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The Gold Cadillac Gold the C 6 READING FOCUS E - S 0 S 2
The Gold Cadillac by Mildred D. Taylor BACKGROUND The novella The Gold Cadillac takes place around 1950. African Americans, especially those living in the South during this time, continued to be treated unfairly. Experiences like the one the family in the story has when entering Mississippi outraged blacks and many whites. During the Civil Rights Era of the mid-1950s and 1960s, many people demanded changes in the laws across the nation. My sister and I were playing out on the front lawn when the gold A READING FOCUS Cadillac rolled up and my father stepped from behind the wheel. How do you predict ‘lois, We ran to him, our eyes filled with wonder. “Daddy, whose Wilma, and their mother will Cadillac?” I asked. feel about the new Cadillac? And Wilma demanded, “Where’s our Mercury?” My father grinned. “Go get your mother and I’ll tell you all about it.” “Is it ours?” I cried. “Daddy, is it ours?” “Get your mother!” he laughed. “And tell her to hurry!” 10 Wilma and I ran off to obey, as Mr. Pondexter next door came from his house to see what this new Cadillac was all about. We threw open the front door, ran through the downstairs front parlor and straight through the house to the kitchen, where my mother was cooking and one of my aunts was helping her. “Come on, Mother-Dear!” we cried together. “Daddy say come on out and see this new car!” A “What?” said my mother, her face showing her surprise. “What’re you talking about?” Copyright © by Holt, Rinehart and Winston. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
12 Hours Opens Under Blue Skies and Yellow Flags
C M Y K INSPIRING Instead of loading up on candy, fill your kids’ baskets EASTER with gifts that inspire creativity and learning B1 Devils knock off county EWS UN s rivals back to back A9 NHighlands County’s Hometown Newspaper-S Since 1927 75¢ Cammie Lester to headline benefit Plan for spray field for Champion for Children A5 at AP airport raises a bit of a stink A3 www.newssun.com Sunday, March 16, 2014 Health A PERFECT DAY Dept. in LP to FOR A RACE be open To offer services every other Friday starting March 28 BY PHIL ATTINGER Staff Writer SEBRING — After meet- ing with school and coun- ty elected officials Thurs- day, Florida Department of Health staff said the Lake Placid office at 106 N, Main Ave. will be reopen- ing, but with a reduced schedule. Tom Moran, depart- ment spokesman, said in a Katara Simmons/News-Sun press release that the Flor- The Mobil 1 62nd Annual 12 Hours of Sebring gets off to a flawless start Saturday morning at Sebring International Raceway. ida Department of Health in Highlands County is continuing services at the Lake Placid office ev- 12 Hours opens under blue ery other Friday starting March 28. “The Department con- skies and yellow flags tinues to work closely with local partners to ensure BY BARRY FOSTER Final results online at Gurney Bend area of the health services are avail- News-Sun Correspondent www.newssun.com 3.74-mile course. Emergen- able to the people of High- cy workers had a tough time lands County. -
Read More > Read More > Courtesy Read More > Read More >
Jump to Front Page Homepage Homeruns The Good Life EOY/SOY Courtesy Years of Service Way to Go Budget October 2012 volume 12, issue 10 Bringing Nebraska Department of Health and Human Services employees closer together DHHS Employees Celebrate Special Anniversaries with State Employees from the Norfolk This issue of Connections is dedicated to the employees of DHHS, the Regional Center got together for a people who have devoted their careers to serving Nebraskans and group photo to celebrate the many, making such a difference in the lives of so many people. many years of devoted service to the Department. That’s Division CEO Kerry Winterer and Division Directors attended ceremonies Director Scot Adams to the right. across the state recognizing employees for years of service. These are just Photo: Bonnie Engel a few examples. read more> read more > Here’s Kerry Winterer with On page 10 we’re introducing a new column Marian DeBuhr, Social called “Making Courtesy Common in the Services Supervisor, Beatrice, Workplace.” Check it out for some good with her 45th anniversary ideas. clock. Photo: Bonnie Engel Making Making Courtesy read more> Common read more > in the Workplace Courtesy Common Recognition for Years of Service 2012 Employees /Supervisors of the Year 2012at the Workplace Many employees have been with DHHS for a number of years and are Pages 4-8 list the 2012 Employee and Supervisors of the Year, complete with celebrating special years of service awards this year. See pages 11-14 for a photos and a short write-up from their nominators about why they received complete listing of employees and their years of service (starting with 10 their honor. -
Kd Lang Landmarks Press Release FINAL
