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Westminster Abbey 2013 Report to the Visitor Her Majesty the Queen
Westminster Abbey 2013 Report To The Visitor Her Majesty The Queen Your Majesty, The Dean and Chapter of the Collegiate Church of St Peter in Westminster, under the Charter of Queen Elizabeth I on 21st May 1560 and the Statutes graciously granted us by Your Majesty in a Supplemental Charter on 16th February 2012, is obliged to present an Annual Report to Your Majesty as our Visitor. It is our privilege, as well as our duty, now to present the Dean and Chapter’s Annual Report for the Year of Grace 2013. From time to time, the amount of information and the manner in which it is presented has changed. This year we present the report with more information than in recent years about the wide range of expertise on which the Dean and Chapter is able to draw from volunteers sitting on statutory and non-statutory advisory bodies. We also present more information about our senior staff under the Receiver General and Chapter Clerk who together ensure that the Abbey is managed efficiently and effectively. We believe that the account of the Abbey’s activities in the year 2013 is of wide interest. So we have presented this report in a format which we hope not only the Abbey community of staff, volunteers and regular worshippers but also the wider international public who know and love the Abbey will find attractive. It is our daily prayer and our earnest intention that we shall continue faithfully to fulfil the Abbey’s Mission: — To serve Almighty God as a ‘school of the Lord’s service’ by offering divine worship daily and publicly; — To serve the Sovereign by daily prayer and by a ready response to requests made by or on behalf of Her Majesty; — To serve the nation by fostering the place of true religion within national life, maintaining a close relationship with members of the House of Commons and House of Lords and with others in representative positions; — To serve pilgrims and all other visitors and to maintain a tradition of hospitality. -
NEW JERSEY History GUIDE
NEW JERSEY HISTOry GUIDE THE INSIDER'S GUIDE TO NEW JERSEY'S HiSTORIC SitES CONTENTS CONNECT WITH NEW JERSEY Photo: Battle of Trenton Reenactment/Chase Heilman Photography Reenactment/Chase Heilman Trenton Battle of Photo: NEW JERSEY HISTORY CATEGORIES NEW JERSEY, ROOTED IN HISTORY From Colonial reenactments to Victorian architecture, scientific breakthroughs to WWI Museums 2 monuments, New Jersey brings U.S. history to life. It is the “Crossroads of the American Revolution,” Revolutionary War 6 home of the nation’s oldest continuously Military History 10 operating lighthouse and the birthplace of the motion picture. New Jersey even hosted the Industrial Revolution 14 very first collegiate football game! (Final score: Rutgers 6, Princeton 4) Agriculture 19 Discover New Jersey’s fascinating history. This Multicultural Heritage 22 handbook sorts the state’s historically significant people, places and events into eight categories. Historic Homes & Mansions 25 You’ll find that historic landmarks, homes, Lighthouses 29 monuments, lighthouses and other points of interest are listed within the category they best represent. For more information about each attraction, such DISCLAIMER: Any listing in this publication does not constitute an official as hours of operation, please call the telephone endorsement by the State of New Jersey or the Division of Travel and Tourism. numbers provided, or check the listed websites. Cover Photos: (Top) Battle of Monmouth Reenactment at Monmouth Battlefield State Park; (Bottom) Kingston Mill at the Delaware & Raritan Canal State Park 1-800-visitnj • www.visitnj.org 1 HUnterdon Art MUseUM Enjoy the unique mix of 19th-century architecture and 21st- century art. This arts center is housed in handsome stone structure that served as a grist mill for over a hundred years. -
Greater Princeton Area Bike Map (PDF)
