performances at the OLD GLOBE THEATRE OCTOBER 2009 Welcome

UPCOMING Dear Friends, Leslie Bricusse and I first met T H E SAVA N N A H about eighteen months ago and DISPUTATION we began to look for a project Sept. 26 - Nov. 1, 2009 that we could do together at The The Old Globe Arena Stage Old Globe. After discussing at the James S. Copley several possibilities, he asked me Auditorium, to read his new musical about the San Diego Museum of Art life of Sammy Davis, Jr. I thought the work was both entertaining and important. Quite simply, the ❖❖❖ opportunity to produce this show with its great score and tell the DR. SEUSS’ story of this legendary American HOW THE GRINCH STOLE entertainer was an opportunity we couldn’t pass up. CHRISTMAS! Sammy is a very personal project for Leslie. His friendship with Sammy Nov. 21 - Dec. 27, 2009 began in 1961 and was both intensely personal and artistically prolific. Old Globe Theatre In fact, Leslie contributed more songs to Sammy’s canon of hits than any other individual songwriter. Many of these great songs, which ❖❖❖ brilliantly illuminate Sammy and the times in which he lived, are in this new score. WHISPER HOUSE Revealing Sammy is no small feat. There is so much more to Sammy Jan. 13 - Feb. 21, 2010 Davis, Jr. than his mythic stage persona. In addition to being one of the Old Globe Theatre greatest performers of his generation he was a very complicated man who struggled with issues of identity, race, relationships, money and fame. His journey wasn’t easy but it paved the way for many, many ❖❖❖ others. We're fortunate to have Obba Babatundé as our guide on this journey. LOST IN YONKERS Obba had a personal relationship with Sammy and this bond between Jan. 23 - Feb. 28, 2010 performers of different generations informs Obba's remarkable Sheryl and Harvey performance. Sammy was a triple threat performer and so is Obba. White Theatre It is a privilege to bring the magic of Sammy Davis, Jr. to those who knew and loved him, and particularly exciting to introduce this “once in ❖❖❖ a lifetime” performer to an entirely new generation of theatergoers. More than anything, as Sammy’s spirit fills the theater tonight, I hope BOEING-BOEING we make him proud. March 13 - April 18, 2010 Old Globe Theatre

Louis G. Spisto Executive Producer

PERFORMANCES MAGAZINE P1 PRESENTS SAMMY

BOOK, MUSIC AND LYRICS Leslie Bricusse ADDITIONAL SONGS Leslie Bricusse and Anthony Newley

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Alexander Dodge Fabio Toblini Chris Lee John H. Shivers David Patridge

ORCHESTRATOR MUSIC DIRECTOR/CONDUCTOR/ Ned Paul Ginsburg DANCE MUSIC ARRANGER Rahn Coleman

CASTING STAGE MANAGER Tara Rubin Casting David Sugarman

MUSIC SUPERVISOR/VOCAL ARRANGEMENTS Ian Fraser

CHOREOGRAPHER AND MUSICAL STAGING Keith Young

DIRECTED BY Keith Glover

Old Globe Theatre, Donald and Darlene Shiley Stage September 19 - November 8, 2009

P2 PERFORMANCES MAGAZINE Cast of Characters (in order of appearance)

Sammy Davis, Jr...... OBBA BABATUNDÉ Sammy Davis, Sr...... TED LOUIS LEVY Will Mastin ...... LANCE ROBERTS Rosa Davis...... ANN DUQUESNAY Frank Sinatra...... ADAM JAMES WACs ...... JENELLE ENGLESON, LAUREN HAUGHTON, SARRAH STRIMEL Sgt. Jennings/Cohn/Dean Martin ...... TROY BRITTON JOHNSON Eddie Cantor...... PERRY OJEDA Kim Novak...... MARY ANN HERMANSEN May Britt ...... HEATHER AYERS Murphy...... ALONZO SAUNDERS Altovise Gore...... VICTORIA PLATT Lola Folana ...... KEEWA NURULLAH

THE ENSEMBLE HEATHER AYERS, JENELLE ENGLESON, STEPHANIE GIRARD, LAUREN HAUGHTON, MARY ANN HERMANSEN, TROY BRITTON JOHNSON, KEEWA NURULLAH, PERRY OJEDA, VICTORIA PLATT, ANISE RITCHIE, ALONZO SAUNDERS, SARRAH STRIMEL

Stage Manager...... DAVID SUGARMAN Assistant Stage Manager...... JESS SLOCUM Dance Captain...... SARRAH STRIMEL

The Actors and Stage Managers employed by this production are members of the Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Setting: The world of Sammy Davis, Jr.

