The Exorcist
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Creative Consultant Teller and Composer Sir John Tavener Help Make the Exorcist a Sensory Feast
CREATIVE CONSULTANT TELLER AND COMPOSER SIR JOHN TAVENER HELP MAKE THE EXORCIST A SENSORY FEAST Director John Doyle’s Creative Team Also Includes Tony Award Winning Scenic/Costume Designer Scott Pask, Lighting Designer Jane Cox and Sound Designer Dan Moses Schreier LOS ANGELES, May 29, 2012 — In addition to an accomplished cast, the Geffen Playhouse’s world premiere stage adaptation of The Exorcist showcases an award-winning design team – including world-renowned creative consultant Teller and internationally acclaimed spiritual composer Sir John Tavener – to bring playwright John Pielmeier’s script and Tony Award winning director John Doyle’s vision to life on stage. The team also includes Tony Award winning scenic/costume designer Scott Pask, lighting designer Jane Cox and sound designer Dan Moses Schreier. Working with Doyle, the design team will be tasked with creating a theatrical experience that engages the senses in a way that is unique to live performance. As the designers create ambiance and atmosphere, the actors taking center stage include Brooke Shields and Richard Chamberlain in the iconic roles of Chris MacNeil and Father Merrin, respectively, as well as Broadway actor David Wilson Barnes as the troubled young priest Father Damien Karras, Tony Award nominee Harry Groener takes on the role of Chris’ charismatic director Burke Dennings and UCLA School of Theater, Film and Television graduate Emily Yetter plays the young Regan MacNeil. The world premiere cast also includes Stephen Bogardus, Manoel Felciano, Tom Nelis and Roslyn Ruff. The Exorcist opens in the Gil Cates Theater at the Geffen Playhouse on July 11, 2012 and runs through August, 12, 2012. -
The Exorcist" - - Textual --Topical Scripture Reading'------Devotional
SATAN SUBJECT CLASSIFICATION: TEXT Deuteronomy 18:9-13 --EXPOSITORY --BIOGRAPHICAL _____________________"THE EXORCIST" - - TEXTUAL --TOPICAL SCRIPTURE READING'---------------- ---DEVOTIONAL DELIVERIES: Date Hour Place Results and Comments: F.B.C. 8-8-82 p.m. San Angelo, TX (XXX+++) F.B.C. p.m. San Angelo, TX (XXXX++++) 5L; lB; 1 Sp. Ser. BIBLIOGRAPHY------------ E.F. CLASSIFICATION: TEXT ---EXPOSITORY "THE EXORCIST" - - BIOGRAPHICAL --- TEXTUAL --TOPICAL SCRIPTURE READING·- ---------- ----- --DEVOTIONAL DELIVERIES: Date Hour Place Results and Comments: FBC 4-21-74 a.m. San Angelo, Texas XXX++++ FBC 8-8-82 p.m. San Angelo, Texas XXX+++ BIBLIOGRAPHY _ I Scripture: Deut.1 8:9-13 '17 · ntro: f the The Exorcist, continues at its present level of success it has every chance of becoming the most widely viewed movie in the world as well as the first billion dollar producer. During its week it grossed $2,000,000. Newsweek, average 9 a day faint ... The movie is based on William Peter Blatty' s book, The Exorcist, which relates a reported experience in 1949 of a demon-possessed 14 year old boy living in Mt. Ranier, Maryland, adjacent to Washington, D. C. Blatty was a student at Georgetown University at that time and attended a series of lectures by a Jesuit R.C . priest, Franci s Galiger, who centered his lectures on a case s tudy of this 14 year old boy. Phillip Hannon, now in Orleans, was in the Washington diocese when the exorcism of the boy was originally performed. The archbishop contends that Blatty has committed a real travisty with the historical facts of the case of the exorcism. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Before-The-Act-Programme.Pdf
