C.W. ECKERSBERG and the Danish Golden Age International Auction 861

BRUUN RASMUSSEN FINE ART C.W. ECKERSBERG and the Danish Golden Age International auction 861

AUCTION 861 • NOVEMBER 2015

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AUCTION 24 November 2015 at 4 pm

PREVIEW Thursday 19 November 3 pm - 6 pm Friday 20 November 11 am - 5 pm Saturday 21 November 11 am - 4 pm Sunday 22 November 11 am - 4 pm Monday 23 November 11 am - 5 pm or by appointment

Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com

861_malerier_s001-168.indd 1 02/11/15 17.43 The Opening of the Preview in Bredgade 33 Thursday 19 November 3-6 pm

Lectures in the saleroom

4 pm “C. W. Eckersberg and the Danish Golden Age” by Kasper Monrad, curator and senior researcher from the National Gallery of Denmark

4:30 pm “My passion for art from the Danish Golden Age” by Søren Østergaard, Zirkus director and art collector

The lectures can also be seen on bruun-rasmussen.dk via live streaming.

Georg Jensen Work Shop Friday 20 November at 3 pm

The Gallery on the Ground Floor

Come and experience the classic silverwork up close and meet Claes Hansted, who will tell about his 25 years of work for Georg Jensen and the creation of selected silverwork at the preview.

Deadline for claiming items: 16 December Items bought at Auction 861 must be paid no later than eight days from the date of the invoice and claimed on Bredgade 33 by Wednesday 16 December at the latest. Otherwise, they will be moved to Bruun Rasmussen’s storage facility at Baltikavej 10 in Copenhagen at the buyer’s expense and risk. This transportation will cost DKK 100 per item VAT included, and storage will cost DKK 100 per item per week VAT included.

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______FINE ART Tuesday 24 November 4 pm C.W. Eckersberg and the Danish Golden Age 1 - 70 Paintings 17th - 20th century 71 - 152 ______FINE ART + ANTIQUES Wednesday 25 November 2 pm Russian art 153 - 197 Furniture, clocks and bronzes 198 - 307 Silver and ceramics 308 - 337 Oriental carpets 338 - 381 ______ORIENTAL ART Thursday 26 November 3 pm Oriental sale 400 - 510 ______JEWELLERY + WRISTWATCHES

Monday 30 November 4 pm Jewellery and handbags 511 - 801 after 7:30 pm Wristwatches 802 - 844 ______MODERN ART Tuesday 1 December 4 pm Modern paintings and sculptures

Wednesday 2 December 2 pm Modern paintings and sculptures Prints ______NORDIC DESIGN Wednesday 2 December 4 pm Silver incl. Georg Jensen Ceramics

Thursday 3 December 4 pm Furniture and lamps ______

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AUKTION 24. november 2015 kl. 16

PREVIEW Torsdag 19. november kl. 15 - 18 Fredag 20. november kl. 11 - 17 Lørdag 21. november kl. 11 - 16 Søndag 22. november kl. 11 - 16 Mandag 23. november kl. 11 - 17 eller efter aftale

Bredgade 33 · 1260 København K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.dk

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Foredrag i auktionssalen

Kl. 16.00 “C.W. Eckersberg og den danske guldalder” ved Kasper Monrad, museumsinspektør og seniorforsker fra Statens Museum for Kunst

Kl. 16.30 “Min passion for dansk guldalderkunst” ved Søren Østergaard, zirkus direktør og kunstsamler

Foredragene kan også opleves på bruun-rasmussen.dk via live streaming.

Georg Jensen Work Shop fredag 20. november kl. 15

Galleriet i stueetagen

Kom og oplev sølvklassikere på nært hold og mød Claes Hansted, der fortæller om sit virke for Georg Jensen gennem 25 år og tilblivelsen af udvalgte sølvgenstande på eftersynet.

Sidste frist for afhentning: onsdag den 16. december Effekter købt på auktion 861 skal være betalt senest 8 dage efter fakturadatoen og afhentet i Bredgade 33 senest onsdag den 16. december. I modsat fald bliver de transporteret til Bruun Rasmussens lager på Baltikavej 10 i Københavns Nordhavn for købers regning og risiko. Transporten koster 100 kr. pr. effekt inkl. moms, og opbevaringen koster 100 kr. pr. effekt pr. påbegyndt uge inkl. moms.

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______MALERIER Tirsdag 24. november kl. 16 C.W. Eckersberg og Den Danske Guldalder 1 - 70 Malerier 17. - 20. århundrede 71 - 152 ______MALERIER + ANTIKVITETER Onsdag 25. november kl. 14 Russisk kunst 153 - 197 Møbler, ure og bronzer 198 - 307 Sølv og keramik 308 - 337 Orientalske tæpper 338 - 381 ______ORIENTALSK KUNST Torsdag 26. november kl. 15 Orientalsk kunst 400 - 510 ______SMYKKER + ARMBÅNDSURE

Mandag 30. november kl. 16 Smykker og tasker 511 - 801 efter kl. 19.30 Armbåndsure 802 - 844 ______MODERNE KUNST Tirsdag 1. december kl. 16 Moderne malerier og skulpturer

Onsdag 2. december kl. 14 Moderne malerier og skulpturer Grafik ______NORDISK DESIGN Onsdag 2. december kl. 16 Sølv inkl. Georg Jensen Keramik

Torsdag 3. december kl. 16 Møbler og belysning ______

861_malerier_s001-168.indd 7 02/11/15 17.43 The Danish Golden Age

At the last auction of the year in Bredgade, we focus on the Danish Golden Age with a selection of the finest artists of the period, such as C.W. Eckersberg, Martinus Rørbye and Christen Købke. In Denmark, the first half of the 1800s was characterized by a blooming artistic and intellectual life in spite of the many problems facing Denmark at the time – the bombardment of Copenhagen in 1801, the loss of the navy in 1807, the national bankruptcy in 1813 and the loss of Norway in 1814. The nation was in need of a recovery, and this became the foundation for some of greatest literary and artistic works in Danish cultural history.

At the auction we will shed light on three areas, which the Danish Golden Age painters focused on in their work – marines, model studies and southern European motifs. Eckersberg, the period’s leading artist, nourished, with a childhood on the Danish island of Als in the back of his mind, a special love for the maritime genre. This affection is for instance fully expressed in the work with the frigate ”Nymph” from 1832, which adorns the front of the catalogue. He made extensive studies of the ships’ condition and the wind’s influence on the sails, sea and sky, and no one mastered the genre with as much precision as Eckersberg (cat. no. 38).

Eckersberg also paved the way for the use of naked female models in the teaching at the Royal Danish Academy of Fine Arts, which seen through contemporary eyes was highly controversial. One of his own early model studies of a young woman, who is seen weaving her hair, has found its way to the auction. In the periphery of the group of Golden Age artists stood L.A. Smith. He was a pupil of Eckersberg and followed in his footsteps with the offered painting of a half-naked and hair weaving woman (cat. no. 42 and 37).

The period is also characterized by the artists’ broad outlook and wanderlust. They often set off to southern Europe to find artistic inspiration. Based on their experiences during these periods of studying abroad they created some of the most well known Golden Age art. Rørbye is represented with the ”Tower of the Winds” from 1839, which depicts the famous weather station from antiquity near the Acropolis in Athens. With Købke we head to Capri with a piece from Marina Piccola from 1846, while Constantin Hansen focuses on Rome with the depiction of the Roman Forum and the Temple of Concordia from 1846 (cat. no. 30, 51 and 49).

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In November it will be 30 years, since I took over the responsibility and management of Bruun Rasmussen Auctioneers, after my father had passed away. Today, my two children, Alexa and Frederik, are both employed in the company, which has later become a family-owned stock company with the three of us as shareholders.

A year ago I began to consider how best to celebrate this 30th anniversary. In this regard, I once again extend my thanks to the National Gallery of Denmark, which has always been helpful with advice and guidance. In this case, however, direct advice was not given. Instead it came to my attention that the museum was planning to show C.W. Eckersberg from his best side in the special exhibition ”A Beautiful Lie - Eckersberg”. It seemed right to connect my anniversary with the museum’s exhibition to achieve a synergy effect. Personally, I wanted to promote a subject dear to my heart, namely the Danish Golden Age of art. The period has for many years been overshadowed by many people’s enthusiasm for more recent Danish painters - both from the artists’ colony in Skagen, the more colourful artists from the CoBrA movement and the representatives of the taut concrete art.

I wanted to focus on Eckersberg, but that turned out to be a bit more difficult than expected. Danish and international museums have long been aware of the artist’s unique qualities. This has meant that they have acquired a large number of his works, which in turn has resulted in fewer and fewer paintings left by Eckersberg on the art market. I am fortunate enough to be able to remember some of my father’s auctions of Danish Golden Age art, including the sale of Agathe and Knud Neye’s extraordinary collection, which was spread out over four auctions. Unfortunately, it is impossible to muster a similar selection of paintings today, so I extended the anniversary auction to include other artists of the period and chose the title ”C.W. Eckersberg and the Danish Golden Age.” And this helped things move along! We have managed to gather a large number of significant paintings and drawings, which we are pleased to present to you at the preview, beginning on Thursday 19 November. In all modesty, our preview actually exceeds the exhibition at the National Gallery of Denmark in one aspect – all of our paintings are for sale, which I hope many collectors in Denmark and abroad will find enticing.

To truly show the quality of the paintings the catalogue will this time be published in a wide horizontal format. However, this has led to the comment: ”Are you doing this because you have so many drawing-room pieces, you want to sell?” I will let the catalogue speak for itself on this issue, but I hope that you will bring it with you for your visit to the preview, which will take place in the newly painted showrooms on the 1st floor at Bredgade 33 in Copenhagen. Here we will offer a rare look into the period of Danish painting, which is probably the strongest, when the different periods in Danish art history is compared with other countries.

Jesper Bruun Rasmussen

861_malerier_s001-168.indd 9 02/11/15 17.43 Den Danske Guldalder

På årets sidste auktion i Bredgade sætter vi fokus på guldalderen med et udvalg af de fremmeste kunstnere som fx C.W. Eckersberg, Martinus Rørbye og Christen Købke. I Danmark er første halvdel af 1800-tallet kendetegnet ved et blomstrende kunst- og åndsliv trods tidens ellers store samfundsmæssige problemer – Københavns bombardement i 1801, tabet af flåden i 1807, statsbankerotten i 1813 og tabet af Norge i 1814. Nationen havde brug for genrejsning, og det dannede grobund for nogle af de bedste litterære og billedkunstneriske værker i dansk kulturhistorie.

Vi kaster lys over tre områder, som de danske guldaldermalere kredsede om – mariner, modelstudier og sydeuropæiske motiver. Periodens frontfigur Eckersberg nærede med en opvækst på Als i bagagen en særlig kærlighed til den maritime genre som til fulde udtrykkes i værket med fregatten ”Nymfen” fra 1832, der pryder forsiden af kataloget. Han foretog indgående studier af skibenes beskaffenhed og vindforholdenes betydning for sejlenes, havets og himlens udseende, og ingen beherskede genren med så stor præcision som ham (kat.nr. 38).

Eckersberg banede også vejen for brugen af nøgne kvindelige modeller i undervisningen på kunstakademiet, hvilket set med dati- dens øjne var temmelig kontroversielt. Et af hans egne tidlige modelstudier af en ung kvinde, der fletter sit hår, har fundet vej til auktionen. I periferien af guldalderkunstnere stod L.A. Smith, der var elev af Eckersberg og fulgte i hans fodspor med den udbudte skildring af en halvnøgen, hårflettende kvinde (kat.nr. 42 og 37).

Perioden er også kendetegnet ved kunstnernes brede udsyn og udlængsel. De vendte i flæng næsen mod Sydeuropa for at finde kunstnerisk inspiration, og på baggrund af deres oplevelser under studieopholdene skabte de nogle af de mest kendte guldalder- værker. Rørbye er repræsenteret med ”Vindenes Taarn” fra 1839, der gengiver antikkens berømte vejr-station ved Akropolis i Athen. Med Købke drager vi til Capri med et parti fra Marina Piccola fra 1846, mens det med Constantin Hansen gælder Rom med skildringen af Forum Romanum og Concordia-templet fra 1846 (kat.nr. 30, 51 og 49).

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I november for 30 år siden overtog jeg ansvaret og ledelsen af Bruun Rasmussen Kunstauktioner, efter min far var gået bort. I dag er mine to børn Alexa og Frederik begge ansat i firmaet, som siden er blevet et familieaktieselskab med os tre som aktionærer.

For et års tid siden begyndte jeg at fundere over, hvordan jeg bedst kunne tænke mig at fejre sådan et jubilæum. I den forbindelse vil jeg endnu en gang rette en stor tak til Statens Museum for Kunst, der som altid er os behjælpelige med råd og vejledning. I dette tilfælde var der dog ikke tale om et direkte råd, men det kom mig for øre, at de planlagde at vise C.W. Eckersberg fra hans bedste side i særudstillingen ”En smuk løgn – Eckersberg”. Det ville være oplagt at koble mit jubilæum op på museets udstilling for at opnå en synergieffekt. Personligt ville jeg gerne slå på tromme for noget, der ligger mit hjerte nært, nemlig Den Danske Guldalder. Perioden har i en lang årrække været overskygget af manges begejstring for de senere malere – både fra kunstnerkolonien i Skagen, de mere farverige fra Cobrabevægelsen og repræsentanter for den stramme konkrete kunst.

Jeg ville gerne sætte fokus på Eckersberg, men det viste sig at være en lidt sværere opgave end først antaget. Danske og internati- onale museer har for længst fået øjnene op for kunstnerens særegne kvaliteter. Det har medført, at de har erhvervet et stort antal af hans værker, hvorfor udbuddet på kunstmarkedet er blevet mere og mere begrænset. Jeg er så heldig at kunne huske en række af min fars auktioner over guldalderkunst, heriblandt dem med Agathe og Knud Neyes store private kunstsamling, der blev fordelt over fire auktioner. Det er desværre umuligt at mønstre i dag, så jeg udvidede jubilæumsauktionen til at omfatte andre af periodens kunstnere og valgte at give den titlen ”C.W. Eckersberg og den danske guldalder”. Og så gik det ligesom lidt bedre! Det er lykkedes os at indsamle en lang række betydelige malerier og tegninger, som vi glæder os til at fremvise på eftersynet, der starter torsdag den 19. november. Sagt i al beskedenhed – på et særligt punkt overgår vores eftersyn langt udstillingen på SMK – vores værker er alle til salg, hvilket jeg håber mange samlere i ind- og udland vil finde attraktivt.

For at værkerne for alvor kan komme til deres ret, er kataloget denne gang i bredformat. Det har imidlertid affødt kommentaren: ”Er det fordi, I har så mange sofastykker, I gerne vil sælge?” Jeg vil lade kataloget tale for sig selv, men jeg håber, at man med det i hånden vil besøge eftersynet, der finder sted i de nymalede rum på 1. sal i Bredgade 33 i København. Her byder vi på et sjældent godt kig ind i den periode i dansk malerkunst, der vel nok står stærkest sammenlignet med udlandet.

Jesper Bruun Rasmussen

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A M A L Abildgaard, N. A. 65, 67 Marstrand, Wilhelm 14 d’Agar, Jacob, ascribed to 139 la Cour, Janus 102, 106, 111 Meyer, Elias 64 Ambros, Raphael von 135 Larsen, Johannes 113 B Ancher, Anna 75, 78, 85 P Locher, Carl 71, 72, 89 Bille, Carl 47 Ancher, Michael 74, 79, 80, 81 Lorentzen, C. A. 138 Petzholdt, Fritz 20 82, 83, 84, 88, 90, 91, 92, 93 Brendstrup, Thorald 52 Prömmel, Julius 48 Arnesen, Vilhelm 126 M Bærentzen, Emil 8, 9 R B Melbye, Vilhelm 131 D Moltke, Harald 132 Richardt, Ferdinand 27, 63 Balen, Hendrick van, school of 145 Morland, George, after 136 Dahl, I. C. 1, 17, 36 Brendekilde, H. A. 100, 122 Rosenberg, Friedrich 28 Bøgh, Carl 108, 109 Mølsted, Christian 127 Dreyer, Dankvart 33 Rørbye, Martinus 12, 21 C Mønsted, Peder 98, 99, 104 E 22, 30, 53 105, 107, 123 Cramer, Peter 137 Eckersberg, C. W. 6, 7, 15, 24 S P 29, 38, 42, 50 D Skovgaard, P. C. 31, 35, 59 Petersen, Emanuel A. 130, 133, 134 54, 55, 60, 61 Dahl, Michael, ascribed to 149 Smith, L. A. 37, 41 Pillement, Jean-Baptiste, style of 143 Dahl, Siegwald 110 H Sonne, Jørgen 58 Drillenberg, Willem van, ascribed to 146 Prague school, c. 1600 152 Sørensen, C. F. 39, 40 Hansen, Constantin 2, 49 F R T Raphael, after 148 Harboe, Eleonore Christine 45 Fischer, Paul 115, 116, 118 Thøming, Friedrich 16 Rasmussen, I. E. C. 129 Hellesen, Hanne 46 120, 121, 124 Ring, L. A. 95, 96, 97 Holm, H. G. F. 69, 70 G Ring, Ole 112 J Gerhard, Johan Friedrich 141 Rubens, P. P. 144 Jensen, C. A. 5, 13, 25, 26, 56 H S Jensen, I. L. 10 Henningsen, Erik 119 Scacciati, Andrea, style of 140 K Holsøe, Carl 117, 125 T Købke, Christen 18, 34, 43 I Tuxen, Laurits 77, 94 44, 51, 57 Italian painter, 17th century 147, 150 W L J Wilhjelm, Johannes 86 Lund, Bernt 62 Johansen, Viggo 87 Z Lundbye, Johan Thomas 3, 4, 23 K Zacho, Christian 128 32, 66, 68 Krause, Robert 103 Zahrtmann, Kristian 101 Lunde, Anders 11, 19 Krøyer, P. S. 73, 76 Zeuthen, C. O. 114

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861_malerier_s001-168.indd 12 02/11/15 17.44 SPECIALISTS IN FINE ART

Paintings and russian art Martin Hans Borg +45 8818 1128 [email protected]

Paintings Birte Stokholm +45 8818 1122 [email protected]

Paintings Julie Arendse Voss +45 8818 1127 [email protected]

Paintings Søren K. Holmstrup +45 8818 1003 [email protected]

Paintings and furniture Frederik Bruun Rasmussen +45 8818 1003 [email protected]

Silver and branding Alexa Bruun Rasmussen +45 8818 1091 [email protected]

Layout Jesper Bruun Rasmussen +45 8818 1111 [email protected]

Director of sales Kasper Nielsen +45 8818 1121 [email protected]

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Tuesday 24 November Lot 1 - 70

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1 I. C. DAHL b. Bergen 1788, d. Dresden 1857 View from the Elbe Valley with high cloudy sky. Un- signed. Oil on paper laid on board. 13.5 x 18.5 cm. Provenance: Advocate of the Supreme Court Stein, his estate auction, Bruun Rasmussen auction 9, 1949 no. 35. DKK 75,000-100,000 / € 10,000-13,500 1

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2 CONSTANTIN HANSEN b. Rome 1804, d. Frederiksberg 1880 "Parti af Møens Klint". View of Møens Klint. Signed and dated C. H. 27. Oil on paper laid on cardboard. 23 x 33 cm. Emil Hannover, A Catalogue Raisonné of the Works of Constantin Hansen no. 26.

Provenance: Emil Hannover (1901).

One of the artist's few known early landscape studies. DKK 40,000-60,000 / € 5,350-8,050

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861_malerier_s001-168.indd 17 02/11/15 17.44 3 JOHAN THOMAS LUNDBYE b. Kalundborg 1818, d. Bedsted 1848 "Sjællandsk bondegård fra Tisvildeegnen". A farm near Tisvilde, Denmark. Signed with monogram and dated 1842. Drawing ink on paper. Sheet size 16 x 25 cm. Exhibited: Kunstforeningen, "Johan Thomas Lundbye", 1954 no. 35.

Literature: Reproduced in Karl Madsen "Johan Thomas Lundbye 1818-1848", 1895, p. 97.

Provenance: Kunstforeningen (1895). Head of department Bøgh-Andersen (1954). Bøgh-Andersen's family until today. DKK 15,000-20,000 / € 2,000-2,700 3

4 JOHAN THOMAS LUNDBYE b. Kalundborg 1818, d. Bedsted 1848 Cows and horses at a well. In the background Roskilde Ca- thedral. Signed and dated Johan Th. Lundbye 25. September 1834. Pencil on paper. 30 x 38.5 cm. Unframed. Provenance: Bruun Rasmussen auction 259, 1971 no. 330. DKK 10,000-15,000 / € 1,350-2,000 4

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861_malerier_s001-168.indd 18 02/11/15 17.44 5 C. A. JENSEN b. Bredsted near Husum 1792, d. Copenhagen 1870 Portrait of Adam Oehlenschläger in buttoned black coat with miniature decorations and a black vest. White cravat tied in a bow. Signed and dated on the back of the chair Iensen 1834. Oil on canvas. 26.5 x 22.5 cm. Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen no. 240.

