PATH Intl. RIDING INSTRUCTOR ON-SITE WORKSHOP MANUAL PATH Intl

Total Page:16

File Type:pdf, Size:1020Kb

PATH Intl. RIDING INSTRUCTOR ON-SITE WORKSHOP MANUAL PATH Intl PATH Intl. RIDING INSTRUCTOR ON-SITE WORKSHOP MANUAL PATH Intl. Registered Instructor On-Site Workshop Manual This manual is intended for use by persons interested in gaining more knowledge about becoming a riding instructor for persons with disabilities. It is expected that the procedures or practices described in this manual will be carried out by trained and qualified evaluators, according to the recognized standards and established guidelines of PATH Intl. and in the field of therapeutic riding. No warranty, expressed or implied, is made regarding the content of this manual by its authors, editors, reviewers, contributors or sponsors. Copyright © 2011 PATH Intl. All rights reserved. No part of this handbook may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy or otherwise, for re- sale, without the written permission of PATH Intl., except for brief quotes, reviews, and the forms and pages which have indicated on them: “Can be duplicated.” 2 | PATH Intl. REGISTERED INSTRUCTOR ON-SITE WORKSHOP MANUAL Acknowledgements PATH Intl. wishes to acknowledge the dedication and effort of the members of the Riding Instructor Certification Committee who willingly gave of their time, energy, individual resources and knowledge to produce this manual. They include: 1999 First Edition 2009 Second Edition Betz Haartz Marsha Anderson Physical Therapist PATH Intl. Advanced Certified Instructor PATH Intl. Advanced Certified Instructor PATH Intl. Registered Therapist Joelle Devlin PATH Intl. Master Certified Instructor Elizabeth “Lili” Kellogg PATH Intl. Master Certified Instructor Gail Pace PATH Intl. Master Certified Instructor Patty Kortkamp, Chairperson PATH Intl. Past President Marny Mansfield Occupational Therapist Ann O’Shallie PATH Intl. Master Certified Instructor PATH Intl. Master Certified Instructor PATH Intl. Registered Therapist PACTH Master Instructor ABRS U.S. Examiner Amy Sheets, Chairperson Tenured Professor, Wilson College PATH Intl. Master Certified Instructor Lorrie Renker Jenny Nell PATH Intl. Master Certified Instructor PATH Intl. Advanced Certified Instructor Dodi L. Stacey CHA Past President CHA Standard Clinic Instructor CHA Trail Clinic Instructor CHA Riding for the Disabled Clinic Instructor Sandy Webster PATH Intl. Master Certified Instructor CanTRA Certified Therapeutic Riding Instructor Sandra Verda CanTRA Certified Therapeutic Riding Instructor PATH Intl. Advanced Certified Instructor PATH Intl. REGISTERED INSTRUCTOR ON-SITE WORKSHOP MANUAL | 3 Table of Contents Acknowledgements ....................................................................................................................................................3 Table of Contents .................................................................................................................................................... 4-5 Introduction Introduction and Goals of Workshop ............................................................................................................8 PATH Intl. Code of Ethics for Instructors ......................................................................................................9 The Buck Stops Here ...................................................................................................................................10 Paperwork, Please! .......................................................................................................................................11 Understanding Therapeutic Riding ......................................................................................................... 12-13 Registered Instructor Certification Criteria Registered Instructor Certification Criteria ........................................................................................... 16-21 Therapeutic Riding Instructor Profile .........................................................................................................22 Posture & Alignment Posture .........................................................................................................................................................24 Rider Conformation, by Wendy Warner .................................................................................................. 25-27 Body Position, by Wendy Warner ............................................................................................................ 28-31 Correct Balanced Seat & Posture .................................................................................................................31 Horse & Tack Selection of the Horse for EAA ....................................................................................................................34 Evaluation of Equine Conformation, by JT Potter, Ph.D. ......................................................................... 35-38 Movement & Gaits .................................................................................................................................. 39-40 Horse Evaluation ..................................................................................................................................... 41-44 Equipment The Horse’s Side of Saddle Fit, by Bonnie Kreitler ................................................................................. 46-48 Symptoms of Back Soreness ........................................................................................................................49 Equipment for Therapeutic Riding ......................................................................................................... 