There will be one 15-minute intermission.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

This theatre operates under an The Scenic, Costume, Lighting The Directors are members of the This Theatre operates under an and Sound Designers in LORT agreement between the League Society of Stage Directors and Agreement with the International of Resident Theatres and Actors’ Theatres are represented by Choreographers, an independent Alliance of Theatrical Stage United Scenic Artists Local USA- Equity Association, the union of national labor union. Employees Local No. 122. professional actors and stage 826, IATSE. managers in the United States.

PERFORMANCES MAGAZINE P3 Board of Directors

Dear Friends,

I am delighted to welcome you to the launch of the Globe’s 2009-2010 season with the world premiere of our newest musical, Sammy. This production, and the exciting lineup of plays and musicals that will follow, represent the fulfillment of the Globe’s mission to create theatrical experiences of the highest professional standards, and in this tradition, we are proud to unveil another world-class season. Once more, our ability to continue presenting a wide and varied range of works like those you’ll see this season is made possible through your committed patronage — as subscribers and contributors. I’m pleased to learn that many of you have responded positively to the curtain speeches by purchasing new and additional subscriptions, and to the letters and calls asking for your continued support of the Annual Fund this year. I want you to know that your ongoing investment in The Old Globe is appreciated beyond measure. Once again, from all of us here, thank you for participating so meaningfully, and so often, for the greater good of The Old Globe. Your encouragement and enthusiasm for what we do add to a feeling of great celebration as we kick-off the new season.

Enjoy the show! Donald Cohn, Chair, Board of Directors

BOARD OF DIRECTORS / OFFICERS Donald Cohn* Kathy Hattox* Anthony S. Thornley* Sandra Redman* Susan Major* Harvey P. White* Chair Immediate Vice Chair Finance Vice Chair Vice Chair Secretary Past Chair & Treasurer Nominating Development

DIRECTORS Martin Goodman Julie H. Sullivan, Ph.D. Clair Burgener (1921-2006) Mary Beth Adderley Timothy P. Haidinger Evelyn Mack Truitt Mrs. John H. Fox (1908–2003) Michael Allman Viviana Ibañez Debra Turner Audrey Geisel Elizabeth Altman Deni Jacobs Stacey LeVasseur Vasquez Paul Harter Joseph Benoit Daphne Jameson Crystal Watkins Gordon Luce (1925-2006) Pamela Cesak Mitzi Yates Lizarraga James A. Wening Dolly Poet (1921-2007) Marsha Chandler Fern Murphy Ruth Wikberg-Leonardi Deborah Szekely Peter J. Cooper Marianne Nelson Brian E. Wineke Hon. Pete Wilson Valerie S. Cooper Rafael Pastor* June Yoder Stephen M. Cusato Conrad Prebys* Carolyn Yorston-Wellcome EMERITUS DIRECTORS Elaine Bennett Darwin Sara Rosenthal, M.D. Deborah Young Garet B. Clark Bea Epsten Jeri Rovsek *Executive Committee Member J. Dallas Clark (1913–2005) Pamela A. Farr Reneé Schatz Sally Furay, R.S.C.J. Harold W. Fuson, Jr.* Jean Shekhter HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Victor P. Gálvez Louis G. Spisto* Mrs. Richard C. Adams Delza Martin (1915–2005) Robert H. Gleason Daniel L. Sullivan, Ph.D. (1912–2005) Patsy Shumway

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Vice-Chairwoman Pam Slater-Price, Supervisor Bill Horn and The County of San Diego Board of Supervisors. Funded in part by the San Diego Tourism Promotion Corporation with San Diego Tourism Marketing District Funds.