Exhibited: Copenhagen, "Rådhusudstillingen af Dansk Kunst indtil 1890", 1901 no. 750. Bakkehusudstillingen 1902 no. 71.

Literature: Mentioned and reproduced in Baroness Stampe's memoirs about Thorvaldsen, Copenhagen 1912 p. 43. The Baroness' memoirs was based on posthumous records published by her granddaughter Rigmor Stampe (1850-1923) in 1912.

Provenance: Curator Chr. Axel Jensen, Nationalmuseet (the National Museum of Denmark), Copenhagen (1932). Bruun Rasmussen auction 293, 1973 no. 112, reproduced p. 13.

Adam Oehlenschläger is considered to be Denmark's first great romantic writer. His most famous works are Denmark's national anthem "Der er et yndigt land" and the poem "Guldhornene", dated 1802, considered to be the work heralding the beginning of Romanticism in Denmark. DKK 100,000-150,000 / € 13,500-20,000 5

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6 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 “Luftstudie med anlagte Skibe”. A study of the sky with an outline of ships. C. 1845. Unsigned. Oil on canvas. 15 x 29 cm. Emil Hannover, A Catalogue Raisonné of the Works of C. W. Eckersberg 7 no. 587. C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 Provenance: Presumably Eckersberg’s estate auction 1854, listed under Seascape with sailing ships. Signed E. Drawing ink and wash on (in Danish) “Sketches, unfinished paintings and drawings”, no. 147- paper. Sheet size 10.5 x 16 cm. 153. The heirs of commodore, harbour master W. Lüders (1898). Provenance: Julie Eckersberg, C. W. Eckersberg's daughter. DKK 75,000-125,000 / € 10,000-17,000 DKK 30,000-50,000 / € 4,000-6,700

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861_malerier_s001-168.indd 20 02/11/15 17.44 7 (Enlarged)

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Excellency Hartvig Frederik Emil von Benzon, son of a chamberlain, landowner Christian Frederik Otto von Benzon to Christiansdal (Dalum Convent) at Odense. 8 As Hartvig Frederick was not the eldest son, his father bought him an EMIL BÆRENTZEN Austro-Hungarian office patent. In 1844 he married the heir of an b. Copenhagen 1799, d. s.p. 1868 estate Emilie von Dorry der Jobterhazar, née Lazar. A pair of portraits. Hartvig Frederik Emil Benzon (1816-1875), Mas- While he was serving in the Austro-Hungarian army, they stayed most ter of the Royal Hunt and his wife Emilie Benzon (1813-1871). He of the time on her estate in Hungary. After her death in 1871 he returned in a blue uniform jacket with gold braid. She with long ringlets and to Christiansdal where he died 13 November 1875 - a few months after an elegant white gown with lace. Unsigned. Oil on canvas. 29 x 25 his father. cm and 29 x 24 cm. (2). Exhibited: Teatermuseet i Hofteatret in Copenhagen, "Emil Bærentzen - Provenance: Descendants after the portrayed until today. en portrætkunstner i Guldalderens Danmark", 2014 no. 27 and no. 28. DKK 30,000-40,000 / € 4,000-5,350

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861_malerier_s001-168.indd 22 02/11/15 17.44 9 EMIL BÆRENTZEN b. Copenhagen 1799, d. s.p. 1868 Portrait of the actress and author Johanne Luise Heiberg (1812- 1890). Unsigned. On the reverse a letter from the artist's granddaughter mentioning the painting. Oil on cardboard. 33 x 26 cm. The painting is a smaller repetition/study with a few variations of Emil Bærentzen's famous portrait of Johanne Luise Heiberg. That one at Thorvaldsen's Museum.

Johanne Luise Heiberg was one of the greatest and most famous ac- tresses of the Romantic period. Johanne Louise Heiberg came from a poor background but rose socially to the top after her marriage to the writer Johan Ludvig Heiberg and through him she also got to know contemporary poets such as Adam Oehlenschlæger and Henrik Hertz. They wrote specific roles for her, as did her husband. DKK 30,000-50,000 / € 4,000-6,700

10 I. L. JENSEN b. Copenhagen 1800, d. s.p. 1856 White and pink roses on a sill. Signed I. L. Jensen. Oil on panel. 22 x 28.5 cm. DKK 30,000-40,000 / € 4,000-5,350 10

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861_malerier_s001-168.indd 23 02/11/15 17.44 12 MARTINUS RØRBYE b. Drammen 1803, d. Copenhagen 1848 "Udsigt fra Akropolis ved Aften, Ruiner i Baggrunden, nogle Figurer i Landskabet." A view from Acropolis in the evening, ruins in the background, some figures in the landscape. 1836. Unsigned. Oil on paper laid on canvas. 30 x 41 cm. Thorvaldsen's Museum, A Catalogue Raisonné of the Works of Martinus Rørbye no. 132.

Exhibited: Kunstforeningen, "Fortegnelse over M. Rørbyes arbejder", 1905 no. 86.

Provenance: The artist's estate auction 1849 no. 64. Bought here by the Danish art collector Benjamin Wolff (1790- 1866), his descendants until today, among others Master of the Royal Hunt G. Wolff-Sneedorf, Grevensvænge (1905).

Benjamin Wolff expanded his fortune as a merchant in the East Indies in the years 1817 to 1828. Back in Denmark he purchased the manor Engelholm in 1830 and later Grevensvænge at Mogenstrup. In 1832 he married Juliane Louise Sneedorff. 11 The painting has not been on the market since the artist's 11 estate auction, and according to the present owner the ANDERS LUNDE painting has never been cleaned or the like, hence appears b. Copenhagen 1809, d. s.p. 1886 in an untouched state. "Nerafloden ved Narni med Kejser Augustus' Bro". The river Nera at Narni north of Rome with the Bridge of The motif is actually "View towards Acropolis", and the Augustus. Signed A. Lunde Narni. Oil on paper laid on ruins in the background are among others Parthenon on canvas. 39 x 53 cm. top of the Acropolis. This is probably why the painting in Provenance: Consul General Johan Hansen's collection no. 1905 was exhibited with a question mark after the title, 1160, his auctions, Part VI, Winkel & Magnussen 131, 1933 which originates from the artist's estate auction. no. 118. DKK 75,000-100,000 / € 10,000-13,500 DKK 600,000-800,000 / € 80,500-105,000

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861_malerier_s001-168.indd 25 02/11/15 17.44 14 WILHELM MARSTRAND b. Copenhagen 1810, d. s.p. 1873 Study of a group of Italian women. Unsigned. Inscribed on the reverse W. Marstrand. Oil on cardboard. 31 x 24 cm. DKK 10,000-15,000 / € 1,350-2,000

13 C. A. JENSEN b. Bredsted near Husum 1792, d. Copenhagen 1870 Portrait of Nicolaus Conrad Count de Lunzi from Zante Greece (1798-1885) in black jacket with red rose, champagne colored vest, shirt with frill. Signed and dated Jensen 1819. Oil on copper. 18.5 x 14.5 cm. Period frame. Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen no. 23, mentioned p. 144.

Exhibited: Kunstforeningen, "Arbejder af Chr. Albr. Jensen", 1922 no. 6. Bakkehusmuseet, Frederiksberg August 1990- January 1991.

Provenance: The painter Laurits Tuxen. His widow Frederikke Tuxen. Descendants of the Tuxen family until today. DKK 20,000-25,000 / € 2,700-3,350 14

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861_malerier_s001-168.indd 26 02/11/15 17.44 15 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 "En falden Piges Historie". The story of a fallen girl. Part I, The lover flees through the window. 1808. Oil on canvas. 34 x 28 cm. Emil Hannover, A Catalogue Raisonné of the Works C. W. Eckersberg no. 42.

Exhibited: Kunstforeningen, "C.W. Eckersberg-udstillingen", 1895 no. 22.

Provenance: Lieutenant Mathiesen, who sold all four paintings to wine dealer J. B. Sandberg for 60 Rigsdaler. At the Sandberg auction in March 1871 all four were sold to Mr. Alfred Meyer for 201 Rigsdaler. Later in the collection of Mrs. Councillor Heyman. Sold at the Heyman auction in April 1917, no. 88. Later in the Swedish industrialist and art collector Falk Simon's collection.

The series "The Story of a Fallen Girl", consists of four small paintings, which all are engraved by G. L. Lahde and by C. F. Clemens. The titles are: Part I, The Lover Flees though the Window; Part II, The Mother negotiates with a Gentleman on the Girl's behalf; Part III, In a poor attic, the Girl does her make-up before leaving for a masked ball. Part IV, The former Beauty is begging by the harbour, her old lover walks by but he does not recognize her. The tragic story is told by Philip Weilbach in his Eckersberg biography, 1872, p. 18. DKK 100,000-150,000 / € 13,500-20,000 15

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861_malerier_s001-168.indd 27 02/11/15 17.44 16 FRIEDRICH THØMING b. Eckernförde 1802, d. Naples 1873 View of the Bay of Naples, bright sunshine. Signed and dated FThöming (in one word) 1842. Oil on canvas. 45 x 65 cm. Damborg bobinet frame. DKK 75,000-100,000 / € 10,000-13,500

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861_malerier_s001-168.indd 28 02/11/15 17.44 17 I. C. DAHL b. Bergen 1788, d. Dresden 1857 "A ruin in the neighborhood of Castel Mare". Signed and dated Dahl 1828. Oil on paper laid on canvas. 32 x 44 cm. On the stretcher barony Zeuthen's crowned wax seal. Elisabeth Lødrup Bang, A Catalogue Raisonné of the Works of I. C. Dahl no. 584, referred to as "Present whereabouts unknown".

Presumably exhibited at Charlottenborg 1829 no. 199 (supplement) titled "A ruin in the neighborhood of Castel Mare", which was an equivalent to no. 198 17 "Castel Mare, seen from the shore", both owned by C. F. Zeuthen, Groom in Waiting (kammerjunker).

A drawing for the painting is reproduced in Elisabeth Lødrup Bang, Vol III, plate 243 no. 584. Here two small drawings on paper with motifs of a man and a woman in conversation and a man with donkeys have been attached to the drawing. The drawing is dated 1820.

Provenance: Tølløse manor house, the Schulin- Zeuthen family until today. DKK 150,000-200,000 / € 20,000-27,000

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861_malerier_s001-168.indd 29 02/11/15 17.44 18 CHRISTEN KØBKE b. Copenhagen 1810, d. s.p. 1848 "Portrait af en Fiskerdreng fra Capri." Portrait of a young fisher boy from Capri. The boy is holding a fishing rod in his left hand and a basket in his right hand. C. 1844. Signed or inscribed Hans Edvard Nørregård-Nielsen refers to the motif in "Christen Købke Capri. Oil on paper laid on cardboard. 31 x 26 cm. Købke Italien tur-retur", p. 182 (in Danish): "The slender, Exhibited: Kunstforeningen, "Christen Købke", 1953 no. 95 (and bronze-coloured young boy is the embodiment of the local popula- not no. 96 as indicated in handwriting on the reverse of the paint- tion that the Golden Age painters were searching for in this part of ing). Here with the comment (in Danish): "Inscribed not with the Italy, along the coast previously inhabited by Greeks. The boy, with painter's hand: Købke Capri." his red Phrygian cap, is the aged Greeks' descendant on his way to replace them in doing the day's work along the coast". In the Catalogues Raisonné by Mario Krohn (1915) and Jørgen Folmer and Iben From (1996) three versions of the present motif The island Capri was "discovered" by artists and travellers in the are mentioned (in both Catalogues Raisonné no. 177, 178 and 179). beginning of the 1820s at the time when Herculanum and Pompeii were excavated. A great interest in and fascination of the region It does not seem as if the painting here is among the three - all around Naples, the Amalfi coast and Capri arose. in private Danish collections in 1996 - of which two are cited as unsigned (no. 177: measuring 31 x 25.5 cm and no. 179: measuring The Danish heir to the throne Christian Frederik (VIII) and his wife 30 x 24 cm) and one is cited as signed C. K. 44 (no. 178: measuring Caroline Amalie visited Capri in 1820. The painter I. C. Dahl stayed 29.7 x 26.2 cm). there for a longer time. The sculptor Bertel Thorvaldsen and the painter Thöming went there in 1828. Petzholdt painted many land- Although the exhibition in Kunstforeningen in 1953 suggests that scapes from the region and those works inspired Købke to travel the painting is no. 179 in the Catalogue Raisonné from 1915. Due to Capri with his friend Constantin Hansen. They spent several to the comment in the exhibition catalogue from 1953 (see above) months there in 1839. regarding the inscription Købke Capri, we are confident that the present painting was in the exhibition and sold at Bruun Rasmus- Købke's enthusiasm for Capri and its people can be seen in the sen auction 431, 1981 no. 311. many works - both studies and finished works - of the inhabitants (the young fishing boy for instance) and the landscapes. Even his Provenance: K. J. Grønbech, wholesaler. Bruun Rasmussen auction member piece for the Royal Academy of Fine Arts was a motif from 431, 1981 no. 311, reproduced p. 39. A Danish collection of Golden Capri. That one to be sold as lot 51 in this catalogue. Age paintings. DKK 300,000-350,000 / € 40,000-47,000

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861_malerier_s001-168.indd 31 02/11/15 17.44 19 ANDERS LUNDE b. Copenhagen 1809, d. s.p. 1886 View of the Bay of Naples near Sorrento with wild olive trees. Unsigned. Oil on paper laid on canvas. 23.5 x 36.5 cm. A painting by the artist with the same motif, however with the measurements 69 x 103 cm, was sold at Bruun Rasmussen auction 737, 2004, lot. no. 2022 for 220,000 DKK. DKK 20,000-30,000 / € 2,700-4,000

20 FRITZ PETZHOLDT b. Copenhagen 1805, d. Patras 1838 "Et opsadlet æsel, set fra siden". A saddled donkey, seen from the side. Unsigned. Inscribed on the back (in Danish): "F. Petzholdt. Belonging to G. Collin". Oil on paper laid on canvas. 15 x 21.5 cm. Henry Tuxen's unpublished Catalogue Raisonné of 50 Works of Fritz Petzholdt in a private collection 1942/43 no. 8.

Provenance: G. Collin.

G. Collin was Petzholdt's brother-in-law, and it is his handwriting on the back of the canvas. G. Collin wrote on the back when he framed Petzholdt's paintings. Works by the painter F. Petzholdt rarely come up for sale. He was only 33 years old when he died and left only a small production of paintings. DKK 10,000-15,000 / € 1,350-2,000 20

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21 The charming painting of the Greek tailor deeply focused on MARTINUS RØRBYE the day's work, is a repetition of no. 231 in the inventory. b. Drammen 1803, d. Copenhagen 1848 "En græsk Skrædder". A Greek tailor. Signed and dated Martinus Rørbye's paintings were extremely popular already M. Rørbye 1848. Oil on paper laid on canvas. 24 x 32 cm. in his own time, and he made several repetitions of several Thorvaldsen Museum, A Catalogue Raisonné of the Works of of his works, the best known is "A reading abate." Martinus Rørbye no. 260. DKK 250,000-300,000 / € 33,500-40,000

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861_malerier_s001-168.indd 33 02/11/15 17.45 22 MARTINUS RØRBYE b. Drammen 1803, d. Copenhagen 1848 Steep cliffs at the west coast of Jutland. Unsigned. Oil on paper. 19 x 24 cm. The motif is very similar to" The beach at Lønstrup" from 1848, that one reproduced in "Martinus Rørbye. Det nære og det fjerne", 2014, p. 53 fig. 42. DKK 30,000 / € 4,000

23 JOHAN THOMAS LUNDBYE b. Kalundborg 1818, d. Bedsted 1848 "Erindringstegning fra Arresø". Landscape from Arresø, drawn from memory. Signed and dated Johan Thomas Lundbye den 4 April 1840 Kjöbenhavn. Drawing ink on paper. Sheet size 11.2 x 18.4 cm. Exhibited: Kunstforeningen, "Johan Thomas Lundbye", 1954 no. 23.

Literature: Reproduced in Karl Madsen "Johan Thomas Lundbye 1818-1848", 1949, p. 147.

Provenance: Engineer H. Claudius (1949). Head of department Bøgh-Andersen 22 (1954). Bøgh-Andersen's family until today. DKK 15,000-20,000 / € 2,000-2,700

24 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 "En krydsende Krigscorvet i Vending". A crossing war corvette while turning. 1832. Signed E. Inscribed by the artist "En krydsende Krigscorvet i Vending, dens Fokkermast er fjernet 200 Alen. Skibets Diametralplan afviger 50 Gr fra Billedets Paralel. Hoveddistancen 20 Tommer" (A crossing war corvette while turning. Its foremast is removed 400 feet. The ship’s middle-line plane deviates 50 degrees from the picture’s parallel. The principle distance is 20 inches). Inscribed in drawing ink N 22 and in pencil 249. Drawing ink and wash on paper. Sheet size 24.5 x 31 cm. Unframed. Provenance: The estate auction of the late C. W. Eckersberg January 1855 no. 249, described (in Danish) "a Corvette. Indian ink; very elaborate". DKK 60,000-80,000 / € 8,050-10,500 23

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861_malerier_s001-168.indd 35 02/11/15 17.45 25 C. A. JENSEN b. Bredsted near Husum 1792, d. Copenhagen 1870 Portrait of P. O. Brøndsted (1780-1842) classical archaeologist and professor of classical philology, in double-breasted blue coat with ribbon of the Order of Dannebrog in the buttonhole. He is holding a book in his right hand. On his finger a signet ring with a red gem. 1839. Signed Jensen p. Oil on canvas. 27 x 20.5 cm. Period frame. Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen no. 329, mentioned p. 342 and 344.

Exhibited: København, "Rådhusudstillingen af Dansk Kunst indtil 1890", 1901 no. 733.

Kunstforeningen, "Arbejder af Chr. Albr. Jensen", 1922 no. 115.

Provenance: The painter Laurits Tuxen. His widow Frederikke Tuxen. Descendants of the Tuxen family until today. DKK 25,000-35,000 / € 3,350-4,700 25

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861_malerier_s001-168.indd 36 02/11/15 17.45 26 C. A. JENSEN b. Bredsted near Husum 1792, d. Copenhagen 1870 Portrait of architect and classical archaeologist Charles Robert Cocquerell/Cockerell (1788-1863). Signed and dated Jensen p. London 1838. Oil on canvas. 29 x 23 cm. Period frame. Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen no. 319.

Exhibited: Charlottenborg 1839 no. 18, painted in London for State Councillor Brønsted. Copenhagen, "Rådhusudstillingen af Dansk Kunst indtil 1890", 1901 no. 744. Guildhall, London, "Exhibition of Works by Danish Painters" 1907 no. 236. Kunstforeningen, "Arbejder af maleren Chr. Albr. Jensen" 1922 no. 111. The painting was lent to Bakkehusmuseet, Frederiksberg August 1990-January 1991.

Literature: Kunstens Historie i Danmark, edited by Carl Madsen 1901- 1907, reproduced. 202.

Professor P. O. Brøndsted, who was C. A. Jensen's patron in Rome when he was a young painter, commisioned Jensen to paint some of his British science colleagues in London among others C. R. Cockerell.

Sigurd Schultz describes in enthusiastic terms the portrait in the biography "C. A. Jensen", 1932 p. 338 (in Danish): "The portrait of Cockerell shines with the cordiality that was Jensen's finest personal ability as a portraitist. Cockerell was a handsome man. The waving hair suits his quiet seriousness and the bright smile of the eyes. His eyes are remarkably expressive. They willingly follow the painter working in front of him." In addition, Schultz praises Jensen's fine combination of colour in the painting.

Provenance: The painter Laurits Tuxen. His widow Frederikke Tuxen. Descendants of the Tuxen family until today. DKK 30,000-50,000 / € 4,000-6,700 26

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861_malerier_s001-168.indd 37 02/11/15 17.45 27 FERDINAND RICHARDT b. Brede 1819, d. Oakland, California 1895 A Danish summer landscape with a storm coming up. Signed and dated Ferdinand Richardt 1846. Oil on canvas. 86 x 125 cm. Presumably exhibited at Charlottenborg in 1847 no. 168 with the title "Skovparti, uroligt Veir. Motivet taget ved Frederiksborg" (Forest scene, changeable weather. The motif is from Frederiksborg). DKK 40,000-50,000 / € 5,350-6,700

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28 FRIEDRICH ROSENBERG b. Danzig 1758, d. Altona 1833 garden was laid out in terraces down to the river. The house was de- View of the Elbe with the country house Abbéma. Signed and dated molished in 1867 and a maritime school was built on the premises and Rosenberg 1823. Oil on canvas. 43.5 x 72.5 cm. the garden was laid out as a puplic park. The country house Abbéma was built in 1795 after the architect C. F. Hansen's design to the Batavian ambassador Abbéma on the banks of Friedrich Rosenberg is mentioned in Weilbach's dictionary of artists. the Elbe. The country house was ready for habitation during the years The present painting is referred to (in Danish): "View of the Elbe, Alto- 1796-1797. The house was sold in 1798 to the French emigrant C. l. C. na, Rainville, with the now demolished Haus Abbéma, designed by C. F. Rainville. The country house was converted into a restaurant and the Hansen." He exhibited at Charlottenborg in 1826 and 1828. DKK 150,000-200,000 / € 20,000-27,000

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861_malerier_s001-168.indd 39 02/11/15 17.45 29 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 "Landskab med en Kirke, i hvis Taarn er indsat et Uhr". Landscape with a church with a real clock inserted in the tower. Unsigned. Dated 1809. Oil on panel. 60 x 45. Emil Hannover, A Catalogue Raisonné of the Works of C. W. Eckersberg no. 55.