50-52 Therapeutic Riding Adapted Equipment ................................................................................................ 53-57 Disabilities People First ..................................................................................................................................................60 The Animal School - A Parable .....................................................................................................................61 Disability Involvement Terms & Definition of Muscle Tone ........................................................................62 Physical Disabilities ................................................................................................................................ 63-65 Cognitive Impairments ........................................................................................................................... 66-67 Learning Disabilities ............................................................................................................................... 68-69 Language Impairments ................................................................................................................................70 Sensory Processing Disorders ................................................................................................................ 71-72 Hearing Impairments .............................................................................................................................. 73-74 Visual Impairments ................................................................................................................................. 75-76 Emotional or Behavorial Impairments .................................................................................................... 77-78 Intake Assessment Intake Assessment Worksheet ................................................................................................................. 80-84 4 | PATH Intl. REGISTERED INSTRUCTOR ON-SITE WORKSHOP MANUAL Volunteers Volunteer Training .................................................................................................................................. 86-87 The Role of the Leader, by Susan F. Tucker .................................................................................................88 Effective Sidewalking, by Susan F. Tucker & Molly Lingua, RPT ..................................................................89 Safety Belts ...................................................................................................................................................90 Volunteer Job Description Worksheet .........................................................................................................91 Volunteer/Staff Information Form and Health History ........................................................................... 92-93 Teaching Techniques The Therapeutic Riding Instructor ..............................................................................................................96 The Mentor, by Bonnie Perreault ............................................................................................................97-98 Structuring Your Class Lesson ................................................................................................................98-99 Planning for Success, by Lorrie Renker ..............................................................................................100-101 Lesson Plan .........................................................................................................................................102-104 Lesson Reflection .......................................................................................................................................105 Goals and Objectives .................................................................................................................................106
Recommended publications
  • The Aratoga Saratoga’S Dailyracingnewspapersince 2001 ENTRIES &HANDICAPPING UNI TRIESTOBEAT BOYS in GR.1FOURSTARDAVE Saturday, August10,2019
    Year 19 • No. 21 Saturday, August 10, 2019 The aratoga Saratoga’s Daily Racing Newspaper since 2001 Shake It Up Noose ready to go in Saratoga Special ENTRIES & HANDICAPPING UNI TRIES TO BEAT BOYS IN GR. 1 FOURSTARDAVE Tod Marks Tod SIRE OF 2018 BALLERINA STAKES (G1) WINNER MARLEY’S FREEDOM POINTING TOWARDS THE 2019 BALLERINA S. AT SARATOGA IN 2019, 2YOs SOLD UP TO $700,000 Look for his yearlings at the upcoming sales! BBLLAAMMEE ARCH - LIABLE | ECLIPSE CHAMPION 2 THE SARATOGA SPECIAL SATURDAY, AUGUST 10, 2019 here&there... BY THE NUMBERS 3: Pairs of binoculars hanging from the shoulder of a man leading a Steve Klesaris horse to the main track Friday. 1: Gift card to The Bread Basket given to The Special (thank you, Brook Ledge). 1: Gift certificate to Spring Street Deli, given to The Special (thank you, Rob and Phyllis). 16: Mammals (12 humans, four dogs) in Graham and Anita Motion’s house Friday night. NAMES OF THE DAY Big Thicket, first race. The New York-bred is by Union Rags, out of Tanglewood Tale. Apex Predator, second race. Richard Greeley’s colt is by Tale Of The Cat. The Joke’s On You, second race. Happy Face Racing’s gelding is by Distorted Humor. Yukon Eric, third race. Check if the colt has both ears. No Bad Days, third race. The 2-year-old colt is by Carpe Diem out of Bless. Tod Marks Famished, fifth race.Tobey Morton’s colt is out of Ravenist. Triple Play. Three horses finish together – and we mean together – in Thursday’s ninth race.
