Essential Art June 30Th Order Deadline for Your Home the Art of Charles Wysocki | Americana

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J u n e 2 0 1 1 Frederick the Literate Essential Art June 30th Order Deadline for Your Home www.greenwichworkshop.com The Art of Charles Wysocki | americana

Frederick the Literate

Holy Cats! It’s A Tale of Two Kitties. Want to learn How to Smell a Rat? Is there anything you want to know about Caterwaul’s Catalog of Hairballs but were afraid to ask? There’s a very specialized library in Frederick the Literate, arguably Charles Wysocki’s most beloved cat painting and it’s available for the first (and last!) time in a giclée canvas edition for a very small group of collectors who order this Anniversary edition published by the Greenwich Workshop as a Personal Commission. The edition will be limited to the exact number of Charles Wysocki collectors who order it by June 30, 2011. After that date, no more orders 1928-2002 will be taken and no more gicleé canvases will be produced. These are every cat’s dream books from Field Guide to the Garbage Can to Delicious Field Mice I Have Known by international best-selling catty writers such as Thomas Cheshire and Kitty Mewpur. Frederick the Literate himself, exhausted from all this study, sleeps soundly, dreaming of the next big catch. “We’re both cat lovers and this painting is dedicated to Frederick,” said the artist.” “He was one of our favorite cats, if not the favorite. Fred was Mr. Wonderful but now he’s in the library in the sky. Although we’re all very dedicated and serious about our artwork, there is always time for humor. As soon as we came up with the idea, we knew what we had to do it. My wife Liz and I spent our breakfasts, lunches and dinners thinking about the book titles for this painting, including Cat-o Nine Tales, Rat Holes of the World and The Catebury Tales. This is one of those cases when after all these years of doing more subtle ‘story’ humor, all my more obvious puns were piling up. They had to come out!”

Greenwich Workshop Fine Art Giclée Canvas: Edition determined by the number of canvases ordered by June 30, 2011. 21"w x 23"h. $495 (Framing not included).

Commission Your Edition

Before Time Runs Out! ODER DEADLINE!

Orders Must be placed by June 30, 2011 TH

What is a Personal Commission? The Personal Commission was created by The Greenwich Workshop, Inc. as a way for all customers who so desire to collect an artist whose fine art editions often sell out and are difficult to find. Collectors “commission” their personal copy of a given edition during a set period of time. Delivery of completed edition begins shortly after the edition size is determined by the total number of orders received during the Commission Period. This Fine Art Anniversary Giclée Canvas edition will be limited to the number of prints ordered during the commission period May 1, 2011 - June 30, 2011. Confirmation of the final edition size will be sent July 5, 2011.

©Estate of Charles Wysocki, Inc. J U N E 30

2 3 To learn more about Charles Wysocki, visit www.greenwichworkshop.com/wysocki The Art of Charles Wysocki | americana The Art of Steve Hanks | life’s tender moments Summer Rain

Steve Hanks

The beauty and seeming simplicity of this Steve Hanks painting gives little hint of the complex- ity within it. Each child interacts with the rain differently. As we grow older our perspective broadens and nowhere is this more obvious than with children. As with many Hanks paintings, Summer Rain is a metaphor for life. The umbrel- la and companionship offer these girls shelter from passing storms. They will master the simple steps of living and then apply them to life’s hard- er challenges. “This is a recent painting I did on Clayboard,” says artist Steve Hanks, “a surface that still amaz- es me as a watercolor artist. The colors are bright- er, the rainwater and reflections are even more realistic.” Summer rain is a passing necessity for everything that grows and a thing of wonder- ment to the young. Bring a little Summer Rain into your home or business with this new release

All artwork this page ©Estate of Charles Wysocki, Inc. Inc. Wysocki, this page ©Estate of Charles All artwork from Steve Hanks.

Rockland Breakwater Light Greenwich Workshop Fine Art Giclée Canvas: The first in Charles Wysocki’s Sentinels of the Sea series, this painting was inspired by the limited to 75 s/n. Rockland Breakwater lighthouse in Maine. Charles liked to tell stories in his paintings, and 12"w x 18"h. Greenwich Workshop along the New England seacoast he found them everywhere, from whaling museums, to $325 (Framing not included). Fine Art Giclée Canvas: captain’s houses, to 19th century lighthouses. A member of the U.S. Lighthouse Society, Arriving June 2011 edition not to exceed Charles loved to paint both real and imagined New England lighthouses. “They are unique 75 numbered. expressions of human creativity,” said the artist. “Physically, they represent triumphant solutions 19"w x 16"h. to complex engineering problems. Emotionally, they conjure peril, rescue and poetry.” $395 (Framing not included). Start your Sentinels of the Sea lighthouse collection with Rockland Breakwater Light, where warmth glows from every window and a palpable sense of adventure is in the air as you leave All artwork this page ©Steve Hanks your on-shore worries behind knowing that this grand dame will watch over you.

Sentinels of the Sea Series

Baby Bath Greenwich Workshop SmallWorks™ Fine Art Giclée Paper: limited to 200 s/n. 12"w x 8"h. $95 NEW RELEASE!

Gay Head Light West Quoddy Head Light The Three Sisters of Nauset - 1880

4 5 To learn more about Charles Wysocki, visit www.greenwichworkshop.com/wysocki To learn more about Steve Hanks, visit www.greenwichworkshop.com/hanks 6 painting that willberecreated inthis original Textured Giclée Canvas. A detailof A few of Alan Bean’s implements. exceptionalart Astronaut andartist Alan Beanathiseasel. First Men: Neil A. Armstrong shows theunique texture ofthe A F in lan Men: image we would see in Buzz’s gold visor in my painting of photo now-iconic companion,Buzz Aldrin,”lunar artist. the his the says took he as looked Armstrong success are in that history, too. books;but all400,000 thathelped make Americans Apolloa Buzz and Mike flew a perfect flight and went into the history 11’s crew got the opportunity to make the first attempt. Neil, first. the of one first, be the to beleast wanted Apollo at we couldn’tdid,”we Bean.ifI saysknowAlan “And Moon. I to make round indentationsinthesurface. used is Finally,tubes core the of fromone bit edged sharp a painting’ssurface.the into dig to mission 12 the Apollo on with worked he hammer geology same the uses today. he moon Next the on remaining prints boot Apollo the all likejust are that surface acrossthis makefootprints to boots Moon his of replicas exact uses then material.He texturing painting the image, Bean covers the painting’s with a surface him put the moon’s stamp on many of his paintings. to Prior The tools that once helped him explore the moon,texture. now also help but color and subject through only not travel space of conveyssense Bean the artist Alan of work The surface.touch oftheirresistible Arriving June2011 $295 18"w x24"h. limited to200s/n. Greenwich Workshop FineArtGicléePaper: Arriving June2011 $1350 30"w x40"h limited to75s/n. Greenwich Workshop FineArtTextured GicléeCanvas: T irst E