Provenance: Baron Schaffalitzky de Muckadell, Rynkebygård, Funen.

C. W. Eckersberg received the gold medal of the Royal Academy of Fine Arts in 1809 and with that one in hand the opportunity to receive one of the sought-after travel grants to study abroad. Before leaving Den- mark for Paris and later Rome he went to Møen, where he spent the summer of 1809. The result was a series of unique landscape paintings.

The present painting with a Danish village church near the sea could be painted on the trip to Møen. It is an unusual painting by Eckersberg. A real clock is placed in the bell tower.

A picture clock or in Danish a "skilderiur" is often seen in German and Swiss art but is very rare in Danish art and this one painted by such a talented painter as Eckersberg.

Outside the entrance to the church stands a stout lord with his daughter, who is pointing towards her brother, who is offering the weary wanderer a dime. DKK 250,000-350,000 / € 33,500-47,000

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861_malerier_s001-168.indd 41 02/11/15 17.45 30 MARTINUS RØRBYE b. Drammen 1803, d. Copenhagen 1848 "Vindenes Taarn i Athen. Figurerne i Costume fra forskiellige Egne af Grækenland". Tower of the Winds, Athens. The figures dressed in costumes from different parts of Greece. Signed and dated M. Rørbye 1839. Oil on canvas. 60 x 80 cm. Thorvaldsen's Museum, A Catalogue Raisonné of the Works of Martinus Rørbye no. 158.

Exhibited: Charlottenborg 1839 no. 274 (supplement). Purchased by Kunstforeningen, won by war commissioner Albeck.

Kunstforeningen, "Fortegnelse over M. Rørbyes arbejder", 1905 no. 86.

Literature: Reproduced, "Samleren", 1936 p. 122. Herman Madsen, Martinus Rørbye: “The Tower of Winds”, study. "200 danske malere og deres værker" (200 Danish painters and their (Ny Carlsberg Glyptotek, Copenhagen) works) vol. 1, 1946 p. 99, figure 5. "Kunst i Privat Eje" (Art in Private Col- lections, vol. 1, 1944, p. 301, here Herman Madsen makes the following remarks (in Danish): "A splendid picture in the collection of mrs. Kirk is Martinus Rørbye's sun glittering Tower of the Winds in Athens. He was the first Danish artist of importance, who found a new and surprising type of motifs in Greece, where a more oriental lifestyle differed greatly In Hans Christian Andersen's novel "En digters Basar" (A Poet's Ba- from that of Italy. zaar) dated 1842, Andersen describes the location seen in the painting Provenance: War commissioner Albreck, wine merchant J. B Sandberg, so exactly that he either must have seen the sketch or the exhibited sold at auction in 1871 to merchant C. Albreck. Albreck's widow (1905). painting from 1839. Emilie Kirk's art collection (1944). Bruun Rasmussen auction 227, 1968 no. 227, reproduced p. 19. Bruun Rasmussen auction 658, 1999 no. 248, Herman Madsen recounts, in the book mentioned above, about the reproduced p. 95. Tower (in Danish): "Tower of the Winds" is located below Acropolis's northern slope and is an interesting Prehistorical Memorial. The name According to Rørbye's diary, he began a study for the painting (30 x 41) comes from a former figure on top showing the wind's direction. The on February 29 and he finished it on March 5 1836 (in Danish): "In the reliefs symbolize the different winds. Inside the tower there was a wa- morning I started on a small study of the Tower of the Winds, a good ter clock, which indicated the time. It has in other words, been a sci- motif for folkloristic scenes, because a lot of people visit the fountain entific building. Rørbye's painting gives an amusing impression of the fetching water." The study is owned by Ny Carlsberg Glyptotek, Copen- oriental splendor that characterized urban life in Athens for more than hagen. That one reproduced above. a century ago". DKK 2,000,000-3,000,000 / € 270,000-400,000

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861_malerier_s001-168.indd 43 02/11/15 17.45 31 P. C. SKOVGAARD b. Ringsted 1817, d. Copenhagen 1875 Landscape near Silkeborg with Himmelbjerget (Mount Heaven!) in the background. A wanderer stands at the edge of the lake. Unsigned. Dated 8 Sept. 1867. Oil on canvas. 40 x 57 cm. DKK 40,000-50,000 / € 5,350-6,700 31 32 JOHAN THOMAS LUNDBYE b. Kalundborg 1818, d. Bedsted 1848 "Studie af en død svale". Study of a dead swallow. Signed and dated Johan Thomas Lundbye Kallb. Juli 1837. Oil on canvas laid on cardboard. 7 x 15 cm. Karl Madsen, A Catalogue Raisonné of the Works of J. Th. Lundbye no. 33.

Exhibited: Kunstforeningen, "Arbejder af Johan Thomas Lundbye", 1893 no. 17.

Provenance: Accountant C. F. Bayer. Art dealer Axel Duckert. Professor, doctor of Medicine Johs. Bock. Sculp- tress Gudrun Lauesen. DKK 30,000 / € 4,000

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33 DANKVART DREYER b. Assens 1816, d. Barløse 1852 Landscape north of Assens with a view towards Emtekær Nor (cove) and Wedelsborg peninsula. Unsigned. Oil on panel. 16 x 23.5 cm. Provenance: The architect, professor at the School of Architecture (Kunstakademiets Arkitekturskole) Steen Eiler Rasmussen.

The dark stacks to the left of the painting is turf or bricks. There was once a brickyard there. The long dark line in the foreground is not a stone wall, but something which has been spread out on the ground to dry, presumably tuf. The bricks were dried in the white building and the tuf dried on the soil. DKK 40,000-50,000 / € 5,350-6,700 32

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861_malerier_s001-168.indd 45 02/11/15 17.45 34 CHRISTEN KØBKE b. Copenhagen 1810, d. s.p. 1848 Portrait of Købke's sister Conradine Købke in her childhood home at Kastellet (the Citadel) in Copenhagen. Signed and dated C. K. 1830. Oil on canvas. 94 x 64 cm. Emil Hannover, A Catalogue Raisonné of the Works of Christen Købke no. 46. Mario Krohn, A Catalogue Raisonné of the Works of Christen Købke no. 45. Jørgen Folmer and Iben From, A Catalogue Raisonné of the Works of Christen Købke no. 45.

Exhibited: "Raadhusudstillingen af Dansk Kunst til 1890", 1901 no. 1026. Kunstforeningen, "Fortegnelse over Købkes Malerier, 1912 no. 45. Kunstforeningen, "Christen Købke", 1953 no. 29. Statens Museum for Kunst, "Christen Købke 1810-1848", 1996 no. 45, reproduced p. 65.

Literature: Peter Beck, "Nikolaj Laurentius Feilbergs levnedsløb og kredsen omkring ham", Herning 1981 p. 19.

Provenance: Given as a present by Christen Købke to his sister Con- radine and his brother-in-law Nicolaj Laurentius Feilberg at their wedding 1830. Pastor, dr. phil. H. F. Feilberg (1901, 1912). Descend- ants of the portrayed until today.

Conradine was Christen Købkes favorite sister so therefore he wanted to give the young couple the best and to him it was a full length portrait of Conradine in her childhood home. She is standing at the window, where the outside light brightens her young lovely face. DKK 1,000,000-1,200,000 / € 135,000-160,000

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861_malerier_s001-168.indd 47 02/11/15 17.45 36 I. C. DAHL b. Bergen 1788, d. Dresden 1857 "Nordic landscape with a thatched cottage". Signed and dated J. Dahl 1814. Oil on canvas. 47 x 63. Elisabeth Lødrup Bang, A Catalogue Raisonné of the Works of I. C. Dahl no. 52.

This painting is a classical example of Dahl's "Nordic landscapes" from his time in Denmark, where he stayed in the years 1811-1818. At this time Dahl was very inspired by the old baroque masters, which he studied in the different collections in Copenhagen - in particular in the Royal Chamber of Arts (later the National Gallery of Denmark). The term "Nordic landscape" covers an imaginary, but in Dahl's mind basic Norwegian landscape. Lødrup writes the following about the painting: "The contrapostal grouping of the features in the different picture planes derives from the baroque landscapes Dahl could study in the great collections in Copenha- gen" (Marie Lødrup Bang, "Johan Christian Dahl 1788-1857, Oslo 1987, p. 47).

Provenance: Auction director Johan Christian Fick (1788-1864). The Danish art collector Benjamin Wolff (1790-1866), his descendants until today. 35 The two art collectors J. C. Fick and Benjamin Wolff were very good friends and knew I. C. Dahl personally. J. C. Fick was this painting's first owner and the brother-in-law and friend of Benjamin Wulff, the second owner of the painting. In 1825 Fick founded Kunstfore- ningen in Copenhagen in collaboration with among other the art 35 historian N. L. Høyen, the architect G. F. Hetsch and the painters P. C. SKOVGAARD Eckersberg and J. P. Møller. b. Ringsted 1817, d. Copenhagen 1875 View of the pond near the King's "Badstue" (bath) at Frederiksborg. Benjamin Wolff expanded his fortune as a merchant in the East In- Unsigned. Oil on canvas. 65 x 76 cm. dies in the years 1817 to 1828. Back in Denmark he purchased the The artist's own repetition of "Parti af Badstuedammen ved Frederiksborg", manor Engelholm in 1830 and later Grevensvænge at Mogenstrup. that one signed and dated P. C. S. 1838. DKK 30,000 / € 4,000 In 1832 he married Juliane Louise Sneedorff.

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I. C. Dahl visited Engelholm several times. Initially under the pre- In 1844 Dahl returned to Engelholm now under the new owner vious owner P. B. Petersen, and he stayed in the summer of 1814 Benjamin Wolff - the two have probably known each other since at the manor. Dahl painted several works of the landscape around the youth - in Wolff's drawing collection is a pencil sketch of Engelholm including two now at the National Gallery of Denmark Liselund on Møn from about 1814. Wolff himself has inscribed the from respectively 1814 and 1816, and he improved his landscape drawing (in Danish): "The first sketch is by I. C. Fick, the rest is by paintings during this stay. Dahl" (Claus M. Smidt, ”Tegnekunst på Nivaagaard”, 1983, p. 5-11). DKK 400,000-500,000 / € 53,500-67,000

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861_malerier_s001-168.indd 49 02/11/15 17.45 37 L. A. SMITH b. Copenhagen 1820, d. s.p. 1906 "Pigen, der fletter sit hår". The model Catrine Nielsen, called Trine, is plaiting her hair. Signed and dated A. Smith 1839. Oil on canvas. 74 x 60 cm. Unframed. Exhibited: Bruun Rasmussen Kunstauktioner, "Krop og Kunst, Golden Days in Copenhagen", September 2009.

The exhibition catalogue: "Den nøgne guldalder", Den Hirschsprungske Sam- ling, 1994, mentions C. W. Eckersberg's art school for painting the nude. C. W. Eckersberg started a special summer school in August-September 1839 at the Royal Academy of Fine Arts in Copenhagen. Cathrine Nielsen, called Trine, sat as a model for 75 hours.

Eckersberg writes in his diary about the painting sessions week after week during the summer. 1 August: "Seet i Akademiet et par unge Piger, som ville være Modeller". (Seen in the Academy two young girls who wanted to be models). 5 August: "I Skolen begyndtes et Billede af en quindelig Modell". (We started to paint a female model). Many working days followed. 31 Au- gust: "Paa Malerskolen, hvor den quindelige Modell var sidste Gang". (The last day for the female model at the painting school).

C. W. Eckersberg himself painted Trine in a position similar to this, where the model was placed near a source of light (a window). His painting was bought by Superintendent Borch. Eckersberg writes in his diary 29 Septem- C.W. Eckersberg: The model plaiting her hair. ber: "Tilsendt Forstander Borch det lille Maleri, en ung Pige som fletter sit (Musée du Louvre, Paris, France) Haar". (Sent a small painting of a girl plaiting her hair to Mr. Borch). This Sold Bruun Rasmussen auction 488, 1986 no. 83 painting is today owned by Musée du Louvre. Reproduced in the exhibition for DKK 200,000 / € 27,000 catalogue: "Den nøgne guldalder" p. 109 and to the left. Unfortunately, Eckersberg does not mention the names of the other summer school participants of 1839 in his diary. Today we know that another Eckersberg pupil painted Trine, almost en face. The work was reproduced in the exhibition catalogue: "Den nøgne guldalder" p. 111, and sold at Bruun Rasmussen auction 663, 1999 no. 322 for 100.000 kr. L. A. Smith also took part in the session, presumably standing quite close to master Eckersberg himself, although Trine is seen a bit more en face in L. A. Smith's version. DKK 400,000-500,000 / € 53,500-67,000

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861_malerier_s001-168.indd 51 02/11/15 17.45 38 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 "En Fregat "Nymfen" sejlende". A frigate "Nymfen" (the Nymph) sailing. 1832. Unsigned. Oil on canvas. 62 x 86 cm Emil Hannover, A Catalogue Raisonné of the Works of C. W. Eckersberg no. 464.

Eckersberg writes in his diary 17 September 1832: "Arbeitet med Søestykket med Fregatten" (Worked on the seascape with the frigate).

Provenance: An old label on the reverse gives the following information (in Danish): Bought at auction after Hertzog (?) owner Th. Ste(mann?).

Manufactorer V. Ratzeburg. Bruun Rasmussen auction 128, 1961 no. 1, reproduced p. 11.

The first years after having returned from the long trip abroad to Paris and Rome Eckersberg primarily painted portraits; but in the 1820s he began to take an interest in marine paintings, and over the years he became Denmark's marine painter par excellence. The motives were not difficult to find in a country surrounded by the sea. The sea and the sailing ships fascinated Eckersberg. It was very important for him to present his paintings in accordance with reality, so he carefully observed how the weather conditions influenced the sail phrase of the ships and made sure the clouds were accurately placed in the sky. He meticulously studied the weather, and kept a diary of weather and wind conditions throughout life. He provided information about how a ship should be maneuvered under various wind conditions and studied the ship's technical details. From H. C. Ørsted he borrowed a book with drawings of the various machine parts of the ships. This painting is an excellent example of the national and international greatness of Eckersberg. DKK 1,500,000-2,000,000 / € 200,000-270,000

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39 C. F. SØRENSEN b. Samsø 1818, d. Copenhagen 1879 Provenance: Bought by Kunstforeningen for 80 rdl and won "Parti fra Jyllands Vestkyst ved Løkken". From the west by the flower painter I. L. Jensen. Anton Hansen auction 195, coast of Jutland near Løkken. 1846. Unsigned. Oil on 1932 no. 68a, reproduced p. 22. Anton Hansen auction 199, canvas. 68 x 93 cm. 1933 no. 71, reproduced p. 19. Bruun Rasmussen auction 365, Mona Christensen and Jan Faye, A Catalogue Raisonné of the 1977 no. 157, reproduced p. 33. Bruun Rasmussen auction Works of C. F. Sørensen no. 35. 663, 1999 no. 226, reproduced p. 87. Bruun Rasmussen auction 673, 2000 no. 345, reproduced p. 125. Exhibited: Charlottenborg 1846 no. 201. DKK 60,000-80,000 / € 8,050-10,500

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40 C. F. SØRENSEN Mona Christensen and Jan Faye, A Catalogue Raisonné of b. Samsø 1818, d. Copenhagen 1879 the Works of C. F. Sørensen no. 630. "Italienske fiskere med deres både og fregatten "Sjæl- land" i Napolibugten med Vesuv i baggrunden. Solned- Provenance: Winkel & Magnussen 1911 no. 73. Bruun gang." Italian fishermen and the frigate "Sjælland" in Rasmussen auction 210, 1967 no. 207, reproduced p. 37. the Bay of Naples, Mount Vesuvius in the background. Kunsthallen auction 324, 1978 no. 210, reproduced p. 18. Sunset. Signed and dated C. Frederik Sørensen 1870. Oil Bruun Rasmussen auction 454, 1983 no. 510, reproduced on canvas. 63 x 85 cm. p. 225. DKK 50,000-75,000 / € 6,700-10,000

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861_malerier_s001-168.indd 55 02/11/15 17.46 41 L. A. SMITH b. Copenhagen 1820, d. s.p. 1906 Interior with mother and child at the window. The roofs of the townhouses are seen through the open window. Signed and dated L. A. Smith 1853. Oil on canvas. 48 x 42 cm. Period frame. It is very rare that paintings by L. A. Smith are for sale. He was a private student of professor C. W. Eckersberg and we know of at least two paintings of models painted in Eckersberg's studio: "Modellen Florentine foran et spejl" (the model Florentine in front of a mirror) 41 sold Bruun Rasmussen auction 727, 2003 no. 1225 for 400.000 DKK and "Pigen, der fletter sit hår" (Trine plaiting her hair). That one to be sold as lot 37 in this catalogue. Smith depicts an everyday scene. In the bright room, with the ivy framing the window, the young mother is busy doing her needle- work, while the little girl is watching the bird in the cage. DKK 50,000-75,000 / € 6,700-10,000

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861_malerier_s001-168.indd 56 02/11/15 17.46 42 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 "En qvindelig Figur, som staar ved en Seng, reder sit Haar". Woman standing at a bed, combing her hair. Unsigned. Oil on canvas. 28,5 x 18,5 cm. Provenance: Eckersberg's estate auction, "A collection of paintings, sketches and drawings belonging to the estate of the late professor at the Royal Academy of Fine Arts Eckersberg, Knight of the Dannebrog, going to be sold at a public Auction, and to be held in the Art Association's premises Tues- day the 17th of January 1854 and the following days, payment to attorney Winther, Amagertorv No. 38, 2nd Floor.", no. 106.

On the reverse an old label with the following information (in Danish): "A female figure, which stands at a bed, combing her hair. Eckersberg's list of models and other topics 1854 catalogue no. 106". On the stretcher also an old label from Winkel & Magnussen and cat. no. 24.

Eckersberg has often been called both "the father of the Danish Golden Age of Art" and "the father of the Danish art of painting". Regardless, it is at least certain that he pioneered the use of female nudes in Danish painting. When Eckersberg was appointed professor at the Academy in 1820, it was neither allowed nor condoned to use a naked woman as a model for a painting. The French sculptor Saly had forbidden this when he became director of the newly opened Royal Danish Academy of Fine Arts in 1754. Eckersberg did not begin to use female nudes in his private teaching until 1833, and with the so-called "summer exercises" in 1839 he initiated the use of female nudes in his public teaching at the Academy. Eckersberg, however, had worked with the female nude on his own before this, for instance during his stay in Paris between 1810-13. The small study in question is probably an early piece. It is both similar to and different from Eckersberg's most famous one: "Kvinde foran et spejl (Woman before a Mirror) from 1839 (the Hirschsprung Collection), where Eckersberg successfully managed to make the painting more “appropriate” by covering the essential parts of the woman’s body with the edge of a mirror and a white cloth respectively. In both paintings, the young woman is doing her toilette, so the nudity seems almost natural. DKK 600,000-800,000 / € 80,500-105,000 42

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861_malerier_s001-168.indd 57 02/11/15 17.46 44 CHRISTEN KØBKE b. Copenhagen 1810, d. s.p. 1848 Portrait of Margrethe Hahn, married Stougaard. Half-lenght portrait in profile with a blue silk headscarf. Signed and dated on the reverse C. Købke 14-9-1829, this now covered by a new canvas. Oil on canvas. 21 x 18 cm. Emil Hannover, A Catalogue Raisonné of the Works of Christen Købke no. 16 (in the note). Mario Krohn, A Catalogue Raisonné of the Works of Christen Købke no. 18. Jørgen Folmer and Iben From, A Catalogue Raisonné of the Works of Christen Købke no. 18.

Exhibited: Guildhall, London, "Exhibition of Works by Danish Painters", 1907 no. 220, in that case with a wrong provenance: Mario Krohn. Kunstforenin- gen, "Fortegnelse over Christen Købkes Malerier", 1912 no. 19. Kunstfore- ningen, "Christen Købke", 1953 no. 14. Statens Museum for Kunst, "Christen Købke 1810-1848", 1996 no. 18. Literature: Hans Edvard Nørregård-Nielsen, "Christen Købke - Omkring Kastellet", vol. I, 1996, p. 102 and 112, reproduced p. 104. Mogens Nykjær, "Kundskabens billeder. Om Christen Købke" in "Argos. Tidsskrift for kunst- videnskab - visuel kommunikation - kunstpædagogik" no. 3, 1986 p. 27.