P4 PERFORMANCES MAGAZINE Leadership Gifts Season Sponsors

The Old Globe would like to The Old Globe is deeply grateful to its Season Sponsors, recognize and thank the following generous individuals each of whom has made an annual donation of $50,000 or who have made extra-ordinary greater. These gifts are critical to maintaining the Globe’s gifts of $1 million or more to high quality of artistic programming and award-winning this organization. These major work in the community. contributions have been designated for artistic projects, endowment and facilities, and help The Old Globe remain The Legler Benbough Supervisor Bill Horn and the one of our country’s great Foundation County of San Diego theatre institutions. John A. Berol Joan and Irwin Jacobs Mary Ann Blair The Lipinsky Family $20,000,000 or greater Donald and Darlene Shiley Karen and Donald Cohn Conrad Prebys and Debra Turner Peter Cooper and $10,000,000 or greater Norman Blachford Donald and Darlene Shiley Conrad Prebys Valerie and Harry Cooper Vice-Chairwoman Pam Slater-Price and the $5,000,000 or greater The Helen K. and James S. County of San Diego Copley Foundation Sheryl and Harvey White Mickey Stern Kathryn Hattox Gigi and Ed Cramer Sheryl and Harvey White Karen and Donald Cohn Edgerton Foundation Anonymous Audrey S. Geisel $1,000,000 or greater California Cultural and Globe Guilders Historical Endowment Estate of Dorothy S. Prough The Rivkin Family Estate of Beatrice Lynds Audrey S. Geisel/ San Diego Foundation Dr. Seuss Fund Mr. and Mrs. Victor H. Ottenstein Mrs. Helen Edison The Stephen & Mary Birch Foundation To become a Season Sponsor, please contact Director of Development The Kresge Foundation Todd R. Schultz at (619) 231-1941 x2310.

PERFORMANCES MAGAZINE P5 Sammy - Production Sponsors

Mickey Stern Mickey Stern has been a patron and supporter of the arts for many years, both in San Diego and previously when she lived in Omaha. She strongly believes in the Globe’s artistic goals, its stability as a leading non-profit institution and the impact of the Theatre’s work in the community. Mickey’s admiration of Sammy Davis, Jr. and his remarkable life story, combined with her high regard of the Globe, inspired her to support the creation of an exciting new musical about one of America’s finest entertainers. The Old Globe is proud to recognize Mickey Stern as a sponsor of the world premiere musical, Sammy.

American Airlines American Airlines and American Eagle, which serve more than 250 cities in 40 countries, have been long-time supporters of The Old Globe. For more than 20 years, American Airlines has sponsored Globe productions including The Women, A Catered Affair, George Gershwin Alone, Chita Rivera: The Dancer’s Life, Lucky Duck, Henry V, Beyond Therapy and The Merry Wives of Windsor. American Airlines supports the Globe by providing much-needed air travel, bringing the finest actors, directors and designers from around the country to our stages. In addition to their tremendous production support, American Airlines was also a sponsor of the 2009 Globe Gala.

The Edgerton Foundation The Edgerton Foundation actively supports the development of exceptional theatrical projects that could ultimately join the American repertoire of widely performed plays and musicals. The world premiere production of Leslie Bricusse’s Sammy was selected to receive an Edgerton Foundation New American Play Award in 2009.

Launched in 2006, the Edgerton Foundation’s New American Play Awards have recognized and supported more than 56 productions throughout the United States. The Old Globe — which previously received the prestigious award in support of the world premieres of Mark V. Olsen’s Cornelia, Itamar Moses’ Back Back Back and Steven Drukman’s In This Corner — applauds the Edgerton Foundation’s willingness to promote a vital theatre community by supporting the demanding creative processes that yield promising new work.

P6 PERFORMANCES MAGAZINE Another Perfect Score for the Globe

Charity Navigator, the premier evaluator of non-profits in the United States, has — for the fifth consecutive year — awarded The Old Globe its coveted 4-star rating for sound fiscal management. This places the Globe in the distinguished company of only 4% of all non- profit organizations in the country!