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7 NEW RELEASE! June Carey

Sunflowers of Castiglion Fiorentino Tuscany, against the foothills of the Apennine Mountains sits the small, walled-city of Castiglion Fiorentino. It is in magical places such as this that the soul of the region resides. It is here, in the shadow of the ancient stone tower, Il Cassero, that cultivated fields and Old World charm thrive. “On the peaceful flatland of the Val di Chio, just below the city, I climbed out onto the floor of this field of sunflowers,” reminisces June Carey. “They were tall and I wanted to stand among them, to look up and see the sun glowing through their golden crowns. I made my way amongst the giant leathery leaves, trying not to step on anyone’s feet. I was able to see, through the many flowery faces, my beautiful and ancient Etruscan village silhouetted against the sky, creating the dramatic background I hoped for in this painting. I wondered if the Etruscans planted sunflowers here. I didn’t linger, for I know the very much still-living proprietor tending these flowers could have soon arrived to question me. As I escaped through the mud, I sensed a thousand years of culture still thrived in this field. “These large girasole are just now reaching their full maturity and are covered with a million buzzing bumble bees. Their heads are heavy with the seeds and have begun to lean over with the weight. The petals droop gently down across their giant smiling faces. Too heavy to follow the sun, the flowers simply remain facing east. “Sometimes I park outside the main gate of the city, and walk up into the busy streets to go to my local post office or shop for a local wine or book. There is a coffee bar and pizza place just outside the massive, medieval gate, where old men always sit playing poker, laughing and talking. The old women are never with them. They are inside the village walls hanging out the clothes to dry above the narrow streets, running small shops, buying fresh bread for the day and talking loudly to each other. Their voices echo noisily within the ancient stone walls.” You can brighten any room with happiness of fresh flowers and the romance of Tuscany. Sunflowers of Castiglion Fiorentino is available as an oversized MasterWork™ Fine Art Canvas for large spaces and as a moderately-sized Fine Art Canvas Edition as well. You might not have a home in Tuscany, but with the art of June Carey you can enjoy Tuscany in your home!

Greenwich Workshop Greenwich Workshop NEW RELEASE! Fine Art Giclée Canvas: Fine Art Giclée Canvas: limited to 25 s/n. limited to 75 s/n.

8 9 To learn more about June Carey, visit www.greenwichworkshop.com/carey Flight “Life, Liberty and the pursuit of Happiness” as “inalienable rights” is a concept that could only be born in a place where the land was abundant and its bounty teeming. Nothing is more American than wild horses ranging the West and wolf packs prowling the forested wilderness. Yet, these symbols of all that is wild and free are not only as threatened today as they have ever been, but are being rounded up and disposed of in a fashion they have never before had to fear: from the air. In Judy Larson’s Flight, a herd of wild horses races away from the droning aircraft circling above. This method of rounding-up mustangs such as these is part of the program to further cull the 33,000 horses still living in the wild in 10 Western states. Another ® Judy Larson 30,000 are already in captivity. The Bureau of Land Management wants to cut this total number of horses by half! Judy has hidden within this herd another who has even more to fear from above, an Alaskan wild wolf. Exploiting a loophole for “predator control” in the Federal Airborne Hunting Act of 1972, Alaskan hunters have found a way around the Congressionally-banned practice of hunting animals like the wolf from the air. Many hunters consider the practice, at a minimum, unsportsmanlike, since it violates the “fair chase” ethic of hunting. More significantly, Looking for Love they consider it inhumane since airborne gunmen rarely get a clean (i.e., relatively painless) kill. In many ways, lone wolves look for love in much the same way that humans do. Finding a suitable mate, Greenwich Workshop Fine Art Giclée Canvas: Greenwich Workshop Fine Art Giclée Canvas: getting along well, courting and marrying and ultimately raising a family together are inherent in both limited to 150 s/n. limited to 150 s/n. species. 17"w x 12"h. 27"w x 20"h. For the lone male wolf, however, he must leave the protection and companionship of his original pack, $395 (Framing not included). $625 (Framing not included). sometimes roam long distances and search for a female wolf who has set off on a similar mission. These Arriving June 2011 quests take place during the breeding season, when scent is important and both wolves are compatible The Spirit Within and ready to start an active courtship. A pair might also meet quite accidentally, but most often the howling of a lone wolf, which can carry Many of Larson’s paintings contain a hidden image. a mile or more, will signal to a potential partner that love is in the air. If that call receives a response, the two wolves locate each other by continuing to howl. Courtship ensues and

To see images hidden within Larson paintings visit: NEW RELEASE! there is much grinning, kissing and “talking.” If one, or neither, wolf is ready to breed at this orse ndian olf www.greenwichworkshop.com/larsonkey H I W point, they will spend days and sometimes several weeks together first, romping, playing, The Hidden Pictures of Judy Larson hunting, resting and feeding. They will wander in search of new territory, being careful not to Greenwich Workshop Fine Art Book by Kathleen Kudlinski intrude on, or invade, another pack’s territory. Love has blossomed and a new family is born. 48 pages, 25 full-color illustrations WINNER OF IPPY BRONZE MEDAL, CHILDREN’S BOOK ISBN: 978-0-86713-150-5 9"w x 12"h. $16.95 1 0 1 1 To learn more about Judy Larson,® visit www.greenwichworkshop.com/larson ©R. Tom Gilleon Tom ©R. ©Long Soldier ©Long Soldier

Soldiers Falling into Camp Sitting Bull and the Plains Indian warriors gathered along the banks of Little Bighorn River did not panic when camp scouts reported the approach of the U.S. Cavalry. During a Sundance not Greenwich Workshop Also available... long before, Sitting Bull experienced a vision of a great number of dead Union “soldiers falling Fine Art Giclée Canvas: Complete your collection of Daniel Long into camp” from the skies. It was a sign, he felt, of a great victory to come. limited to 25 s/n. 74"w x 37"h (unstretched). Soldier’s pictograph account of the Battle “This painting, thanks to Daniel Long Soldier, has become a far more important piece than $2950 (includes unframed diptych). I could have imagined,” artist R. Tom Gilleon enthusiastically relates. “I had wanted to give an Arriving June 2011 of the Little Bighorn with these four accurate depiction of the area where Custer met his end and tell some of the Little Bighorn ledger drawings, available separately, to story from the Indian’s point of view. Daniel’s Lakota Wicitowa (Lakota Paintings) of real Greenwich Workshop warrior’s exploits, which I’ve used as the pictographs on the tepees, add a spirit to the piece Fine Art Giclée Canvas: complement his diptych shown above. R. Tom Gilleon limited to 50 s/n. Moving Robe Woman Last Arrow that I couldn’t have achieved myself. 34"w x 17"h. For a close up view visit: “The ribbon of river you see is the Little Bighorn. From a vantage point such as this, it would $625 (ships gallery wrapped). be hard to see the true size of Sitting Bull’s encampment. On the Plains, American soldiers were used to encountering Arriving June 2011 www.greenwichworkshop.com/LongSoldier villages of 50 to 60 lodges. In a landscape such as this, it’s easy to see why they would have had trouble seeing just how many Indians were waiting below.” Greenwich Workshop Fine Art The MuseumEdition™ of Soldiers Falling into Camp is intended to be accompanied by Daniel Long Soldier’s diptych SmallWorks™ Giclée Paper: limited to 75 s/n. Day of Yellow Hair with the first 25 of that edition reserved to create collectible sets with matching numbers. Collectors 1 12"w x 7 /2"h each. can also pair the individual prints of Long Soldier’s drawings with the smaller Fine Art Giclée Canvas Edition. $65 Gilleon’s previous editions of Tribal Tripartite and Shadow of the Sixth are Sold Out at Publisher. Soldiers Falling into Arriving June 2011 NEW RELEASE! Camp will certainly follow suit. ©Long Soldier

The Taunt Crazy Horse with Hail Markings

1 2 To learn more about R. Tom Gilleon, visit www.greenwichworkshop.com/gilleon 1 3 Daniel Long Soldier

Day of Yellow Hair The Lakota Wicitowa (Lakota Paintings) of Daniel Long Soldier are some of the purest expressions of American art we’ve ever presented to collectors. They are authentic, uniquely Native American and riveting; Sioux warriors count coup on Custer, Crazy Horse pursues Custer’s scouts and Crow Dog’s wife rescues a fellow Lakota. Artist Tom Gilleon corresponded with Daniel, an Oglala Lakota Sioux, regarding Tom’s project Soldiers Falling into Camp. Long Soldier offered to help him with some ideas for the pictographs that Gilleon wanted to place on the tepees in his painting. These “ideas” arrived in the form of 10 paintings Long Soldier had created on antique ledger paper. The drawing style and the paper from the 1800s immediately raises curiosity over whether we were looking at something created 140 years ago or today. Six paintings have been combined into Day of Yellow Hair, a diptych that can be purchased with matching numbers to Gilleon’s Soldiers Falling into Camp or on its own. Four additional Lakota Wicitowa are available individually. Visit www.greenwichworkshop.com/ LongSoldier to see these images in detail and to learn more about Daniel Long Soldier.

