it with your check made payable to Jay Maisel. Spaces are reserved in the order payment is received. A confirmation email will be sent to verify enrollment. • Enrollment Application Page 2 NEED MORE DETAILS? CHECK OUT THE FOLLOWING ADDITIONAL INFORMATION: • Jay’s personal course description Page 3 • Past guest speakers Page 3 • Equipment list and what to bring Page 4 • Directions Page 4 • Former participant feedback Page 5-7 THE JAY MAISEL WORKSHOP 190 BOWERY, NEW YORK, NY 10012 (212) 431-5013 [email protected] THE JAY MAISEL WORKSHOP – “ALWAYS CARRY A CAMERA” ENROLLMENT APPLICATION • Please fill out and submit this form (either electronically on your computer by typing in your info and hitting the ‘submit’ button, or if you prefer to fill out by hand, print and send it with your check.) • Make out a $5,000 check payable to Jay Maisel and mail it to: JAY MAISEL 190 THE BOWERY NEW YORK, NY 10012 • An email confirmation will be sent to you once your form and payment are received. 2008 Sessions: November 17th-21st (SOLD OUT) December 15th – 19th ____________________________________________________________________________________________________ 2009 Sessions: March 16th - 20th April 13th - 17th May 18th - 22nd June 15th -19th Name: _________________________________________________________________________ (First) (Last) Address: _________________________________________________________________________ (Street) ____________________________________________________________________________________ (City) (State) (Zip Code) (Country) Email Address: _________________________________ Telephone: ___________________________ Today’s Date: ______________________ T-Shirt Size? _______ How did you hear about the workshop? _____________________________________________________ Dietary Restrictions: (we’d like to know so we can pick restaurants amenable to all) _______________________________________________________________ If you would like to be on the wait list for any session please let us know in the following notes section: _______________________________________________________________ CANCELATION POLICY: FULL REFUND IF WE ARE ABLE TO FILL YOUR SPOT WITH SOMEONE FROM THE WAITLIST. ENROLLMENT CHECKLIST: 1. Complete and submit your application. 2. Send your $5,000 check payable to Jay Maisel, 190 The Bowery, New York, NY 10012 3. Expect an enrollment confirmation after both your application and check are received. THE JAY MAISEL WORKSHOP 190 BOWERY, NEW YORK, NY 10012 (212) 431-5013 [email protected] THE JAY MAISEL WORKSHOP – “ALWAYS CARRY A CAMERA” JAY’S PERSONAL COURSE DESCRIPTION In the past I’ve gotten calls from people who wanted to know what the hell they’d be getting themselves into if they were to take my class. Fair enough, but if you want to know exactly what the class will be, that’s impossible because it’s a free form living thing that also depends on what YOU bring to the group dynamic. We will be in my environment, my city, my building. There are no rules. You will be sent out on assignments to shoot. There will be criticism of your work. You will be forced to look at my work (criticism of my work is optional). There will be demonstrations and endless talk designed to help you avoid the problems that plague you. You’ll be nagged into improving your images. There won’t be enough time to do all the shooting, editing, criticism, talking, and looking at my work that you’ll want to do. You will be overwhelmed. We will all eat together at different New York City neighborhood restaurants and talk about photography. Everyone will be shooting digitally, but this course is not about using a computer to manipulate your images. It’s about how to look for, see, and evaluate your images. It is most certainly not about Photoshop, which we will not discuss. You will end up a better photographer, if not a better human being. If this is not specific enough, please read the quotes from my former students. -Jay GUEST SPEAKERS We have been very fortunate and have had some fantastic guest speakers in the past. However, if you’ve tried scheduling any working photographer to speak weeks in advance you understand the problem… We make no promises about who you might encounter at any particular workshop, but you will be challenged and inspired. PAST GUEST SPEAKERS HAVE INCLUDED: • Greg Heisler • Joe McNally • Seth