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OAKLAND KAJUKENBO KWOON TRAINING MANUAL EDITION 3.0 September 2016
OAKLAND KAJUKENBO KWOON TRAINING MANUAL EDITION 3.0 September 2016 THROUGH THIS FIST WAY, ONE GAINS LONG LIFE AND HAPPINESS OAKLAND KAJUKENBO : MANUAL : EDITION 3.0 catrina marchetti photography © 2015 photography catrina marchetti TABLE OF CONTENTS Family Members, How to use this manual ..........................2 Students, How to use this manual .................................3 School, Teachers, and Lineage .....................................4 History and Philosophy. .7 The Warrior’s Code ...............................................18 The Five Fingers of Self Defense ..................................19 The Oakland Kajukenbo Kwoon Dedication .......................19 Training Practices ................................................20 Kajukenbo Material ..............................................22 Ranking .........................................................39 Questions to think about when preparing for a belt test ...........50 Questions to ask yourself before learning a new form .............52 Glossary .........................................................54 www.oaklandkajukenbo.com 1 OAKLAND KAJUKENBO : MANUAL : EDITION 3.0 HOW TO USE THIS MANUAL FOR OAKLAND KAJUKENBO KWOON ADULT FAMILY MEMBERS This manual has been developed to help the Kajukenbo students in your family to build a strong foundation of self-reflection and self-training. The following are some ideas about how to use the manual: Help Oakland Kajukenbo students to keep track of their copy of the manual and always have it with them when they are at all their Kajukenbo classes and special events. Read through the manual yourself to understand how it is organized and to become familiar with the subject matter. Read through the manual with your family and talk together about the topics it brings up. Share ideas with other families about how to make the training manual easy to find and easy to use. Talk to Sigung and other instructors if you have questions or comments about the manual and the philosophy it reflects. -
Democratic Paralysis and Potential in Post-Umbrella Movement Hong Kong Copyrighted Material of the Chinese University Press | All Rights Reserved Agnes Tam
Hong Kong Studies, Vol. 1, No. 1 (Spring 2018), 83–99 In Name Only: Democratic Paralysis and Potential in Post-Umbrella Movement Hong Kong Copyrighted Material of The Chinese University Press | All Rights Reserved Agnes Tam Abstract The guiding principle of the 1997 Handover of Hong Kong was stability. The city’s status quo is guaranteed by Article 5 of the Basic Law, which stipulates the continued operation of economic and political systems for fifty years after the transition from British to Chinese sovereignty. Since the Handover, the Standing Committee of the National People’s Congress (NPCSC) have imposed purposive interpretations on the Basic Law that restrict Hongkongers’ civil participation in local politics. Some official documents of Hong Kong, such as court judgments and public statements, show how the Hong Kong government avails itself to perpetuate such discursive violence through manipulating a linguistic vacuum left by translation issues in legal concepts and their cultural connotations in Chinese and English languages. Twenty years after the Handover, the promise of stability and prosperity in fifty years of unchangedness exists in name only. Highlighting this connection, this article exemplifies the fast-disappearing space for the freedom of expression and for the nominal status quo using the ephemeral appearance of a light installation, Our 60-Second Friendship Begins Now. Embedding the artwork into the skyline of Hong Kong, the artists of this installation adopted the administration’s re-interpretation strategy and articulated their own projection of Hong Kong’s bleak political future through the motif of a count- down device. This article explicates how Hongkongers are compelled to explore alternative spaces to articulate counter-discourses that bring the critical situation of Hong Kong in sight. -
Houqua and His China Trade Partners in the Nineteenth Century
Global Positioning: Houqua and His China Trade Partners in the Nineteenth Century The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Wong, John. 2012. Global Positioning: Houqua and His China Trade Partners in the Nineteenth Century. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9282867 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2012 – John D. Wong All rights reserved. Professor Michael Szonyi John D. Wong Global Positioning: Houqua and his China Trade Partners in the Nineteenth Century Abstract This study unearths the lost world of early-nineteenth-century Canton. Known today as Guangzhou, this Chinese city witnessed the economic dynamism of global commerce until the demise of the Canton System in 1842. Records of its commercial vitality and global interactions faded only because we have allowed our image of old Canton to be clouded by China’s weakness beginning in the mid-1800s. By reviving this story of economic vibrancy, I restore the historical contingency at the juncture at which global commercial equilibrium unraveled with the collapse of the Canton system, and reshape our understanding of China’s subsequent economic experience. I explore this story of the China trade that helped shape the modern world through the lens of a single prominent merchant house and its leading figure, Wu Bingjian, known to the West by his trading name of Houqua. -