Dea F ·e s. Than o · g here tonight and for your Since Clause 14 (later 27, 28 and 29) was an contribution o e Organisation for Lesbian and Gay nounced, OLGA members throughout the country Action (OLGA) in our fight against Section 28 of the have worked non-stop on action against it. We raised Local Govern en Ac . its public profile by organising the first national Stop OLGA is a a · ~ rganisa ·o ic campaigns The Clause Rally in January and by organising and on iss es~ · g lesbians and gay e . e ber- speaking at meetings all over Britain. We have s ;>e o anyone who shares o r cancer , lobbied Lords and MPs repeatedly and prepared a e e eir sexuality, and our cons i u ion en- briefings for them , for councils, for trade unions, for s es a no one political group can take power. journalists and for the general public. Our tiny make C rre ly. apart from our direct work on Section 28, shift office, staffed entirely by volunteers, has been e ave th ree campaigns - on education , on lesbian inundated with calls and letters requ esting informa cus ody and on violence against lesbians and gay ion and help. More recently, we have also begun to men. offer support to groups prematurely penalised by We are a new organisation, formed in 1987 only local authorities only too anxious to implement the days before backbench MPs proposed what was new law. then Clause 14, outlawing 'promotion' of homosexu The money raised by Before The Act will go into ality by local authorities. -
James Riordan RESUME
James Riordan TELEVISION Person Of Interest Guest Star CBS Limitless Co-Star CBS Public Morals Co-Star TNT Law & Order: SVU Co-Star NBC Boardwalk Empire Guest Star HBO The Blacklist Co-Star NBC Damages Recurring DirecTV Untitled Emmerich/Kloser Pilot Guest Star ABC All My Children Recurring ABC Gossip Girl Guest Star CW As The World Turns Recurring (3 years) CBS Law & Order (2 episodes) Guest Star NBC Law & Order: CI Guest Star NBC Loving Contract ABC FILM Choose Supporting IFC Midnight/Rob Ligato The Hoax Supporting Miramax/Lasse Hallstrom BROADWAY Present Laughter Henry, Morris – u/s St. James/M. von Stuelpnagel Jerusalem Frank Whitworth Music Box/Ian Rickson The Elephant Man (w/ Billy Crudup) Lord John/Will The Royale/Sean Mathias Dance Of Death (w/ Helen Mirren & Ian McKellen) Kurt - standby Broadhurst/Sean Mathias Noises Off! Lloyd/Freddie - standby Brooks Atkinson/Jeremy Sams OFF-BROADWAY (selected) Donogoo Lamendin (lead) Mint Theater Lovers Andy (lead) TACT/Beckett Theatre Our Leading Lady John Wilkes Booth MTC/Lynne Meadow, dir. The Countess John Ruskin (lead) Lambs Theater Christie In Love Constable Tom Circle In The Square REGIONAL THEATER (selected) His Girl Friday McCue Barrington Stage Company Present Laughter Morris Two River Theater The Seagull Trigorin The Cleveland Playhouse The Suicide Semyon Wilma Theater Humana Festival 2 Seasons Actors Theater of Louisville Real Dreams B.T. The Cleveland Playhouse Bovver Boys Gene The Cleveland Playhouse On The Waterfront Specs The Cleveland Playhouse TRAINING/SKILLS MFA Temple University; Dialects: British, Australian, Southern, Irish, Learns dialects quickly . -
Dermot Crowley
Dermot Crowley Agents Lindy King Associate Agent Joel Keating [email protected] 0203 214 0871 Assistant Tessa Schiller [email protected] Lucia Pallaris Assistant [email protected] Eleanor Kirby +44 (0) 20 3214 0909 [email protected] Roles Television Production Character Director Company PENNYWORTH (Series 2) Archbishop Potter Danny Cannon Warner Horizon / Epix LIAR (Series 2) Henry Neilson Chris Sweeney ITV HUNTED George Ballard Various Cinemax LUTHER (Series 1 - 5) Martin Schenk Various BBC HARD SUN Father Dennis BBC Chapman THE COLLECTION Edgar Stoddard Dearbhla Walsh | Pinewood Films Dan Zeff No.14 Ltd BORGIA King Ferdinand Film United D'Argon United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company FATHER FIGURE Pat Various BBC 1 RAW Dan Kelly Charlie McCarthy Octagon Films Extensive credits include: MARGARET Airey Neave James Kent BBC NEW TRICKS Derek Bennett Julian Simpson Wall to Wall / BBC KINGDOM Mr. Matthews Edward Hall Sprout FOYLE'S WAR Henry Townsend Tristram Powell Greenlit HG WELLS: WAR WITH THE George Bernard Shaw James Kent Wall to Wall WORLD MIDSOMER MURDERS Peter Hatchard Renny Rye Bentley Productions BLEAK HOUSE Mr. Vholes Justin Chadwick BBC SPOOKS Eric Newland Justin Chadwick BBC TRIAL AND RETRIBUTION Dr. Taylor Asling Walsh La Plante Productions HELEN WEST Philip Carlton Justin Chadwick Arrowhead MURDER ROOMS Elkins Tim Fywell BBC A TOUCH OF FROST Bennet Roger -