Press Contacts: Elizabeth Boone, WNET, 212-560-8831, [email protected] Dorean Pugh, WNET, 212-560-3005, [email protected] Press materials: http://pressroom.pbs.org or http://www.thirteen.org/13pressroom k.d. lang – Landmarks Live in Concert: A Great Performances Special Premieres Nationwide Friday, December 14 on PBS Iconic singer-songwriter k.d. lang performs complete “Ingénue” album in honor of its 25 th anniversary at the Majestic Theatre in San Antonio Iconic singer-songwriter k.d. lang performs a 25 th anniversary concert celebrating her critically acclaimed 1992 album “Ingénue” from the Majestic Theater in San Antonio, Texas, in k.d. lang – Landmarks Live in Concert – A Great Performances Special , premiering nationwide Friday, December 14 at 9 p.m. on PBS (check local listings). Lush and subtle, “Ingénue” allowed lang and co-writer-producer Ben Mink to explore jazz, cabaret and Tin Pan Alley songwriting, resulting in some of her greatest compositions. This Landmarks Live in Concert special features an uninterrupted performance of the complete “Ingénue” album, including lang’s GRAMMY ® Award-winning hit “Constant Craving,” “Save Me,” “Wash Me Clean,” “Season of Hollow Soul” and “Miss Chatelaine.” The concert also includes the beloved Leonard Cohen song “Hallelujah” and a previously unreleased song by lang and Joe Pisapia, “Sleeping Alone.” The special also features an interview with lang by James Reed, an entertainment editor at Los Angeles Times. Twenty-six years ago, k.d. lang was embraced by the music world, its elders (including collaborators such as Tony Bennett and Roy Orbison) and audiences all over the globe for her powerfully emotional voice and often quirky take on country music. -
Rebooting Roseanne: Feminist Voice Across Decades
Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season. -
CBS National Agreement
(510) AGREEMENT BETWEEN CBS BROADCASTING INC. AND INTERNATIONAL BROTHERHOOD OF ELECTRICAL WORKERS February 1, 2018 – April 30, 2021 CBS/IBEW National Agreement INDEX Page PREAMBLE ..........................................................................................................................1 BASIC PRINCIPLES ............................................................................................................1 ARTICLE I ............................................................................................................................2 Section 1.01 – Term ...............................................................................................................2 Section 1.02 – Recognition and Scope ..................................................................................2 Section 1.03 – Work Jurisdiction ...........................................................................................2 Section 1.04 – Territorial Jurisdiction ...................................................................................14 Section 1.05 – Subcontracting & Contracting Out ................................................................16 Section 1.06 – Employment & Union Membership ...............................................................16 Section 1.07 – No Strike or Lockout .....................................................................................18 Section 1.08 – No Discrimination ..........................................................................................19 ARTICLE II -
BEN MINK Composer for Film & Television
BEN MINK composer for film & television Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] FEATURE FILMS BEN MINK FIFTY DEAD MEN WALKING 2008 compoNicoleser Carmen for film,-Davis, & television Guy Collins, Kyle Ryan Brightlight Pictures, Future Films, Cindy Cowan, Kyle Lundberg, Stephen Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] Handmade International Hegyes, prod., Kari Skogland, dir. CONFESSIONS OF AN INNOCENT MAN 2007 David Paperny, Cal Shumiatcher, Catherine Paperny Films, National Film Board of Canada, CTV Tait, Trevor Hodgson, Rina Fraticelli, prod. David Paperny, dir. BORDERTOWN CAFE 1997 Stephen J. Roth, Norma Bailey, prod. Cinexus, Flat City Films, National Film Board of Canada Norma Bailey, dir. EVEN COWGIRLS GET THE BLUES (credited with K.D. Lang) 1993 Gus Van Sant Jr., Laurie Parker, prod. New Line Cinema Gus Van Sant Jr., dir. THE BIG DEAL 1985 Andras Hamori, prod. RSL Entertainment Corp., Alliance, MCA Barry Healey, dir. SEARCH AND DESTROY 1979 R. Ben Efraim, Edward L. Montoro, prod. Film Ventures International, Montoro Productions William Fruet, dir. Dark Sky Films TELEVISION CRACKING CANCER 2017 Sue Ridout, prod CBC The Passionate Eye, Dreamfilm Judith Pyke, dir. ON THE FARM (theme music) 2016 S. Cameron, R. Harvey, J. Howell, J. Prince, Full Flood Prods., CBC, Park Entertainment L. Moffat, prod., Rachel Talalay, dir. ALICE (Mini-Series) 2009 Robert Halmi Jr., Robert Halmi Sr., Matthew Reunion Pictures, Studio Eight Productions O’Connor, Lisa Richardson, Jamie Brown, RHI Entertainment, SY-FY prod., Nick Willing, dir. TERMINAL CITY 2005 Angus Fraser, Christine Haebler, Jayme Crescent Entertainment, Chum TV, The Movie Network Pfahl, Gordon Mark, prod., Various dir. -
The Marvel Universe: Origin Stories, a Novel on His Website, the Author Places It in the Public Domain