Resnick • Stephen Wilkes • Steve McCurry THE JAY MAISEL WORKSHOP 190 BOWERY, NEW YORK, NY 10012 (212) 431-5013 [email protected] THE JAY MAISEL WORKSHOP – “ALWAYS CARRY A CAMERA” EQUIPMENT LIST “The more equipment you take the fewer pictures you’ll take.” -Jay Students may bring any gear they are comfortable working with. The essentials are: • Digital Camera • Lense(s) • Compact Flash (CF) Cards • Compact Flash (CF) Card Reader • Laptop (with whatever software you use for editing and processing) • Laptop power adapter, camera battery charger. WHAT ELSE SHOULD YOU BRING? For the initial critique bring the best (10) examples of your work and be prepared to defend them with your life. (On laptop, external hard drive, flash drive, or cd) Please use the following guidelines: • File Name: lastname_dd*_01.jpg … lastname_dd*_10.jpg • Folder Name: lastname_dd* • Horizontals - max width of 1920pixels @ 144ppi • Verticals - max height of 1200pixels @ 144ppi • JPG (Med-High Quality), sRGB colorspace • *for the two digit day in the file name please use the first day of your workshop. ie smith_14_01.jpg, smith_14_02.jpg, etc. DIRECTIONS 190 The Bowery is in NoLita (“North of Little Italy”). The entrance is on the corner of The Bowery and Spring St. on Manhattan’s lower east side. Spring St. is one block north of Delancy and (2) blocks south of Houston - look for the graffiti and you “can’t miss it”. SUBWAYS: All of the stops listed below are about a 2-3 block walk to 190 The Bowery. http://www.mta.info/nyct/maps/submap.htm • 6 Train to Spring St. • N&R Trains to Prince St. • F or V Train to Second Ave. • J, M, or Z all make a stop at The Bowery. • If all else fails, a cab ride is also an option. THE JAY MAISEL WORKSHOP 190 BOWERY, NEW YORK, NY 10012 (212) 431-5013 [email protected] THE JAY MAISEL WORKSHOP – “ALWAYS CARRY A CAMERA” FORMER PARTICIPANT FEEDBACK “I have expanded and refined my vision, feel more open and confident about showing my work, and in a strange way don't take myself so seriously ... in translation I am more relaxed about the entire process and looking to have more fun. Strangely enough I think this has come from Jay's relaxed talking and his enjoyment of photography. I look forward to seeing how this wonderful experience will impact my work. Thank you!” - Louise Porter, Barbados/West Conshohocken, PA (September 2008) “For me this week was a dive in to the deep end of the pool and a test if I would be able to swim. I (think I) survived. I learned more in this week then in the two years at the Foto Academie in Amsterdam. Not all was about photography itself, but for example about people, art, color, seeing and New York. I really enjoyed it.” - Maarten Boerema, Amsterdam, Netherlands (September 2008) “What a treat to spend five days totally immersed in the world of Jay Maisel. His photography is amazingly diverse and inspiring. His home/studio/gallery/archives and magical fifth floor left me nearly speechless. I appreciated his no-BS critiques and "order" to stop doing what I was good at and move on to new photographic territory. The importance of rigorous editing (98% of my images will be crap, so get over it and keep shooting) and admonishment to always carry a camera are just two of many lessons or tips that have already sunk in. Did I mention I had a lot of fun?” - Char Davies, Burien, WA (September 2008) “The atmosphere and interaction was warm, congenial, and productive. The level of organization is amazing. Clearly, every detail was considered. From finding our personal 'flashdrive' attached to our name, to setting up our 'territory' on the available workspace, to the endless supplies of food, you guys left no stone unturned. Each day had a smooth flow. I look forward to repeating the experience in the not-too-distant future. Your commitment to making sure that everyone benefited was evident throughout.” - Louise Field, Salt Point, NY (September 2008) “The workshop was very well organized and executed, with each segment flowing from one to the next. More than anything, what made it special was the degree to which Jay committed himself to us, even though he's run so many workshops over the years, that one can't see how this could possibly be fresh for him. He really dedicated himself to making the entire week a success. This was an expensive workshop, but worth the cost.