Inverness Dr Co Rd 518 Toth Ln Montgomery Ave About this map Duncan Ln Suggested Loop Tours Local information Local Arterial road or street Paved off-street trail Le mo re Cir Secondary road or street Unpaved off-street trail (wide, well-maintained) Merritt Ln FRANKLIN © 2020 The Municipality of Princeton. Here are seven circular routes to help you get GREATER PRINCETON AREA Washington St Rolling Hill Rd Off-street trails Off-street Driveway or cul-de-sac Unpaved off-street trail (narrow or less maintained) TOWNSHIP 2nd edition. All Rights Reserved. Design acquainted with Princeton. (may not be open to cars) Selected sidewalk trail connection Princeton Benjamin Knoll Way and cartography by Nat Case, INCase, Blvd Young Dr C a Forrestal Loop (short) Airport n 6.2 miles. Be- Walk-only trail ROCKY HILL a d LLC. Some data used in the preparation of Not recommended for cycling l Airpark Rd R On-street routes On-street Che R n rr d Dr y B w gin at the parking area near the Millstone Selected park and trailheadlls parking ro to Street with sharrows i ok e this map is licensed by its providers. Sout H Dr BOROUGH g hern r o e Bicycle Boulvard Pipeline right-of-way Cherry Hill Rd Skillman Ave River Aqueduct. Take Mapleton Rd, turn Hopewell Princeton Rd Crescent Ave G Disclaimer: This map is an attempt to Wall St d Cherry Brook l Bicycle parking Wall St Van Horne O Bicycle lanes W left onto the D&R Canal towpath. Cross Aunt Molly Rd Preserve Woods Edge Park as provide current information on bicycle (excluding those shown on other side) r hing Recommended quiet street network D Van Horne Rd (US 206) to k Park Ap n S r pleg C ve t (C facilities in the Princeton area. -
Governor Thomas H. Kean Collection, 1894-1994 (Bulk: 1982-1989) Finding Aid
Governor Thomas H. Kean Collection, 1894-1994 (Bulk: 1982-1989) Finding Aid Drew University Archives 36 Madison Avenue Madison, NJ 07940 Phone: 973-408-3532 Fax: 973-408-3770 http://www.drew.edu/library/special-collections Governor Thomas H. Kean Collection, 1894-1994 (Bulk: 1982-1989) Finding Aid, Page 1 Drew University Summary Information Creator(s) Kean, Thomas H. Title and dates Governor Thomas H. Kean Collection, 1894-1994 (Bulk: 1982-1989) Abstract The Governor Thomas H. Kean collection broadly consists of the records created during the governor's two terms of office in New Jersey, from 1982-1990. Included are the full run of his legislative briefing binders, records from trips and conferences, typescript copies of speeches, photographs, correspondence, office files, material on the issue of education, press releases and news clippings, and related records. A small percentage of the records were created in the 1990s during Kean's presidency of Drew University. Size 156 linear feet (125 boxes) Location United Methodist Archives and Research Center Madison, NJ Language of materials English. Biography of Governor Thomas H. Kean Thomas H. Kean was born on April 21, 1935. Kean received his B.A. degree from Princeton University and his M.A. from Columbia University Teachers College. He taught private school in Massachusetts before entering politics. Kean was a member of the New Jersey Assembly from1968-1977. He was elected governor of New Jersey in 1982. As Governor, Kean was rated among America's five most effective state leaders by Newsweek magazine; noted for tax cuts that spurred 750,000 new jobs; a federally replicated welfare reform program; landmark environmental policies, and over 30 education reforms. -
OCTOBER 2019 the Church of the Redeemer Chestnut Hill
THE DIAPASON OCTOBER 2019 The Church of the Redeemer Chestnut Hill, Massachusetts Cover feature on pages 22–23 PHILLIP TRUCKENBROD CONCERT ARTISTS ANTHONY & BEARD ADAM J. BRAKEL THE CHENAULT DUO PETER RICHARD CONTE CONTE & ENNIS DUO LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY HEY & LIBERIS DUO CHRISTOPHER HOULIHAN DAVID HURD MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN RAéL PRIETO RAM°REZ ^^d/E,/E> 2019 W®ÙÙ^͘çWÊÄã &®ÙÝãWÙ®þt®ÄÄÙ >ÊĦóÊÊ'ÙÄÝ /ÄãÙÄã®ÊĽKÙ¦Ä ÊÃÖã®ã®ÊÄ ò®½½®Äã«h͘^͘ ¦®ÄĮĦ®ÄÝçÃÃÙ JOSHUA STAFFORD CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH IT’S ALL ABOUT THE ART ǁǁǁ͘ĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ 860-560-7800 ŚĂƌůĞƐDŝůůĞƌ͕WƌĞƐŝĚĞŶƚͬWŚŝůůŝƉdƌƵĐŬĞŶďƌŽĚ͕&ŽƵŶĚĞƌ THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Tenth Year: No. 10, The Gruenstein Award Whole No. 1319 Last month’s issue unveiled our OCTOBER 2019 new S. E. Gruenstein Award, Established in 1909 honoring the founder and fi rst edi- Stephen Schnurr ISSN 0012-2378 tor of The Diapason. Nominations 847/954-7989; [email protected] are being accepted through January www.TheDiapason.com An International Monthly Devoted to the Organ, 31, 2020, recognizing the scholarly the Harpsichord, Carillon, and Church Music work of a young author who has not advertising inquiries, please contact Jerome Butera (jbutera@ reached her or his 35th birthday as of sgcmail.com; 608/634-6253). The deadline for listings and CONTENTS January 31, 2020. advertising is November 1. FEATURES Submissions must be original Olivier Messiaen Competition: Church of research and essays by the author, In this issue St. -