Greenwich Workshop Fine Art Giclée Diptych Paper: limited to 75 s/n. 15"w x 29"h each. $250 (framing not included). Arriving June 2011 NEW RELEASE! All artwork these two pages ©Long Soldier these two All artwork 1 4 1 5 The Art of Frank C. McCarthy | the dean of western action Change in the Wind s The Crows called themselves Absaroke, loosely translated as “the Raven People.” Greenwich Workshop They dominated rich hunting areas but at the cost of routinely defending their Fine Art Giclée Canvas: territory from neighboring tribes. North of the Crow were the Blackfoot; the Sioux limited to 75 numbered. 20"w x 28"h. and Cheyenne were to the east. Bright colors demonstrate a sense of pageantry in $595 (Framing not included). this Crow war party. The red square on his horse’s right shoulder identifies the Arriving June 2011 leader whose buffalo headdress is adorned with beadwork. This determined group of warriers has left blue sky behind and but are suddenly called to a halt. What, or more likely who, has captured their attention? Frank C. McCarthy This never-before-published McCarthy painting, presented in a giclée canvas 1924-2002 edition, has the look and feel of the artist’s original work of art.

The Coming of the Iron Horse

Of all the innovations of the nineteenth century, none changed the landscape of the American West more than the steam locomotive. A monument to speed, industry and westward expansion, the locomotive charged across the landscape, changing the face of frontier life forever, but it did Greenwich Workshop not happen overnight. Fine Art Giclée Canvas: Past and present collided in the prairies and plains, as workers laying tracks for the trains met edition not to exceed with resistance from local wildlife. Even the mighty locomotive engine itself, with all its power and 75 numbered. might, occasionally ran into the unstoppable force of nature. 28"w x 22"h. “Huge migrating herds of buffalo could stall a train for hours,” said Frank McCarthy. “For sport, $795 NEW RELEASE! travelers sometimes took potshots at them from the cars while they waited for the procession to pass.” It would not be long before progress and professional hide hunters rendered the threat of McCarthy pages ©Estate of Frank C. these two All artwork buffalo on train tracks nearly extinct.

1 6 1 7 To learn more about Frank C. McCarthy, visit www.greenwichworkshop.com/mccarthy SmallWorks™ Miniature art is an important part of any collection and SmallWorks is the way to start yours. Such works are often a collector’s first purchase because they are less expensive. A single small jewel of art can be that final, elegant touch in fine décor. On the other hand, a wall filled with framed miniatures makes for an impressive display of a collector’s unique style and range of interests. Go to www.greenwichworkshop.com/SmallWorks for the details on these and other SmallWorks.

Fearless by Judy Larson® Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas: Cousins by Bonnie Marris limited to 75 s/n. Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas: 6"w x 9"h. limited to 125 s/n. $125 14"w x 11"h. Mounted on Archival Gatorboard™ $195

Butterfly Knight by James C. Christensen Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas: limited to 300 s/n. Indian Rodeo Performer by James Bama 9"w x 12"h. Greenwich Workshop Fine Art Giclée Canvas: $225 limited to 75 s/n. 12"w x 15"h. $275

Morning Dew by Stephen Lyman Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas: limited to 100 signed by Andrea Lyman and numbered. 6"w x 13"h. $165 Mounted on Ampersand hardboard

Logging On Old friend by Daniel Smith by the sea Greenwich Workshop by John Weiss Fine Art SmallWorks™ Greenwich Workshop Giclée Canvas: Fine Art SmallWorks™ limited to 150 s/n. Giclée Canvas: 10"w x 10"h. limited to 75 s/n. $225 11"w x 9"h. $195 Choctaw Afternoon by William S. Phillips Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas: limited to 75 s/n. 9"w x 12"h. $225

Greenwich Workshop Fine Art SmallWorks™ Giclée Paper: limited to 250 s/n. 9"w x 12"h. $95

1 8 All artwork these two pages ©respective artists. 1 9

The Art of Howard Terpning® | native american storyteller The Art of Morgan Weistling | american impressionist

Hawk Feathers Elevating the nobility of the human spirit defines the fine art of Howard Terpning®. Through intuition and insight, what begins as a simple portrait becomes a masterful representation of Native American dignity. Hawk Feathers is not this Northern Plains Indian’s name, but rather, the adornment he wears in his hair. The hunting ability of the hawk was highly respected and its feathers were considered good medicine. Nearly every North American tribe used hawk feathers as a badge of honor and they were worn a good part of the time. This tribal member is also shown wearing his ® Howard Terpning buffalo robe. Unlike Europeans, the Plains people fashioned their robes with the fur on the inside and the smooth side of the hide facing out. Hawk Feathers is a classic SmallWorks™ by Howard Terpning that sits side by side with any full-sized work of art. SmallWorks Editions are the most affordable way to collect the Giclée canvases of Howard Terpning. Only by owning the original could you possess a finer piece of art, so don’t let this gem disappear before you order yours!

Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas: limited to 300 s/n. 9"w x 9"h. $245 ©Morgan Weistling ©Morgan

Sienna’s Tea “This painting of my 4-year-old daughter was inspired by a tea set that her grandmother gave her,” Greenwich Workshop says artist Morgan Weistling. “The imagination of children continues to be a wonder for me to Fine Art SmallWorks™ Giclée Canvas: paint because they so easily drift into a make-believe world. She had little conversations with her limited to 150 s/n. stuffed friends while serving them and seemed unaware of my studying the whole event. It was a 12"w x 9"h. All artwork ©Morgan Weistling very successful party.” $245 (Framing not included). Morgan’s popularity continues to soar among collectors and the press. In the past 18 months his work has been featured in Art of the West, Western Art Collector, Western Art and Architecture, International Artist Magazine and American Artist. In February 2011, he won the Patron’s Choice Award at the Masters of the American West Fine Art Exhibition and Sale for the fifth time. We think he is having Morgan Weistling a very successful party! NEW RELEASES! ©Howard Terpning® ©Howard

2 0 2 1 To learn more about Howard Terpning,® visit www.greenwichworkshop.com/terpning To learn more about Morgan Weistling, visit www.greenwichworkshop.com/weistling The Art of Mian Situ | east meets west SmallWorks™ All artwork this page ©Mian Situ All artwork

The Intruder, Angel’s Camp, California, 1849 ©R. Tom Gilleon Tom ©R. The California Gold Rush brought fortune seekers Moon and Saturn by R. Tom Gilleon from around the world to isolated mining camps Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas: limited to 100 s/n. 12"w x 12"h. $245 around the Sierra Nevadas. Occasionally, the aroma of the next meal would entice some of the local wildlife to visit a forty-niner camp as well. Most would-be miners had never spent an evening in the wilderness before heading to California, so encountering a hungry or angry California Grizzly was a first. The only certainty here is that a tumultuous uproar is about to occur, the outcome of which could fall in anyone’s favor. Mian Situ This painting is one of three that Situ introduced at the Autry’s 2010 Masters of the American West Show for which he received the Gene Autry Memorial Award. Mian Situ’s epic depictions of California’s Gentle Tide by Steve Hanks “Eastward Expansion” sit side by side with the Westward Expansion works Greenwich Workshop Fine Art SmallWorks™ Giclée Paper: of Moran, Bierstadt and Russell in both their historical importance and limited to 200 s/n. 6"w x 17"h. $125 artistic greatness.