Provenance: Always in the possession of the family of Margrethe Hahn. Søren Sørensen, Doctor, Thisted (1893). Jerslev, Pharmacist, Fjerritslev (1953).

Købke writes in a diary 12 August 1829: "Started to paint Grethe" and again 14 September: "Finished the painting of Grethe". (Mario Krohn, "Maleren Christen Købkes Arbejder", 1915 p. 5). In the summer of 1829 Købke spent a couple of months at the vicar J. C. Hahn's home. Here Købke flirted with one of the vicar's two daughters, 43 Margrethe, called Grethe. He painted the present portrait for the family, and a repetition for himself as a memory. Hans Edvard Nørregård-Nielsen, Art 43 Historian, charmingly describes the small, fine portrait in "Christen Købke - CHRISTEN KØBKE Omkring Kastellet" p. 112 (in Danish): "Her face is like a winter apple, but with b. Copenhagen 1810, d. s.p. 1848 a sweetness, that moves downwards and gathers around her mouth, while View towards a town with half-timbered houses and a church the sadness in her eyes most certainly is due to her youth and the fact that tower. Unsigned. Inscribed Peter [?] Chr. Kiøbke. Pencil on paper. the two of them were about to part". 12 x 18.5 cm. DKK 10,000 / € 1,350 DKK 300,000-350,000 / € 40,000-47,000

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861_malerier_s001-168.indd 59 02/11/15 17.46 45 ELEONORE CHRISTINE HARBOE b. Copenhagen 1796, d. Rome 1860 Portrait of Bertel Thorvaldsen in the robes of the order of Ac- ademia di San Luca. Presumably 1830s. Inscribed on the back of the canvas: After Eckersberg painted by Eleonora Harboe. Oil on canvas. 94 x 75 cm. Eleonora Christine Harboe painted all her life and was special- ized particularly in copying the old Dutch and Italian masters. From 1856 on she lived in Rome until her death in 1860.

Eckersberg painted Thorvaldsen in 1814 (Emil Hannover no. 147), that one was exhibited at Charlottenborg in 1815 and it was do- nated to Kunstakademiet (the Royal Academy of Fine Arts) by the painter, where it still remains. Furthermore exists a replica from 1832 at the National Museum in Stockholm and another one from 1838 at the Glyptotek.

Eckersberg has not only repeated himself, other artists have dil- igently copied the known and admired painting. Thorvaldsen's Museum has since 1890 been in the possession of Christian Vogel von Vogel Stein's version of the portrait, painted in Rome in 1814, at the same time as Eckersberg's painting and even a young Købke has found inspiration in the portrait and copied the upper part in 1828. DKK 40,000-60,000 / € 5,350-8,050 45

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861_malerier_s001-168.indd 60 02/11/15 17.46 46 HANNE HELLESEN b. Copenhagen 1801, d. s.p. 1844 Basket with peaches, grapes, cherries and currants on a stone. To the left hollyhocks and poppies. Landscape in the background. Signed and dated Hanne Hellesen 1840. 95 x 79 cm. Damborg frame with corner ornamentation and label. Hanne Hellesen was one of the famous Danish flower painter I. L. Jensen's female pupils, who achieved recognition and fame in her own right and the Royal Collection of Paintings and Sculptures, today the National Gallery of Denmark, bought her paintings. She was also a pupil of Eckersberg, and he taught her about perspective drawing. Her paintings were very much inspired by I. L. Jensen and the floral decorations of the Sèvres porcelain factory. DKK 300,000-350,000 / € 40,000-47,000 46

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47 CARL BILLE b. Copenhagen 1815, d. s.p. 1898 Seascape with numerous sailing ships at the harbour of Copenhagen. Signed and dated Carl Bille 1863. Oil on canvas. 63 x 94 cm. DKK 50,000-60,000 / € 6,700-8,050

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48 JULIUS PRÖMMEL b. Hamburg 1805, d. Trieste 1844 Quiet day at sea with frigate, yacht and brig. Signed and dated Prømmel 1839. Oil on canvas. 70 x 97 cm. DKK 150,000-200,000 / € 20,000-27,000

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861_malerier_s001-168.indd 63 02/11/15 17.46 49 CONSTANTIN HANSEN b. Rome 1804, d. Frederiksberg 1880 "Parti af Forum Romanum med Concordia-Templet og Septimius Severus' Triumphbue, set fra Foden af Capitol". View from the Roman Forum with the Temple of Concord and the Arch of Septimius Severus seen from the foot of the Capitoline. Signed and dated Const. H. 1846. Oil on canvas. 66 x 79 cm. Emil Hannover, A Catalogue Raisonné of the Works of Constantin Hansen no. 238, mentioned p. 115.

Exhibited: Charlottenborg 1846 no. 54. Kunstforeningen, "Udstil- lingen af C. C. Constantin Hansen's Malerier i Kunstforeningen", 1897 no. 122A entitled "Forum Romanum. I forgrunden Concordia- templet og Septimius Severus" (The Roman Forum. In the foreground the Temple of Concord and the Arch of Septimius Severus).

Literature: Knud Voss "Guldalderens Malerkunst", Copenhagen 1968, mentioned and reproduced p. 141 (here mistakenly listed as belonging to Aarhus Art Museum (ARoS)). "Constantin Hansen", exhibition catalogue, Thorvaldsens Museum and Aarhus Art Museum 1991, mentioned p. 202.

Provenance: Mrs Bruun, wife of Councillor of State (1901). DKK 800,000-1,000,000 / € 105,000-135,000

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861_malerier_s001-168.indd 65 02/11/15 17.46 50 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 Portrait of Anna Joachimine Henriette Bruun de Neergaard (1800- 1831) in a white dress with a red and white striped ribbon, gold chains with pendants around her neck, her hair done with corkscrew curls. 1820. Unsigned. Oil on canvas. 34 x 28 cm. Emil Hannover, A Catalogue Raisonné of C. W. Eckersberg's Works no. 258. The inventory no. 257 refers to Eckersberg's diary April 26, 1820 (in Danish): "Handed mrs and miss Neergaard's portraits, sent bill ... 55 RBdr. Each".

Anna was the oldest child in a family of four, and the only daughter. Her father was landowner Johan Andreas Bruun de Neergaard (1770-1836) to Svendstrup at Roskilde. His younger brother was Tønnes Christian Bruun de Neergaard (1776-1824), landowner to Skjoldnæsholm. Tønnes was known as a man of pleasure, who traveled a lot and was an art lover. He was the patron of several young artists. Tønnes also had a home in Paris, where a large part of his art collection was installed.

In 1810 Eckersberg was a young promising artist, who was in constantly short of money before his real breakthrough, and Tønnes helped him financially during his stay in Paris. Before leaving for Paris Eckersberg visited Skjoldnæsholm. Here he may have met Tønnes' pretty 10-year-old niece Anna for the first time.

19 years old Anna married the 29-year-old Christian Ludwig von Stemann (1791-1857) later chamberlain and prefect. Within 10 years four children were born, the youngest Catharine Elisabeth (Betzy) von Stemann was barely one and a half years old when her mother died.

The portrait here was painted shortly after Anna got married.

19 years old Betzy von Stemann married in 1849 Eugenius Sophus Ernst Heltzen, who was the ancestor of the Danish branch of the Heltzen family.

Provenance: In the family Heltzen until today. DKK 100,000-150,000 / € 13,500-20,000

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861_malerier_s001-168.indd 67 02/11/15 17.46 51 CHRISTEN KØBKE b. Copenhagen 1810, d. s.p. 1848 "Parti af Marina Piccola på Capri". View of Marina Piccola on Capri. 1846. Unsigned. Oil on canvas. 82 x 121 cm. Emil Hannover, A Catalogue Raisonné of the Works of Christen Købke no. 158.

Mario Krohn, A Catalogue Raisonné of the Works of Christen Købke no. 190 (here the later replica is wrongly reproduced instead of the present original painting. Today, the replica is owned by Schleswig-Holsteinische Landesmuseen, Schloss Gottorp).

Jørgen Folmer and Iben From, A Catalogue Raisonné of the Works of Christen Købke no. 190, reproduced vol. III, p. 151.

Exhibited: Kunstforeningen, "Malerier og Studier af Christen Schiellerup Købke", 1884 no. 96. Kunstforeningen, "Fortegnelse over Christen Købkes Malerier", 1912 no. 188. Kunstforeningen, "Christen Købke", 1953 no. 103. The National Gallery of Denmark, "Christen Købke 1810-1848", 1996 no. 190, mentioned p. 18, 85, 94, 304, 327-329, reproduced p. 328.

Literature: Mentioned in numerous books and magazines among others nne-Birgitte Fonsmark, "Købke på Capri" in "Meddelelser fra Ny Carlsberg Glyptotek", 1983 vol. 39, p. 76-98. Kasper Monrad, "Hverdags- billeder. Dansk guldalder - kunstnerne og deres vilkår", 1989, mentioned and reproduced p. 81. Henrik Bjerre, "Købke i knibe", in Kunstmuseets Års-skrift, LXIII, 1990, p. 102-109. Hans Edvard Nørregård-Nielsen, "Christen Købke", vol. III, 1996, mentioned p. 152-154 and p. 186-188, reproduced p. 151. Kasper Monrad, "Dansk guldalder. Lyset, landskabet, hverdagslivet", 2013, mentioned p. 102f.

Provenance: Councillor I. S. Salomonsen. Mrs Dina Salomonsen. Her grandchild Inge Ryde (1961). Her descendants until today.

This painting was rejected as the artist's member piece for the Royal Academy of Fine Arts in Copenhagen in 1846. DKK 1,000,000-1,200,000 / € 135,000-160,000

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861_malerier_s001-168.indd 69 02/11/15 17.46 52 THORALD BRENDSTRUP b. Sengeløse 1812, d. Copenhagen 1883 The Bay of Naples with a view of Mount Vesuvius. Signed and dated Th. B. 1877. Oil on canvas. 106 x 144 cm. DKK 50,000-75,000 / € 6,700-10,000

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53 MARTINUS RØRBYE b. Drammen 1803, d. Copenhagen 1848 Peasants resting in the midday heat. Unsigned. Oil on canvas. 46 x 65 cm. Rørbye's own repetition of no. 210 in the Catalogue Raisonné of Martinus Rørbye's Works.

Martinus Rørbye did several studies for this painting. DKK 200,000-250,000 / € 27,000-33,500

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861_malerier_s001-168.indd 72 02/11/15 17.46 54 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 C.W. Eckersberg: Linearperspectiven, anvendt paa Malerkunsten, en Række af perspectivistiske Studier. Cph: C.A. Reitzel 1841. 1st. ed. Queer folio. With 11 full page engraved plates. Orig. paperwrappers mounted on a later paperbinding. In 1841 Eckersberg published this important thesis on perspective, which he had become more and more occupied with during his career. The work naturally draws on his own experiences and began in the 1830s when he gave classes in perspective drawing at the Academy. It gives an illustra- tive insight into the artistic thoughts of one of the major figures of the Danish Golden Age of art. DKK 10,000-15,000 / € 1,350-2,000

55 C. W. ECKERSBERG OR ONE OF HIS STUDENTS b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 "Et Parti af Kirken S. Lorenzo Fuori delle Mure i Rom". View of the church S. Lorenzo Fuori delle Mure in Rome. Unsigned. Oil on canvas. 46 x 35 cm. Either this painting of a very high quality is Eckersberg's own repetition of no. 161 in Emil Hannover, A Catalogue Raisonné of the Works of C. W. Eckersberg; or it is painted by one of his gifted students. No. 161 in the Catalogue Raisonné was painted in 1815 and has the measurements 46 x 32 cm, that one at the The Hirschsprung Collection. DKK 60,000-80,000 / € 8,050-10,500 55

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861_malerier_s001-168.indd 73 02/11/15 17.47 56 C. A. JENSEN b. Bredsted near Husum 1792, d. Copenhagen 1870 Portrait of Privy Councillor, chamberlain Carl Emil count Moltke (1773-1858) of Aagaard and Nørager in a dark blue coat with yellow metal buttons. White vest, white cravat. The Grand Cross of Dannebrog, hardly visible. Signed and dated Iensen 1837. Oil on canvas. 24 x 21 cm. Sigurd Schultz, A Catalogue Raisonné of the Works of C. A. Jensen no. 309, mentioned p. 332 and reproduced p. 321.

Literature: "Danske Herregaarde ved 1920", Copenhagen 1922, reproduced vol. 1, p. 247. DKK 20,000-25,000 / € 2,700-3,350 56

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861_malerier_s001-168.indd 74 02/11/15 17.47 57 CHRISTEN KØBKE b. Copenhagen 1810, d. s.p. 1848 Portrait of merchant Andreas Reiersen (1778-1852). Oil on canvas. Unsigned. 32 x 25 cm. Another larger portrait of merchant Reiersen (52,5 x 25,5) is owned by Ordrupgaard.

When he registered the collection at Ordrupgaard the director of the museum, Leo Swane mentioned the smaller portrait as a replica of Købke owned by iron founder Brandt and sold in 1933.

Provenance: Iron founder Brandt's collection, Winkel & Magnussen auction 77, 1933, no. 81, reproduced p. 20. Descendants of the portrayed. DKK 80,000-100,000 / € 10,500-13,500 57

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861_malerier_s001-168.indd 75 02/11/15 17.47 58 JØRGEN SONNE b. Birkerød 1801, d. Copenhagen 1890 Farmer boy picking a water lily to his girlfriend on a nice summer day. The chosen one and three small children are watching him. Signed and dated J. Sonne 1860. 71 x 88 cm. Presumably exhibited Charlottenborg 1860 no. 177 58 with the title "Børn plukke Blomster i Engen ved Aaen", (Children picking flowers in the meadow by the stream). DKK 40,000-60,000 / € 5,350-8,050

59 P. C. SKOVGAARD b. Ringsted 1817, d. Copenhagen 1875 Summer landscape with three boys on a fishing trip. Signed and dated P. C. Skovgaard 1864. Oil on canvas. 130 x 190 cm. DKK 150,000-200,000 / € 20,000-27,000

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861_malerier_s001-168.indd 77 02/11/15 17.47 60

60 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 Provenance: The estate auction of the late C. W. Eckersberg, 1854 "Et Fregatskib og en Slup". A frigate and a sloop. 1835. no. 111. Mrs. Ferslew, née Damborg. Bruun Rasmussen auction Unsigned. Oil on canvas. 22.5 x 32 cm. 161, 1964 no. 60, reproduced p. 13. Bruun Rasmussen auction Emil Hannover, A Catalogue Raisonné of the Works of C. W. 243, "Fortegnelse over en samling Dansk Guldalderkunst m.m.", Eckersberg no. 505. 1970 no. 11, reproduced p. 11. DKK 200,000 / € 27,000

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61 In 1836 Eckersberg painted a small painting entitled (in Danish) C. W. ECKERSBERG "View from the battery of Trekroner with Copenhagen in the dis- b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 tance" (The Hirschsprung Collection). When Eckersberg did the "Udsigt fra Batteriet imod byen". View from the battery towards painting he was standing in a different place on Trekroner than the city. Signed and dated Eckersberg fec. 1836. Inscribed on when he did this drawing, consequently the foreground is different, the back Eckersberg 7 Sept. 1836. Drawing ink, pencil and wash but the view of Copenhagen is almost identical. on paper. Sheet size 18.5 x 31.5 cm. Unframed. Eckersberg writes in his diary 7 September 1836 (in Danish): Went Provenance: Presumably the drawing sold at the estate auction of to the battery at 9 o'clock to see the Russian ships, but the wind was the late C. W. Eckersberg January 1855 no. 375, described (in Dan- not good for sailing. Went ashore with Normann and his wife at 11 ish) "a view from Trekroner. Indian ink; very elaborate". o'clock and on board again with them at 1 o'clock, it became calm. - Drew a view from the battery towards the city. (C. W. Eckersbergs Trekroner is a fortification on a small island at the entrance to dagbøger 1810-1837, vol. 1, 2009, p. 703). Copenhagen. DKK 40,000-60,000 / € 5,350-8,050

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861_malerier_s001-168.indd 79 02/11/15 17.47 62 BERNT LUND, b. Våler in Solør in Norway 1812, d. Oslo 1885 AFTER THOMAS FEARNLEY Spring day in Ramsau. Signed and dated B. Lund 13. Ap. 1840. Oil on canvas. 41 x 36 cm. Ramsau is a mountain village in Bavaria, not far from Berchtesgaden. The town was a popular destination for Scandinavian artists who lived in Munich. Among them for example Thomas Fearnley, Albert Küchler, Jørgen Sonne, Fritz Petzholdt, Christian Morgenstern and Wilhelm Bendz. Several motifs by Bendz are known including the beautiful church. The painters visited the village in the early 1830s.

Bernt Lund was a student of Thomas Fearnley in the late 1830s, later he studied at the Academy of Fine Arts in Düsseldorf.

Thomas Fearnley's painting is owned by The Barber Institute of Fine Arts in Birmingham. DKK 30,000 / € 4,000 62

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861_malerier_s001-168.indd 80 02/11/15 17.47 63 63 FERDINAND RICHARDT b. Brede 1819, d. Oakland, California 1895 "Prospect af Skamby Kirke i Fyen". View of Skamby church on Funen. Signed and dated F. Richardt 1850. Oil on canvas. 59 x 71 cm. Exhibited: Charlottenborg 1851 no. 173.

Provenance: Bruun Rasmussen auction 164, 1964 no. 131A. DKK 30,000 / € 4,000

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861_malerier_s001-168.indd 82 02/11/15 17.47 64 ELIAS MEYER b. Copenhagen 1763, d. s.p. 1809 “Esplanaden med Søkadet Akademiet”. View of the naval college in Copenhagen and “Kirsebærgangen ved Vesterport”. The Cherry Passage - a passage with cherry trees near Vesterport in Copenhagen. C. 1800. Unsigned. Gouache and oil on canvas. 53 x 73 cm each. Period frames. (2). Labels on the back with information about the artist and the locations. The naval building still exists today situated in Bredgade 76. In the basement the well-known Café Petersborg.

Literature: “København. Før og nu - og aldrig”, 1990, vol. 9 p. 45, here an engraving after the present painting of “The Cherry Passage” dated 1801 is reproduced. “Kirsebærgangen” was situated just outside Vesterport and it was a popular 64 place to go for a walk. Kongens Mølle (King’s Mill) on Schack’s Bastion is seen in the background.

Provenance: Stockbroker Carl Otto Henriques, Esplanaden 7 Copenhagen. DKK 50,000-60,000 / € 6,700-8,050

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861_malerier_s001-168.indd 83 02/11/15 17.47 66 JOHAN THOMAS LUNDBYE b. Kalundborg 1818, d. Bedsted 1848 A Roman Campagna hunter with his dog. Unsigned. Inscribed by the artist “Campagnejæger 15 Dec 1845” (Campagna hunter 15 December 1845). Pencil on paper. Visible size 26 x 16.5 cm. From 3 November to 5 December 1845 in Rome Lundbye did a series of figure studies in pen or pencil and watercolour, which he called (in Danish) “Costume drawings”. Common to these costume drawings is that they are all almost without exception in full figure depicting typical common Italian people from Rome and the surrounding area, dressed in their characteristic costumes. This drawing must be seen in connection with these costume drawings - it is a bit later (15 December) and without watercolour, but otherwise this is a characteristic Italian “type”, the Campagna hunter, in full figure and with all the hunter’s characteristic attributes drawn with great accuracy. DKK 15,000-20,000 / € 2,000-2,700

67 N. A. ABILDGAARD b. Copenhagen 1743, d. Frederiksdal 1809 Classical mythological figures. Cronus, Zeus and Hera at the top and Amfitrite and Cybeles at the bottom. Signed Abildgaard. Drawing ink and wash on laid paper. Sheet size 20 x 32 cm DKK 15,000-20,000 / € 2,000-2,700

68 65 JOHAN THOMAS LUNDBYE b. Kalundborg 1818, d. Bedsted 1848 65 Four hunting scenes recto and verso on two sheets of blue paper, N. A. ABILDGAARD mounted in two frames. One signed with monogram and dated Dec. 37, b. Copenhagen 1743, d. Frederiksdal 1809 three unsigned. Inscribed respectively. "Fredag d. 15. Decbr. 37", "Løver- "Zeus og Amor". Zeus and Amor. Signed and dated Abildgaard dag d. 16.", "Søndag Morgen d. 17. Decbr." og "Søndag Aften 28. 5." 1797. Drawing ink and wash on paper. Sheet size 15.2 x 11 cm. Drawing ink on paper. Sheet size 18.5 x 11.3 cm each. (2). Provenance: Engineer J. Rump's collection. His estate auction Both sheets were sent as a letter to "Herr Studios medc. Collien", one with Winkel & Magnussen 2-4 June 1932 no. 3. Kunsthallen auction a letter text about hunting in Jægersborg and dated "Jægbg. d. 15 Decb. 377, 1989 no. 210, reproduced p. 54. 37". The receiver could be Theodor Collin (1815-1902), who became a MB DKK 15,000-20,000 / € 2,000-2,700 in 1841. DKK 15,000 / € 2,000

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861_malerier_s001-168.indd 84 02/11/15 17.47 66 68 68

67 68

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861_malerier_s001-168.indd 85 02/11/15 17.47 69 H. G. F. HOLM b. Berlin 1803, d. Copenhagen 1861 "Partiet mellem Hovedvagten og St. Kongensgade". View from Kgs. Nytorv with the shop of the watchmaker Urban Jürgensen and Sons. C. 1854. Signed Holm. Watercolour, drawing ink and pencil on paper laid on paper. Sheet size 19.4 x 21.8 cm. Erik Housted, A Catalogue Raisonné of the Works of H. G. F. Holm no. 1118.