PERFORMANCES MAGAZINE P7 Program Notes

REMEMBERING SAMMY By Leslie Bricusse

first heard him in November the nonpareil, the irresistible, the getting Sammy and Liza to perform 1955, when I was driving late at irreplaceable. together at the Sporting Club “ Inight from London to Brighton. shortly after they had completed He was on the American Forces He was the first to release the their mammoth world tour with Radio Network from Germany, Stop The World songs in America, Frank Sinatra, modestly billed as singing his revolutionary version of months before the show opened at The Ultimate Event. Just a few “That Old Black Magic.” He was 29 the Shubert Theater on 44th Street, weeks earlier, after that amazing years old and he was dynamite. The on October 3rd, 1962. His records trio’s triumph at the Royal Albert disc jockey obviously thought so played on the radio all through the Hall in London, we had all dined too, because he played the record summer before we opened, together at a small private dinner incessantly, like it was the only one contributing enormously to the party at the Savoy Hotel, he had. show’s eventual success, and overlooking a River Thames winning gold records for all of us glittering with reflected light on a I first saw him at The Pigalle in with “What Kind of Fool Am glorious spring evening. No one London, where he made his dazzling I?,”which went on to win the could possibly have imagined on nightclub debut in the summer of Grammy Award for The Best Song that happy evening that just one 1960. He practically knocked the of 1962. old building off its foundation. He took London by storm. And every performing day of his It is difficult to compress a friendship life until it ended some thirty years of more than 40 years into a few I first met him in 1961, when he later, Sammy sang our songs and our words. . . I wish the world could have came to see Stop the World — I praises with the same love and known Sam as I did. He never gave Want to Get Off, which Tony enthusiasm. There are some debts less than 100% when he was onstage; Newley and I had just opened you can never repay. But then and he gave even more to those of us at the Queen’s Sammy said the same about our lucky enough to call him a friend. Theatre on Shaftesbury songs. It was a generous God who gave him Avenue. The show “ to us for the years we shared together, was a big hit. So It was a totally natural and and the thought of a Heaven blessed was he, performing perfect mutual admiration society, with his magic gives me a great just down the road at like a gift from God. We never had warmth. Sam was the best friend a the Prince of Wales any formal plan to work together. man could have. . . he was a class act Theatre. Within The whole thing was born of and I will miss him forever. – weeks, he friendship. Newley and I, and became the first sometimes I alone, wrote songs. FRANK SINATRA, MARCH 1992 American to Sammy liked them, so he recorded record the songs them. We never discussed it. It just from Stop The happened. It became a matter of World — four of them — course that Sammy got first look at “What Kind of Fool Am the new songs, mainly because he Sammy and I?,” “Gonna Build A was always so interested in what we Frank” Sinatra Mountain,” “Once In were doing. And, just as Sinatra had A Lifetime” and Cahn and Van Heusen, and Liza had “Someone Nice Like Kander and Ebb, so Sammy had us. You,” which were And it would last forever. But, alas, it released by Decca didn’t. Records on a 7” E.P. (remember them?). The last-but-one time I saw He, of course, Sammy perform was at the Red was Sammy Davis, Jr. Cross Gala in Monaco in August — the one, the only, 1989, when I was instrumental in

P8 PERFORMANCES MAGAZINE S Dear Sammy,

You were there short year later we would lose our Before we came beloved Sam. You took the hurt The very last time I saw him You took the shame perform was at a phenomenal “ They built the walls evening our great producer friend To block your way George Schlatter had the inspired You beat them down instinct to put together in November 1989, at the Shrine Auditorium in You won the day Los Angeles, just after Sammy had It wasn’t right completed what at the time was It wasn’t fair wrongly perceived to be his You taught them all successful chemotherapy treatment You made them care for throat cancer. Yes, you were there It wasn’t by chance that And thanks to you Frank Sinatra, Dean Martin, (l. to r.) Evie, Sammy and Leslie at Evie’s There’s now a door Bob Hope, Shirley MacLaine, 1989 birthday party in Beverly Hills. We all walk through Eddie Murphy, Whitney Houston, age of 63. The real reason was that And we are here Stevie Wonder, Michael Jackson, we all suddenly realized what he was Bill Cosby, Richard Pryor, For all to see in full perspective — more than the Goldie Hawn, Gregory Peck, performer — the man. To be the best Clint Eastwood, Quincy Jones, That we can be Gregory Hines, Ella Fitzgerald, He’d done it all! Throughout his Yes, I am here Dionne Warwick, Diahann Carroll, life he had broken down every ‘Cause Magic Johnson and a host of others — barrier, triumphed over every the most staggering array of talent I You were there obstacle. He had traveled through have ever seen — were gathered and endured and overcome the Thank you together in one place that evening endless labyrinths of prejudice during always, to honor one man. All of them, his incredible 60-year journey. His picking up on George Schlatter’s limitless talents and his indomitable Love, instinct, somehow knew they had to spirit combined to say more about be there that night. All of us close to the world he had lived in than any Sammy had to be there. And all of us political spokesman of our time could were. Deep down, though we didn’t articulate. For more than half a want to admit it, we all harboured century he was a front-line soldier, a that nagging fear that we were going true eyewitness to the painfully to lose him. emerging history of the African- American fight for equality and And the most hard-bitten, justice. WRITTEN BY MICHAEL JACKSON sophisticated, “Triple-A” group of Hollywood’s “we’ve-seen-it-all” And it all came together that cognoscenti who were present there night. We suddenly saw, with a on that never-to-be-forgotten night startling new and deeper clarity, who knew as they watched that until that and what this man was. He was ” moment they hadn’t seen it all!... himself — the true sum of his own That night they did. That night, parts. He was Sammy Davis, Jr. And before our eyes, Sammy became we all feared — perhaps we all knew, the full-fledged legend that we but didn’t want to face it quite yet — always knew he was meant to be. that he was going to be taken from us. And that’s why we were all there that The given reason for the evening night. God bless George Schlatter for was the celebration of an unbeliev- giving us cause to be there. able 60 years in show business at the