The Bach Experience
Marsh Chapel at Boston University THE BACH EXPERIENCE Listeners’ Companion 2018|2019 THE BACH EXPERIENCE Listeners’ Companion 2018|2019 Notes by Brett Kostrzewski Contents Foreword v September 30, 2018 Herr, gehe nicht ins Gerichtmit deinem Knecht BWV105 1 November 18, 2018 Schauet doch und sehet, ob irgendein Schmetz sei BWV46 5 February 10, 2019 Herr Jesu Christ,wahr’ Mensch und Gott BWV 127 9 April 7, 2019 Liebster Gott, wenn werd ich sterben? BWV8 13 Foreword The 2018–2019 Bach Experience at Marsh Chapel marks my fourth year of involvement as annotator, and the second that we have produced this expanded Listeners’ Companion. I remain as grateful, as I was in 2015, for Dr. Scott Allen Jarrett’s invitation to contribute my writing to the Bach Experience, and I am honored to share with you the fruits of my continued study of Johann Sebastian Bach’s remarkable corpus of church cantatas. This year’s Bach Experience divides neatly into two pairs. The first two cantatas were heard on successive Sundays in Leipzig—on 25 July and 1 August 1723, respectively—and you are fortunate to hear them in succession here. The pair, composed only two months after Bach took on his post as Thomaskantor, represent two of his finest accomplishments of the genre, all the more remarkable for appearing on ordinary Sundays in the middle of the summer. I point out some of the compositional elements that link the two cantatas; perhaps you will discover more. The second pair of cantatas were composed during Bach’s second full year in Leipzig, when he took to composing a complete cycle of cantatas primarily based on Lutheran chorales, known as his “chorale cantatas.” I often find the chorale cantatas difficult to write about at length; while their technical aspects are fascinating, particularly Bach’s integration of the chorale melodies, I find their aural experience far more rewarding than anything I could contribute in these notes. -
Cantata BWV 40
C. Role. Juin 2012 CANTATE BWV 40 DARZU (Dazu) IST ERSCHIENEN DER SOHN GOTTES C’est pour cela que le Fils de Dieu est apparu… KANTATE ZUM 2. WEINACHTSTAG Cantate pour le deuxième jour de Noël Leipzig, 26 décembre 1723 AVERTISSEMENT Cette notice dédiée à une cantate de Bach tend à rassembler des textes (essentiellement de langue française), des notes et des critiques discographiques souvent peu accessibles (2012). Le but est de donner à lire un ensemble cohérent d’informations et de proposer aux amateurs et mélomanes francophones un panorama espéré parfois élargi de cette partie de l’œuvre vocale de Bach. Outre les quelques interventions « CR » identifiées par des crochets [...] le rédacteur précise qu’il a toujours pris le soin jaloux de signaler sans ambiguïté le nom des auteurs sélectionnés. A cet effet il a indiqué très clairement, entre guillemets «…» toutes les citations fragmentaires tirées de leurs travaux. Rendons à César... ABRÉVIATIONS (A) = la majeur → (a moll) = la mineur (B) = si bémol majeur BB / SPK = Berlin / Staatsbibliothek Preußischer Kulturbesitz B.c. = Basse continue ou continuo BCW = Bach Cantatas Website BD = Bach-Dokumente (4 volumes, 1975) BGA = Bach-Gesellschaft Ausgabe = Société Bach (Leipzig, 1851-1899). J. S. Bach Werke. Gesamtausgabe (édition d’ensemble) der Bachgesellschaft BJ = Bach-Jahrbuch (C) = ut majeur → (c moll) = ut mineur D = Deutschland (D) = Ré majeur → (d moll) = ré mineur (E) = Mi → Es = mi bémol majeur EKG = Evangelisches Kirchen-Gesangbuch. (F) = Fa (G) = Sol majeur. (g moll) = sol mineur GB = Grande Bretagne = Angleterre (H) = Si → (h moll) = si mineur KB. = Kritischer Bericht = Notice critique de la NBA accompagnant chaque cantate NBA = Neue Bach Ausgabe (nouvelle publication de l’œuvre de Bach à partir des années 1954-1955) NBG = Neue Bach Gesellschatf = Nouvelle société Bach (fondée en 1900) OP. -