Provenance: Watchmaker Louis Urban Jürgensen (1818-1863). DKK 20,000-25,000 / € 2,700-3,350 69

70 H. G. F. HOLM b. Berlin 1803, d. Copenhagen 1861 "Udsigt mod Eremitageslottet". View of the Hermitage, north of Copenhagen. Ca. 1850. Signed Holm. Watercolour on paper. Sheet size 13,5 x 21 cm. Erik Housted, A Catalogue Raisonné of the Works of H. G. F. Holm no. 6074.

Provenance: Bruun Rasmussen auction 391, 1979 no. 52, reproduced p. 52. DKK 15,000-20,000 / € 2,000-2,700 70

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861_malerier_s001-168.indd 86 02/11/15 17.47 PAINTINGS 17TH - 20TH CENTURY

Tuesday 24 November Lot 71 - 152

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109 861_malerier_s001-168.indd 87 02/11/15 17.47 71 CARL LOCHER b. Flensburg 1851, d. Skagen 1915 Ships in Øresund near Kronborg. Signed Carl Locher. Oil on canvas. 63 x 97 cm. DKK 30,000-40,000 / € 4,000-5,350

72 CARL LOCHER b. Flensburg 1851, d. Skagen 1915 Morning sunlight at Hornbæk beach. Signed and dated Carl Locher Hornbæk 88. Oil on canvas. 42 x 55 cm. DKK 30,000 / € 4,000 72

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861_malerier_s001-168.indd 88 02/11/15 17.48 73 P. S. KRØYER b. Stavanger 1851, d. Skagen 1909 A girl from Hornbæk with white headscarf. Signed and dated S. K. Hornbæk 1876. Oil on canvas. 28 x 23 cm. Provenance: The estate of Mrs. Karen Levin, her auction Bruun Rasmus- sen 145, 1962 no. 152. DKK 200,000-250,000 / € 27,000-33,500

74 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 A young girl from Skagen with a headscarf. Signed M. A. Oil on cardboard. 35 x 27 cm. DKK 30,000-40,000 / € 4,000-5,350 74

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861_malerier_s001-168.indd 89 02/11/15 17.48 75 ANNA ANCHER b. Skagen 1859, d. s.p. 1935 On the moor after sunset, Skagen. Signed A. A. Oil on canvas. 23.5 x 33 cm. On the reverse a dedication from Anna Ancher (in Danish): "For the newlyweds 6 February 1920". DKK 60,000-80,000 / € 8,050-10,500 75

76 P. S. KRØYER b. Stavanger 1851, d. Skagen 1909 "Alpeglød. Bjerglandskab i Tyrol". Alpine glow. Mountainous landscape in Tirol. Signed and dated S. K. 1901 St. Valentin. Oil on panel. 34 x 65 cm. H. Chr. Christensen, A Catalogue Raisonné of the Works of P. S. Krøyer no. 702.

Provenance: Winkel & Magnussen, sold to mr. Walther Ahlqvist, Helsingfors. DKK 100,000-150,000 / € 13,500-20,000 76

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77 LAURITS TUXEN b. Copenhagen 1853, d. s.p. 1927 A girl strolling on the beach. Signed and dated L. T. 98 or 08. Oil on canvas. 38.5 x 55.5 cm. In 1908 Tuxen painted a variety of beach pictures from Skagen. DKK 60,000-100,000 / € 8,050-13,500

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861_malerier_s001-168.indd 91 02/11/15 17.48 78 ANNA ANCHER b. Skagen 1859, d. s.p. 1935 Two Skagen wives at a missionary meeting. Study. Signed A. A. and inscribed "ncher" in pencil. Oil on panel. 24 x 20 cm. The painting is a study for "Et Missionsmøde" (A missionary meeting), dated 1903, that one owned by Skagens Museum. DKK 30,000 / € 4,000

79 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 "Interiør med Anna Ancher der læser højt for sin Moder fru Brøndum". Interior with Anna Ancher reading to her mother Mrs Brøndum. Signed and dated Michael Ancher 1908. Oil on canvas. 107 x 148 cm. 78 Provenance: Paintings by Anna and Michael Ancher belonging to the estate of Helga Ancher, sold Bruun Rasmussen auction 178, 1965 no. 55 reproduced p. 19.

Michael Ancher has in this beautiful serene painting managed to depict the closeness and the intimate relationship that existed between his wife Anna and her mother the old Ane Brøndum. In a corner of the living room lit by an oil lamp the two women are seated at a table. Ane listening with thoughtful eyes and folded hands to Anna's reading. On the table the Bible. DKK 600,000-800,000 / € 80,500-105,000

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861_malerier_s001-168.indd 93 02/11/15 17.48 80 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 A woman in a national dress from Bornholm. Signed and dated M. A. 21. Oil on canvas. 37 x 32.5 cm. DKK 30,000-40,000 / € 4,000-5,350

81 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 Portrait of the fisherman Peter Røntved from Skagen. Signed and dated M. A. 96. Oil on canvas. 41 x 39 cm. DKK 40,000 / € 5,350 81

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861_malerier_s001-168.indd 94 02/11/15 17.48 82 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 Self-portrait wearing a fur-lined coat and a hat. Signed and dated M. A. 1903. Oil on panel. 46 x 37 cm. DKK 50,000-75,000 / € 6,700-10,000

83 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 Portrait of the fisherman Søren Kruuse from Skagen. Signed and dated M. A. 95. Oil on canvas. 41 x 40 cm. DKK 40,000-50,000 / € 5,350-6,700 83

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861_malerier_s001-168.indd 95 02/11/15 17.48 84 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 A fisherman's wife dressed in a red skirt and a blue headscarf on the beach, Skagen. Signed and dated M. A. 21. Oil on canvas. 70 x 45 cm. DKK 40,000-50,000 / € 5,350-6,700

85 ANNA ANCHER b. Skagen 1859, d. s.p. 1935 "Koner, der plukker Høns". Women plucking hens. Signed and dated A. Ancher 1915. Oil on canvas. 48 x 62 cm. Exhibited: Charlottenborg 1915 no. 12.

Anna Ancher was very preoccupied with the motif "plucking poul- try", and she painted many variations of it. One of the earliest is "To gamle, der plukker måger" (Two old people plucking seagulls) from 1883 (Hirschsprung Collection). The figures and how many they are, vary in each painting, but the characteristic feature of them all is the basket or vessel placed in the foreground, in which the feathers are gathered. In this painting it is a large copper vessel. In her later paintings of the motif the light has changed compared to the earlier ones. In this painting light comes in from a window on the left and falls on the back wall where it creates a shadow play of light and colour -this light is a very characteristic feature of many of her best paintings. DKK 300,000-350,000 / € 40,000-47,000 84

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861_malerier_s001-168.indd 97 02/11/15 17.48 86 JOHANNES WILHJELM b. Nakskov 1868, d. Copenhagen 1938 "Pige med Hat". Girl with a hat. The artist's daughter, Sofie Wilhjelm called Nanni, later married Jarl at the family's cottage in Skagen. Unsigned. Oil on canvas. 84 x 51 cm. Johannes Wilhjelm's friendship with P. S. Krøyer led him early into the circle of painters in Skagen, which he frequently visited, before he in 1916 settled permanently in Winther's house on Østerbyvej, where Nanni is painted.

Provenance: The painter's family (1998). Bruun Rasmussen auction 642, 1998 no. 215 reproduced p. 217. DKK 30,000-40,000 / € 4,000-5,350

87 VIGGO JOHANSEN b. Copenhagen 1851, d. s.p. 1935 "Interiør fra Charlottenborg". Interior from Charlottenborg. The artist's wife Martha in a light blue dress sitting in the hon- orary residence of Charlottenborg surrounded by paintings. Above the desk can be seen Viggo Johansen's portrait of the renowned Danish composer Carl Nielsen. Signed and dated Vig- go Johansen 1919. Oil on canvas. 68 x 86 cm. Exhibited: Charlottenborg 1935 no. 259. Kunstforeningen, "Profes- sor Viggo Johansen - Studier og tidlige Billeder", 1936 no. 111.

Provenance: The artist's estate auction, Winkel & Magnussen 199, 1936 no. 292, reproduced p. 39. DKK 50,000-60,000 / € 6,700-8,050 86

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861_malerier_s001-168.indd 99 02/11/15 17.48 88 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 "Kaptajn Hart ved Rattet i Snestorm". Captain Hart at the helm in a snowstorm. Signed and dated Mich. Ancher 14. Oil on canvas. 90 x 81 cm. Exhibited: "Michael Ancher's Mindeudstilling", Charlottenborg 1928 no. 104. DKK 150,000 / € 20,000

89 CARL LOCHER b. Flensburg 1851, d. Skagen 1915 "Storm. Skagen". Stormy weather Skagen. Signed and dated Carl Locher 1902. Oil on canvas. 82 x 128 cm. Exhibited: Charlottenborg 1903 no. 775. DKK 60,000-80,000 / € 8,050-10,500 88

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861_malerier_s001-168.indd 101 02/11/15 17.48 90 91 90 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 A woman from Skagen with a golden headscarf. Signed M. A. Oil on panel. 44.5 x 34.5 cm. DKK 40,000 / € 5,350

91 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 A fisherman from Skagen sitting in the sunshine, smoking his pipe. Signed and dated M. A. 18. Oil on panel. 47 x 40 cm. DKK 40,000 / € 5,350

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861_malerier_s001-168.indd 102 02/11/15 17.48 92 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 92 Bonatzi and Merry Elsie. Signed with monogram and dated 1904. 55 x 66 cm. On the stretcher an old exhibition label.

Bonatzi and Elsie were two well-known people in Skagen. The painters often used them as models. Josef Bonatzi (1845-1913) was a Bohemian shoemaker who came to Skagen in 1885. He built a house "Lyrehuset", of what he could find of materials. After his death the house was used for the Midsummer bonfire. Merry Elsie Hellesen (1842-1920) was a berry picker and a maid. She picked berries for the Ancher, the Locher and the Brøndum families. She lost her sanity when her fiancé drowned a few days before their wedding. DKK 50,000-60,000 / € 6,700-8,050

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861_malerier_s001-168.indd 103 02/11/15 17.49 93 93 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 A fisherman from Skagen sitting in the afternoon sun on the beach. Signed M. A. Oil on canvas. 78 x 93 cm. DKK 100,000-150,000 / € 13,500-20,000

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861_malerier_s001-168.indd 104 02/11/15 17.49 94 LAURITS TUXEN b. Copenhagen 1853, d. s.p. 1927 "Professor Tuxens Gaard i Skagen V". Tuxen's house in Skagen. Signed and dated L. Tuxen Skagen 1915. Oil on canvas. 63 x 77 cm. Lise Svanholm, A Catalogue Raisonnè of the Works of Laurits Tuxen no. 1008 with the title (in Danish): "Houses in Skagen".

Provenance: The estate of the late painter Laurits Tuxen, Winkel & Magnussen auction 336, 1947 no. 296. DKK 75,000 / € 10,000

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861_malerier_s001-168.indd 105 02/11/15 17.49 95 L. A. RING b. Ring 1854, d. Roskilde 1933 "En Kone med tærnet Shawl, hvidt strikket Hovedtørklæde og en Kurv på Armen, gaaende på en Landevej. Til venstre i Baggrunden ses en Landsbys røde Tage". A woman with a checkered shawl, a white knitted headscarf and a basket on her arm, walking on a country road. In the background the red rooftops of a village. Signed and dated L. A. Ring 91. Oil on canvas. 78 x 63 cm. H. Chr. Christensen, A Catalogue Raisonné of the Works of L. A. Ring no. 240.

Provenance: Manufacturer Joh. G. Guildal. DKK 40,000-50,000 / € 5,350-6,700

96 L. A. RING b. Ring 1854, d. Roskilde 1933 "Fra Enø. Strandskrænt i klart Vejr. Til venstre en halvmoden Korn- mark; i Baggrunden blaaner Fjorden". From Enø. Beach slope in clear weather. To the left a half ripe cornfield; in the background the fjord fading into blue. 1909. Signed L. A. Ring. Oil on canvas. 32 x 40 cm. H. Chr. Christensen, A Catalogue Raisonné of the Works of L. A. Ring no. 628 (here the measures are wrongly indicated as 32 x 18 cm). DKK 20,000-30,000 / € 2,700-4,000 96

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861_malerier_s001-168.indd 106 02/11/15 17.49 97 L. A. RING b. Ring 1854, d. Roskilde 1933 "Aftenselskab". People gathering in the home of Erik Reinhardt in the evening. Interior with friends of L. A. Ring. Art dealer Peter Magnussen in a rocking chair. In the sofa cand. juris Albert Paulsen talking to a young fair-haired woman. In front of the sofa a table with a carafe of wine, siphon, bluish glasses and oranges. To the right two persons that hardly can be seen. In the background a man playing the piano and another man singing. The room is illuminated with an oil lamp hang- ing above the table. 1886. Signed L. A. Ring. Oil on canvas. 45 x 52 cm. H. Chr. Christensen, A Catalogue Raisonné of the Works of L. A. Ring no. 846 (1888).

Literature: Peter Hertz , "Maleren L. A. Ring", 1934, reproduced p. 183 with the title (in Danish): "Evening party in the home of Erik Reinhardt 1886" and pp 177-183 gives a description of L. A. Ring's ill-fated years in the mid-1880s, when he was very poor. He had given up his job as a house decorator and should now make a living alone by selling his art. Ring was so poor and desperate, that he was consider- 97 ing emigrating to America. Through his friendship with the painter Christian Clausen, Ring was introduced to a group of art-loving intellectuals in Copenhagen, several of which are depicted in this painting. These friendships and patrons got him back on track.

Provenance: Consul General Johan Hansen's collection no. 1433 (1927). Not his auctions. DKK 40,000-50,000 / € 5,350-6,700

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861_malerier_s001-168.indd 108 02/11/15 17.49 98 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 "Suseaaen, Nesbyholm". Danish summer landscape with grazing cows at Suseåen. Signed and dated P. Mønsted 1916. Oil on canvas. 100 x 70 cm. DKK 40,000-50,000 / € 5,350-6,700

99 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Hilly landscape near Silkeborg. Signed and dated P. Mønsted 1908. Oil on canvas. 79 x 56 cm. DKK 50,000 / € 6,700 100 100 H. A. BRENDEKILDE b. Brændekilde 1857, d. Jyllinge 1942 The blue door. An elegantly dressed girl visiting her friend in the garden behind the farmhouse. Signed and dated H. A. Brendekilde 1919. Oil on panel. 76 x 93 cm. Period frame carved and gilted. DKK 75,000-100,000 / € 10,000-13,500

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861_malerier_s001-168.indd 109 02/11/15 17.49 101 KRISTIAN ZAHRTMANN b. Rønne 1843, d. Copenhagen 1917 “En siddende Sabinerinde, Lovisa fra Saracinesco”. Sabine woman seated, Lovisa from Saracinesco. Signed with monogram and dated 1877. Oil on panel. 39 x 26.5 cm. Period frame. H. Chr. Christensen, A Catalogue Raisonné of the Works of Kristian Zahrtmann no. 214. S. Danneskiold-Samsøe, A Catalogue Raisonné of the Works of Kristian Zahrtmann no. 440, mentioned p. 143, reproduced p. 179.

Exhibited: Charlottenborg 1879 no. 287. Liljevalchs Konsthall, Stockholm, “Nyare dansk konst”, 1919 no. 53. Copenhagen, Forum, “Det danske Kunststævne”, 1929 no. 547.

Literature: “Lovisa”, 1912, reproduced as no. 4.

Provenance: Paintings by Kristian Zahrtmann auctioned 1888, sold to Karl Madsen, curator. W. Salomonsen, merchant. Julius Hertz, merchant. Peter Hertz, curator and Hjalmar Bruhn, shipbroker. Bruun Rasmussen auction 103, 1959 no. 259, reproduced p. 21. Bruun Rasmussen auction 381, 1978 no. 138, reproduced p. 17. DKK 30,000-40,000 / € 4,000-5,350

101

102 JANUS LA COUR b. Ringkøbing 1837, d. Odder 1909 Rocky coast at Capri. Signed and dated J. l. C. Capri 15. Aug. 1874. Oil on canvas. 40 x 57 cm. DKK 15,000-20,000 / € 2,000-2,700 102

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103 ROBERT KRAUSE b. St. Petersburg 1813, d. Munich 1885 View from the Bay of Naples with Italian fishermen and boats at the beach. Mount Vesuvius in the background. Signed and dated Rob. Krause 1856. Oil on canvas. 87 x 128 cm. DKK 25,000-35,000 / € 3,350-4,700

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104 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 View from Tremosine at Lake Garda in Italy. Signed and dated P. Mønsted Tremosine 1909. Oil on canvas. 51 x 84 cm. DKK 50,000-60,000 / € 6,700-8,050

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861_malerier_s001-168.indd 112 02/11/15 17.49 105 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 A peasant family outside their cottage in the outskirts of Bordighera in Italy. Signed and dated P. Mønsted Bordighera 1902. Oil on canvas. 70 x 118. DKK 200,000-250,000 / € 27,000-33,500

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861_malerier_s001-168.indd 113 02/11/15 17.49 106 106 JANUS LA COUR b. Ringkøbing 1837, d. Odder 1909 "I Landsbyen. Vinterdag med klart Frostvejr". A winter day in clear frost and "Ved Vintertid uden for en Bondegaard". A winter day at a farm. Signed and dated respectively J. la Cour 1885 and J. la Cour 1886. Oil on canvas. 60 x 95 cm each. (2). Janus la Cour painted the two works for Baron Güldencrone. They depict the farm Langballegaard seen from either side of the road that runs in front of the farm, on days with different winter weather. The artist acquired Langballegaard in 1888 and moved in shortly after.

Exhibited: Charlottenborg (supplement) 1886 no. 566 and no. 567. Århus Kunstforening, "Janus la Cour", 1969 no. 73 and no. 70.

Literature: Rikard Magnussen, "Landskabsmaleren Janus la Cour 1837-1909", Copenhagen 1928, mentioned p. 118-120, both reproduced p. 120.

Provenance: Baron Güldencrone of Vilhelmsborg. This family until today. DKK 80,000-100,000 / € 10,500-13,500 106

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107 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Two children picking anemones in a beech forest on a spring day. Signed and dated P. Mønsted Vallø 1935. Oil on canvas. 50 x 70 cm. DKK 100,000-150,000 / € 13,500-20,000

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861_malerier_s001-168.indd 115 02/11/15 17.49 109 CARL BØGH b. Copenhagen 1827, d. s.p. 1893 "Kronvildt i Dyrehaven". Deer in Dyrehaven (The Deer Park north of Copenhagen). Signed and dated Carl Bøgh 1889. Oil on canvas. 158 x 212 cm. Exhibited : Charlottenborg 1890 no. 76. "Made by the order of HM the King of the Hellenes".

Provenance: The Royal Family, then acquired by forest owner Troensegaard, whose family had owned it until recently.

About this painting and the white Wurzburg deer the following story was told: Christian IX's son-in- law, Tsar Alexander II of Russia, who was married to 108 Princess Dagmar of Denmark, participated in a hunt in Dyrehaven, the Deer Park north of Copenhagen, although he was an incompetent shooter. When the hunt was called off and the day's prey was displayed, Alexander II had nothing to show. Resolutely he shot Christian IX's white favorite deer, the depicted tame Wurzburg deer, which used to come to the King and 108 eat from his hand. When the King heard the news and CARL BØGH saw the painting, he threw his small silver-cane up in b. Copenhagen 1827, d. s.p. 1893 the painting which resulted in a gash - the painting's "Kronvildt. Motiv fra Rold Skov". Red deer in Rold Forest, upper clouds are the result of the restoration. Jutland. Signed and dated Carl Bøgh 1887. Oil on canvas. 100 x 143 cm. The king ordered the painting dismantled and re- Exhibited: Charlottenborg 1887 no. 60. moved, and he never saw it again. DKK 40,000-50,000 / € 5,350-6,700 DKK 150,000-250,000 / € 20,000-33,500

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861_malerier_s001-168.indd 117 02/11/15 17.50 110 SIEGWALD DAHL b. Dresden 1827, d. 1902 "Waldpartie bei Abendbeleuchtung". Forest scene in an evening light. Signed and dated Siegwald Dahl 1893. Oil on canvas. 83 x 65 cm. On the stretcher a label inscribed "S. Dahl Nachlaß" (S. Dahl's estate). DKK 25,000-30,000 / € 3,350-4,000

111 JANUS LA COUR b. Ringkøbing 1837, d. Odder 1909 "Efteraarsdag ved Skovmølleaaen". An autumn day at a stream (Skovmølleåen). Signed and dated Janus la Cour 1904. Oil on canvas. 120 x 154 cm. Rikard Magnussen, A Catalogue Raisonné of the Works of Janus la Cour no. 837.