Sammy and Michael Jackson at the Sammy Davis, Jr. PERFORMANCES MAGAZINE P9 60th Anniversary Celebration, 1990. Program Notes (continued)

Two moments above all stood out from among a hundred outstanding moments that this remarkable evening provided. One, when Gregory Hines, after trying, as he said, “to dance out” his love for Sammy, got Sam into his tap shoes, which George Schlatter had sneakily purloined from Sam’s house.

The second great moment was the lovely, delicate little song that closed the evening. It was a muted, respectful, thoughtful and loving tribute from one great artist to another, specially composed for the occasion by Michael Jackson and Buz Kohan, and performed by Michael.

The song was short, simple and straightforward. It was (l. to r.) Leslie, Evie, Sammy, Alana and George Hamilton at the called “You Were There.” Its lyric was recognition of what Los Angeles premiere of Scrooge, November, 1970. Sammy had achieved and endured — the endless barriers of prejudice that he had overcome to clear the way for the generation of talented young black performers who were June 7, 1989 to follow him. And the last line of Buz and Michael’s tender and sensitive lyric said it all in the compact, concisely Dear Leslie, crafted way that only a good lyric can: “I am here, ’cause you were there!” Sixty years of show business is a long road to travel, there’s been the good times, and the not And so the Pied Piper has gone. To the last, he carried so good times. No one travels any road alone, the name of talent before him like a banner, held high for and I wanted to thank you for sharing others to follow — “the greatest entertainer that ever was, or ever will be,” as a very young Michael Jackson once said part of this journey with me, and especially to me in awe about Sammy in Las Vegas. Sammy was the for your part in making the recent young Michael’s artistic mentor and inspiration, and “Daily Variety salute to my sixtieth year Michael duly carried the banner of performing genius into in show business one of the good times his own generation. “No one like him ever before, or ever I shall treasure always. again,” said namesake Jesse Jackson at Sammy’s funeral.

And the legend of Sammy will continue to grow. He was Peace & Love, Sammy as important in his world as Jackie Robinson, Jesse Owens, Martin Luther King and Muhammad Ali in theirs. Like them, he broke down the barriers. Like them, he is an enduring symbol to all people, black and white, of what is possible.

All photos from the personal collection of Leslie Bricusse. ” (l. to r.) Tony Newley, Sammy and Leslie hard at work!