Recommended publications
  • Manhattan the Historic Districts Council Is New York’S Citywide Advocate for Historic Buildings and Neighborhoods
    A Guide to Historic New York City Neighborhoods B owe ry Manhattan The Historic Districts Council is New York’s citywide advocate for historic buildings and neighborhoods. The Six to Celebrate program annually identifies six historic New York City neighborhoods that merit preservation as priorities for HDC’s advocacy and consultation over a yearlong period. The six, chosen from applications submitted by community organizations, are selected on the basis of the architectural and historic merit of the area, the level of threat to the neighborhood, the strength and willingness of the local advocates, and the potential for HDC’s preservation support to be meaningful. HDC works with these neighborhood partners to set and reach pres- ervation goals through strategic planning, advocacy, outreach, programs and publicity. The core belief of the Historic Districts Council is that preservation and enhancement of New York City’s historic resources—its neighborhoods, buildings, parks and public spaces—are central to the continued success of the city. The Historic Districts Council works to ensure the preservation of these resources and uphold the New York City Landmarks Law and to further the preservation ethic. This mission is accomplished through ongoing programs of assistance to more than 500 community and neighborhood groups and through public-policy initiatives, publications, educational outreach and sponsorship of community events. Six to Celebrate is generously supported by The New York Community Trust and HDC’s Six to Celebrate Committee. Additional support for the Six to Celebrate Tours is provided by public funds from the New York City Department of Cultural Affairs in partnership with the City Council and New York City Councilmembers Inez Dickens, Daniel Garodnick, Vincent Gentile, Stephen Levin and Rosie Mendez.
    [Show full text]
  • International Photography Hall of Fame Announces 2020 Inductees and Award Recipients
    International Photography Hall of Fame Announces 2020 Inductees and Award Recipients Seven inductees, a special Lifetime Achievement Award recipient and a Leadership Award recipient will be added to the Hall of Fame this year ST. LOUIS, July 23, 2020 – The International Photography Hall of Fame and Museum (IPHF) is pleased to announce its 2020 class of Photography Hall of Fame inductees, which will be added to the Hall of Fame and Museum, located in the Grand Center Arts District in St. Louis. The IPHF annually awards and inducts notable photographers or photography industry visionaries for their artistry, innovation, and significant contributions to the art and science of photography. This year, IPHF will host its first-ever hybrid live/virtual induction ceremony in which a worldwide audience will be able to join online on Friday, October 30. 2020 Honorees to be inducted into the Hall of Fame include the following seven photographers or photography industry visionaries who demonstrate the artistry, passion and revolution of the past and present art and science of photography: • Robert Adams, Photographer • Lynsey Addario, Photojournalist • Alfred Eisenstaedt, Photojournalist • Hiro, Fashion/Art/Portrait photographer • Jay Maisel, Fine Art/Portrait/Commercial photographer • Duane Michals, Photographic Innovator • Carrie Mae Weems, Fine Art/Conceptual Photographer In addition, legendary rock music photographer Henry Diltz will be presented with the Lifetime Achievement Award and photographic agency Magnum Photos will receive the Leadership Award. "Despite the challenges we face as a society this year, we are proud to add these exceptional honorees into the Hall of Fame and celebrate their contributions to the art of photography," said Richard Miles, Chairman of the Board of IPHF.