Exhibited: Charlottenborg 1904 no. 113. DKK 60,000 / € 8,050 110

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861_malerier_s001-168.indd 119 02/11/15 17.50 112 CD OLE RING b. Baldersbrønde 1902, d. 1972 "Fra Borup ved Rønnede". From Borup near Rønnede. Early spring. Signed Ole Ring. Oil on canvas. 60 x 90 cm. The painting has been reproduced by Egmont H. Petersen Kgl. Hof-Bogtrykkeri (the Royal book printer). Label on the back with the information, that the painting has been exhibited at Charlot- tenborg. DKK 40,000 / € 5,350

112

113 CD JOHANNES LARSEN b. Kerteminde 1867, d. s.p. 1961 Winter in Kerteminde with great titmouse and chaffinch. Signed with monogram and dated 1911. Watercolour on paper. 48 x 61 cm. Literature: Ernst Mentze, "Johannes Larsen. The painter's Memoirs", p. 127, here is a similar motif from the artist's sketchbook reproduced. DKK 30,000 / € 4,000 113

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114 C. O. ZEUTHEN b. Kastrup 1812, d. Frederiksberg 1890 Summer day in Toldbodvej (Esplanaden). Signed and dated Zeuthen 1879. Oil on canvas. 84 x 135 cm. DKK 30,000-40,000 / € 4,000-5,350

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861_malerier_s001-168.indd 121 02/11/15 17.50 115 PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 The actress Oda Nielsen dressed in black sitting in the artist's living-room at Sofievej. Signed Paul Fischer. Oil on canvas. 51 x 45 cm. Oda Nielsen (1851-1936) was a Danish actress with commit- ment at the Royal Danish Theatre in Copenhagen.

Provenance: Bruun Rasmussen auction 115, 1960 no. 113. DKK 60,000-80,000 / € 8,050-10,500

115

116 PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 An elegant lady is buying flowers at Højbro Plads in Copenha- gen. Signed Paul Fischer. Oil on panel. 25 x 20. DKK 30,000-50,000 / € 4,000-6,700 116

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861_malerier_s001-168.indd 122 02/11/15 17.50 117 CARL HOLSØE b. Aarhus 1863, d. Asserbo 1935 117 Evening interior. A maid lights the candles before dinner. Signed C. Holsøe. Oil on canvas. 93 x 90 cm. DKK 250,000-300,000 / € 33,500-40,000

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861_malerier_s001-168.indd 123 02/11/15 17.50 118 PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 Two young women bathing from the rocks. Signed Paul Fischer. Oil on canvas. 50 x 55 cm. DKK 80,000-100,000 / € 10,500-13,500

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119 ERIK HENNINGSEN b. Copenhagen 1855, d. s.p. 1930 Street scene from Copenhagen with children watering a horse. Signed and dated Erik Henningsen 1925. 54 x 50 cm. Presumably exhibited at Charlottenborg in 1925 as no. 176 with the title "Drikkekumme" (drinking fountain).

Exhibited: Københavns Bymuseum 1969. DKK 30,000-40,000 / € 4,000-5,350 119

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120 121 PAUL FISCHER PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 b. Copenhagen 1860, d. s.p. 1934 "Carmen". Signed Pavl Fischer. Oil on canvas. 47 x 23 cm. Elegant ladies and a yellow tram in Øster Farimagsgade. Around 1900 Fischer also spelled his first name Pavl. See Ste- To the right Kommunehospitalet (the Municipal Hospital). ffen Linvald, "Paul Fischer-københavnernes maler" for other 1890s. Signed Paul Fischer. Oil on canvas. 43 x 65 cm. examples pp. 112-115. DKK 25,000-35,000 / € 3,350-4,700 DKK 150,000-200,000 / € 20,000-27,000 120

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122 H. A. BRENDEKILDE b. Brændekilde 1857, d. Jyllinge 1942 "Susaaen ved Næstved." A mother with her little girls picking flowers at the riverbank of Suseåen. Signed H. A. Brendekilde. Oil on canvas. 58 x 85 cm. DKK 75,000 / € 10,000

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861_malerier_s001-168.indd 126 02/11/15 17.50 123 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Summer day at the lake (Bondedammen) in Hellebæk. Signed and dated P. Mønsted Hellebæk 1891. Oil on canvas. 82 x 119 cm. DKK 75,000-125,000 / € 10,000-17,000

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861_malerier_s001-168.indd 128 02/11/15 17.50 124 PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 Fresh fish! Fishviwes selling fish at Gammel Strand in Copen- hagen. Signed and dated Paul Fischer 1919. Oil on canvas. 58 x 74 cm. DKK 150,000-250,000 / € 20,000-33,500

125 CARL HOLSØE b. Aarhus 1863, d. Asserbo 1935 Interior with a young woman peeling fruit. Signed C. Holsøe. Oil on canvas. 46 x 41 cm. DKK 100,000-125,000 / € 13,500-17,000 125

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126 CD VILHELM ARNESEN b. Flensburg 1865, d. Copenhagen 1948 The Battle of Køge Bay in 1677 during the Scanian War. Signed Vilh. Arnesen. Oil on canvas. 99 x 132 cm. DKK 30,000-50,000 / € 4,000-6,700

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861_malerier_s001-168.indd 130 02/11/15 17.51 127 127 CHRISTIAN MØLSTED b. Dragør 1862, d. s.p. 1930 "Havnen ved gamle Knippelsbro 1893. Solnedgang, i September". The old Knippelsbro in Copenhagen 1893. Sunset, September. Signed and dated Chr. Mølsted 1893-1930. Oil on canvas. 106 x 137 cm. Exhibited: Charlottenborg 1930 no. 324. DKK 50,000-60,000 / € 6,700-8,050

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128 CHRISTIAN ZACHO b. Grenaa 1843, d. Hellerup 1913 "La Tournette. Bjerglandskab i Savoyen ved Lac d'Annecy". La Tournette. Mountain landscape in Savoy at Lac d'Annecy. Signed and dated Chr. Zacho 1910. Oil on canvas. 85 x 123 cm. Exhibited: Charlottenborg 1910 no. 521. DKK 25,000 / € 3,350

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129 I. E. C. RASMUSSEN b. Ærøskøbing 1841, d. The Atlantic Ocean 1893 A summer day on Svendborgsund. Signed and dated J. E. C. R. 1893. Oil on canvas. 37 x 54 cm. DKK 30,000 / € 4,000

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130 CD EMANUEL A. PETERSEN b. Frederiksberg 1894, d. Farum 1948 Three-master off Kronborg. Signed Em. A. P. Oil on canvas. 70 x 100 cm. DKK 25,000-35,000 / € 3,350-4,700

131 VILHELM MELBYE b. Helsingør 1824, d. Roskilde 1882 Seascape with numerous sailing ships near a rocky coast. Signed Vilh. Melbye. Oil on canvas. 40 x 62 cm. Provenance: Bruun Rasmussen auction 26, 1951 no. 78. DKK 25,000-30,000 / € 3,350-4,000 131

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861_malerier_s001-168.indd 134 02/11/15 17.51 132 CD HARALD MOLTKE b. Helsingør 1871, d. Frederiksberg 1960 A sealer's wife carrying her child on her back standing in a Greenlandic landscape next to a fiord. Signed with monogram. Oil on canvas. 115 x 97 cm. DKK 50,000-60,000 / € 6,700-8,050 132

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133 CD EMANUEL A. PETERSEN b. Frederiksberg 1894, d. Farum 1948 Morning atmosphere amid fog and sunny haze. Signed Emanuel A. Petersen. Oil on canvas. 70 x 100 cm. DKK 30,000-40,000 / € 4,000-5,350

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861_malerier_s001-168.indd 136 02/11/15 17.51 134 CD EMANUEL A. PETERSEN b. Frederiksberg 1894, d. Farum 1948 Sunset at Christianshåb (Quasigiannguit). Signed Emanuel A. Petersen. Oil on canvas. 70 x 100 cm. DKK 30,000-40,000 / € 4,000-5,350

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861_malerier_s001-168.indd 137 02/11/15 17.51 135 RAPHAEL VON AMBROS b. Prague 1855, d. Gutenstein 1895 Street scene from Cairo. Signed and dated R. Ambros 93 Au Caire. Oil on panel. 32 x 20.5 cm. DKK 50,000-60,000 / € 6,700-8,050 135

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136 136 GEORGE MORLAND, AFTER, EARLY 19TH CENTURY "Slave Trade" and "African Hospitality". Unsigned. Oil on canvas. 43 x 58 cm each. (2). in London. There was a strong growing sentiment in the population In 1788 George Morland exhibited the painting "Execrable human against slavery, and the two paintings clearly try to appeal to those traffic" or "The affectionate slave", later known with the title" Slave feelings. It is therefore not surprising that the two prints quickly be- Trade", at the Royal Academy in London and in 1790 he exhibited came very popular and sold well - often as a pair, one depicting a "African Hospitality ". Already in 1790 the printmaker J. R. Smith black African man's compassion and helpfulness to a shipwrecked offered two prints after the two paintings, and the first ones were European family, and the other depicts the white European man, printed in London in 1791. The painting "Slave Trade" was probably who brutally removes an African man from his family to sell him the first painting against the slave trade publicly exhibited in Eng- as a slave. The prints popularity made the motifs widely known and land, and it is no coincidence that this took place just a year after copied. These two paintings are two very early copies after the the Society for the Abolition of the Slave Trade was founded in 1787 prints after the paintings of George Morland. DKK 40,000-60,000 / € 5,350-8,050

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861_malerier_s001-168.indd 139 02/11/15 17.51 137 PETER CRAMER b. Copenhagen 1726, d. s.p. 1782 Winter landscape with men by a hole in a frozen lake. In the background a tower ruin. Unsigned. Oil on canvas. 64 x 80 cm. DKK 25,000 / € 3,350

138 C. A. LORENTZEN b. Sønderborg 1746, d. Copenhagen 1828 Portrait of a young Danish naval officer in a rococo costume holding a map of Zeelandia (Sjælland) in his hand. In the background a globe. Signed and dated C. A. Lor- entzen 8 Mertz Kiö... 1777. Oil on canvas. 79 x 62 cm. The map on the table is the first one published in 1777 by the navigation director Carl Christian Lous. He and his brother had a monopoly on the sale of charts until 1784, when the Royal Map Archive was founded.

Who is the young man in his blue naval officer dress with 137 gold embroidery? It has been suggested that it depicts Poul de Løwenørn (1751-1826), who became naval officer in 1776. DKK 25,000-35,000 / € 3,350-4,700

139 JACOB D'AGAR, ASCRIBED TO b. Charenton near Paris 1642, d. Copenhagen 1715 Portrait of a noblewoman in a white dress and a blue taffeta shawl. Her hair decorated with flowers. In her hand she holds a tame cockato. On a table a jardi- niere with flowers and fruit. Unsigned. Oil on canvas. 80 x 65 cm. DKK 30,000 / € 4,000

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861_malerier_s001-168.indd 141 02/11/15 17.51 140 ANDREA SCACCIATI, STYLE OF, 18TH CENTURY Still life with flowers and a parrot. Unsigned. Oil on portal shaped canvas. 132 x 69 cm. Period frame. DKK 50,000 / € 6,700

141 JOHAN FRIEDRICH GERHARD b. Franconia after 1695, d. Copenhagen 1748 A pair of portraits of Johan Sigismund Count Schulin (Prichsenstadt, Franconia 1694-1750). Count, Privy Council and Secretary under the kings Christian VI and Frederik V, and his second wife Catharina Maria von Møsting (Copenha- gen 1714-1770). He dressed in flowered vest and red velvet coat carrying the Grand Cross of the Order of Dannebrog. She standing in a park wearing a floral dress and red shawl. In her right hand she is holding a hat. The left arm resting on a basket of flowers. Unsigned. Oil on copper. 33 x 23.5 cm. Richly carved gilded rococo frames. The gifted Schulin started his career as a steward under the Franconian-born Danish Crown Princess Sophie Magdalene's brothers. Later he moved to Denmark and worked for Christian VI. Schulin had a long career especially in foreign policy.

Johan Friedrich Gerhard was like Schulin born in Franconia. They knew each other well and it was Schulin, who arranged the contact to the Danish royal family in 1741, where Christian VI bought a work by Gerhard. In 1742 the painter received Danish citizenship and was paid for two paintings painted on copper. It could be the present portraits. He always painted on copper.

Provenance: Tølløse manor house, the Schulin-Zeuthen family until today. DKK 75,000-100,000 / € 10,000-13,500 140

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143 JEAN-BAPTISTE PILLEMENT, STYLE OF, 18TH CENTURY 142 Two scenes from the Orient. Summer day with a man courting a woman FLEMISH PAINTER, 17TH CENTURY holding a fruit platter and A distinguished lady at her morning toilette Abraham's sacrifice of Isaac. Signed with monogram RAL on in the garden. Unsigned. Oil on canvas. 158 x 100 cm each. (2). the knife. Oil on canvas. 99 x 155 cm. DKK 40,000 / € 5,350 DKK 100,000-150,000 / € 13,500-20,000

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861_malerier_s001-168.indd 145 02/11/15 17.52 144 P. P. RUBENS b. Siegen 1577, d. Antwerp 1640 Saint Catherine. C. 1620-1630. Inscribed in print P. Paul Rubens fecit. Etching and burin on fine laid paper with watermark "Arms of Amsterdam". Hollsteins third and final state. Indis- tinct collector's inscription upper left corner verso. Sheet size 300 x 198 mm. Unframed. A dark and well printed impression of this rare print.

Literature: Kristin L. Spangenberg (red), "Six Centuries of Master Prints: Treasures from the Herbert Green French Collection", Cincin- nati Art Museum 1993, p. 151-152. DKK 30,000 / € 4,000

145 HENDRICK VAN BALEN, SCHOOL OF, 17TH-18TH CENTURY The Rape of the Sabine Women. Unsigned. Inscribed H. van Balen. Oil on canvas. 192 x 243 cm. Hendrick van Balen (1575-1632) played an important role in the renewal of Flemish painting in the 17th century. He had a large workshop with many pupils, among others, Anthony van Dyck. He is also known for his collaboration with Jan Brueghel the Elder (1568- 1625). They painted several mythological, allegorical and biblical motifs together. As a figure painter van Balen painted the figures, and Brueghel painted the landscape and the many still-life ele- ments in the works. In this painting the figure composition is very much inspired by van Balen's often very complex compositions with full and half naked people in extreme positions with perspectively foreshortened limbs and twisted bodies. DKK 200,000-300,000 / € 27,000-40,000 144

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146 WILLEM VAN DRILLENBERG, ASCRIBED TO b. Utrecht 1635, d. 1677 A view of Utrecht. Unsigned. Inscribed Dort. Oil on panel. 59 x 84 cm. DKK 25,000-35,000 / € 3,350-4,700

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861_malerier_s001-168.indd 148 02/11/15 17.52 147 ITALIAN PAINTER 17TH CENTURY View of Napoli di Romania. Unsigned. Oil on panel. 12 x 18 cm. Napoli di Romania is a seaport town in the Peloponnese in Greece that has expanded up the hillsides near the north end of the Argolic Gulf. The town was an important seaport held under a succession of royal houses in the Middle Ages as part of the lordship of Argos and Nauplia, held initially by the de la Ro- che following the Fourth Crusade before coming under the Republic of Venice and, lastly, the Ottoman Empire. DKK 40,000-50,000 / € 5,350-6,700

148 RAPHAEL, AFTER, 17TH CENTURY "La Madonna del Divino Amore". Unsigned. Oil on canvas. 142 x 114 cm. Verso two red wax seals, one inscribed Firenze.

The original painting by Raphael from about 1516-1518 is at the Museo Nazionale di Capodimonte in Naples. DKK 50,000-60,000 / € 6,700-8,050

147 148

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861_malerier_s001-168.indd 149 02/11/15 17.52 149 MICHAEL DAHL, ASCRIBED TO b. Stockholm 1656 or 1659, d. London 1743 Portrait of an English nobleman with a dog and a gun in his right hand. C. 1710. Unsigned. Oil on canvas. 128 x 106 cm. Michael Dahl was a Swedish portrait painter who lived and worked in London most of his career. DKK 30,000 / € 4,000

150

150 ITALIAN PAINTER, 17TH CENTURY Portrait of a noble lady. Unsigned. Oil on canvas. 95 x 70 cm. Provenance: Bruun Rasmussen auction 460, 1984 nr. 12a, here catalogued as painted by Alessandro Maganza (1556-1630) and as signed AM on the bracelet. DKK 40,000-50,000 / € 5,350-6,700 149

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861_malerier_s001-168.indd 150 02/11/15 17.52 151 FLORENTINE PAINTER, 17TH CENTURY Youth with bouquet of flowers and red and white feathers in his hair. Unsigned. Oil on canvas. 75 x 62 cm. DKK 30,000 / € 4,000

152

152 PRAGUE SCHOOL, C. 1600 David with Goliath's head. Unsigned. Oil on panel. 69 x 54 cm. DKK 30,000-40,000 / € 4,000-5,350 151

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861_malerier_s001-168.indd 151 02/11/15 17.52 Vilhelm Hammershøi: Interior. Strandgade 30. 1904. Oil on canvas. 70 x 54 cm. Estimate: DKK 4,000,000-6,000,000 / € 535,000-805,000

Vilhelm Hammershøi: Landscape with trees. Pencil on paper. Visible size 38 x 54 cm. Estimate: DKK 75,000-100,000 / € 10,000-13,500

861_malerier_s001-168.indd 152 02/11/15 17.52 VILHELM HAMMERSHØI

Upcoming Auction - 1 March 2016

We are currently looking for artwork for our Hammershøi theme auction. All the works will be shown at exhibitions in London and Paris.