Greenwich Workshop Greenwich Workshop Fine Art Giclée Canvas: Fine Art Giclée Canvas: limited to 17 s/n. limited to 40 s/n. 40"w x 24"h (unstretched). 29"w x 18"h.

©Steve Hanks ©Steve $1295 (Framing not included). $695 (Framing not included).

2 2 Go to www.greenwichworkshop.com/SmallWorks™ for the details on these and other SmallWorks.™ To learn more about Mian Situ, visit www.greenwichworkshop.com/situ 2 3

The Art of Howard Terpning® | native american storyteller

Among the Spirits of the Long-Ago People You know a painting is special when it’s the piece in an exhibition that the collectors just stand in front of for a long period of time and simply don’t say word. And, they keep coming back to do it again and again. If interrupted, they’ll return to it, intent on having the opportunity to enjoy a great work of art. And in case we hadn’t picked up on that at the Masters of the American

Howard Terpning® West art show this past February, the phone calls coming in to ask us, “When are you going to release it as a Fine Art Edition?” were certainly another clue that demand would be high for this particular giclée canvas. The winner of the 2011 Thomas Moran Award for Painting, Among the Spirits of the Long-Ago People is a magnificent work. Terpning begins with a simple common premise; the grandeur of nature can be sacred. He relates that emotion not by creating a landscape painting, but by focusing on the reverence these men have for what they see. The petroglyphs show that this is an ancient understanding. These men knew it to be so in their time, just as we do today. Their silence, as they take in the wonder about them, is not unlike that of the collectors we saw view this work for the first time. “Petroglyphs on rock formations indicate that the visitors are in a spiritual place,” describes Howard Terpning, “a place blessed by the long-ago people. Numerous locations like this exist throughout Montana and Wyoming, sometimes high on a mountain with a spectacular view of Mother Earth. For centuries, Indian people have made the journey to these sacred places to give thanks for their blessings and to pray for success in hunting and in battle. Today, they continue to visit these sacred places as their forebears did, leaving small pieces of trade cloth and handmade objects decorated with beads or feathers as gifts for the gods.” Among the Spirits of the Long-Ago People is available as a Fine Art Canvas. At 33” x 35” it is an impressive work that will majestically fill any large space. Our carefully crafted giclée canvas will give you the experience of owning this great work of art for significantly less than the price the original captured in February. Also available is a more moderately sized and wonderfully priced Fine Art Giclée Paper. Both editions, truly faithful reproductions of the original, are signed by Howard Terpning and numbered. Collectors who waited too long to commit to last Fall’s The Legend of Geronimo missed out on what is a beautiful (and now hard-to-come-by) canvas or paper edition. Don’t wait too long and miss out again!

Greenwich Workshop Fine Art Giclée Canvas: Greenwich Workshop Fine Art Giclée Paper: limited to 200 s/n. limited to 175 s/n. 33"w x 35"h. 21"w x 22"h. $1450 (Framing not included). $295 (Framing not included).

White Water Passage

Greenwich Workshop Fine Art Giclée Canvas: limited to 275 s/n. 34"w x 40"h (unstretched). $1950 NEW RELEASE! All artwork ©Howard Terpning® ©Howard All artwork

2 4 2 5 To learn more about Howard Terpning,® visit www.greenwichworkshop.com/terpning

James C. Christensen

Shakespearean Fantasy “I’ve had a lifelong love affair with Shakespeare’s works. Of all the artists— and certainly of all the playwrights and poets—who have ever lived, Shakespeare comes closest to my The Chess Match ideal” says James C. Christensen. “If I took all my best artistic qualities and Greenwich Workshop Greenwich Workshop Greenwich Workshop exaggerated them to become some sort Fine Art Giclée Canvas: Fine Art Giclée Canvas: Fine Art Paper: of creative superhero, I like to think I’d limited to 40 s/n. limited to 300 s/n. limited to 500 s/n. be a lot like Shakespeare. 1 72"w x 48"h (unstretched). 36"w x 24"h. 28 /2"w x 19"h. “This painting was commissioned by $2950 $695 $225 Low Inventory. the Utah Shakespearean Festival. People ask me, ‘Why do you only have some of his plays represented here?’ My answer is always the same: ‘The other plays are on the back of the island, just go around!’ Seriously, a few of the references are tough, so you may need to revisit your Shakespeare to get them all. Shakespearean “The Bard had such a deep Fantasy key and intimate understanding of the To download a copy of the key visit: human condition, so much so that www.greenwichworkshop.com/shakespeare his plays, which were written nearly a half-millennium ago, are still being performed. Why? Because the messages, trials and joys of his characters James C. Christensen: are universal and because they are The Movie! beautifully expressed. The pleasure James C. Christensen was the subject of reading Shakespeare’s sonnets or of a new documentary by Barry attending a performance of one of his McLerran and Rick Stout that pre- plays is in his finely crafted language. miered on April 18 on BYU-TV. The He says things the way I wish I could hour-long documentary explores his say them.” life, his family, artistic inspirations and his prolific career from his early musical talent to his life as a fine artist and Greenwich Workshop Fine Art Giclée Canvas: professor. Collectors of Christensen will limited to 150 s/n. recognize many of their limited edition 21"w x 40"h (unstretched). prints, up to and including the artist at $950 (Framing not included). The Oldest Angel work on the 2011 release The Chess Match. The program was broadcast as Greenwich Workshop Fine Art Giclée Canvas: part of BYU-TV’s “Iris” series. Check limited to 250 s/n. http://www.byutv.org for repeat broad- 15"w x 29"h. Greenwich Workshop Fine Art Giclée Canvas: $495 (Framing not included). limited to 350 s/n. casts and a streaming video link. 13"w x 17"h. $395 All artwork these two pages ©James C. Christensen C. pages ©James these two All artwork

2 6 2 7 To learn more about James C. Christensen, visit www.greenwichworkshop.com/christensen