    [Show full text]
  • The Hyperlocal Newsroom (Multi-Media; BER Section)
    Multimedia Storytelling JOUR-GA.1080.002 ( Fall 2021 Instructor: Jason D. Maloney Time: Fridays, 11:00 a.m. to 2:40 p.m. Room: 653 Office Hours: Room 726, Fridays 10:00a-1:00pm and by appointment. Course Requirements: The basic requirement of the course is to learn how to produce multi-media content. Over the semester, students will significantly develop their abilities in basic photography, audio production and video production. At the same time students will constantly expand their capacity for journalism – focusing on the core skills of research, interviewing, digesting and presenting important information. This course is not just an academic exercise, we will be actively reporting. We will use New York City as our assignment area and produce real audiovisual content on a regular basis. As students will own their media, they will have the option to place it on any news site or blog they wish. They will also benefit from having the ability to produce content for Bedford+Bowery, the hyperlocal news blog that is a joint venture between the New York Magazine and NYU. Class time will be divided into theoretical lessons, technical skills training and in-class exercises, but we will also focus on discussing and improving ongoing class assignments. By providing timely and constructive feedback on projects underway we will sharpen skills and production fluency. Students will therefore be expected to contribute to the editorial process of each other’s projects. While much of what we will learn will be of a technical skills nature, for example practicing how to shoot sequences, learning basic effects in Adobe Premiere, our main priority will be to learn and practice the essential elements of visual storytelling and reporting.
    [Show full text]
  • Rider's Guide-Excerpt.Pdf
    DUPLICATION PROHIBITED by copyright holder Contents Foreword by Jane Savoie XI Acknowledgments XIII stu 1 What Is Collection? 1 Importance of Collection 1 Definition of True Collection 2 Definition of False Collection 2 Feel What Your Horse Feels 2 Flexion and Bend 6 Artificial Gaits 7 Collection and Longevity 8 Mental Health 8 Physical Health 9 Recognizing Collection in Various Disciplines 11 Collection for Everyone 15 2 Conformation and Collection 17 Desirable Conformation Traits 18 Profile View 19 Back 19 Shoulder 19 Hip 20 Neck 20 Front and Hind Legs 20 Front and Rear Views 21 Breed Considerations 21 Undesirable Conformation Traits 22 Shoulders and Hips 22 Neck, Back, and Loins 22 Front Legs 23 Hind Legs 23 Traits for Trainability 23 © Lynn Palm and Trafalgar Square Books www.HorseandRiderBooks.com DUPLICATION PROHIBITED by copyright holder viii H Understanding Natural Balance 25 Assessing Natural Balance and Carriage 28 How Natural Balance Influences Collection 32 3 Ground Training 35 Ground Training Equipment 36 Halters 36 Lead and Longe Lines 37 Surcingle and Side Reins 37 Whips 38 Ground Training for Collection 39 In-Hand Training 39 Leading 39 In-Hand Whip Position 40 Backing Up 40 At Liberty or Free-Longeing 41 Using Your Voice 43 Balance 44 Longeing 47 Controlled Playtime on the Longe Line 50 Ground Driving 51 Longeing-and-Bitting 52 Fitting and Adjusting Side Reins 55 4 Before You Saddle Up 61 Rider Position 61 Rider Balance 64 Rider Skills 64 Horse Skills 65 The Horse and Rider Team 66 Tack 67 Saddle Fitting 67 Effects of
    [Show full text]
  • How, What and Why to Do Things with Your American Saddlebred. Part 1
    1/1/2011 UNITED HOW, WHAT AND WHY TO DO THINGS WITH SADDLEBRED YOUR AMERICAN SADDLEBRED. PART 2. ASSOCIATION Braiding Manes & Wrapping Tails | Lynn Jarvis HOW TO … TRIM AND BRAID THE BRIDLE PATH The first question to answer is why do we trim and braid our Saddlebreds? Nowhere in the rule book (any rule book) will you read that your horse MUST be trimmed and braided, however some rule books will have rules AGAINST trimming and braiding – so read them carefully. (For example you cannot show your hunter or western horse with braids). Back in the depths of history, Saddlebreds were shown with their forelocks and the first part of their manes plaited (and left down, not rolled like we do with our riding horses and hunters). The purpose of this was simply to keep their hair from interfering with the double bridle. This subsequently developed into the bridle path being trimmed to make it easier to get the bridle on and off. As shows developed there was a natural competition between horse owners, who soon found ways to adorn their “peacocks of the show ring” – and mane and forelock braiding were introduced. Any colour is acceptable and traditionally reds and maroons dominate in the American show ring. In Australia they have a registry system where barns register their barn colours – and these are the colours their Saddlebreds show under – presumably other barns are not allowed to use their competitors’ colours. There are different ways of trimming the bridle path of the American Saddlebred Horse – one involves leaving the forelock alone, the other involves thinning the forelock (by trimming the sides off) or removing it completely.