Hommage2020 Broschuere.Pdf
20191227_LogobalkenA5HF_148x17_RZ.indd 1 27.12.19 16:26 70. Internationale Filmfestspiele Berlin EInE KlassE Für sIch hommagE an hElEn mIrrEn Victoria tritt als die elegante, coole und standfeste Krisenmanagerin, die Harry mit etwas blasierte Blondine an der Seite des einer Ohrfeige zur Besinnung bringt und bulligen Londoner Gangsters Harry auf, ihm sagt, was zu tun ist, als er die Nerven der versucht, sich mithilfe der amerika verliert; dann, nachdem er sich beruhigt nischen Mafia ein legales Leben aufzu hat, bietet sie ihm die starke Schulter zum bauen. Auf den ersten Blick folgt The Long Anlehnen. Good Friday (1980) damit der klassischen Rollenverteilung, die der Gangsterfilm seit Ein perfektes Beispiel für ein auf den Kopf seiner Erfindung vorgesehen hat – wäre gestelltes Klischee und die Art, wie Helen da nicht Helen Mirren, die den Namen ih Mirren neuen Frauen fi gu ren im Kino den rer Figur ernst nimmt. Denn Victoria ist Weg geebnet hat. Denn die Figur war ur alles andere als dekoratives Beiwerk: zu sprünglich von Regisseur John Macken nächst erweist sie sich als smarte und zie ganz eindimen sional angelegt – ein 1 Anhängsel. Sie sei am Set eine ziemliche wird Superintendent, aber nie ist sie wirk Nervensäge gewesen, sagte Helen Mirren lich so hart, wie sie sich gibt. Der Weg ist später, und musste sich und ihrer Figur steinig, sie wird angefeindet, ihr Privat einen zentralen Platz in der Geschichte leben leidet unter der Arbeit. Tennison erst erkämpfen. Die Rolle prägte Helen wurde zu dem Vorbild für weibliche Fern Mirrens weitere Arbeit: „Jetzt hört man sehdetek tive der Gegenwart, und sie hält auf mich. -
Natalie Klamar
Natalie Klamar Theatre Title Role Director Producer Nora: A Doll's House Nora 2/ Christine 1 Elizabeth Freestone The Young Vic Wilderness Anne Anna Ledwich Hampstead Keith? Roxy Oscar Pearce Arcola Richard II Carlisle/Blunt/Torturer 3 Joe Hill-Gibbins Almeida Prom Kween Lexi Rebecca Humphries Õine Flanagan Productions Othello Desdemona Ellen McDougall The Globe Cleansed The Woman Katie Mitchell National Theatre Future Conditional Suzy Matthew Warchus Old Vic I Want My Hat Back Snake/Ensemble Wils Wilson National Theatre This May Hurt A bit Various Max Stafford Clark Out of Joint The Cherry Orchard Vanya Katie Mitchell Young Vic King John Blanche Maria Aberg RSC Hamlet Courtier/Student/Player David Farr RSC As You like It Phoebe (understudy Celia) Maria Aberg RSC All's Well That Ends Well Diana Nancy Meckler RSC Richard III Company Roxanna Silbert RSC A Soldier In Every Sense Zilamiauh/Citali Roxanna Silbert RSC Town Mary Esther Richardson Royal & Derngate The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Breakfast At Tiffany's Maddy Munson (Understudy Holly)Sean Mathias Theatre Royal Haymarket The Changeling Beatrice-Joanna James Kerr LAMDA Antigone Antigone Mark Bell LAMDA The Country Wife Margery Pinchwife Rodney Cottier LAMDA Uncle Vanya Sonya Colin Crook LAMDA Breaking Barriers In Burnley Wendy Max Stafford Clark LAMDA Blue Remembered Hills Audrey Stephen Jameson LAMDA Pericles Marina Rodney Cottier LAMDA Television Title Role Director Producer War of the Worlds (Series 2) Tamar Ben A. Williams Epix Salisbury Tracy Holloway Saul Dibb BBC 2/ Dancing Ledge Patrick Melrose Becky Edward Berger Little Island Productions Vera Meryl John Hayes ITV Grantchester Ann Rebecca Gatward ITV Holby City Kelly Jennie Darnell BBC Midsomer Murders Esme Simon Langton Bentley Productions Misfits Daisy Owen Harris Clerkenwell Films Doctors Becky Cameron Daniel Wilson BBC The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456. -