The Art of Bev Doolittle® | the art of a legend ©Bev Doolittle® ©Bev

The Arrival It seems that with every artist there are works that distributor at that time. The work’s trail ended there. Long become renowned for. Storytelling is a hallmark of nearly America. This is storytelling through design at its finest. Greenwich Workshop manage to make it into private collections before they are thought lost, the painting was recently rediscovered! In the all of her compositions and The Arrival is no exception. The Arrival is reproduced with an eye towards tradition Fine Art Giclée Paper: limited to 2500 s/n. properly documented. Some of these can, in hindsight, be thirty-year period since its rendering, Bev has produced The palette and design are instantly recognizable. Both but with the most up-to-date technology. This Fine Art 35"w x 6"h. rather important ones. They are known to exist, but their fifty Fine Art Editions, as well as seven books and folios are in service of the eponymous “Doolittle narrative” Giclée is created on the highest quality fine art textured $345 whereabouts are a mystery. As is often the case, in time, of collected works, all published by The Greenwich which has shaped the artist’s reputation. paper. Deckled edges allow for either a traditional or Deckled on all four sides. they somehow, some way, some day reappear. Workshop. Until now, The Arrival remained elusive. There is no escaping the implication of a “storm on floating presentation of the framed image. Bev painted The Arrival in 1977 and sold it through Available in print for the very first time, it is one of the horizon.” Those dark clouds immediately bring Bev Doolittle® the Carson Gallery in Denver, Colorado, her originals the earliest works featuring the rendering style Bev has to mind the Native American experience in North To learn more about Bev Doolittle, visit www.greenwichworkshop.com/doolittle ©Bev Doolittle® ©Bev Beyond Negotiations There’s no need for the subtlety of camouflage to enhance the storyline of this painting, the meaning is clear: the time for talking is over. “Beyond Negotiations is one of a few action pieces that I’ve created,” says the artist. “I Greenwich Workshop Fine Art Giclée Canvas: had a lot of fun with gestures, facial expressions and creating a sense of depth and dust. Containing the charging limited to 350 s/n. 72"w x 26"h. $2950 Indians within a long horizontal border was not an option. This image sums up the results of all the negotiations leading up to the present moment (whatever they may have been!) The fact that the image is bursting at the Greenwich Workshop Fine Art Giclée Canvas: seams helps to emphasize the immediacy of the warriors’ obvious negative response to the last proposal.” limited to 3750 s/n. 44"w x 16"h. $795 2 8 (Framing not included). 2 9 The Art of William S. Phillips | the glory of flight

Engaging the Enemy On April 18, 1942 a group of 16 B-25s carrying 80 men emerged from the Pacific sky to launch an historic attack on the central island of the Japanese empire proclaiming with unexpected force that war was coming to the Japanese homeland. Lt. Richard O. Joyce and the crew of Plane 10 (#40-2250) engaged and eluded as many as seventeen Japanese fighter aircraft throughout their mission. S/Sgt. Edwin W. Horton’s twin-50s in the top turret played a crucial role in keeping the enemy at bay as Lt. Joyce piloted the B-25 across the hostile skies of Japan and on to China. Sixty-nine years later, only five of the original 80 airmen that flew on the Doolittle Raid on Japan remain. Just enough to man a single B-25, one last crew. Time has been kind and granted you the William S. Phillips opportunity to own an authentic piece of Doolittle Raider history, but that door is closing. The print and canvas editions of Engaging the Enemy will be signed by the actual Raiders attending their 69th reunion. Engaging the Enemy was painted specifically for the 69th Omaha reunion, home to pilot Richard O. Joyce. The fine art canvas is an exact replica of William S. Philllips’ original 24” x 24” painting. Only by spending tens of thousands dollars for the original could you possess something better. The edition is limited to just 50 copies, so only a few will have the chance to own one. The fine art print is three pieces of art in one. Two printed remarques, original Phillips pencil renderings of a Mitsubishi Zero and Crew 10’s Mitchell B-25 Bomber, enhance the entire presentation and frame the Raider’s signing area. The reproduction quality of this giclée paper is second to none. You will own, with the print or canvas, a true and authentic historical document. No other artist has developed the deep relationship that Phillips has with the Doolittle Raiders. “Remembering the sacrifices of brave men and women helps us become more aware of how we should view this great country and the freedoms we so often take for granted,” says Bill Phillips. “This art helps us to keep these memories alive and gives us something to pass on to the next generation.” Doolittle Raiders committed to sign: Col. Richard E. Cole, Col. Robert Hite, Lt. Col. Edward Saylor, Maj. Thomas Griffin and S/Sgt. David J. Thatcher.

Greenwich Workshop Fine Art Giclée Canvas: Greenwich Workshop Fine Art Giclée Paper: limited to 50 s/n. limited to 250 s/n. 24"w x 24"h. 23"w x 23"h $650 $395

William S. Phillips’ Engaging the Enemy was signed at the 69th reunion by the five Raiders in attendance . . .

Richard E. Cole, Robert L. Hite, Edward Joseph Saylor, Thomas Carson Griffin, David J. Thatcher, Colonel Colonel Major Major Staff Sergeant Co-Pilot Crew 1 Co-Pilot Crew 16 Engineer Crew 15 Navigator Crew 9 Engineer-Gunner Crew 7

Signed by Doolittle Raiders All artwork ©William S. Phillips S. ©William All artwork

3s 0 3 1 To learn more about William S. Phillips, visit www.greenwichworkshop.com/phillips

The Art of Flick Ford | fish tales

Brown Trout Brook Trout Bluefish Rainbow Trout Greenwich Workshop Fine Art Giclée Paper: Greenwich Workshop Fine Art Giclée Paper: Greenwich Workshop Fine Art Giclée Paper: Greenwich Workshop Fine Art Giclée Paper: Open edition. 18"w x 12"h. $85 Open edition. 18"w x 12"h. $85 Open edition. 18"w x 12"h. $85 Open edition. 18"w x 12"h. $85

Spotted Seatrout False Albacore Largemouth Bass Bluefin Tuna Greenwich Workshop Fine Art Giclée Paper: Greenwich Workshop Fine Art Giclée Paper: Greenwich Workshop Fine Art Giclée Paper: Greenwich Workshop Fine Art Giclée Paper: Open edition. 18"w x 12"h. $85 Open edition. 18"w x 12"h. $85 Open edition. 18"w x 12"h. $85 Open edition. 18"w x 12"h. $85 All artwork ©Flick Ford All artwork

Tarpon Red Fish Flick Ford FISH: 77 Great Fish of North America Greenwich Workshop Fine Art Collector’s Edition Paintings by Flick Ford BIG: The 50 Greatest World Record Catches Greenwich Workshop Fine Art Giclée Paper: Greenwich Workshop Fine Art Giclée Paper: Text by Dean Travis Clarke Paintings by Flick Ford, Text by Mike Rivkin, Introduction by George Reiger Open edition. 18"w x 12"h. $85 Open edition. 18"w x 12"h. $85 Introduction by Peter Kaminsky Hardcover, jacketed, slipcased, 216 pages, 14" x 11" Winner Independent Book Publisher’s “Ippy” Bronze, Accompanied by an original, personally commissioned mixed media painting Best Coffee Table Art Book 8” x 13” A stunning celebration of this continent’s great fish, with limited to 26 signed and numbered A to Z. $1350 amazingly detailed watercolors and in-depth factual and Greenwich Workshop Fine Art Book fun text. The ultimate gift for fishermen of all stripes. Paintings by Flick Ford, Text by Mike Rivkin, Introduction by George Reiger Over 80 color paintings plus sketches, 208 pages. Hardcover, jacketed Hardcover, jacketed Over 50 color paintings plus hundreds of photos $50 216 pages, 14" x 11" All artwork these two pages ©Flick Ford $50

To learn more about Flick Ford, visit www.greenwichworkshop.com/ford 3 3 The Art of Christopher Blossom | maritime impressions All artwork these two pages ©Christopher these two Blossom All artwork

Sunrise in the Golden Gate; Down easter “Benjamin F. Packard” Winner of the 2010 Prix De West Purchase Award!