    [Show full text]
  • Trail Trials Rules and Guidelines
    Trail Trials Rules and Guidelines TABLE OF CONTENTS Section Title 1 INTRODUCTION 2 GENERAL RULES 3 OBSTACLE RULES 4 HOW TO ORGANIZE A TRAIL TRIALS 5 A WORD FROM THE MANAGEMENT Section 1 INTRODUCTION Trail Trials have become a popular event in many areas. They are not new, just getting more well-known. They consist of a trail ride, usually averaging between two and three hours, with trail obstacles along the way. Bear in mind that the later you start your competition, the longer your ride can be due to possible waits at some obstacles. Obstacles are natural, or simulate naturally occurring conditions (including urban) for the horse and rider to negotiate. However, emphasis should be placed on having natural obstacles. There are usually 8-12 obstacles to test the rider's knowledge and the horse's capabilities. Trail trials are meant to be fun and enjoyable for everyone. As long as safety and common sense are kept in mind, everyone will have a good time. It is important to remember that the people doing the judging at sanctioned trail trials events are volunteers following this rule book and are doing the best they can. They are NOT paid professionals. It must be understood that these rules are guidelines subject to various interpretations by (sometimes) inexperienced judges. This rule book was started in 1987 by members of Corrals 12, 22, 35, 54 and 63 (the original Trail Trials Committee) with the thought of standardizing the rules for all contestants and to give guidelines for those wanting to put on a trail trial event.
    [Show full text]
  • Unlocking the Science of Riding
    horse health connection [email protected] a negative eff ect on equine welfare for a variety of reasons, including im- Unlocking the peding the horse’s ability to breathe, causing injury to the horse’s neck, im- Science of Riding pairing the horse’s vision, and caus- ing stress or pain. Only one study sug- More fi ndings from the International Society for Equitation Science gested positive eff ects on welfare. An interesting aspect was that the prob- By Hilary M. Clayton, BVMS, PhD, Diplomate ACVSMR, MRCVS ability of a study reporting negative welfare eff ects was unrelated to the horses’ level of dressage training, their n my October “Horse-Health Con- Horse Science familiarity with working in a hyper- nection” article, I summarized a fl exed position, or the length of time number of presentations from the Hyperfl exing horses’ necks: they spent in hyperfl exion. I Meta-analysis and cost-benefi t With regard to the eff ects of hyper- 2015 International Society for Equita- tion Science (ISES) annual conference. evaluation fl exion on the horse’s athletic perfor- With its theme of “Ethical Equitation Uta König von Borstel, University of mance, 26 percent of the studies report- for All Equestrian Disciplines: Break- Göttingen, Germany; Kathrin Kienap- ed benefi cial eff ects, including higher ing Barriers and Building Bridges,” the fel, University of Bochum, Germany; competition scores, larger ranges of mo- Andrew McLean, Austra- tion in the joints of the back and limbs, lian Equine Behaviour and an increase in the amount of work Centre; Christina Wilkins, performed.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • The American ≤Uarter Horse Journal That You Can’T Get Anywhere Else Are the Breeding, Halter and Performance Statistics That We Mine from A≤HA’S Database
    J J J J The AMERICAN ≤UARTER HORSE J OURNAL APRIL 2013 • $4.25 WWW.AQHAJOURNAL.COM U ≤≤U R R N N A A ON A HIGH THE JOURNAL’S 2012 HIGH-POINT STORIES BEGIN ON PAGE 72 GRASP THE TWO-REIN WITH L L JIMMY STICKLER SILKY SOCKS WAS AN UNPREDICTABLE CHAMPION CONTENTS FEATURES FEATURES 18 Structure in Detail 58 Hard To Get Playboy By Christine Hamilton By Jennifer K. Hancock The hind limb – looking at the stifle This Bank of America high-point senior horse has an all-around great personality 24 Borrow a Trainer By AQHA Professional Horseman 62 A≤HA’s 2012 Michael Colvin with Christine Hamilton High-Point Winners Lengthening stride at any gait 64 Making Runners 28 Barn Babies By Richard Chamberlain Breeders share their 2013 arrivals. Follow along with 2-year-olds on the track. Part of a continuing series 32 Grasping the Two-Rein By Annie Lambert 68 Ricky Ramirez Symbiosis of the mecate and bridle reins has By Honi Roberts enhanced training since the vaqueros developed This young jockey is going places – fast. it into an art form. 38 The Unpredictable 78 Foundation Donors Champion By Larri Jo Starkey April 2013 Silky Socks spooked on a dime, but he The official publication had a world championship ride in him. of the American Quarter 44 60 Years Ago These two are Horse Association. AQHA’s first high-point award winners all-around About the Cover 46 characters. 2012 AQHA All-Around 46 Kaleena Weakly and Senior Horse Hard To Get Playboy Hours Yours And Mine By Jennifer K.