Consignment deadline: Monday 25 January

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861_malerier_s001-168.indd 153 02/11/15 17.53 ORIENTAL ART

26 November 2015, 3 pm

154 BRUUN RASMUSSEN BREDGADE AUCTION 861

861_malerier_s001-168.indd 154 02/11/15 17.53 JEWELLERY

30 November 2015, 4 pm

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861_malerier_s001-168.indd 155 02/11/15 17.53 MODERN ART

1 and 2 December 2015

Pablo Picasso: “Tripode”, 1951. Numbered 10/75. Estimate: DKK 1,200,000-1,500,000 / € 160,000-200,000

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861_malerier_s001-168.indd 156 02/11/15 17.53 DESIGN

3 December 2015, 4 pm

Finn Juhl: “FJ 45”. Estimate: DKK 250,000-300,000 / € 33,500-40,000

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861_malerier_s001-168.indd 157 02/11/15 17.53 KØBSKONDITIONER

§ 1. BUDGIVNING den misligholdende køber fastsat mindstepris. Den misligholdende køber er ikke berettiget til at kræve udlevering af effekter indleveret til salg, så længe forfalden gæld til Bruun Rasmussen ikke er Køber er den byder, der får hammerslag. Den, der byder for andre, hæfter som selvskyldnerkautionist betalt, uanset om værdien af sådanne effekter må anses at overstige forfalden gæld. for berigtigelsen af købet. Bruun Rasmussen er berettiget til at afvise bud afgivet af en køber, der er i misligholdelse med sine På opfordring fra Bruun Rasmussen Kunstauktioner (herefter benævnt Bruun Rasmussen), skal betalingsforpligtelser over for Bruun Rasmussen eller et bud afgivet af en anden på den pågældendes alle bydere, hvadenten de ønsker at afgive et bud ved personligt fremmøde på auktionsstedet eller vegne, ligesom Bruun Rasmussen er berettiget til at kræve et depositum som betingelse for accept af afgive en kommission pr. brev, fax eller hjemmeside eller byde direkte pr. telefon eller hjemmeside, fremtidige bud. kunne dokumentere deres betalingsdygtighed samt til enhver tid identificere sig. Bruun Rasmussen er altid berettiget til at nægte at acceptere et bud, hvis på forlangende ikke tilstrækkelig sikkerhed er stillet eller en passende à conto betaling har fundet sted. § 3. FORTRYDELSESRET Bud afgives af byderen ved personligt fremmøde på auktionsstedet eller ved skriftlig kommission A. Ved køb på alle traditionelle auktioner er der ikke fortrydelsesret. Køb kan derfor ikke fortrydes, enten pr. brev, fax eller hjemmeside. På online-auktioner afgives bud direkte fra hjemmesiden. uanset om budafgivning er via web-kommissionsbud, live-bidding eller på anden vis. Afgivelse af bud pr. telefon er muligt under visse forudsætninger, der afgøres af Bruun Rasmussen. Bruun Rasmussen påtager sig intet ansvar for eventuelle fejl eller fejltagelser, der måtte opstå ved B. For privatkøb af emner på en online-auktion gælder loven om fjernsalg, herunder også 14 dag- brug af denne service. Auktionarius bestemmer overbuddets størrelse og træffer ligeledes afgørelse i es fortrydelsesret. Eventuelle omkostninger forbundet med transport af købte emner retur fra alle tvivlstilfælde om budgivningen. køber, betales af køber selv. For at kunne byde på Bruun Rasmussens auktioner kræves forud-gående registrering af byders betaling- Såfremt køber benytter sig af sin fortrydelsesret, refunderer Bruun Rasmussen betalingen skort-/kreditkortoplysninger. umiddelbart efter, at varen er sendt retur og modtaget af Bruun Rasmussen. Bruun Rasmussen gør opmærksom på, at det herefter er op til bankerne/kreditkortselskaberne, hvornår refusionen § 2. BETALING indgår på købers konto. Ved køb på alle traditionelle auktioner tillægges hammerslagsprisen 30% (for vin, mønter og § 4. AFGIFTSFRITAGELSE frimærker 25%), der dækker salær på 24% samt moms af salæret. Udenlandske købere, der opfylder en af nedenstående betingelser, betaler de gældende salærsatser jf. Ved køb på alle net-auktioner tillægges hammerslagsprisen 25%, der dækker salær på 20% samt ovenstående, men bliver ikke belastet af dansk moms. Den danske moms deponeres dog hos Bruun Ras- moms af salæret. mussen, indtil eksporten er gennemført på dokumenteret lovpligtig vis. Visse numre handles efter særlige regler til fuldmoms, så udover auktionsomkostninger på 24% (for net-auktioner, vin, mønter og frimærker dog 20%), beregnes moms på 25% af både hammerslag og auk- A. Købere, som er momsregistreret i et andet EU-land, kan fritages for at betale dansk moms, når det tionsomkostninger. Disse numre er mærket med en stjerne (*). kan dokumenteres, at købet er transporteret til den adresse, som køber har angivet over for Bruun Rasmussen og som er anført på fakturaen. I sådanne tilfælde skal der afregnes moms i henhold til de Danske momsregistrerede købere skal overfor Bruun Rasmussen oplyse deres SE-/CVR-nr. (moms- gældende regler i det land, hvor virksomheden er momsregistreret. Det tilrådes at søge oplysning hos nr.), da dette skal anføres på de fakturaer, hvor varen købes i fuld moms. de lokale myndigheder. For visse udenlandske købere gælder der særlige regler for afgiftsfritagelse jvf. § 4. Afgiftsfritagelse B. Købere med bopæl uden for EU kan fritages for dansk moms, når det kan dokumenteres, at købet omfatter ikke EU private købere, som ligestilles med danske købere jvf. gældende dansk lovgivning er transporteret ud af EU. Bruun Rasmussen udsteder så vidt muligt de fornødne eksportpapirer, som om handel med brugte varer, kunstgenstande, samlerobjekter og antikviteter. skal fremvises ved toldmyndighederne, og forbeholder sig ret til at opkræve et gebyr herfor. Købesummen forfalder til betaling ved tilslaget. Der kan betales kontant op til DKK 50.000 eller Foretages eksporten af en af Bruun Rasmussen godkendt speditør skal momsen ikke deponeres. Se listen med Dankort, banknoteret check, rejsechecks, Visa-, Master-, Diners Club- eller Eurocard. Personlige over godkendte speditører udenlandske checks kan kun anvendes efter forudgående aftale. På de traditionelle auktioner i Bredgade skal betaling af købte emner finde sted under eller umid- § 5. AFGIFTSBETALING delbart efter auktionen og under alle omstændigheder senest 8 dage efter fakturadatoen. På net-auktionerne trækkes købesummen automatisk på det af kunden oplyste betalings-/kreditkort i A. Momsregistrerede virksomheder i andre EU-lande kan undlade at gøre brug af muligheden for forbindelse med, at det købte emne udtages til transport (ca. 12 timer efter dagens salg). Samtidig momsfritagelse og i stedet betale dansk brugtmoms/fuldmoms. Dette skal meddeles Bruun Ras- tilsendes køber faktura og transportoplysninger. mussen inden kl. 10 dagen efter købet. Betales købesummen ikke rettidigt, skal der svares rente heraf med 1,5% pr. påbegyndt måned. B. Momsregistrerede virksomheder i Danmark kan vælge at betale fuldmoms jf. ovenstående. Dette Betales købesum og renter ikke inden 8 dage efter at Bruun Rasmussen har afsendt påkrav her- skal meddeles Bruun Rasmussen inden kl. 10 dagen efter købet. om til køber, er Bruun Rasmussen berettiget til at annullere købet og bortsælge det købte på ny auktion hos Bruun Rasmussen eller underhånden og afkræve køber ethvert herved opstået tab. Et eventuelt overskud tilfalder den, der har indleveret det købte til auktion. § 6. UDLEVERING Har den misligholdende køber tilgodehavender fra salg af effekter hos Bruun Rasmussen, er Bruun Købesummen skal være betalt, inden det købte kan udleveres til køberen. Det købte henligger fra Rasmussen berettiget til at berigtige ethvert tilgodehavende hos køber ved modregning. hammerslaget for købers regning og risiko. For varer, der ikke afhentes ifølge aftale efter hammer- Har den misligholdende køber indleveret andre effekter til salg, er Bruun Rasmussen berettiget til slaget, vil blive kørt på fjernlager på købers regning og risiko. Købte varer, der er betalt, men ikke at bortsælge sådanne effekter på auktion hos Bruun Rasmussen uden at være bundet af en af afhentet, vil efter 1 år blive videresolgt for købers regning ved auktion eller underhånden.

158 BRUUN RASMUSSEN BREDGADE AUCTION 861

861_malerier_s001-168.indd 158 02/11/15 17.53 § 7. FORSENDELSE behæftet med væsentlige fejl, der har medført en væsentlig højere hammerslagspris, end en korrekt beskrivelse må antages at ville have resulteret i, er køber berettiget til at annullere købet, hvorefter Såfremt Bruun Rasmussen påtager sig at emballere og fremsende købte varer, sker dette på købers den samlede erlagte købesum tillagt auktionsomkostninger og evt. moms, vil blive refunderet køber. regning og risiko. Bruun Rasmussen kan således ikke drages til ansvar for skader forvoldt på købte Væsentlige fejl i beskrivelsen relateret til mål eller vægt erstattes kun procentuelt i forhold til differ- varer under forsendelse eller for forsvundne forsendelser. encen.

CD Retten til under de her anførte betingelser at annullere et køb kan kun udøves af den, der købte § 8. KUNSTNERAFGIFT TIL COPY-DAN den pågældende effekt hos Bruun Rasmussen og er betinget af, at krav om annullering fremsættes skriftligt over for Bruun Rasmussen inden 2 år efter købsdagen, og af at det købte inden samme Ifølge gældende dansk lovgivning om ophavsret skal der opkræves følgeretsvederlag for værker af frist returneres til Bruun Rasmussen i den samme stand i enhver henseende, som det købte var i på nyere danske og visse udenlandske kunstnere, som enten er nulevende eller ikke har været døde i mere hammerslagstidspunktet. end 70 år. Følgeretsvederlaget opkræves af Bruun Rasmussen på vegne af kunstnernes organisation Køber kan i tilfælde af annullering ikke gøre krav på betaling af renter af købesummen og er ej Copydan. Disse værker er mærket (CD) for Copydan ud for katalognummeret. heller berettiget til at kræve anden udgift eller tab, herunder eventuel mistet videresalgsfortjeneste, Den såkaldte Copydan-afgift tillægges hammerslagsprisen inkl. salær, når beløbet overstiger €300. dækket. Copydan-afgiften er: Et køb kan ikke kræves annulleret efter ovenstående bestemmelser, såfremt: • 5% af den del af hammerslagsprisen og salæret (ekskl. moms), der udgør indtil €50.000. a. beskrivelsen i katalog eller på hjemmesiden på hammerslagsdagen var i overensstemmelse med den på dette tidspunkt gældende opfattelse blandt lærde og eksperter. • 3% af den del af hammerslagsprisen og salæret (ekskl. moms), der ligger mellem € 50.000 og € 200.000. b. den eneste måde til på salgstidspunktet at få fastslået et falskneri var iværksættelsen af vidensk- € abelige processer, hvis gyldighed først blev anerkendt efter salgstidspunktet, eller som ville have • 1% af den del af hammerslagsprisen og salæret (ekskl. moms), der ligger mellem 200.000 været uforholdsmæssigt omkostningskrævende eller uigennemførlige uden beskadigelse af den € og 350.000. pågældende effekt. • 0,5% af den del af hammerslagsslagsprisen (ekskl. moms), der ligger mellem € 350.000 I tillæg til ovenstående frist gælder de almindelige forældelsesregler i forældelsesloven, efter hvilke og € 500.000. køber ikke under nogen omstændigheder kan gøre noget krav gældende over for Bruun Rasmussen, • 0,25% af den del af hammerslagsprisen (ekskl. moms), der ligger over € 500.000. når der er forløbet mere end 5 år fra købsdagen. € Copydan-afgiften kan ikke overstige 12.500 for det enkelte kunstværk. Bruun Rasmussen Kunstauktioner Euro-kursen er fastsat af Copydan i 2015 til kurs 744,01 pr. € 100. Jesper Bruun Rasmussen, Auktionsholder Jørgen Byriel, Auktionsleder § 9. EKSPORTTILLADELSE Kulturværdiudvalget er blevet ansøgt om eksporttilladelse, hvor dette kræves iflg. gældende dansk KOMMISSIONER lovgivning om sikring af kulturværdier i Danmark. Foreligger en sådan ikke, vil dette blive meddelt den udenlandske køber umiddelbart efter hammerslaget. Derefter vil Bruun Rasmussen igen ansøge Bruun Rasmussen påtager sig at byde i kommission for bydere, der ikke kan være til stede ved auk- Kulturværdiudvalget på købers vegne, nu hvor prisen kendes. Gives eksporttilladelse ikke, er Kul- tionen. Det er en forudsætning, at kommissioner indleveret pr. brev eller fax er Bruun Rasmussen i turværdiudvalget forpligtet til at overtage det købte til den opnåede pris, hvilket betyder at købet hænde i 24 timer før auktionens start, så om nødvendigt bydernes kreditværdighed kan undersøges. bliver hævet for køber. Via hjemmesiden er denne deadline 3 timer. Bruun Rasmussen påtager sig intet ansvar for eventuelle fejltagelser, der måtte opstå ved brug af denne service § 10. BESKRIVELSE AF EMNER

Alt sælges i den stand, hvori det ved hammerslaget er at forefinde og som beskrevet i katalog eller KONDITIONSRAPPORTER hjemmeside med senere offentliggjorte ændringer og modifikationer. Bruun Rasmussen påtager sig, hvis det er muligt, at orientere nærmere om numrenes kondition Beskrivelsen er foretaget efter bedste overbevisning og under anvendelse af de anførte katalogiser- og tilstand. Dette er ment som en service for kunder, der ikke selv har mulighed for ved selvsyn at ingsprincipper. undersøge numrene på eftersynet. Det understreges, at de givne oplysninger ikke kan gøres til gen- De solgte effekter er ofte af en alder eller af en art, der bevirker, at de kan være behæftet med fejl, stand for reklamationer; her henvises til beskrivelsen. mangler, restaurering eller beskadigelser, der ikke nødvendigvis angives i katalog eller på hjemmesiden. Afbildninger i katalog eller på hjemmesiden er blot til identifikation og kan ikke anvendes til vurdering af effekternes stand. FRITAGELSE FOR DANSK FULDMOMS Enhver der ønsker at byde på auktion, bør derfor ved selvsyn på de før auktionen afholdte eftersyn Købere skal ifølge § 2 betale fuldmoms af de varer der i katalog eller på hjemmesiden er markeret forvisse sig om de ønskede effekters stand. med stjerne (*). Beskrivelsen er udtryk for den på salgstidspunktet blandt lærde og eksperter herskende opfattelse. Når virksomheder, der er momsregistrerede i andre EU-lande, køber hos Bruun Rasmussen og Skulle der efter købet opstå tvivl om det købtes ægthed eller dettes overensstemmelse med beskriv- videresælger til private, skal der ikke betales dansk moms, men moms i henhold til de regler der elsen, skal dette straks meddeles til Bruun Rasmussen. gælder, hvor den udenlandske virksomhed er momsregistreret. Det tilrådes at søge oplysning hos de Såfremt det må erkendes, at det købte er en forfalskning, eller såfremt beskrivelsen har været lokale myndigheder.

BRUUN RASMUSSEN BREDGADE AUCTION 861 159

861_malerier_s001-168.indd 159 02/11/15 17.53 CONDITIONS OF PURCHASE

§ 1. BIDDING a Bruun Rasmussen auction or privately, and to demand reimbursement of any related losses from the defaulting buyer. Any further profit on the sale shall be payable to the person who had deposit- The buyer shall be the highest bidder at the “hammer price”. Any person bidding on behalf of a ed the goods for sale by auction. third party shall be liable in surety for completion of the sale. If the defaulting buyer is entitled to proceeds from a sale of goods by Bruun Rasmussen, Bruun Ras- mussen shall be entitled to set off its receivables against its payables to the defaulting buyer. At the request of Bruun Rasmussen Kunstauktioner (hereinafter called Bruun Rasmussen), all bid- If the defaulting buyer has deposited other goods for sale, Bruun Rasmussen shall be entitled to sell ders, whether they wish to make bids in person at the place of auction or commission bids by letter, such goods at a Bruun fax or the homepage direct telephone bids or the homepage, should be able to document their ability to pay and be able to provide proof of identity at any time. Bruun Rasmussen is entitled to Rasmussen auction without being bound by the reserve stipulated by the defaulting buyer. The defautling buyer shall not be entitled to demand the surrender of goods deposited for sale as long refuse to accept a bid if, when requested, adequate security or adequate payment on account has as the debt payable to Bruun Rasmussen has not been discharged, regardless of whether the value not been rendered. of such goods may be deemed to exceed the debt payable. Bids should be made by the bidder in person at the place of auction or by written commission by Bruun Rasmussen shall be entitled to refuse a bid made by a buyer who is in default in respect to letter, fax or the homepage. For online auctions alle bids are submitted via the homepage. Tele- his payment obligations to Bruun Rasmussen, as well as a bid made by a third party on behalf of phone bidding is possible within certain conditions made out by Bruun Rasmussen. Bruun Rasmus- such a defaulting buyer. Bruun Rasmussen shall further be entitled to demand a deposit as a condi- sen is not to be held responsible for any errors that may occur using this service. The auctioneer tion of accepting any future bids from such a purchaser. shall have absolute discretion as to the increment of the bids. The auctioneer will also make deci- sions in all cases of doubt regarding the bidding. § 3. MONEY-BACK GUARANTEE Credit/debit card information must be registered with Bruun Rasmussen before bids can be submitted. A. Purchases made on all traditional salesroom auctions are uncoditional and can not be cancelled § 2. PAYMENT regardless of the type of bid such as absentee web bid, live-bidding or otherwise. B. Online purchase of items by private individuals is subject to Danish consumer law, which extends Purchases made at all Bruun Rasmussen traditional salesroom auctions are subject to a 30% fee (for 14 days of money-back guarantee. The purchaser is liable for any costs related to the transport of returned items. wines, coins and stamps 25%), which covers 24% buyer’s premium plus VAT of the premium. Should a purchaser seek to avail himself or herself of the money-back guarantee, Bruun Ras- Purchases made at all Bruun Rasmussen online auctions are subject to a 25% fee, which covers mussen will refund the payment on receiving the returned items. Please note that the date on 20% buyer’s premium and VAT of the premium. which accounts are debited is subject to the policy of the purchaser’s bank/credit card company. Certain lots are sold in accordance with specific rules on normal VAT arrangement (hereinafter called normal VAT), so that the purchase price is the hammer price plus an additional 24% (for § 4. EXEMPTION FROM VAT online auctions, wines, coins and stamps 20%) in buyer’s premium and VAT of 25% levied on both the hammer price and the buyer’s premium. The lots subject to Full VAT are indicated as such in Foreign buyers who meet the following conditions pay the applicable auction fees, cf. above, but are not the catalogue and on the homepage with an asterisk (*). charged Danish VAT. However, the Danish VAT must be deposited at Bruun Rasmussen until documentation has been provided to show that the goods have been exported as required by law. Danish VAT registered buyers shall provide Bruun Rasmussen with documentation of their SE-/CVR A. Buyers who are VAT-registered in another EU country are exempt from paying Danish VAT when -number (VAT No.) as this has to be quoted on the invoice for goods bought at full VAT. it can be documented that the item purchased has been transported to the address declared by For some foreign buyers, specific VAT-exemption rules apply (cf. Article 3). VAT-exemption does the buyer to Bruun Rasmussen and specified on the invoice. In such cases, VAT must be settled in not apply to private buyers from the EU who are considered as Danish buyers (cf. current Danish accordance with the rules in force in the country where the company is VAT-registered. It is advisable legislation on Special VAT Scheme for Sales of Works of Art, Collectors’items and Antiques by Pub- to check with the relevant local authorities. lic Auction). B. Buyers domiciled outside the EU may be exempt from Danish VAT when it can be documented that The purchase price falls due for payment when the goods have been knocked down. Payment may the purchase has been transported out of the EU. As far as possible, Bruun Rasmussen issues the be made in cash up to DKK 50,000, by Dankort, banker’s cheque, traveller’s cheque, Visa-, Master-, necessary export documents to be presented to the customs authorities, and reserves the right to Diners Club- or Eurocard. Personal foreign cheques may only be used for payment by prior arrange- charge a fee for doing so. ment. If the goods are being exported by a freight forwarder authorised by Bruun Rasmussen, the VAT At traditional auctions payment for purchased items must be made during or immediately after the need not be deposited. See the list of approved freight forwarders auction. Under all circumstances payment must be made no later than eight days from the date of the invoice. With online auctions, payment automatically takes place when the items are prepared for dis- § 5. PAYMENT OF TAXES AND DUTIES patch (circa 12 hours after the purchase has been made) using the credit/debit card details submitted by the purchaser. At the same time an invoice and dispatch information will be sent to the purchaser. A. VAT-registered businesses in other EU Member States may opt out of exercising the option of Should the purchase price not be paid by the due date, interest at 1.5 % per new month will be VAT exemption and instead pay Danish VAT on second-hand goods/full VAT. Bruun Rasmussen charged. must be informed of this before 10 am on the day after the purchase. If the purchase price and interest are not paid within eight days after Bruun Rasmussen has sent its B. VAT-registered businesses in Denmark may choose to pay full VAT, cf. above. Bruun Rasmussen demand to the buyer, Bruun Rasmussen shall be entitled to rescind the sale and resell the goods at must be informed of this before 10 am on the day after the purchase.