Composers for the Pipe Organ from the Renaissance to the 20Th Century
Principal Composers for the Pipe Organ from the Renaissance to the 20th Century Including brief biographical and technical information, with selected references and musical examples Compiled for POPs for KIDs, the Children‘s Pipe Organ Project of the Wichita Chapter of the American Guild of Organists, by Carrol Hassman, FAGO, ChM, Internal Links to Information In this Document Arnolt Schlick César Franck Andrea & Giovanni Gabrieli Johannes Brahms Girolamo Frescobaldi Josef Rheinberger Jean Titelouze Alexandre Guilmant Jan Pieterszoon Sweelinck Charles-Marie Widor Dieterich Buxtehude Louis Vierne Johann Pachelbel Max Reger François Couperin Wilhelm Middelschulte Nicolas de Grigny Marcel Dupré George Fredrick Händel Paul Hindemith Johann Sebastian Bach Jean Langlais Louis-Nicolas Clérambault Jehan Alain John Stanley Olivier Messiaen Haydn, Mozart, & Beethoven Links to information on other 20th century composers for the organ Felix Mendelssohn Young performer links Fanny Mendelssohn Hensel Pipe Organ reference sites Camille Saint-Saëns Credits for Facts and Performances Cited Almost all details in the articles below were gleaned from Wikipedia (and some of their own listed sources). All but a very few of the musical and video examples are drawn from postings on YouTube. The section of J.S. Bach also owes credit to Corliss Arnold’s Organ Literature: a Comprehensive Survey, 3rd ed.1 However, the Italicized interpolations, and many of the texts, are my own. Feedback will be appreciated. — Carrol Hassman, FAGO, ChM, Wichita Chapter AGO Earliest History of the Organ as an Instrument See the Wikipedia article on the Pipe Organ in Antiquity: http://en.wikipedia.org/wiki/Pipe_Organ#Antiquity Earliest Notated Keyboard Music, Late Medieval Period Like early music for the lute, the earliest organ music is notated in Tablature, not in the musical staff notation we know today. -
Werner-B02c[Erato-10CD].Pdf
Johann Sebastian Bach (1685-1750) The Cantatas, Volume 2 Heinrich Schütz Choir, Heilbronn Pforzheim Chamber Orchestra Württemberg Chamber Orchestra (B\,\1/ 102, 137, 150) Südwestfunk Orchestra, Baden-Baden (B\,\ry 51, 104) Fritz Werner L'Acad6mie Charles Cros, Grand Prix du disque (BWV 21, 26,130) For complete cantata texts please see www.bach-cantatas.com/IndexTexts.htm cD t 75.22 Ich hatte viel Bekümmernis, BWV 2l My heart and soul were sore distrest . Mon cceur ötait plein d'ffiiction Domenica 3 post Trinitatis/Per ogni tempo Cantata for the Third Sunday after Trinity/For any time Pour le 3n"" Dimanche aprös la Trinitö/Pour tous les temps Am 3. Sonntag nachTrinitatis/Für jede Zeit Prima Parte 0l 1. Sinfonia 3.42 Oboe, violini, viola, basso continuo 02 2. Coro; Ich hatte viel Bekümmernis 4.06 Oboe, violini, viola, fagotto, basso continuo 03 3. Aria (Soprano): Seufzer, Tränen, Kummer, Not 4.50 Oboe, basso continuo ) 04 4. Recitativo (Tenore): Wie hast du dich, mein Gott 1.50 Violini, viola, basso continuo 05 5. Aria (Tenore): Bäche von gesalznen Zähren 5.58 Violini, viola, basso conlinuo 06 6. Coro: Was betrübst du dich, meine Seele 4.35 Oboe, violini, viola, fagotto, basso continuo Seconda Parte 07 7. Recitativo (Soprano, Basso): Ach Iesu, meine Ruh 1.38 Violini, viola, basso continuo 08 8. Duetto (Soprano, Basso): Komm, mein Jesu 4.34 Basso continuo 09 9. Coro: Sei nun wieder zufrieden 6.09 Oboe, tromboni, violini, viola, fagotto, basso continuo l0 10. Aria (Tenore): Erfreue dich, Seele 2.52 Basso continuo 11 11. -
Beyond Bach• Music and Everyday Life in the Eighteenth Century
Beyond Bach• Music and Everyday Life in the Eighteenth Century Andrew Talle Beyond Bach• Beyond Bach• Music and Everyday Life in the Eighteenth Century andrew talle Publication is supported by a grant from the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. © 2017 by the Board of Trustees of the University of Illinois All rights reserved Manufactured in the United States of America c 5 4 3 2 1 ∞ This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Names: Talle, Andrew. Title: Beyond Bach : music and everyday life in the eighteenth century / Andrew Talle. Description: Urbana : University of Illinois Press, 2017. | Includes bibliographical references. Identifiers: LCCN 2016041694 (print) | LCCN 2016043348 (ebook) | ISBN 9780252040849 (cloth : alk. paper) | ISBN 9780252099342 (e-book) | ISBN 9780252099342 (E-book) Subjects: LCSH: Music—Social aspects—Germany— History—18th century. | Keyboard players— Germany—Social conditions—18th century. | Germany—Social life and customs—18th century. Classification: LCC ML3917.G3 T35 2017 (print) | LCC ML3917.G3 (ebook) | DDC 786.0943/09032—dc23 LC record available at https://lccn.loc.gov/2016041694 Jacket illustration: Barthold Fritz: Clavichord for Johann Heinrich Heyne (1751). Copyright Victoria and Albert Museum For J. E. Contents Illustrations .................................... ix Acknowledgments .............................. xiii A Note on Currency ............................. xv Introduction ....................................1 1. Civilizing Instruments ............................11 2. The Mechanic and the Tax Collector ...............32 3. A Silver Merchant’s Daughter......................43 4. A Dark-Haired Dame and Her Scottish Admirer ............................66 5. Two Teenage Countesses..........................84 6. -
Tifh CHORALE CANTATAS
BACH'S TREATMIET OF TBE CHORALi IN TIfh CHORALE CANTATAS ThSIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Floyd Henry quist, B.A. Denton, Texas August, 1950 N. T. S. C. LIBRARY CONTENTS Page LIST OF ILLUSTRATIONS. ...... .... v PIEFACE . vii Chapter I. ITRODUCTION..............1 II. TECHURCH CANTATA.............T S Origin of the Cantata The Cantata in Germany Heinrich Sch-Utz Other Early German Composers Bach and the Chorale Cantata The Cantata in the Worship Service III. TEEHE CHORAI.E . * , . * * . , . , *. * * ,.., 19 Origin and Evolution The Reformation, Confessional and Pietistic Periods of German Hymnody Reformation and its Influence In the Church In Musical Composition IV. TREATENT OF THED J1SIC OF THE CHORAIJS . * 44 Bach's Aesthetics and Philosophy Bach's Musical Language and Pictorialism V. TYPES OF CHORAJETREATENT. 66 Chorale Fantasia Simple Chorale Embellished Chorale Extended Chorale Unison Chorale Aria Chorale Dialogue Chorale iii CONTENTS (Cont. ) Chapter Page VI. TREATMENT OF THE WORDS OF ThE CHORALES . 103 Introduction Treatment of the Texts in the Chorale Cantatas CONCLUSION . .. ................ 142 APPENDICES * . .143 Alphabetical List of the Chorale Cantatas Numerical List of the Chorale Cantatas Bach Cantatas According to the Liturgical Year A Chronological Outline of Chorale Sources The Magnificat Recorded Chorale Cantatas BIBLIOGRAPHY . 161 iv LIST OF ILLUSTRATIO1S Figure Page 1. Illustration of the wave motive from Cantata No. 10e # * * # s * a * # . 0 . 0 . 53 2. Illustration of the angel motive in Cantata No. 122, - - . 55 3. Illustration of the motive of beating wings, from Cantata No. -
Writing Activity
Discover Drumthwacket Classroom Packet Welcome to the Official Residence of The Governor of New Jersey The Drumthwacket Foundation 354 Stockton Street Princeton, NJ 08540 Tel. 609-683-0591 FAX 609-924-4563 Classroom Packet for New Jersey Fourth Grade Teachers Contents Program Goals and Objectives............................................................... 3 Overview of Your Day at Drumthwacket ............................................... 4 Rules for Visiting Drumthwacket ........................................................... 4 Copyright 2005 by The Drumthwacket Foundation, Inc. Permission is given to photocopy this packet for non-commercial, in- school use only. Discover Drumthwacket Preparing for Your Visit ......................................................................... 5 Pre-Visit Activity 1: Drumthwacket History and Timeline .................... 6 Pre-Visit Activity 2: A Day in the Life of New Jersey’s Governor ........ 10 Pre-Visit Activity 3—Part A: New Jersey’s State Seal and Flag .............. 13 Pre-Visit Activity 3—Part B: New Jersey’s State Symbols ..................... 15 Pre-Visit Activity 4: Using Geography to Plan Your Visit .................... 17 Pre-Visit Activity 5: Calling Cards ........................................................ 19 Pre-Visit Activity 6: A Bird’s Eye View ................................................ 20 Post-Visit Activities ............................................................................... 22 Room-by-Room Review of Your Tour of Drumthwacket ..................