Notes on the Zohar in English Don Karr
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The Concept of Infinity (Eyn-Sof ) and the Rise of Theosophical Kabbalah
T HE J EWISH Q UARTERLY R EVIEW, Vol. 102, No. 3 (Summer 2012) 405–430 The Concept of Infinity (Eyn-sof )andthe Rise of Theosophical Kabbalah SANDRA VALABREGUE-PERRY THIS ESSAY DISCUSSES the rise of theosophical Kabbalah in light of the development of the notion of infinity. Arguing that the origin of the theosophic notion of infinity goes back to Sefer yetsirah, I will analyze its applications in early sources and in Sefer yetsirah’s medieval philosophical commentaries up to its theosophical commentaries in Kabbalah. In these theosophical texts we encounter a concept of God as infinite dimension, where emanation is primarily understood as an infinite essence in expan- sion. This essay sets out to demonstrate how this theosophical infinite God has emerged from the multidirectional expansion of the sefirot in Sefer yetsirah. The very movement from the sefirot to God himself and from the cosmological to the theosophical was made possible by two major shifts. The first depends on the understanding of the sefirot as divine, thus as infinite; and the second, in the shift from the multidirectional expansion to a unidirectional and vertical one. This argument leads, therefore, to a new understanding of Eyn-sof and its role in theosophic Kabbalah. It will reflect, as well, upon the relation between Kabbalah and philosophy. After some short methodological remarks, I will examine the concept of Eyn-sof in early Jewish sources and notably in Sefer yetsirah. Then, in order to understand the novelty of theosophical Kabbalah, I will analyze the philosophical interpretations of Eyn-sof in the philosophical commen- taries of Sefer yetsirah. -
Conceptualizations of Tzimtzum in Baroque Italian Kabbalah
Conceptualizations of Tzimtzum in Baroque Italian Kabbalah Moshe Idel Abstract The paper will survey the ways in which three Kabbalists active in Italy at the end of the 16th and early 17th centuries transformed the Lurianic concept of divine contraction: Menahem Azariah of Fano, Joseph Shlomo of Candia, and Abraham Herrera. The main point of this essay is to analyze the contribution of philosophical concepts to the inter- pretion of Luria’s mythopoeic method. Tzimtzum: A Constellation of Ideas The concept of tzimtzum, understood as divine contraction, or alternatively, as divine withdrawal when it refers to the first act of the theogonic/cosmo- gonic process, has enjoyed a distinguished career in Kabbalistic texts and their scholarship.1 Earlier scholars believed tzimtzum was an original contribution 1 See, e.g., David Neumark, Toledot ha-Filosofiah be-Yisrael, vol. 1, 1921 (New York: A.Y. Shtibl, 1971), 179–80; Gershom Scholem, Origins of the Kabbalah, trans. Allan Arkush, ed. R.Z.J. Werblowsky, (Princeton, NJ: Princeton University Press, 1987), 449–50; idem, Major Trends in Jewish Mysticism, (New York: Schocken Books, 1960), 260–64, especially 411 n. 51, 412 n. 77; idem, Kabbalah ( Jerusalem: Keter, 1974), 129–35; Lawrence Fine, Physician of the Soul, Healer of the Cosmos: Isaac Luria and His Kabbalistic Fellowship (Palo Alto, CA: Stanford University Press, 2003), 128–31; Daphne Freedman, Man and the Theogony in the Lurianic Kabbalah (Pistakaway, NJ: Gorgias Press, 2006), 27–42; Joseph Avivi, Kabbalah Luriana, vol. 3 ( Jerusalem: Ben Zvi Institute, 2008), 1184–88; Christoph Schulte, “Zimzum in the Works of Schelling,” Iyyun 41 (1992): 21–40; idem, “Zimzum in der Kabbala Denudata,” Morgen-Glantz 7 (1997): 127–40; idem, “Zimzum in European Philosophy, A Paradoxical Career,” in Jewish Studies in a New Europe: Proceedings of the Fifth Congress of Jewish Studies in Copenhagen 1994 under the Auspices of the European Association for Jewish Studies, ed. -
Zohar and Iamblichus by Yehuda Liebes