    [Show full text]
  • JAY MAISEL 60-YEAR RETROSPECTIVE to BE HELD DURING PHOTOPLUS INTERNATIONAL CONFERENCE + EXPO 14 Apr 2017
    C HROMALUXE JAY MAISEL 60-YEAR RETROSPECTIVE TO BE HELD DURING PHOTOPLUS INTERNATIONAL CONFERENCE + EXPO 14 Apr 2017 B lazing Editions and ChromaLuxe announced today they will sponsor a 60-year retrospective of the work of legendary photographer Jay Maisel. Exhibition will feature more than 30 photos by the famed photographer printed by Blazing Editions on ChromaLuxe Metal Prints LOUISVILLE, KY – Blazing Editions and ChromaLuxe announced today they will sponsor a 60- year retrospective of the work of legendary photographer Jay Maisel. The exhibition will take place Oct. 20-22 during the 2016 PhotoPlus International Conference + Expo at the Javits Convention Center in New York City. All images for the show were printed on ChromaLuxe metal prints by fine art printing company Blazing Editions. “ChromaLuxe is humbled to host this event in honor of Jay Maisel. His use of light and color along with the vibrancy and detail of ChromaLuxe metal prints provide an image of unmatched quality,” said Paul Neumann, CEO of ChromaLuxe parent company, Universal Woods Inc. “The durability and archivability of ChromaLuxe metal prints will ensure that Jay’s work will be enjoyed for generations to come.” After studying painting and graphic design at Cooper Union and Yale, Maisel began his career in photography in 1954. While his portfolio includes the likes of Marilyn Monroe and Miles Davis, he is perhaps best known for capturing the light, gesture, and color found in everyday life. This unique vision kept him busy for more than 40 years shooting annual reports, magazine covers, jazz albums, advertising and more for an array of clients worldwide.
    [Show full text]
  • Court Says Mr. Brainwash Infringed Run-DMC Photo Tattoo Artist Settles Suit Over
    Arts Brief A Publication of Maryland Lawyers for the Arts: Left-Brain Support for Right-Brain People VOLUME 4 | ISSUE 2 SUMMER 2011 Court Says Mr. Court Says Mr. Brainwash Infringed Brainwash Infringed Run-DMC INSIDE Photo (p.1) Run-DMC Photo by Marcia Semmes, MLA Executive Director Tattoo Artist Settles Suit Over For the second time in recent months, a “Hangover” Ink federal trial court has rejected an artist’s (p.1) fair-use defense to a photographer’s copy- High Court right infringement claim, ruling that Mr. to Rule on Brainwash infringed Glen E. Friedman’s Law Removing copyright in his photograph of the hip-hop Foreign Works From Public music group Run-DMC. Domain (p.4) Mr. Brainwash, aka Thierry Guetta, used the The Crowd Roars: photo to advertise an art show that appeared Crowdfunding for Artists (p.5) in a “documentary” about the British graffiti artist Banksy, “Exit Through the Gift Shop.” Image courtesy of Whitman v. Warner Bros. First Person: Kind The film follows Guetta — an eccentric of Screwed (p.7) shopkeeper turned amateur filmmaker turned artist — as he attempts to capture Tattoo Artist Settles Suit the elusive Banksy on film and is sucked into the celebrity art world in Los Angeles. Over “Hangover” Ink by Marcia Semmes According to the opinion, Friedman took The tattoo artist who claimed that the mak- the photo depicting the three artists stand- ers of the movie “Hangover: Part II” infringed ing shoulder to should and wearing Stetsons his copyright in Mike Tyson’s distinctive facial in 1985. ink settled his suit in June, but not before a judge ruled that he had a “strong likelihood Guetta found the photo on the internet of prevailing on the merits for copyright in- and incorporated it into four works — fringement.” including a “Broken Records” work created by projecting the photo onto a large piece Artist S.