Portfolio Investment Opportunities in China Democratic Revolution in China, Was Launched There
Morgan Stanley Smith Barney Investment Strategy The Great Wall of China In c. 220 BC, under Qin Shihuangdi (first emperor of the Qin dynasty), sections of earlier fortifications were joined together to form a united system to repel invasions from the north. Construction of the Great Wall continued for more than 16 centuries, up to the Ming dynasty (1368–1644), National Emblem of China creating the world's largest defense structure. Source: About.com, travelchinaguide.com. The design of the national emblem of the People's Republic of China shows Tiananmen under the light of five stars, and is framed with ears of grain and a cogwheel. Tiananmen is the symbol of modern China because the May 4th Movement of 1919, which marked the beginning of the new- Portfolio Investment Opportunities in China democratic revolution in China, was launched there. The meaning of the word David M. Darst, CFA Tiananmen is “Gate of Heavenly Succession.” On the emblem, the cogwheel and the ears of grain represent the working June 2011 class and the peasantry, respectively, and the five stars symbolize the solidarity of the various nationalities of China. The Han nationality makes up 92 percent of China’s total population, while the remaining eight percent are represented by over 50 nationalities, including: Mongol, Hui, Tibetan, Uygur, Miao, Yi, Zhuang, Bouyei, Korean, Manchu, Kazak, and Dai. Source: About.com, travelchinaguide.com. Please refer to important information, disclosures, and qualifications at the end of this material. Morgan Stanley Smith Barney Investment Strategy Table of Contents The Chinese Dynasties Section 1 Background Page 3 Length of Period Dynasty (or period) Extent of Period (Years) Section 2 Issues for Consideration Page 65 Xia c. -
Meihuaquan E Shaolinquan, Intrecci Leggendari
Questo articolo è un estratto del libro “ Il Meihuaquan: una ricerca da Chang Dsu Yao alle origini ” di Storti Enrico e altri Presentazione: Oggi questo testo rimane la testimonianza di un indagine che nuovi studi rendono un po’ datata. In particolare sempre più evidente è anche l’intreccio del Meihuaquan con la religione Buddista oltre che con quella Taoista e con il Confucianesimo. Resta invece mitologico il legame con il Tempio Shaolin ed il relativo pugilato. Rimangono comunque tanti altri interessanti spunti di riflessione. Meihuaquan e Shaolinquan, intrecci leggendari Classica foto sotto l’ingresso del tempio Shaolin Nei libri che parlano di Meihuaquan 梅花拳 emerge chiaramente il legame tra la Boxe del Fiore di Prugno ed il Taoismo ortodosso, sia perché se ne riconduce l’origine al Kunlun Pai 1, una scuola Taoista, sia perché membri importanti del Meihuaquan sono stati anche membri di sette quali Longmen 2 o Quanzhen , ma, cosa 1昆仑派 Scuola Kunlun 2 Han Jianzhong 韩建中, Meihuazhuang Quan ji Meihuazhuang Quan Daibiao Renwu 梅花桩拳及梅花桩拳代表人物 (La Scuola di Pugilato dei Pali del fiore di prugno e le figure rappresentative di questa scuola), articolo apparso nel numero 05 del 2007 della rivista Zhonghua Wushu 中华武术: 梅花桩拳传承的一百个字与道教传承的一百个字基本相同,梅花桩拳理中的天人合一、顺其自然等等,均说明 梅花桩拳与道教文化有着密切的联系,所以梅花桩拳中又流传有僧门道派和龙门道派等众多说法。 più importante, la teoria di questo stile si rifà alla filosofia Taoista. Quali sono allora i collegamenti con lo Shaolin Pai 少林派 (scuola Shaolin) visto che qualcuno fa risalire il Meihuaquan a questa scuola? E’ il Meihuaquan uno stile Shaolin? -
THE WAY of a WARRIOR By: Grand Master
THE WAY OF A WARRIOR By: Grand Master. Michael Neal Did you know that the term “Kung Fu” does not refer specifically to the martial arts? It is more a slang usage found in the U.S. and in some parts of southern China. The martial arts have an intellectual content. They represent sets of values and are based on specific views of the world and of man’s place within it. It was a master of Kung fu in Hong Kong, who spoke of the Martial arts as “Using the mathematics of the human body”. He meant that the body might be thought of as a complex machine. It has its bearings, the girders, ropes and pulleys and like all machines, it can break if it is forced to work unnaturally. An elbow is flexible in all directions but one, so pressure on the joint in one direction in which it cannot bend may immobilize or break it. Over 2000 years ago, classical martial arts emerged to serve the needs of the war in China, and war was plentiful. What was military life like in China and India between 500 BC and the third century AD? These were the conditions right for the development of the very specialized form of fighting which could later be identified as the pioneers of today’s martial arts. The martial arts became a way of life for many. Records of exercises known as “Hit and Thrust” were practiced as far back as the Shang dynasty, around the 17th- 16th century B.C. 1 Copyrighted 2012, By the Madison Martial Arts Academy| Later China was again overrun by foreign power, this time by the Manchurians from the Northeastern borders. -