Zohar and Iamblichus By Yehuda Liebes Moshe Idel, my friend and colleague, has reshaped our understanding and image of Cabbala in many ways. One of the major themes of his research is the Hermetic and Neo-Platonic mystical-magical complex of praxis and ideas, dealing with drawing down spiritual forces from supernal entities. Idel dedicated to it much research, demonstrating the major role this theme played in Jewish mysticism and its development from Cabbala to Hasidism. 1 In the following article, dedicated to Idel and to our friendship, I'd like to make some contribution to this research, by establishing a possible literary connection between a paragraph dealing with this theme in the Zohar , the Cabbalistic 'Bible' (written in thirteenth century Spain), and a passage from Iamblichus, the Syrian philosopher of the third and fourth century of the Christian era, the foremost representative of Hermeticism and theurgy within the Neo-Platonic philosophical school. In propounding its lore about idolatry and magic, the Zohar does not pretend to be original. It refers explicitly to its sources, saying: Come and see: If a person is drawn toward the blessed Holy One – his desire pursuing Him in this world – then afterward, when he departs, he 1 Moshe Idel, Hasidism – Between Ecstasy and Magic , SUNY, Albany 1994. See also Moshe Idel, 'The Magical and Neoplatonic interpretations of the Kabbalah in the Renaissance', Jewish Thought in the sixteenth Century (ed. Bernard D. Coopermann), Harvard University Press 1983, pp. 186-242; Moshe Idel, 'Hermeticism and Judaism', Hermeticism and Renaissance (eds. Merkel & Debus), Associated University Presses, 1988, pp. -
1 Beginning the Conversation
NOTES 1 Beginning the Conversation 1. Jacob Katz, Exclusiveness and Tolerance: Jewish-Gentile Relations in Medieval and Modern Times (New York: Schocken, 1969). 2. John Micklethwait, “In God’s Name: A Special Report on Religion and Public Life,” The Economist, London November 3–9, 2007. 3. Mark Lila, “Earthly Powers,” NYT, April 2, 2006. 4. When we mention the clash of civilizations, we think of either the Spengler battle, or a more benign interplay between cultures in individual lives. For the Spengler battle, see Samuel P. Huntington, The Clash of Civilizations and the Remaking of World Order (New York: Simon & Schuster, 1996). For a more benign interplay in individual lives, see Thomas L. Friedman, The Lexus and the Olive Tree (New York: Farrar, Straus, Giroux, 1999). 5. Micklethwait, “In God’s Name.” 6. Robert Wuthnow, America and the Challenges of Religious Diversity (Princeton, NJ: Princeton University Press, 2005). “Interview with Robert Wuthnow” Religion and Ethics Newsweekly April 26, 2002. Episode no. 534 http://www.pbs.org/wnet/religionandethics/week534/ rwuthnow.html 7. Wuthnow, America and the Challenges of Religious Diversity, 291. 8. Eric Sharpe, “Dialogue,” in Mircea Eliade and Charles J. Adams, The Encyclopedia of Religion, first edition, volume 4 (New York: Macmillan, 1987), 345–8. 9. Archbishop Michael L. Fitzgerald and John Borelli, Interfaith Dialogue: A Catholic View (London: SPCK, 2006). 10. Lily Edelman, Face to Face: A Primer in Dialogue (Washington, DC: B’nai B’rith, Adult Jewish Education, 1967). 11. Ben Zion Bokser, Judaism and the Christian Predicament (New York: Knopf, 1967), 5, 11. 12. Ibid., 375. -
Scanning of Gershom Scholem's Milon Hazohar Card Index Yehuda Liebes the Zohar Is Among the Preeminent Spiritual Works of All Time
1 Scanning of Gershom Scholem's Milon HaZohar Card Index Yehuda Liebes The Zohar is among the preeminent spiritual works of all time. Its history attests to its importance: within three hundred years of its creation (at the end of the 13th century) it had become the central text Kabbalistic text. The Kabbalists regarded it as an authoritative source, a model to be emulated, and an interpretive subject. One might venture to say that the most important Kabbalistic traditions, such as those of Moses ben Jacob Cordovero (the Ramak), Rabbi Isaac Luria (the Ari) and the Vilna Gaon, were nothing if not interpretations of the Zohar, from whence they derived their vitality. Gershom Scholem (1897-1982), the father of Kabbala scholarship, followed suit and made the Zohar the focus of his endeavors, both because of its critical importance in the history of Kabbala, and in deference to its essential attributes. This much is evident from Scholem's seminal work, his treatise in English on the major trends in Jewish mysticism.1 In this book Scholem describes seven major streams of Jewish mysticism, among them the Zohar. However, while the other six streams of mysticism each have a chapter devoted to them, the Zohar has two. The first of these deals with the Zohar and its authorship, the second with its theosophy. The titles of these chapters also indicate Scholem's primary interests as a researcher. On the one hand there is the book's theosophy, which he saw as the most important feature of the Zohar and of Kabbalistic doctrine in general.2 On the other -