    [Show full text]
  • IPHF 2020 Inductees Announcement Release FINAL
    International Photography Hall of Fame Announces 2020 Inductees and Award Recipients Seven inductees, a special Lifetime Achievement Award recipient and a Leadership Award recipient will be added to the Hall of Fame this year ST. LOUIS, July 23, 2020 – The International Photography Hall of Fame and Museum (IPHF) is pleased to announce its 2020 class of Photography Hall of Fame inductees, which will be added to the Hall of Fame and Museum, located in the Grand Center Arts District in St. Louis. The IPHF annually awards and inducts notable photographers or photography industry visionaries for their artistry, innovation, and significant contributions to the art and science of photography. This year, IPHF will host its first-ever hybrid live/virtual induction ceremony in which a worldwide audience will be able to join online on Friday, October 30. 2020 Honorees to be inducted into the Hall of Fame include the following seven photographers or photography industry visionaries who demonstrate the artistry, passion and revolution of the past and present art and science of photography: • Robert Adams, Photographer • Lynsey Addario, Photojournalist • Alfred Eisenstaedt, Photojournalist • Hiro, Fashion/Art/Portrait photographer • Jay Maisel, Fine Art/Portrait/Commercial photographer • Duane Michals, Photographic Innovator • Carrie Mae Weems, Fine Art/Conceptual Photographer In addition, legendary rock music photographer Henry Diltz will be presented with the Lifetime Achievement Award and photographic agency Magnum Photos will receive the Leadership Award. "Despite the challenges we face as a society this year, we are proud to add these exceptional honorees into the Hall of Fame and celebrate their contributions to the art of photography," said Richard Miles, Chairman of the Board of IPHF.
    [Show full text]
  • THE PROVIDENT LOAN SOCIETY of NEW YORK East Houston Street Branch Office – Request for Evaluation
    THE PROVIDENT LOAN SOCIETY OF NEW YORK East Houston Street Branch Office – Request for Evaluation Written and Researched by: Christian Emanuel Submitted: October 29th, 2015 REQUEST FOR EVALUATION (RFE) - INDIVIDUAL, INTERIOR, SCENIC INSTRUCTIONS: The landmarks Preservation Commission is responsible for identifying and designating the special buildings and sites that represent the architectural, historical and cultural heritage of New York City. The Commission’s Research Department accepts suggestions from the public regarding potential historic resources throughout the five boroughs. If a property appears to rise to the level of significance necessary to be considered for Landmark designation, the agency may conduct additional research, and may recommend it for consideration by the Commission. Please complete all 5 sections of this form. Fields marked with an asterisk (*) are required. An incomplete submission may slow down review of your request. Requests will only be considered if a property is 30 years or older and if it is not already designated as a New York City Individual Landmark. Please be advised that if a property is located within the boundaries of a Historic District or Scenic Landmark, the property is already protected under the full extent of the law. LPC does not regulate the use or occupancy of Landmark buildings and sites. I. SUBMISSION CHECKLIST To request the evaluation of a property’s Landmark eligibility, you must include ALL of the following materials: ☐ Completed Request for Evaluation Application Form (5 sections) ☐ Statement of Significance (on Page 2 of application form) ☐ Current photographs of the site. Photographs should comprehensively reflect current conditions. II. PROPOSED LANDMARK TYPE (Please select ONE of the following) ☐ Individual: The exteriors of individual structures, ranging from farmhouses to skyscrapers.
    [Show full text]
  • ISSUE #5 Pioneer.Cooper.Edu [email protected]
    NOVEMBER 14, 2016 VOLUME 96, ISSUE #5 pioneer.cooper.edu [email protected] COMMUNITY GATHERING IN GREAT HALL MATTHEW GRATTAN (ChE ‘19) On Thursday afternoon, November 10, stu- The open gathering encouraged conver- dents, faculty, and administrators gathered sations between members of the Cooper in The Great Hall to discuss their feelings community and across various disciplines. and reactions towards the tumultuous The small group discussions ranged from presidential election. The idea for the anxiety and uncertainty about the future community gathering—perhaps the first in of this country to strategies on generating this institution’s recent memory—was pro- conversation between politically polarized posed to Dean Chamberlin by Laura Sparks, groups. Easels and markers were placed Cooper Union’s President-elect. The rela- near the entrance of The Great Hall so that tively unstructured event was hosted by participants could express their thoughts the Administrative Chairs of Joint Student in writing. Overall the event accomplished Council and the Student Trustees in collab- its main goal: to provide a place and time oration with the Office of Student Affairs. for students to be supportive of each other. Students, faculty, and administrators gathered for discussion in The Great Hall. On Thursday night, students posted signs protesting Donald Trump in the library windows on the ground Artwork by Zekiel Maloney (Art ‘20) floor of the Foundation Building, but the posters were removed by Friday afternoon. The removal of the posters was an administrative decision. According to library archives assistant Katie Blumenkrantz, “the library strives to be an inclusive space for all Cooper Students.” Photo provided by Cooper Union Library.