AKKA Karate USA History Booklet
A Brief History With General Information For New Students AKKA Karate USA-Independence 4420B S. Noland Rd. Independence, MO 64055 816-373-1255 www.AKKA.org Thank you for your interest in Chinese Kenpo Karate at AKKA-KarateUSA. We hope that your association with our school and Kenpo is a long and fruitful one, and that this booklet answers many of your questions as you begin your training with us. AMERICAN KENPO KARATE ACADEMY DOJO RULES 1) Observe Dojo etiquette by bowing upon entering and leaving training area. 2) Address all instructors and fellow students as Mr., Ms., Ma’am, or Sir. 3) Students must be in full uniform at all times while training in Dojo. Exceptions made for weight training, bag work and “contact” workouts. Ask management for clarification . 4) Arrive ten minutes prior to your class, to allow you to check in at the reception desk, get dressed and stretched out for your class. 5) All sparring must be supervised by an instructor. 6) It is mandatory for all students to have a mouth piece, groin protection, headgear, chest protection, gloves and footpads in order to spar. 7) No full-contact sparring is allowed. No contact to the head or groin is allowed. 8) No horseplay allowed at any time. 9) Do not congregate in the lobby or around the reception desk. 10) You must call and cancel your regularly scheduled lessons or your account will be charged. Repeated failure to call will result in postponing your belt tests. 11) Be sure to pick up payment receipts. 12) The deck area is to be used for training only. -
Wing Chun Kung Fu Pdf, Epub, Ebook
WING CHUN KUNG FU PDF, EPUB, EBOOK Ip Chun | 144 pages | 15 Aug 1999 | St Martins Press | 9780312187767 | English | New York, United States Wing Chun Kung Fu PDF Book Facebook Twitter Pinterest Instagram. Is this not the way to promote Kung Fu, and to project the image of our country? I am willing to share my experience and knowledge in Wing Chun. Serious About Training. But yes, all reviews are unedited by us and are the opinions of the reviewer. New York Instructors. If you are still in doubt after checking the listing, you can email us at info lessonsgowhere. Annual Seminars. Lineage The following illustration shows the lineage of the Wing Chun system, starting with its founder, Ng Mui. Previous Next. All lessons are uploaded and checked by a team of hardworking elves the founders of LGW who work tirelessly and through late nights to ensure that the details are accurate. Join us for a free trial! Q: What if the lesson provider asks for more money when I arrive? The whole course is wonderful. Learn self-defence and get fit! Jules D. Often, this type of storytelling results in many different versions of the story appearing over time. A: The pricing information for each lesson is clearly stated on each listing and will also note what is or is not included. Wing Chun Online is your direct route to learning the dynamic art of Wing Chun Kung Fu quickly and safely from the comfort of your own screen — wherever that may be. Unique to Wing Chun is "Chi Sau" or Chi Sao , a form of training to help develop and put into practice your techniques and theories you learn during your training. -
223 Benjamin N. Judkins and Jon Nielson This Outstanding Book Is the First Scholarly Examination of the History of a Modern Chin
book reviews 223 Benjamin N. Judkins and Jon Nielson The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts. Albany, NY: State University of New York Press, 2015. pp. 364. $26.95. ISBN 978-1438456942. This outstanding book is the first scholarly examination of the history of a modern Chinese martial art in a Western language. While many of the modern Japanese martial arts have been documented and described, no similar work exists for the myriad of modern Chinese martial arts. Perhaps more impor- tantly, The Creation of Wing Chun is a social history that places the formation and development of the internationally known martial art of Wing Chun in a time and place. Judkins and Nielson have managed to produce a history that is an enjoyable read built on a sound historical foundation. It is a story that says as much about twentieth and early twenty-first century China as about a particular school of fighting. At its root is the history of the development of a Guangdong and Hong Kong identity in the form of a particular martial arts style. That identity formed in contrast to a monolithic Chinese nationality. Wing Chun was distinct and so was the region and culture that produced it. The book also places the history of Wing Chun at the center of a broader story about the place of martial arts in late imperial and twentieth century Chinese society. As the wider, modern, Western world intruded into southern Chinese society, the role of “hand combat” in that environment was called into question. -