Interpreting Diagrams from the Sefer Yetsirah and Its Commentaries 1
NOTES 1 Word and Image in Medieval Kabbalah: Interpreting Diagrams from the Sefer Yetsirah and Its Commentaries 1. The most notorious example of these practices is the popularizing work of Aryeh Kaplan. His critical editions of the SY and the Sefer ha Bahir are some of the most widely read in the field because they provide the texts in Hebrew and English with comprehensive and useful appendices. However, these works are deeply problematic because they dehistoricize the tradi- tion by adding later diagrams to earlier works. For example, in his edition of the SY he appends eighteenth-century diagrams to later versions of this tenth-century text. Popularizers of kabbalah such as Michael Berg of the Kabbalah Centre treat the Zohar as a second-century rabbinic tract without acknowledging textual evidence to the contrary. See his introduction to the Centre’s translation of the Zohar: P. S. Berg. The Essential Zohar. New York: Random House, 2002. 2. For a variety of reasons, kabbalistic works were transmitted in manuscript form long after other works, such as the Hebrew Bible, the Talmud, and their commentaries were widely available in print. This is true in large part because kabbalistic treatises were “private” works, transmitted from teacher to student. Kabbalistic manuscripts were also traditionally transmitted in manuscript form because of their provenance. The Maghreb and other parts of North Africa were important centers of later mystical activity, and print technology came quite late to these regions, with manuscript culture persisting well into the nineteenth, and even into the mid- twentieth century in some regions. -
Parasha Meditation Vayetze
בס”ד Parasha Meditation Vayetze Bereishit 28:10-32:3 By Rebbetzin Chana Bracha Siegelbaum Stepping Inwards on the Ladder of Ascent Introduction: וַיַּחֲ �ם וְהִנֵּה סֻלָּם מֻצָּב אַרְ צָה וְרֹאשׁוֹ מַגִּיעַ הַשָּׁמָיְמָה וְהִנֵּה מַלְאֲכֵי אֱ�הִים עֹלִים וְיֹרְ דִים בּוֹ: (בראשית פרק כח, פסוק יב) 1 “He dreamed, and behold a ladder is standing on the earth, but its head reaches heaven…”0F The metaphor of Ya’acov’s ladder lends itself to profound meditation. The ladder symbolizes the connection that links earth to heaven, matter below to spirit Above, and us to G*d. Keeping our Head in Heaven with our Feet on the Ground Netivat Shalom explains that this world is like a ladder standing on the earth, while its head reaches heaven. Through being involved with earthly matters, we can reach the very highest level, until our “head reaches heaven.” We have the opportunity to elevate ourselves and cleave to Hashem, specifically by elevating the earthly lowly matters towards heavenly levels. The Torah verse also teaches us, that even when we are involved in matters of this world, we mustn’t forget to keep our head in heaven. When we really desire to elevate the physical and bring heaven down to earth, then Hashem will watch over us and help us. We learn this from the 2 3 Behold, Hashem was standing over him,”1F – to guard him.2F“ – ”וְהִנֵּה הַ שֵ ם נִצָּב עָלָיו“ following verse 4 When we desire to sanctify ourselves, Hashem will guard us with a protection beyond nature.3F The Ladder Within Ya’acov’s ladder teaches us about how our relationship with Hashem in truth is a relationship with our own inner core. -
Full Details of the Hamakom Jewish Mindfulness Meditation Retreat