    [Show full text]
  • Karaoke Songs by Title
    Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J.
    [Show full text]
  • Repeatability, Reproducibility and Consistency of Horse Shape Data and Its Association with Linearly Described Conformation Traits in Franches-Montagnes Stallions
    RESEARCH ARTICLE Repeatability, reproducibility and consistency of horse shape data and its association with linearly described conformation traits in Franches-Montagnes stallions Annik Imogen Gmel1,2*, Thomas Druml3, Katrin Portele1,4¤, Rudolf von NiederhaÈusern1, Markus Neuditschko1,3 a1111111111 1 Agroscope±Swiss National Stud Farm, Avenches, Switzerland, 2 Institute of Genetics, Vetsuisse Faculty, University of Bern, Bern, Switzerland, 3 Institute of Animal Breeding and Genetics, Veterinary University a1111111111 Vienna, Vienna, Austria, 4 Equine Sciences Faculty, Veterinary University Vienna, Vienna, Austria a1111111111 a1111111111 ¤ Current address: Messerli±Research Institute, Veterinary University Vienna, Vienna, Austria a1111111111 * [email protected] Abstract OPEN ACCESS Linear description (LD) of conformation traits was introduced in horse breeding to minimise Citation: Gmel AI, Druml T, Portele K, von subjectivity in scoring. However, recent studies have shown that LD traits show essentially NiederhaÈusern R, Neuditschko M (2018) the same problems as traditionally scored traits, such as data converging around the mean Repeatability, reproducibility and consistency of horse shape data and its association with linearly value with very small standard deviations. To improve the assessment of conformation traits described conformation traits in Franches- of horses, we investigated the application of the recently described horse shape space Montagnes stallions. PLoS ONE 13(8): e0202931. model based upon 403 digitised photographs of 243 Franches-Montagnes (FM) stallions https://doi.org/10.1371/journal.pone.0202931 and extracted joint angles based on specific landmark triplets. Repeatability, reproducibility Editor: Juan J Loor, University of Illinois, UNITED and consistency of the resulting shape data and joint angles were assessed with Procrustes STATES ANOVA (Rep) and intra-class correlation coefficients (ICC).
    [Show full text]
  • Introduction
    CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills......................................................
    [Show full text]
  • Read Book Through England on a Side-Saddle Ebook, Epub
    THROUGH ENGLAND ON A SIDE-SADDLE PDF, EPUB, EBOOK Celia Fiennes | 96 pages | 02 Apr 2009 | Penguin Books Ltd | 9780141191072 | English | London, United Kingdom Sidesaddle - Wikipedia Ninth century depictions show a small footrest, or planchette added to the pillion. In Europe , the sidesaddle developed in part because of cultural norms which considered it unbecoming for a woman to straddle a horse while riding. This was initially conceived as a way to protect the hymen of aristocratic girls, and thus the appearance of their being virgins. However, women did ride horses and needed to be able to control their own horses, so there was a need for a saddle designed to allow control of the horse and modesty for the rider. The earliest functional "sidesaddle" was credited to Anne of Bohemia — The design made it difficult for a woman to both stay on and use the reins to control the horse, so the animal was usually led by another rider, sitting astride. The insecure design of the early sidesaddle also contributed to the popularity of the Palfrey , a smaller horse with smooth ambling gaits, as a suitable mount for women. A more practical design, developed in the 16th century, has been attributed to Catherine de' Medici. In her design, the rider sat facing forward, hooking her right leg around the pommel of the saddle with a horn added to the near side of the saddle to secure the rider's right knee. The footrest was replaced with a "slipper stirrup ", a leather-covered stirrup iron into which the rider's left foot was placed.
    [Show full text]