PAUL GRUNERT Representation: Alexandra Mclean-Williams
PAUL GRUNERT Representation: Alexandra McLean-Williams Playing Age: 50-60 Height: 5’10” Eyes: Blue Location: West Sussex/Surrey/Milton Keynes FILM WALL STREET 2 – Barber 20th Century Fox Oliver Stone DEATH DEFYING ACTS – Hotel Manager BBC Films Gillian Armstrong TELEVISION MADAME MANHATTAN – Mr. Watkins MVD TV Michael Doane SPOOKS – Nicholas Faures BBC Brendan Maher MIDSOMER MURDERS – Bentley Productions Sarah Hellings Freddie Greenaway THERE’S A VIKING IN MY BED – BBC Television Various Mr. Bradshaw GOODNIGHT SWEETHEART – Alamo Various Sid Potter C.I.T.V GOGGLES FAMILY – Dad London Weekend Television John Morgan FAITH IN THE FUTURE – Garage Boss London Weekend Television Sylvie Boden ALL NIGHT LONG – Wally/Taxi Driver BBC Television Harold Snoad SECOND THOUGHTS – TV Director London Weekend Television Sylvie Boden THE BILL – Reg Thames Television Derek Lister BAD PENNY – Multiple Roles BBC Television Martin Hughes STAGE SINGLE SPIES – Restorer/Shop Assistant Chichester & UK Tour Rachel Kavanaugh CYRANO DE BERGERAC – Ragueneau Chichester Festival Theatre Sir Trevor Nunn ALADDIN – Emperor of China The Old Vic Sean Mathias HIS GIRL FRIDAY – Kruger Royal National Theatre Jack O’Brian Continued Unit F22B, Parkhall Business Centre, 40 Martell Road, London SE21 8EN T +44 (0) 203 567 1090 E [email protected] www.mclean-williams.com Registered in England Number: 7432186 Registered Office: C/O William Sturgess & Co, Burwood House, 14 - 16 Caxton Street, London SW1H 0QY PAUL GRUNERT continued LOVE’S LABOUR’S LOST – Sir Nathaniel Royal National -
The Exorcist Script
HorrorLair - The Exorcist Script THE EXORCIST EXTERIOR- IRAQ- EXCATVATION SITE- NINEVEH- DAY Pickaxes and shovels weld into the air as hundreds of excavators tear at the desert. The camera pans around the area where hundreds of Iraqi workmen dig for ancient finds. The caption Northern Iraq appears at the bottom of the screen as the digging continues. The camera then follows a young boy running bare foot over the rocky mounds. He comes to a stop and the camera is positioned in between the boys legs looking at and aging man also digging. YOUNG BOY (In Iraqi language) They've found something... small pieces. MERRIN (In Iraqi language) Where? YOUNG BOY (In Iraqi language) At the base of the mound. The boy runs off and the old man pulls himself to his feet to follow. The old man walks to the base of the mound where another man who looks in command is there to greet him. MAN (In Iraqi language) Some interesting finds. Lamps, arrow-heads, coins... The old man picks up an old pendant and holds it up. MERRIN (In Iraqi language) This is strange! The man dusts the pendant and takes a look. MAN (In Iraqi language) Not of the same period. The old man reaches into a hole in the rock, moving and re- arranging small rocks to see what he can find. He grabs a pickaxe and scrapes out a small sculpted piece of rock crushed into another. The man takes a dust brush from the man's pocket and http://www.horrorlair.com/scripts/exorcist.html (1 of 80)6/15/2009 9:54:52 PM HorrorLair - The Exorcist Script brushes some dust from the sculpted rock. -
Georgetown Retaining Wall/Exorcist Steps
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: ____Georgetown Retaining Wall/Exorcist Steps_______________________ Other names/site number: ______________________________________ Name of related multiple property listing: ______N/A_____________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: __Square 1202, Lot 840; East of Reservation 392__________________ City or town: _Washington________ State: __DC__________ County: ____________ Not For Publication: Vicinity: ____________________________________________ ________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination ___ request for determination of eligibility meets the documentation standards