    [Show full text]
  • The Early Years of Graphic Design at Yale University Rob Roy Kelly 1989
    The Early Years of Graphic Design at Yale University Rob Roy Kelly An expanded and revised version of the Yale University was the first in this country to establish a degree keynote address presented at the Graphic program in graphic design.1 The term “graphic design” had been Design Education Association Conference, used earlier by professionals including William Dwiggins, Alvin Chicago, Illinois, June 23, 1989. Lustig, Herbert Bayer, Ladislav Sutnar, Lester Beale, and William Golden. During the 1930s, there was a high school program in graphic design at Brooklyn taught by Leon Friend who also co- authored a book titled Graphic Design.2 Alvin Lustig taught a summer course at Black Mountain college called graphic design prior to coming to Yale. Institutions such as Cooper Union, Cranbrook, and the Institute of Design offered courses in graphic design, but not a degree. The Yale pro- gram was unique at the time, and its graduates were instrumental to establishing the profession of graphic design in the United States 1 Yale did not invent graphic design. Its during the 1960s. The origins and early years of graphic design at origins are European and date back to the Yale University are therefore of historic importance. turn of the century. Before the 1960s in The defining years were between 1950 and 1955, when the America, graphic design perhaps was program was established, took shape, and set a course. Between more of a label than a profession, but by 1955 and 1965, it matured, and the majority of graduates moved the 1960s, graphic design was clearly a profession.
    [Show full text]
  • Light, Gesture, and Color, You’Re on Your Way
    Light, Gesture & Color Published by New Riders book team New Riders is an imprint of Peachpit, a division of Pearson Education. CREATIVE DIRECTOR Copyright ©2015 by Kelby Corporate Management, Inc. Felix Nelson All rights reserved. No part of this book may be reproduced or transmitted in any form, by any means, electronic or mechanical, including photocopying, recording, or by any information storage TECHNICAL EDITORS and retrieval system, without written permission from the publisher, except for the inclusion of brief Cindy Snyder quotations in a review. Kim Doty ART DIRECTOR TRADEMARKS Jessica Maldonado All terms mentioned in this book that are known to be trademarks or service marks have been appropriately capitalized. New Riders cannot attest to the accuracy of this information. Use of a ALL PHOTOGRAPHY term in the book should not be regarded as affecting the validity of any trademark or service mark. © Jay Maisel BACK COVER PHOTO WARNING AND DISCLAIMER Stephen Denton This book is designed to provide information about photography. Every effort has been made to COLOR PRODUCTION make this book as complete and as accurate as possible, but no warranty of fitness is implied. SPECIALIST The information is provided on an as-is basis. The author and New Riders shall have neither liability Marco Ugolini nor responsibility to any person or entity with respect to any loss or damages arising from the infor- mation contained in this book or from the use of discs, videos, or programs that may accompany it. ISBN-13: 978-0-13-403226-9 ISBN-10: 0-13-403226-8 9 8 7 6 5 4 3 2 1 www.kelbyone.com www.newriders.com This book is dedicated to Leon Friend, my art teacher at Abraham Lincoln High School in Brooklyn, NY.