Full Details of the HaMakom Jewish Mindfulness Meditation Retreat Friday 27 – Monday 30 May, 2016 INTRODUCTION A unique weekend dedicated to the practice of Jewish Mindfulness Meditation and the deepening of our wellbeing and spiritual lives with Rabbi Dr James Jacobson Maisels, one of the world’s leading Jewish Mindfulness Meditation Teachers. Together we will explore how the practice of meditation helps us to understand better the nature of our minds and to cultivate the qualities of wellbeing, contentment, gratitude, forgiveness, compassion and wisdom. Daily instruction in meditation will help guide both beginning and advanced practitioners into the sacred space of the retreat process. There will also be times for questions and answers, as well as small group and private interviews with the instructors. The week will include a deep celebration of Shabbat, followed by a chance to hear of each other’s experience as the retreat comes to a close. The retreat also includes daily periods of prayer, chant and Qi Gong. The form of prayer consists of chanting excerpts from the liturgy interspersed with silence. Those who follow traditional rules for davvening will be able to pray separately to fulfil their obligations. All activities are optional. We welcome people of all ages and of all faiths and none. Suitable for beginners and experienced practitioners. COSTS, ACCOMODATION & FOOD HaMakom endeavours to keep costs as low as possible and aims to be accessible to everyone, regardless of financial circumstances. The price of our retreats is set to reflect just the basic costs of arranging the retreat and includes kosher vegetarian meals and basic, shared accommodation in dormitories at Skeet House Jewish Retreat Centre. -
A Whiteheadian Interpretation of the Zoharic Creation Story
A WHITEHEADIAN INTERPRETATION OF THE ZOHARIC CREATION STORY by Michael Gold A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, Florida May 2016 Copyright 2016 by Michael Gold ii ACKNOWLEDGMENTS The author wishes to express sincere gratitude to his committee members, Professors Marina Banchetti, Frederick E. Greenspahn, Kristen Lindbeck, and Eitan Fishbane for their encouragement and support throughout this project. iv ABSTRACT Author: Michael Gold Title: A Whiteheadian Interpretation of the Zoharic Creation Story Institution: Florida Atlantic University Dissertation Advisor: Dr. Marina P. Banchetti Degree: Doctor of Philosophy Year: 2016 This dissertation presents a Whiteheadian interpretation of the notions of mind, immanence and process as they are addressed in the Zohar. According to many scholars, this kabbalistic creation story as portrayed in the Zohar is a reaction to the earlier rabbinic concept of God qua creator, which emphasized divine transcendence over divine immanence. The medieval Jewish philosophers, particularly Maimonides influenced by Aristotle, placed particular emphasis on divine transcendence, seeing a radical separation between Creator and creation. With this in mind, these scholars claim that one of the goals of the Zohar’s creation story was to emphasize God’s immanence within creation. Similar to the Zohar, the process metaphysics of Alfred North Whitehead and his followers was reacting to the substance metaphysics that had dominated Western philosophy as far back as ancient Greek thought. Whitehead adopts a very similar narrative to that of the Zohar. -
Bronstein: Kaballah and Art
Studies in Visual Communication Volume 7 Issue 2 Spring 1981 Article 8 1981 Bronstein: Kaballah and Art Laurin Raiken New York University School of the Arts and the Gallatin Division Recommended Citation Raiken, L. (1981). Bronstein: Kaballah and Art. 7 (2), 89-93. Retrieved from https://repository.upenn.edu/ svc/vol7/iss2/8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/svc/vol7/iss2/8 For more information, please contact [email protected]. Bronstein: Kaballah and Art This reviews and discussion is available in Studies in Visual Communication: https://repository.upenn.edu/svc/vol7/ iss2/8 Reviews and Discussion 89 to history; his writing, a pathway to a new set of doors into a living , visual history of ideas. Leo Bronstein. Kaballah and Art. Kabbalah and Art is an achievement of Leo Bron Distributed for Brandeis University Press by the stein's maturity. Earlier he had written: University Press of New England, Box 979, Hanover, Maturity is the discovery of childhood 's prophecy. History is N.H. 03755, 1980. 