THE MARVEL UNIVERSE origin stories a NOVEL by BRUCE WAGNER Press Send Press 1 By releasing The Marvel Universe: Origin Stories, A Novel on his website, the author places it in the public domain. All or part of the work may be excerpted without the author’s permission. The same applies to any iteration or adaption of the novel in all media. It is the author’s wish that the original text remains unaltered. In any event, The Marvel Universe: Origin Stories, A Novel will live in its intended, unexpurgated form at brucewagner.la – those seeking veracity can find it there. 2 for Jamie Rose 3 Nothing exists; even if something does exist, nothing can be known about it; and even if something can be known about it, knowledge of it can't be communicated to others. —Gorgias 4 And you, you ridiculous people, you expect me to help you. —Denis Johnson 5 Book One The New Mutants be careless what you wish for 6 “Now must we sing and sing the best we can, But first you must be told our character: Convicted cowards all, by kindred slain “Or driven from home and left to die in fear.” They sang, but had nor human tunes nor words, Though all was done in common as before; They had changed their throats and had the throats of birds. —WB Yeats 7 some years ago 8 Metamorphosis 9 A L I N E L L Oh, Diary! My Insta followers jumped 23,000 the morning I posted an Avedon-inspired black-and-white selfie/mugshot with the caption: Okay, lovebugs, here’s the thing—I have ALS, but it doesn’t have me (not just yet). -
Word Search Blaise (St
August 3 - 9, 2018 2 x 2" ad 2 x 2" ad C A E M J Y S Q O B I C F T E 2 x 3" ad A O G C E T P U P H U O Z S J J Z N L U F A H T L C P I S E A E D N A R H Z I S Y A P E N 2 x 3.5" ad R U N M I Z U G M O L N E R N D Q A D N E M S I B Y C X D I A C P A S Q U E S I Z E Q S N L J B L Z L D S T E R K E U G K I E R B I U Q I S L I G E S N N A D H Z C F C J R L A D I Z D C A M A R A D E R I E L B A U H R D M Z Q T M A K M C D C O B Z M C A S S I D Y O M C E R N I E S Y Q M J P V N E Z V A H V E M E F A B R A D O N “Lodge 49” on AMC Bargain Box (Words in parentheses not in puzzle) (Sean “Dud”) Dudley (Wyatt) Russell (Long) Beach Classified Merchandise Specials Solution on page 13 Ernie (Fontaine) (Brent) Jennings (Order of the) Lynx Merchandise High-End 2 x 3" ad Liz (Dudley) (Sonya) Cassidy Camaraderie Connie (Mills) (Linda) Emond (Alchemical) Mysteries 1 x 4" ad Deal Merchandise Word Search Blaise (St. -
For Additional Information Contact the Archives Center at 202.633.3270 Or
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HANK JONES NEA Jazz Master (1989) Interviewee: Hank Jones (July 31, 1918 – May 16, 2010) Interviewer: Bill Brower Date: November 26-27, 2004 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 134 Hank Jones: I was over there for about two and a half weeks doing a promotional tour. I had done a couple of CDs; one was with my brother Elvin and Richard Davis, the bass player. They made – – I think they made two releases from that date. And I did another date with Jack DeJohnette and John Patitucci. But, these two albums were the objects of the promotion. I mean, they promote very, very heavily everyday. I must have had 40 interviews and about 30 record signings at the record shops, plus all of the recording. We did seven concerts and people inevitably want the records, CDs of the concert for us to sign. I have a trio over there, with Jimmy Cobb and John Fink. It was called, “The Great Jazz Trio.” It was not my name, but the Japanese have special names for everything, you know? That's only one in a series of tree others which he called the great jazz trio. The first one was Ron Carter, Tony Williams and myself. But, there had been a succession of different changes in personnel. It changed about six times. The current one was Jimmy Cobb and Dave Fink--Oh, the cookies have arrived and not a minute too soon. -
Horrifying History
August 10 - 16, 2019 Derek Mio stars in “The Terror: Infamy” M&A METAL ROOFING SUPPLIES Horrifying history 211 South Sixth Avenue, Dillon 843-487-5133 | Fax: 866-332-3823 [email protected] WE CARRY DURABILITY, COMFORT AND WOLVERINE QUALITY CABOR BREK DURBIN WATERPROOF WATERPROOF WATERPROOF LUMBER RIVER TRADING COMPANY 1675 North Roberts Ave., Lumberton NC 28358 910-738-7788 Page 2 — Saturday, August 10, 2019 — The Robesonian Infamous and terrifying: AMC’s first anthology horror series heads into Season 2 By Kenneth Andeel The new season stars Derek Rounding out the cast is be- mons. Simmons’ book is based on The new season juxtaposes the ror” anthology looks as if it will TV Media Mio (“Seal Team”) in the lead loved veteran actor and activist a legitimate incident from real- cruel fate of interned families require audiences to embrace an role of Chester Nakayama, a pho- George Takei (“Star Trek”), who life history: the disastrous lost ex- with this season’s new iteration entirely new set of performers ev- he first season of AMC’s chill- tographer who discovers the exis- plays Yamato-san, an experienced pedition led by Englishman Sir of occult monstrosity. Unlike the ery year. Ting series “The Terror” gar- tence of an otherworldly pres- elder able to offer Nakayama wis- John Franklin in 1845. Franklin Tuunbaq of Season 1, which was If “The Terror: Infamy” is as nered rave reviews, so of course ence in his pictures. Mio is sup- dom and help him navigate the and his crew intended to probe an invention of Dan Simmons, the successful as the original season the network has brought it back ported by Shingo Usami (“The Pa- perilous threat posed by spirits the Arctic region for the coveted preternatural baddie of “The Ter- was, there will be limitless oppor- for Round 2.