    [Show full text]
  • JAY MAISEL 60-YEAR RETROSPECTIVE at MONTH of PHOTOGRAPHY LOS ANGELES 14 Apr 2017
    C HROMALUXE JAY MAISEL 60-YEAR RETROSPECTIVE AT MONTH OF PHOTOGRAPHY LOS ANGELES 14 Apr 2017 B lazing Editions and ChromaLuxe announced today they will sponsor a 60-year retrospective of the work of legendary photographer Jay Maisel. The exhibition will run Jan. 28 – 31 at Space15Twenty in Los Angeles. Exhibit will feature more than 30 photos by Jay Maisel printed by Blazing Editions on ChromaLuxe metal prints. LOUISVILLE, KY – Blazing Editions and ChromaLuxe announced today they will sponsor a 60- year retrospective of the work of legendary photographer Jay Maisel. The exhibition will run Jan. 28 – 31 at Space15Twenty in Los Angeles. All images for the show were printed on ChromaLuxe metal prints by fine art printing company Blazing Editions. The show is an official exhibition of Month of Photography Los Angeles, and attendance is free and open to the public. This exhibition travels to Los Angeles after a successful 2016 showing in New York City. An opening reception will be held on Saturday, Jan. 28 from 6 pm – 9 pm. Jay Maisel will be in attendance and will provide remarks at 7 pm. Request an invitation by visiting: www.blazing.com/jay-maisel.html. “ChromaLuxe is humbled to host this event in honor of Jay Maisel. His use of light and color along with the vibrancy and detail of ChromaLuxe metal prints provide an image of unmatched quality,” said Paul Neumann, CEO of ChromaLuxe parent company, Universal Woods Inc. “The durability and archivability of ChromaLuxe metal prints will ensure that Jay’s work will be enjoyed for generations to come.” After studying painting and graphic design at Cooper Union and Yale, Maisel began his career in photography in 1954.
    [Show full text]
  • To View the National Register of Historic Places Registration Form
    NPS Form 10-900 OMB No. 10024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking “x” in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter “N/A” for “not applicable.” For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer to complete all items. 1. Name of Property historic name The Bowery Historic District other names/site number 2. Location street & number The Bowery, from Chatham Square to Cooper Square [ ] not for publication city or town Manhattan [ ] vicinity state New York code NY county New York code 061 zip code 10003, 10009, 10011, 10012, 10013 & 10018 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this [X] nomination [ ] request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements as set forth in 36 CFR Part 60. In my opinion, the property [X] meets [ ] does not meet the National Register criteria. I recommend that this property be considered significant [ ] nationally [X] statewide [ ] locally.
    [Show full text]
  • JAY MYSELF a film by Stephen Wilkes Before You Can See, You Have to Look
    JAY MYSELF A film by Stephen Wilkes Before you can see, you have to look. WORLD PREMIERE SCREENING, DOC NYC November 11th, 4:30pm Reception at The Bank, 190 Bowery 6:30 - 8:00pm PRESS SCREENING: FRI. NOV. 2, 12:00 PM, IFC Center, 323 6th Ave. at W 3rd St. Producers Contact: Emma Tammi [email protected] 646-209-4951 Bette Wilkes [email protected] 203-984-1572 Sales Contact: Jessica Lacy and Oliver Wheeler, ICM [email protected] 310-550-4316 [email protected] 310-550-4175 Short Synopsis Jay Myself is a documentary feature about renowned photographer and arst, Jay Maisel, who, in February 2015 aer 48 years, begrudgingly sold his home; the 35,000 square‐foot, 100‐year‐old landmark building in Manhaan known simply as “The Bank.” The film documents Jay’s monumental move through the eyes of filmmaker and Jay’s protege, noted arst and photographer Stephen Wilkes. It is through this inmate lens that the viewer is taken on a remarkable journey through Jay’s life as an arst, mentor and man; a man grappling with me, life, change, and the end of an era in New York City. 1 Long Synopsis Jay Myself is a documentary feature about renowned photographer and arst, Jay Maisel, who, in February 2015 aer 48 years, begrudgingly sold his home; the 30,000 square‐foot, 100‐year‐old landmark building in Manhaan known simply as “The Bank.” The film documents Jay’s monumental move through the eyes of filmmaker and Jay’s former associate, arst and photographer, Stephen Wilkes.
    [Show full text]