160 BRUUN RASMUSSEN BREDGADE AUCTION 861

861_malerier_s001-168.indd 160 02/11/15 17.53 § 6. COLLECTION OF PURCHASES Any person who wishes to bid at an auction should therefore sa-tisfy himself of the condition of the lots for which he intends to bid by personal inspection at the preview held prior to the auction. The The purchase price must be paid in full before the purchased lot can be passed over to the buyer. From description is an indication of the prevailing opinion of scholars and expert at the time of the sale. the time of the lot being knocked down to the buyer, until its collection, the purchased lot will be held If any doubts should arise after the purchase regarding the genuineness of the purchased lot or its at the buyer’s own expense and risk. conformance with the description, Bruun Rasmussen should immediately be informed thereof. A storage fee will be charged for lots which have not been collected according to agreement. Lots which Should the purchased lot be proved to be a forgery, or if the description contains material errors have been paid for but not collected will be storaged at buyers expense. Lots not collected within 1 year which lead to a considerably higher hammer price than that which a correct description would presumably result in, the buyer shall be entitled to cancel the purchase, after which the buyer shall be will be resold at auction or privately at the buyer’s expense. reimbursed for the total purchase price paid plus buyer’s premium and VAT, when applicable. For material errors in the description in respect to measurements or weight, compensation shall § 7. DISPATCH only be paid on a percentage basis in proportion to the difference. Should Bruun Rasmussen undertake the packaging and forwarding of purchased goods, this shall The right of cancellation of a purchase in pursuance of the present conditions can only be exer- be done at the buyer’s own expense and risk. Bruun Rasmussen shall thus not be held liable neither cised by the party who has bought the lot in question at Bruun Rasmussen and shall be subject to for any damage caused to purchased goods during dispatch nor for any missing consignments. the presentation of a claim for cancellation in writing to Bruun Rasmussen within 2 years of the purchase date and to the purchased lot being returned to Bruun Rasmussen in the same condition § 8. DROIT DE SUITE in any and all respects which the purchased lot was in at the time of the lot being knocked down to the buyer. In accordance with Danish copyright law, an additional royalty fee is to be paid for the purchase of works In the event of cancellation the buyer shall not be entitled to claim payment of interest on the by contemporary Danish artist and some international artists who are either still alive or who have been purchase price nor shall the buyer be entitled to claim compensation for any other expenses or loss dead for less than 70 years. The additional royalty fee will be collected by Bruun Rasmussen on behalf of incurred, including any possible loss of profit in connection with reselling. Copydan, which is a Danish-based joint collecting society. Such works are marked with (CD) for Copydan It shall not be possible to state cancellation of a purchase in pursuance of the above provisions if: next to the lot number. The Copydan royalty fee is added to the auction price including the buyer’s premium when the total a the description on the day the lot was knocked down to the buyer was in accordance with the exceeds €300. then generally accepted opinion of scholars and experts; Copydan royalty fees: b the only way of establishing whether the lot was a forgery at the time of the sale was the € implementation of scientific processes, the validity of which was only acknowledged after the • 5% of the auction price and buyer’s premium (excluding VAT) totalling up to 50,000. time of the sale, or which would have required a disproportionate amount of cost, or which • 3% of the auction price and buyer’s premium (excluding VAT) of totals between €50,000 and would have been impossible to carry out without damaging the lot in question. € 200,000. In addition to the time-limits stated above, all purchases are subject to the Statute of Limitations • 1% of the auction price and buyer’s premium (excluding VAT) of totals between €200,000 and stipulated by danish law by which Bruun Rasmussen is under no circumstance liable for purchases €350,000. after 5 years from the date of purchase. Bruun Rasmussen Auctioneers • 0.5% of the auction price and buyer’s premium (excluding VAT) of totals between €350,000 and €500,000. Jesper Bruun Rasmussen, auctioneer • 0.25% of the auction price and buyer’s premium (excluding VAT) of totals above €500,000. Jørgen Byriel, officially appointed external supervisor Copydan royalties must not exceed €12,500 for an individual artwork. COMMISSION € The euro exchange rate has been set by Copydan for 2015 at DKK 744,01 per 100. Bruun Rasmussen undertakes to execute commission bids for bidders who are unable to be present at the auction. It is a prerequisite that Bruun Rasmussen receives the commissions by letter, fax or § 9. EXPORT LICENCE telephone 24 hours before the start of the auction for the bidders’ credit to be checked, if necessary. Bids by the homepage are to be recieved a minimum of 3 hours before the start of the auc- Applications for an export licence must be made to the Danish Cultural Assets Committee when tion. Bruun Rasmussen is not to be held responsible for any errors that may occur using this service. required in accordance with current Danish legislation on the protection and preservation of cultural assets in Denmark. Where such a licence has not been obtained, the foreign buyer will be CONDITION REPORTS informed thereof immediately after the lot has been knocked down to the buyer. Another appli- cation will subsequently be sent to the Danish Cultural Assets Committee by Bruun Rasmussen Bruun Rasmussen undertakes to provide further information about the state and condition of the on behalf of the buyer, now that the price is known. Should an export licence not be granted, the lots if possible. This is regarded as a service for customers who are unable to make a personal Danish Cultural Assets Committee would be obliged to acquire the purchased lot at the purchase inspection of the lots at the preview. Bruun Rasmussen stresses that the information given cannot price, and the buyer would thus not be bound to the purchase. be used as the basis for complaints; complaints can only be based on the description. § 10. DESCRIPTION OF LOTS EXEMPTION FROM VAT All lots are sold in the condition in which they are found when knocked down and as described in the catalogue and on the homepage with subsequently published changes and modifications. Buyers shall, according to § 2, pay full VAT on lots marked with an asterisk (*). Description is done according to the best of Bruun Rasmussen’s knowledge and on the cataloguing No Danish VAT is to be paid when VAT registered companies from other EU countries buy at Bruun principles stated. Rasmussen and resell to private buyers, The private buyer then only has to pay VAT according to The lots auctioned are often of some age or of a kind which makes it possible that they may con- the rules in force in the country where the foreign company is VAT registered. For further informa- tain defects, deficiencies, or may have been subject to restoration or damage not necessarily stated tion please consult your local authorities. in the catalogue and on the homepage. Pictures are for identification only and cannot be used for The above is an English translation of the Danish version of the Conditions of Purchase. In case of dis- an evaluation of the condition of the goods. pute, only the Danish version of the present Conditions of Purchase of Bruun Rasmussen is valid.

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861_malerier_s001-168.indd 161 02/11/15 17.53 CITES EKSPORT TILLADELSE CITES EXPORT PERMIT Møbler, der er lavet af palisander eller indeholder dele af træsorten, kræver Pieces of furniture that are made of Brazilian rosewood or contain parts of et CITES-certifikat for at kunne blive eksporteret fra Danmark til et land it, require a CITES export permit in order to be exported from Denmark to uden for EU. Købere med fast bopæl uden for EU er forpligtet til at ind- a country outside The European Union. Buyers residing outside the EU are hente denne tilladelse. Yderligere information kan fås på opfordring. required to obtain this permit. More information is available upon request. Katalognumre, der indeholder palisander, er markeret med en (¥ ) Lots containing Brazilian rosewood are marked with an (¥) AFHENTNING DISPATCH Afhentning af effekter købt på traditionel auktion SKAL SKE senest 2 uger Collection of purchases bought at traditional auctions must be no later efter sidste auktionsdag. than 2 weeks after the last auctionday. Uafhentede effekter vil herefter uden yderligere varsel blive sendt til Uncollected items will without further notice be sent into storage at the opbevaring for købers regning og risiko. expence and risk of the buyer. SALGSRESULTATER SALES RESULTS Hammerslagspriser fra de seneste auktioner kan ses på vores hjemmeside: Sales results from the latest auctions are available at our website: bruun-rasmussen.dk bruun-rasmussen.dk FOTO PHOTO Fotos af alle effekter kan ses på vores hjemmeside: bruun-rasmussen.dk Photos of all items are available at our website: bruun-rasmussen.dk EURO EURO Der bydes og faktureres i danske kroner. Bids and invoicing are made in DKK. Ved omregning fra DKK til Euro er anvendt Nationalbankens officielle For the conversion from DKK into Euro, Bruun Rasmussen has used the valutakurs på tidspunktet for udarbejdelse af kataloget. official rate of exchange from Denmarks Nationalbank (the Danish National Bank) at the time of preparation of the catalogue. Beløbet i Euro er afrundet til et tal, der efter Bruun Rasmussens skøn fremtræder på en præsentabel måde i forhold til beløbet i DKK. The amount in Euro is, in Bruun Rasmussen's judgment, roughly adjusted to presentable figures. BEVARINGSTILSTAND CONDITION Bruun Rasmussen henleder opmærksomheden på, at katalognumrene som udgangspunkt ikke er forsynet med oplysninger om tilstand (jvf. køb- Bruun Rasmussen draws attention to the fact that, as a rule, no information INFORMATION skonditionernes § 10). Vi henviser imidlertid til vores hjemmeside: www. is provided regarding the condition of the lots (cf. conditions of purchase bruun-rasmussen.dk, hvor der under det enkelte katalognummer ofte er § 10). However, we refer to our website: bruun-rasmussen.dk where infor oplysninger om bevaringstil stand, reparationer o. lign. Er disse oplysninger mation regarding condition, repairs, etc. can usually be found for the indi- ikke tilstrækkelige kan én af afdelingens sagkyndige kontaktes for yderligere vidual lot. Should this information be insufficient, further details can be informationer. obtained by contacting one of the experts of the department. BANKFORBINDELSE BANKERS Danske Bank · Konto: 30014310970638 Danske Bank · Account: 30014310970638 IBAN: DK4130004310970638 IBAN: DK4130004310970638 Swift-BIC DABADKKK Swift-BIC DABADKKK VIRKSOMHEDSREGISTRERING BUSINESS REGISTRATION CVR-nr. DK25472020 CVR-nr. DK25472020

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861_malerier_s001-168.indd 162 02/11/15 17.53 MOMS OG KUNSTNERAFGIFT VAT AND COPY-DAN INFORMATION

STANDARD AUKTIONSOMKOSTNINGER BUYER’S STANDARD PREMIUM 30% - BRUGT MOMS 30% AUCTIONEERS’ MARGIN SCHEME 1. januar 1995 trådte nye love i kraft i EU vedrørende moms ved handel på auktion As of 1 January 1995 new EC regulations came into effect regarding the sale of second- med brugte varer, kunstgenstande, samlerobjekter og antikviteter, der nu kan handles til hand goods, works of art, collector’s items and antiques; these items may now be traded brugt moms. under the Auctioneers’ Margin Scheme. Efter de nye regler er det kun auktionsomkostninger, der skal tillægges moms, og ikke Under the Auctioneers’ Margin Scheme the premium only is subject to VAT, i.e. the som tidligere varens fulde pris. I auktionsomkostninger er indregnet ikke fradragsber- hammer price is exempted from VAT. The buyer’s premium of 25% will thus henceforth ettiget moms. include non-refundable VAT.

FULD MOMS * FULL VAT * anvendes for visse varer som ikke kan handles i brugt moms. Disse er mærket med en will be charged on goods that cannot be traded under the Auctioneer s’ Margin Scheme. stjerne *. Købere skal betale 24% i auktionsomkostninger, hvortil lægges 25% moms af These lots are marked with an asterix *. The buyer pays the auction premium of 24% hammerslaget og auktionsomkostningerne. plus 25% VAT on the hammer price as well as the buyer’s premium.

REDUCEREDE BUYER’S REDUCED PREMIUM 24% AUKTIONSOMKOSTNINGER 24% is paid by buyers fulfilling the following terms/conditions: betales af købere der opfylder følgende betingelser: 1. Danish VAT registered buyers may choose to pay the 24% buyer’s premium + 25% 1. Danske momsregistrerede købere kan vælge at betale 24% i auktionsomkostninger + VAT on the total amount (Full VAT). The buyer may have the total VAT refunded and 25% moms af hele (fuldmoms). Momsbeløbet kan køber modregne, og betaler derved thus pays 24% in buyer’s premium only. 24% i auktionsomkostninger. 2. VAT registered buyers in other EU countries may avoid Danish VAT by using their 2. Momsregistrerede købere i andre EU-lande kan, ved at anvende deres EU-momsnr., VAT registration number and thereby pay a buyer’s premium of 24% only. undgå den danske moms og derved betale 24% i auktionsomkostninger. 3. Residents of countries outside the EU meeting the Danish customs authorities’ 3. Alle købere med bopæl i et land uden for EU, der opfylder de danske toldmyndighed- requirements regarding the export of goods pay the buyer’s premium of 24% only ers krav i forbindelse med eksport, betaler derved 24% i auktionsomkostninger (se (see Conditions of Purchase §3, Exemption from VAT). købskonditioner, §4, Afgiftsfritagelse).

ARTISTS’ ROYALTIES KUNSTNERAFGIFT TIL COPY-DAN CD PAYABLE TO COPY-DAN CD Ifølge gældende dansk lovgivning om ophavsret, skal der opkræves 5% i kunstnerafgift Pursuant to current Danish legislation on copyright an artists’ royalty of 5% of the total af hammerslagsprisen med tillæg af auktionsomkostninger på 24% excl. moms på værk- price exclusive of VAT (i.e. hammer price plus buyer’s premium 24%) shall be collected er af alle nyere danske og de fleste udenlandske kunstnere. Disse værker er mærket CD for on works of modern art by all Danish and most foreign artists. These works are marked CD Copy-Dan ud for katalognummeret. for Copy-Dan next to the lot number. For nærmere information henvises til købskonditionerne. For further information please refer to the Conditions of Purchase.

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861_malerier_s001-168.indd 163 02/11/15 17.53 KOMMISSIONSBUD COMMISSION BIDS

Det er muligt at afgive kommissionsbud, hvis De ikke selv kan være til stede på auktion sdagen. It is possible to leave commission bids if you can not be present at the auction yourself. This service Denne service er gratis. is free of charge. Når De afgiver en kommission, beder De vores kundeservice på Deres vegne byde op til et af Dem When leaving a commission bid, you are instructing our customer service to bid up to a specified bestemt beløb i hammerslag. amount on your behalf. Der kan opstå den situation, at en anden køber allerede har budt det beløb, som De ønsker at The situation can occur that another buyer has already bid the same as you were prepared to. Are afgive. Er De da villig til at gå et bud højere eller er De indforstået med at nummeret sælges til you then willing to bid further? If not the lot will be sold to another buyer. anden side? If you do not wish to exceed your bid then write “Max”, for maximum, next to the amount. You Ønsker De ikke at byde højere så skriv “Max” ud for beløbet. Er De i tvivl om hvor højt De vil byde, can also allow us to raise your bid by approx. 15% or approx. 25%. kan De hæve budet med op til ca. 15% eller ca. 25%. The hammer price may be higher or lower than the estimated price, so it is possible to buy below Salgsprisen kan blive højere eller lavere end vurderingen, så der er også mulighed for at købe til the estimate. Bruun Rasmussen will always buy at the lowest price possible, as if you yourself had under den angivne vurdering. Vor kundeservice køber altid så billigt som muligt til Dem, som havde been present at the auction. De selv været tilstede på auktionen. Alle kommissioner behandles strengt fortroligt. All commission bids are strictly confidential. Kommisionsbud skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start. Commission bids must be submitted no later than 24 hours prior to the start of the auction.

SÅDAN BYDER DE: HOW TO MAKE A COMMISSION BID:

Udfyld blanketten kommissionsbud med alle oplysninger. Complete the commission form with all pertinent information. Angiv katalognummer. Indicate the lot number. Angiv beløbet De ønsker at byde. Indicate the amount you are prepared to bid. Er dette Deres absolutte maximum bedes De anføre “Max” i kolonnen. Should this amount be the absolute maximum, please write “Max” in the appropriate column. De kan også forhøje Deres bud med henholdsvis ca. 15% eller ca. 25%, ved at indiker e dette i kol- You can also allow us to bid by up to approx. 15% or approx. 25% more by indicating so. onnen. Sign the commission form and make sure that Bruun Rasmussen receives it 24 hours prior to the De bedes underskrive kommissionsblanketten og sikre Dem, at Bruun Rasmussen modtager den start of the auction. senest 24 timer før auktionens start. If the information should be insufficient, Bruun Rasmussen can abstain from bidding. Bruun Ras- Hvis Deres oplysninger ikke er tilstrækkelige, kan Bruun Rasmussen undlade at byde for Dem, mussen can not be held responsible for error in bidding or failure to execute bids. ligesom Bruun Rasmussen ikke kan gøres ansvarlig for fejl ved budgivningen.

INTERNET: INTERNET:

Kommisionsbud kan afgives på hjemmesiden bruun-rasmussen.dk direkte fra siden med den effekt, De Commision bids can be submitted via website bruun-rasmussen.dk directly from the page with the item ønsker at byde på. you want to submit a bid for. Seneste afgivelse af bud via hjemmesiden er 3 timer før auktionens start. Deadline for submissions of bids via the website is 3 hours prior to the start of the auction. Afgivne bud kan ses på hjemmesiden under “Deres bud”, når de er logget ind. Kontakt teknisk sup- Submitted bids are shown under “Your bids” when you are logged in. Please contact technical sup- port på 8818 1114 for spørgsmål om registrering og budgivning via internettet. port on +45 8818 1114 for questions about the registration and submission of bids on the website. For yderligere information, se “Købskonditioner”, §1. For additional information, please consult “Conditions of Purchase” §1.

TELEFONBUD: TELEPHONE BIDDING:

Såfremt De ønsker at byde pr. telefon, bedes De oplyse Bruun Rasmussen Deres navn og telefon- Should you wish to bid at auction by telephone, please inform Bruun Rasmussen of your name and nummer samt hvilke katalognumre, De ønsker at byde på, senest 3 timer før auktionens start. De vil telephone number, as well as which catalogue numbers you are interested in, no later than 3 hours så blive ringet op kort før, den aktuelle vare kommer under hammeren, og De kan på denne måde prior to the start og the auction. You will then be contacted shortly before the relevant lot comes deltage i auktionen uden selv at være til stede. under the hammer, thereby allowing you to participate without being in the auction room yourself. For yderligere information, se “Købskonditioner” på bruun-rasmussen.dk under “Guide”. For additional information, please consult “Conditions of Purchase” §1.

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" Obligatoriske felterermærketmeden stjerne Tel: Postnr./By City: Adresse Address : Bank: e-mail: Land P Adresse Address : COMMISSION BIDS KOMMISSIONSBUD Bredgade 33·DK-1260 KøbenhavnK·T BRUUN RASMUSSENKUNSTAUKTIONER A/S Navn Name: Must besubmittednolaterthan24hourspriortothestartofauction. Skal være BruunRasmussen ihændesenest24timerførauktionens start. Signatur: The undersignedhassuppliedtherequiredinformationandagreesto bebound bytheconditionsofpurchase. Undertegnede harudfyldtovennævnte meddeønskede oplysninger, samt haraccepteret købskonditionerne. I herebyrequestthatBruunRasmussenbidonmybehalfthefollowing lotsupatthepricesindicatedbelow. nedennævnte katalognumre såfordelagtigt som muligt,indenfordetafmiganførtebeløb, ihammerslag. Undertegnede giver hermedfuldmagttilBruunRasmussen Kunstauktioner A/Sompåminevegne atkøbe Tel:

ostnr./by City: på e-mailadr I wishtoreceivesalesresultsontheitemshavebeenbiddingvia e Jeg øn . * ......

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02/11/15 17.53 KOMMISSIONSBUD COMMISSION BIDS BREDGADE

Katalog nr. Beskrivelse Bud kr. Max +15% +25% Lot. No. Description Bid DKK Ret til ændringer forbeholdes © 2015 Bruun Rasmussen Kunstauktioner Bruun Rasmussen Ret til ændringer forbeholdes © 2015 Cool Gray Bent Lange Tryk: Foto: & Lene Søbo Figueiredo og dtp: Jorge Grafik

AUKTION NR AUCTION NO: 861

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861_malerier_s001-168.indd 166 02/11/15 17.53 KONTAKT DIREKTE CONTACT DIRECTLY

HOVEDNUMMER / MAIN NUMBER MØNTER / COINS Michael Fornitz [email protected] +45 8818 1201 Bruun Rasmussen Auctioneers +45 8818 1111 MODERNE DESIGN / MODERN DESIGN ADMINISTRATION Peter Kjelgaard Jensen [email protected] +45 8818 1191 Ole Ravn [email protected] +45 8818 1192 Jakob Dupont, CEO [email protected] +45 8818 1081 MODERNE KUNST / MODERN ART Niels Raben [email protected] +45 8818 1181 KUNDESERVICE / CUSTOMER SERVICE Niels Boe Hauggaard [email protected] +45 8818 1182

[email protected] +45 8818 1010 PORCELÆN, GLAS OG ORIENTALSK KUNSTINDUSTRI / [email protected] +45 8818 1010 CERAMICS, GLASS AND ORIENTAL WORKS OF ART KOMMISSIONER / COMMISSIONS Ralph Lexner rl@ bruun-rasmussen.dk +45 8818 1161 Lise Winther Wobido [email protected] +45 8818 1013 Charlotte Hviid [email protected] +45 8818 1162 Anja Bering Hansen [email protected] +45 8818 1028 RUSSISK / RUSSIAN BESTILLING AF KATALOGER / CATALOGUE REQUESTS Martin Hans Borg [email protected] +45 8818 1128 Kundeservice / Customer service +45 8818 1111 SMYKKER / JEWELLERY AUKTIONSRÅDGIVNING / AUCTION GUIDANCE Katrin Mikkelsen Sørensen [email protected] +45 8818 1174 Franziska Kampmann [email protected] +45 8818 1026 SØLV / SILVER TRANSPORT / TRANSPORTATION Amalie Hansen [email protected] +45 8818 1194 [email protected] +45 8818 1055 TÆPPER / CARPETS Henrik Schleppegrell [email protected] +45 8818 1145 VURDERING OG INFORMATION / VALUATION AND INFORMATION VIN / WINE INDBOVURDERINGER / VALUATION AT YOUR HOME Morten Stenør Larsen [email protected] +45 8818 1207 David Utzon-Frank duf@ bruun-rasmussen.dk +45 8818 1221 Kasper Nielsen [email protected] +45 8818 1121 VÅBEN / WEAPONS Casper Behrendtzen [email protected] +45 8818 1235 David Utzon-Frank duf@ bruun-rasmussen.dk +45 8818 1221 Hans Ruben [email protected] +45 8818 1231 ÆLDRE KUNST / FINE ART Ralph Lexner [email protected] +45 8818 1161 Kasper Nielsen [email protected] +45 8818 1121 BØGER / BOOKS Birte Stokholm [email protected] +45 8818 1122 Lærke Bøgh [email protected] +45 8818 1217 ÆLDRE MØBLER / FURNITURE FRIMÆRKER / STAMPS Anders Fredsted [email protected] +45 8818 1142 Lars Godsk Jørgensen [email protected] +45 8818 1211 Henrik Schleppegrel [email protected] +45 8818 1145

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861_malerier_s001-168.indd 167 02/11/15 17.53 FINE ART

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