The top honor at the Prix de West art exhibition and sale, hosted by the National Cowboy and Heritage Museum, is the Prix de West Purchase Award, the work chosen to be purchased for the Museum’s permanent collection. It is one of the most coveted prizes in the field today. Christopher Blossom’s Sunrise in the Golden Gate; Down Easter “Benjamin F. Packard” was selected for the award from a field of 110 of the country’s finest artists who presented 346 paintings at this year’s show. Past winners of this award include Howard Terpning,® Morgan Weistling, Curt Walters, Tom Lovell, Christopher Blossom Wilson Hurley, Tucker Smith and James Reynolds. Pilot Schooner “Gracie S.,” Becalmed off Alcatraz Now you can own one of the few large-format Masterwork™ Fine Art Giclée Greenwich Workshop Canvases of this award-winning image. A Greenwich Workshop artist since 1983, Chris Ships navigating into and out of the harbors around San Francisco in the late nineteenth Greenwich Workshop Fine Art Giclée Canvas: is the most highly regarded and collected maritime artist painting today. century were typically met by a pilot, a local seaman familiar with the shallow waters around Fine Art Giclée Canvas: limited to 75 s/n. Afternoon Arrival, A work of Christopher Blossom’s fine art is considered the height of craftsmanship in the coastline. After directing the ship through the waters, the pilot would return to his schooner limited to 45 s/n. 18"w x 24"h. Gloucester maritime art. In his 21 years of participation in the Prix De West, Chris Blossom has three 38"w x 24"h. (unstretched) and await the next ship. The pilot schooner “Gracie S.” traveled waters around San Francisco $595 Greenwich Workshop times been chosen by his fellow artists for the Robert Lougheed Award. His bold design (Framing not included). from the nineteenth to the early twentieth century, tirelessly aiding larger ships in their passage. Fine Art Giclée Canvas: $750 limited to 75 s/n. 26"w x 20"h. $595 and impeccable rendering capture the mood and mystical experience of men at sea.

3 4 3 5 To view Christopher Blossom’s portfolio, visit www.greenwichworkshop.com/blossom To view Christopher Blossom’s portfolio, visit www.greenwichworkshop.com/blossom The Art of Dan Smith | wildlife experience

Daniel Smith

Logging On Black bear is a relatively common species in North America and more Greenwich Workshop so in Smith’s home state of Montana where he is fortunate to be able Fine Art SmallWorks™ Giclée Canvas: to do field work practically (and sometimes actually) outside his back limited to 150 s/n. door. An accomplished wildlife painter, Smith captured the essence 10"w x 10"h. of this bear’s heft and character in this 10x10” original painting. “I $225 (Framing not included). feel the pose is somewhat anthropomorphic,” says the artist, “and therefore people are attracted to the composition.” This entry in a recent miniature sale and auction sold quickly, but we were fortunate to capture it for a Greenwich Workshop SmallWorks™ giclée edition so that a handful of collectors can own it as well. Daniel Smith is just home from his seventh Masters of the American West Fine Art Exhibition and Sale at the Autry National Center in Los Angeles where he won the 2011 Bob Kuhn Wildlife Award, given in recognition of exceptional artistic merit. All artwork these two pages ©Dan Smith these two All artwork

Heavy Hitters

Greenwich Workshop Fine Art Giclée Canvas: “Living close to Yellowstone National Park has its advantages,” relates Dan Smith, “especially when limited to 20 s/n. the bison rut is at its peak in July and August. There are three to four thousand bison in the park 48"w x 30"h (unstretched). $1450 (Framing not included). gathering in groups of 50 to 300. If you put yourself in the right place, you’re really going to see the dust fly.” Greenwich Workshop Fine Art Giclée Canvas: This access gave Dan a leg up at this year’s Masters of the American West Exhibition and Sale where limited to 75 s/n. 26"w x 16"h. the 30" x 48" Heavy Hitters took home the 2011 Bob Kuhn Wildlife Award for best wildlife painting. $595 (Framing not included). “It’s an incredible honor,” Smith states with awe. “I’m the youngest to have been selected for this award. You always hope that your work will be recognized, but never expect it. To be included Greenwich Workshop Fine Art Giclée Paper: limited to 100 s/n. in the ranks of Bob Kuhn, Tucker Smith, Ken Carlson and Kent Ullberg is a privilege.” 24 3/8"w x 15"h. Heavy Hitters’ focus is the look in the eyes of a 2000 pound, six-feet tall by twelve-feet in long $195 (Framing not included). bison in rut that lets you know he means business. The ferocity of this intent combined with all that mass is an extraordinary display. The snorting and pawing of dirt builds to the point where the two males make contact. You know by the look in his eyes that this is the real deal.

3 6 3 7 To learn more about Daniel Smith, visit www.greenwichworkshop.com/smith The Art of Morgan Weistling | american impressionist

The Dance Winner of the 2001 Prix De West Purchase Award! Most of artist Morgan Weistling’s art depicts scenes from the mid-to late-1800s rural American life, a time of the settling and defining values of our country. In 2001, The Dance made Weistling the youngest person ever to win the Prix de West Award—he also won the Nona Jean Hulsey Buyers’ Choice Award—from the National Cowboy and Western Heritage Museum, Oklahoma City, Oklahoma where it is now in the museum’s permanent collection. Morgan’s daughter, Brittany, posed for this painting. “Looking Morgan Weistling back 10 years, I can still feel the music and remember the inspiration that stirred this idea,” says Morgan. “Brittany and I were visiting a Cowboy Poetry and Music festival, she began to dance to some musicians much like in the painting. I later re-created that scene in my studio. I will always cherish the memories of Brittany and I dancing together as the musicians played for us.” This darling slip of a girl with a white apron dances on wooden floorboards worn smooth enough to twirl barefoot. We can almost feel the vibration of the music ourselves as the men lean into the rhythm and the expression of the music in her dance step. It’s been a long week of hard labor but tonight that melts away in a spirit of shared music and joy. Weistling’s star continues to rise. He sold all four entries in 2011 to the Masters of the American West Exhibition and Sale at the Autry National Center, where he won the Patron’s Choice Award for the third time.

Greenwich Workshop Greenwich Workshop Greenwich Workshop Fine Art Giclée Canvas: Fine Art Giclée Canvas: Fine Art Giclée Paper: limited to 30 s/n. limited to 80 s/n. limited to 250 s/n. 5 40"w x 32"h (unstretched). 25"w x 20"h. 22"w x 17 /8"h. $1450 (Framing not included). $595 (Framing not included). $195 (Framing not included).