144 pp. , 49 illustrations (one in the discovery of prehistory's prophecy. Freedom or integrity color). $20.00 (cloth). of expression in maturity depends upon the degree of loyalty to this prophecy. [ibid .:ix] Reviewed by Laurin Raiken Kabbalah and Art begins with Leo Bronstein's invit New York University School of the Arts and the Gallatin ing the reader to recognize that our rare meetings with Division "an object of life and creation" are our meeting with friendship. Such an encounter is "the meeting with ...as ibn Latif, the Spanish poet-Kabbalist of the early your spirituality" (p. -
1 I Have Been Reading Several Most Interesting Chapters on the Thinking of Roberto Assagioli, the Father of Transpersonal Psycho
I have been reading several most interesting chapters on the thinking of Roberto Assagioli, the father of Transpersonal Psychology, as related to Kabbalah. These appear in "Opening the Inner Gates: New Paths in Kabbalah and Psychology" edited by Edward Hoffman. One chapter entitled "Psychosynthesis and Kabbalah" is a comparative study between Assagioli's "Egg diagram" and the Kabbalistic Tree of Life. It is certainly most interesting with lots of practical information, but it is in another chapter entitled "Jewish Meditation: Healing Ourselves and Our Relationship" that one realizes the influence of Kabbalistic thinking had on Assagioli. Here is a quote for your interest and perusal from that very exciting chapter written by Sheldon Z. Kramer. "The Zohar, a major Kabbalistic text, states that the soul has three strands. These three strands are compared to a candle flame. The first part of the candle flame is located near the wick and reflects a black and blue light that is always changing. This lower light is considered the nefesh, or animal soul. The nefesh may be likened to Sigmund Freud's idea of the id, ego, and superego: it is those parts of the personality that are always in flux, owing to inner or outer reactivity based on internal and external desires. Contained within the animal soul is also a variety of different ego identifications based on early childhood experiences that forms one's personality, such as 'the ambitious one,' 'the procrastinator,' or 'the frightened child.' Located directly above the black and blue light is a steady yellow glow in the center of the flame; this section is called the ruach, the divine wind, breath, or spirit. -
Elements of Jewish Meditation
ELEMENTS OF JEWISH MEDITATION Introduction Jewish meditation is an ancient tradition that elevates Jewish thought, inspires Jewish practice, and deepens Jewish prayer. In its initial stages, Jewish meditation is a way to become more focused and aware. It enables the meditator to free the mind of all judgments, fears, doubts, and limiting ideas so that the voice of the soul is heard. With practice, the experience can be transformational, opening us to experience the Divine Presence during prayer, helping us discover deeper meaning in our lives, and connecting us spiritually to Jewish tradition. Jewish meditation can ultimately lead us to understand the true essence of Y-H-V-H through the practice of deeds of loving kindness and joyful compassion. Through meditation we can become attentive to the Divine imprint on our lives. I hope that Jewish meditation will become your practice for the rest of your life. It takes time to develop and refine a meditation practice. In this process it is useful to have a spiritual partner with whom you can explore the wondrous moments and the difficult ones. It is also important to keep a journal, where you write your thoughts down after each meditation and share them with your spiritual partner. Over the years Jewish meditation can lead to great spiritual transformation. What is Jewish Meditation? Jewish meditation is based in Jewish mysticism, a tradition present throughout Jewish history with strong ties to traditional Judaism. Jewish mysticism seeks to answers basic questions of life, such as the nature of God, the meaning of creation, and the existence of good and evil.