The Influence of Bruce Lee's Martial Art on the American Culture
People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific Research Larbi Ben M’hidi University-Oum El Bouaghi Faculty of Letters and Languages Department of English The Influence of Bruce Lee’s Martial Art on The American Culture A Mémoire Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Anglo-American Studies By: OUSSAR Meroua Board of Examiners: Mr. DALICHAOUECH Abderrahmane, Supervisor Mr. FILALI Billel, examiner 2016-2017 Candidate Declaration Form I’am OUSSAR Meroua, candidate of Master at the Department of English, Larbi Ben M’hidi University, do hereby declare that the dissertation entitled: “The Influence of Bruce Lee’s Martial art on The American Culture” in partial fulfillment of Master Degree in Anglo-American Studies is my own original work, and it has not previously, in its entirety or in part, been submitted at any university. Date: 22/05 / 2017 ID number: 124004399 Signature of the candidate ……………………. I Dedication I dedicate this memoir to the sake of Allah, my creator and my master. My great prophet, Mohammed (Peace Be upon Him), who taught us the purpose of life. To my beloved parents, sisters those near to my heart, each time you grin; you dissolve away my feelings of fear and fill my heart with joy. To whoever showed me a word, ability, or a state of mind, without every one of you I wouldn't be the individual I am today? To the individuals who held my hand when I was down and bolstered me when my feet were wounded, I should bolster you and be there for you for whatever remains of my life. -
223 Benjamin N. Judkins and Jon Nielson This Outstanding Book Is
book reviews 223 Benjamin N. Judkins and Jon Nielson The Creation of Wing Chun: A Social History of the Southern Chinese Martial Arts. Albany, NY: State University of New York Press, 2015. pp. 364. $26.95. ISBN 978-1438456942. This outstanding book is the first scholarly examination of the history of a modern Chinese martial art in a Western language. While many of the modern Japanese martial arts have been documented and described, no similar work exists for the myriad of modern Chinese martial arts. Perhaps more impor- tantly, The Creation of Wing Chun is a social history that places the formation and development of the internationally known martial art of Wing Chun in a time and place. Judkins and Nielson have managed to produce a history that is an enjoyable read built on a sound historical foundation. It is a story that says as much about twentieth and early twenty-first century China as about a particular school of fighting. At its root is the history of the development of a Guangdong and Hong Kong identity in the form of a particular martial arts style. That identity formed in contrast to a monolithic Chinese nationality. Wing Chun was distinct and so was the region and culture that produced it. The book also places the history of Wing Chun at the center of a broader story about the place of martial arts in late imperial and twentieth century Chinese society. As the wider, modern, Western world intruded into southern Chinese society, the role of “hand combat” in that environment was called into question. -
Butt Pirates
Wing Chun Kuen: A Revised Historical Perspective (Part 2: Red Junks, pirates and secret societies) Abstract In the previous article, the Wing Chun ‘myth’ was dismissed due to the lack of supporting evidence for the existence of the Southern Shaolin Monastery. It would appear that the Southern Shaolin Monastery and the subsequent account of its destruction was based on the verified Northern Shaolin Monastery. In this article, an alternate historical account for the development of Wing Chun is provided, where fiction becomes fact. This is achieved through analysing how and why Wing Chun developed within a travelling Cantonese Opera Company during a turbulent time of China’s history, where piracy and political violence were prevalent. Introduction From the first article, the historical accuracy of the Wing Chun legend was discussed with the ‘traditional’ historical accounts of Ng Mui and the Southern Shaolin Monastery being questioned due to the lack of any verifiable evidence. The core argument centred on establishing whether the stronger historical account of the Tiandihui, who share the same history in part, with Wing Chun, could accurately verify the existence of the Southern Shaolin Monastery. Although the Tiandihui ‘foundation account’ which is shared with candidates at initiation ceremonies make reference to the Southern Shaolin Monastery, historical records of the Tiandihui do not provide the location for the Monastery. It is most likely that the Guanyinting Pavillion, a small roadside temple was where the Tiandihui first met, although given the size, it is very unlikely to have been a working Monastery. Additionally, given the parallels between the Tiandihui’s ‘foundation account’ and the verified historical sources from the Northern Shaolin Monastery, it would appear that the ‘foundation account’ was a direct copy from the Northern Shaolin Monastery.