Sienna’s Tea Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas: limited to 150 s/n. Weistling pages ©Morgan these two All artwork 12"w x 9"h. $245

3 8 3 9 To learn more about Morgan Weistling, visit www.greenwichworkshop.com/weistling The Art of Z. S. Liang | the modern west

Lakota Warriors, Little Bighorn, June 25, 1876 The original works of Z.S. Liang are quickly becoming unattainable. Offerings of his new paintings are, more often than not, handled by draw or silent bid. At this year’s Masters of the American West at the Autry National Center, collectors never even had the chance to bid on his silent-auction entry. Z. S. Liang That painting won the Purchase Award for 2011, so the museum had already secured it for their collection. “During late 1875 and early 1876,” begins Liang, “young warriors were slipping away from their agencies to join bands of non-treaty Indians in the country east of the Bighorn River. American government authorities, in response to reports of this, ordered all Lakota bands to return to their reservation by February 1 or face the consequences. Sitting Bull, Crazy Horse and the other leaders not only ignored the order, they were determined to fight for their freedom. “By mid-June, Sitting Bull and his followers were camped along the Little Bighorn River. And the U.S. Army was on their way to force the Indians to return. On June 25, Lieutenant Colonel George Armstrong Custer and approximately 250 Seventh Cavalry solders attacked this Indian village. They found themselves confronted by an enormous encampment thronging with furiously committed warriors. They were quickly surrounded and annihilated in what American history would refer to as ‘Custer’s Last Stand.’ The Grizzly Claw Necklace “Known to the Indians as the Battle of the Greasy Grass, The Great Plains grizzly bear has been extinct for over 100 years but when this painting focuses on the combined tribes celebrating this species was abundant, a grizzly claw necklace was a coveted goal and their victory. The main figure is a Lakota warrior. He is prized possession. The wearer was regarded as brave and as one who possessed holding, as his trophy, a Seventh Cavalry 35 Star guidon. great medicine. The number of claws signified the number of grizzly bears a (This unit marker became official in 1862 and was still in hunter had confronted. Only the front claws were used so twenty claws meant use when Custer rode west.)” the wearer had met with at least two grizzlies, no small feat since the grizzly Z.S. Liang’s Lakota Warriors is available as both a Fine could take a bullet (or two!) and still keep charging. Of course a necklace Art Giclée Canvas and Fine Art Giclée Paper. Both are could also be won in battle, as the reward for killing an enemy who wore it. produced to The Greenwich Workshop’s and Liang’s The claws would be mounted on a core which was then covered in otter exacting standards specifically for collectors like you. fur. When Plains grizzlies became rare, necklaces were made from Rocky Remember, the only Z.S. Liang you could possess that’s Mountain grizzlies or the claws would be carved from elk antler, a painstaking finer would be the original work of art itself.

and exacting process that earned nearly as much respect as trophy claws from Greenwich Workshop Fine Art Giclée Canvas: a bear killing. limited to 35 s/n. Sold for $42,500, this Z.S. Liang painting was the top-seller at the 2010 26"w x 34"h National Museum of Wildlife Art’s largest annual fundraiser. $950 (Framing not included).

Greenwich Workshop Fine Art Giclée Canvas: Greenwich Workshop Fine Art Giclée Paper: limited to 75 s/n. limited to 150 s/n. 1 12"w x 16"h. 18"w x 23 /2"h $295 $295 (Framing not included). All artwork these two pages ©Z. S. Liang S. pages ©Z. these two All artwork

4 0 4 1 To learn more about Z. S. Liang, visit www.greenwichworkshop.com/liang To learn more about Z. S. Liang, visit www.greenwichworkshop.com/liang The Art of James Bama | portraits of the new west Little Star James Bama blends realism with spirituality in his portraits of the contemporary West, from dude ranchers, trappers and restless young Greenwich Workshop Native American men, to descendents of renown warriors and delicate Fine Art Giclée Canvas: beauties in ceremonial dress like Little Star. The conflict between Native not to exceed 75 s/n. American myth and reality disappears with Bama’s paintings of the unique 12"w x 16"h. personalities that surround him in Wyoming. “‘Little Star’ is the Indian $295 (Framing not included). Low Inventory name for Millie Cody, this beautiful Navajo maiden,” says Bama. “I had the chance to see her teaching ancient crafts in Indian dress, going to church in a long pioneer-style gown and dancing to rock in hip huggers. She could James Bama easily have become Miss Indian America. To me, she was.”

Black Elk´s Great Grandson Buck Norris - Crossed Sabres Ranch

4 3 To learn more about James Bama, visit www.greenwichworkshop.com/bama The Art of Joshua Spies | wildlife in action

The zebra, like most members of the horse family, his belt. His frequent trips across North America and is a highly social animal. Mountain zebras and plains into Africa have supplied him with an entire animal zebras form family groups that will remain together kingdom’s worth of subjects. “On a recent safari to for a lifetime, grazing, migrating and stopping to South Africa I took over 2,500 photographs!” says rairie drink together. Joshua Spies has captured a family of Spies. “Many times these photographs not only help P zebras in the magnificent light of an African sunset with detail, light and color, but are the inspiration for Thunder on the “Waterline.” Although based in South Dakota, a new work. I really look forward to doing something Joshua Spies has a world of wildlife experience under new and challenging in each new creation!” Greenwich Workshop Fine Art Giclée Canvas Joshua Spies limited to 50 s/n. 62"w x 20"h (unstretched). Greenwich Workshop Greenwich Workshop $1250 Fine Art Giclée Canvas Fine Art Giclée Canvas limited to 25 s/n. limited to 50 s/n. 72"w x 29"h (unstretched). 48"w x 19"h (unstretched). $1950 $895

4 4 4 5 The Art of Guy Combes | an eye for wildlife The Art of Stephen Lyman | a light in the wilderness

Guy Combes Stephen Lyman 1957-1996 These two paintings aren’t intended to be a diptych in the Moonbear Listens sense that there is a continuum or inter-action between them, to the Earth says wildlife artist Guy Combes. Steve painted this in honor of my Native More so, I wanted to convey American-inspired music and my dedication to the essence of these formidable the larger circle of life. Moonbear is the name foes of the plains separately but of my recording company and this image is its ‘mirroring’ each other, too. The symbol. I’ve always had a place in my heart for monolithic cold dark colors of this beautiful painting. —Andrea Lyman the buffalo contrast with the This Greenwich Workshop Anniversary warm energy of the lion’s head edition features a bear, one of Steve’s most- and mane. There’s something memorable yet rarely-painted subjects. about the power and carriage The native Miwok word for the grizzly of each animal that suggests itan bear is the source of the name “Yosemite,” similarities between them. T I which was the artist’s favorite place on Guy Combes was most Earth. The quiet serenity of this, one of recently featured at the Society Steve’s few images featuring the bear, is of Animal Artists exhibition and a reminder of our fellowship with both sale in San Diego, California the natural and animal world goals which where his painting Leopard honor the memory and legacy of the artist. Lounge was a show favorite. He is also actively involved in efforts to prevent the Tanzanian government from building a road across the northern migration Greenwich Workshop Fine Art Giclée Canvas: routes of the Serengeti National edition not exceed 200 signed by Park. To learn how you can help Andrea Lyman. go to www.savetheserengeti.org. 11"w x 21"h. $395 (Framing not included).

Titan I Greenwich Workshop Fine Art Giclée Canvas: limited to 50 s/n. 24"w x 18"h. $425 (Framing not included).

Titan II Greenwich Workshop

Fine Art Giclée Canvas: this page ©Stephen Lyman All artwork limited to 50 s/n. 24"w x 18"h. $425 (Framing not included). Companions Greenwich Workshop Fine Art

All artwork this page ©Guy Combes All artwork SmallWorks™ Giclée Canvas: limited to 100 signed by Andrea Lyman Titan II and numbered. 8"w x 12"h. $235

4 6 To learn more about Guy Combes, visit www.greenwichworkshop.com/guycombes 4 7

The Art of R. Tom Gilleon | iconic west

Pemmican “Abstract shapes tend to dominate my work,” offers Tom Gilleon, “rectangles, Greenwich Workshop Fine Art Giclée Canvas: triangles, circles and squares. Even when I paint a figure, especially one with limited to 35 s/n. 24"w x 24"h. a headdress, the focus is generally on the shape the headdress creates. In this $625 (ships gallery wrapped). case, it is just the opposite; it’s the man’s profile that really grabbed me. In fact, I cropped off the edge of the feathers on his headdress in the painting so they wouldn’t distract from his face. Handwritten on the back of the old photograph was ‘Lakota, Pemmican’ so I’ve always assumed that was this fellow’s name. This painting is about the years, the miles, the knowledge, the experience, the

R. Tom Gilleon sorrow, the pride and the joy etched in this man’s face that was his life.”

Little Star People

While not common to the Great Plains, the summer months do occasionally draw swarms of fireflies as far west as the Rockies. When they did range west, a visit by the “Little Star People” to a Greenwich Workshop Fine Art Giclée Canvas: summer encampment was a treat for the entire band. The magic of moonrise on a warm summer limited to 15 s/n. evening became all the more spectacular when accompanied by the dance of these blithe spirits. 37"w x 31"h (unstretched). The original is part of the permanent collection of the Buffalo Bill Historical Center in Cody, $1250 Wyoming. “Little Star People” is available in two sizes, but given the popularity of Gilleon’s previous Greenwich Workshop Fine Art Giclée Canvas: releases, they will disappear quickly. Don’t miss out on the opportunity to enjoy a fine art’s summer limited to 45 s/n. evening at the campfire year round. 24"w x 20"h. $575 All artwork these two pages ©R. Tom Gilleon Tom pages ©R. these two All artwork

4 8 4 9 To learn more about R. Tom Gilleon, visit www.greenwichworkshop.com/gilleon

C. D.

Ex Votos: Little Expressions of Gratitude

Life is an ongoing series of miracles. Everyone has something to be thankful for or someone B. they should they should be saying “thank you” to. Prayers, large and small, are answered daily, sometimes without us even knowing. Ex Votos are fine art offerings commissioned as the result of an answered prayer and displayed to acknowledge an appreciation for it having happened. Today, they are most widely known as the folk art works created on tin and found Cassandra Barney in shrines across Mexico. “These little artworks are painted out of gratitude for the miracles, protection and prayers answered not only in my life, but for many of us,” says artist Cassie Barney. “In conceiving these, it didn’t seem that I was illustrating ideas, but sharing and exchanging them. Some are events that have happened in my life. Others are ideas that have A. been shared with me. Every mother has experienced the elation of holding their child for the first time and savoring that new-born baby smell. Each time I see Never Felt Joy Like That Before it is a chance to savor that feeling again and say “thank you” for letting me experience this miracle.” Each Ex Votos celebrates the exceptional nature of the common and the uncommon: friendship, love, life, family and self. They recognize the divine nature of those things. This collection is styled with the look of the Mexican tin-paneled works E. F. G. and they designed to be hung in groupings. As gifts, they are the perfect message at the perfect time. Life is full of blessings and Cassie Barney’s Ex Votos give us the opportunity to share our recognition of this with beauty and grace.

All art Greenwich Workshop Fine Art Open Edition Giclée Canvas Mounted on Archival Gatorboard®

A. Never Felt Joy Like that Before E. My Friend 11"w x 14"h $65 91/2"w x 10"h $60 1 F. Mother’s Prayers 7 /2"w x 11"h $50 8"w x 9"h $50 B. More Beautiful with Every Year pages ©Cassandra Barney these two All artwork G. Bounties of the Earth 10"w x 11"h $60

C. Celebrating Another Year 11"w x 14"h $65 H. Dance 10"w x 11"h $60

D. To Never Ending Love 8"w x 10"h $50 I. The Family Tree 8"w x 10"h $50

Visit www.greenwichworkshop.com/barney for more information and detailed descriptions of each ex votos shown here. I. H.

5 0 5 1 All artwork these two pages ©Scott Gustafson these two All artwork Beauty and the Beast The Man in the Moon Greenwich Workshop Every evening the Beast comes to visit Beauty in her chamber, to talk with her and be near her. Tonight, as she Greenwich Workshop So goes the famous childhood nursery rhyme that inspired this brilliant confection by artist Fine Art Giclée Canvas: sweetly plucks the harp strings, her mind wanders home to her father and sisters she misses so terribly. He, on Fine Art Giclée Canvas: Scott Gustafson. This character climbs out of a moon that is chock full of navigational aides, limited to 75 s/n. limited to 150 s/n. the other hand, can think only of her. Every night before he leaves, this longing for her wells up and consumes along with his nocturnal companion. He just woke up and is checking to be sure all the little 17"w x 21"h. 16"w x 18"h. $395 (Framing not included). him and he is compelled to ask, “Beauty, will you marry me?” And every night her answer is the same: “Even $295 (Framing not included). ones on Earth are tucked in for the night. though I have grown to care for you very much, Beast, I do not love you. I am sorry, but no, I cannot marry you.” Maybe there’s a wee one under your roof who would love to doze off under his watchful He exhales his grief in a deep sigh that echoes like a moaning wind through the palace corridors. Neither eye or perhaps this limited edition will be your very unique gift to the expectant parents in of them is aware at this moment that a bond has grown between them. Nor do they know what miracles your life. the love they share will ultimately reveal. Scott Gustafson 5 2 5 3 The Art of Nelson Boren | contemporary west

Engaged The average painting by Nelson Boren embodies a number of the artist’s qualities — fastidious attention to detail, a tender eye for texture and a respect for the hard-working people of the modern West. But what makes Nelson Boren’s paintings unique is his playful composition and the teasing close-ups that invite each viewer to create his or her own story. “Engaged” is no different. Two dusty, hard-working folks sit beside one another holding hands, perhaps a little excited, as the title suggests, with their new arrangement. But the rest of the story is up to you. Nelson Boren Greenwich Workshop Fine Art Giclée Paper: limited to 45 s/n. 21"w x 30"h. $750 All artwork these two pages ©Nelson Boren these two All artwork

“She Loves Me . . . ?” A passel of plucked daisies litter the floor. Could it be they told a poor cowboy what Greenwich Workshop he didn’t want to hear? He’s rounded up more, but most look a tad droopy, almost Fine Art Giclée Paper: limited to 150 s/n. as if they know they’re bearers of bad news. Still the verdict ain’t in until you decide. 1 44"w x 28 /2"h. Does he stand a chance with her? A Greenwich Workshop fine art giclée presented $850 on watercolor stock with a deckled edge. Low inventory

5 4 To learn more about Nelson Boren, visit www.greenwichworkshop.com/boren 5 5 The Art of John Buxton | painter of our heritage All artwork this page ©John Buxton this page ©John All artwork

Winter Windfall Greenwich Workshop Winner of the Patron’s Choice Award at the 2009 Quest for the West show at The Eitleljorg Museum Fine Art Giclée Canvas: in Indianapolis, Winter Windfall is a stunning winter landscape from John Buxton. A broken and limited to 75 s/n. abandoned hay cart and its precious cargo of supplies is discovered by these woodland Indians. The 30"w x 20"h. $575 (Framing not included). hay cart is not designed for hauling supplies much less a trip down a backwoods stream. What caused the settlers to decide to make such an ill-prepared winter’s journey down such an arduous path? Such questions certainly entered these warriors’ minds, but taking stock of the bounty they have come across on this fine winter’s morning is the first order of business.

John Buxton

Blacksmith of Venango, 1752 Greenwich Workshop Fine Art SmallWorks™ Giclée Canvas: limited to 75 s/n. 11”w x 8”h. $185