P10 PERFORMANCES MAGAZINE Education Experiences EDUCATION BY THE NUMBERS

The Old Globe offers Education programming nearly every day of the week in one form or another. Over 50,000 children and adults have been served by our volunteer-based programs. And how many volunteers work in those programs? Here’s how the numbers work out. Approximately 3,000 children are served by our Globe Readers literacy program each year. Our 29 volunteers participate in training workshops that prepare them for their roles as readers in area schools. They visit Executive Producer Lou Spisto (center) with the Globe’s 2009 Summer their assigned classes on a regular basis to read aloud to Shakespeare Intensive participants, selected from high schools throughout the San Diego area, on the Lowell Davies Festival Theatre the children and to introduce them to the world of theatre stage where they performed Shakespeare’s Pericles, Prince of Tyre on through Creative Dramatics and Reader’s Theatre August 17, 2009. activities. Now in its fourth year, the Globe Readers trained docents know this theatre like they know their program has benefited over 12,000 children and their own homes. They participate in extensive training that teachers by encouraging a love of reading, enhancing provides them the information they need to know in order language arts classroom instruction, introducing positive to pass on the stories and history of this wonderful role models, and bringing theatre arts to classrooms that organization. But we can’t give them that inherent ability do not ordinarily have the resources to incorporate to tell a good story, to interact with a tour group, to be theatre into the curriculum. constantly flexible and imaginative in order to work with a It sounds like a tall order for volunteers who may have variety of age and interest groups, and to simply love The little or no classroom experience but our volunteers are Old Globe enough to want to share it with others. That provided with interactive training sessions, a step-by-step comes naturally to them and it’s what makes the tours so manual and regular staff support to help them do their much fun. jobs. These volunteers come from many backgrounds, but Tens of thousands (yes, you read that right) of the one thing they have in common is a love of reading and children and adults participate in Education programs at a desire to share it with children. They give of their time The Old Globe each year. In addition to the volunteer- and in exchange they receive the affection and respect of based Globe Readers and Behind the Scenes Tours, the classroom upon classroom of children inspired to read. Globe offers Seminars and Forums for adults, In- Over 2,000 children and adults take Behind the Classroom Residencies, the Summer Shakespeare Scenes tours of our theatre spaces each year. Our 17 Intensive for Teens, Professional Development for Teachers and for Teaching Artists, Production Guides, pre- show workshops, Grinch Initiatives and the Globe Honors awards program. Supporting our Education staff are two office volunteers who help us with anything from mailings to program assessment, logistics (try herding 600 first graders into the theatre in ten minutes flat and you’ll know why we need our volunteers!), and any number of other departmental needs. Their regular support is yet another reason The Old Globe is able to offer such a wide array of engaging and powerful programs. We’re always looking for new volunteers. If you or someone you know is interested in education, please contact our Education Associate, Kim Montelibano-Heil at [email protected] for more information.

Students get first-hand theatre experience during a globe reader session.

PERFORMANCES MAGAZINE P11 Profiles

Heather Ayers Ann Duquesnay Stephanie Girard (May Britt/Ensemble) (Rosa Davis) (Ensemble) THE OLD GLOBE: Most recently LA: Premiere of The Women, Ace. Sheila's Day, The Life (Mary). BROADWAY: Market Theatre, TOUR: Grease Megan Mullally's Johannesburg, (Rizzo). understudy In Mel South Africa and REGIONAL: The Brooks' Young Crossroads Who's Tommy (Mrs. Frankenstein. OFF Theatre, New Walker), Berkshire BROADWAY: Five Brunswick, NJ. Theater Festival & Course Love; BROADWAY: Media Theatre; Sarah, Plain and Bring in ‘Da Noise, Chicago, Foothills Tall; Forbidden Bring in ‘Da Funk Theatre; Angels in Broadway Strikes Back; four City Center (Tony Award, Drama League Recognition America, Sweet Charity, West Side Story, Encores! productions. REGIONAL: The Last Award and Grammy nominee co- Connecticut Repertory Theatre. FILM: Five Years (Cathy), Cincinnati Playhouse; composer/lyricist), Hot Feet, It Ain't Nothin Finding Sight, Saint Nick. TV: “As the World Guys and Dolls (Sarah), Dallas Theatre But the Blues, Jelly's Last Jam, revival of The Turns,” “Nip/Tuck.” EDUCATION: Boston Center; Cyrano (Roxane), Barrington Stage; Wiz, Blues in the Night. OFF BROADWAY: Conservatory, University of Connecticut. Songs for a New World, George Street Our Leading Lady (AUDELCO Award www.stephaniegirard.com Playhouse, among others. TV: “Lights Out,” nominee), Manhattan Theatre Club; Cookin “Z Rock.” RECORDINGS: Young at the Cookery (Drama Desk nominee and Lauren Haughton Frankenstein, Five Course Love, Face the Drama League Recognition Award), Melting (WAC/Ensemble) Music. www.heatherayers.com Pot Theatre; Spunk (AUDELCO Award), New BROADWAY: York Shakespeare Festival. REGIONAL: Wicked. OFF Obba Babatundé Hallelujah Baby (Helen Hayes Award), Arena BROADWAY: Fools (Sammy) Stage Washington, DC; Ma Rainey's Black in Love. Like his mentor Bottom, Denver Center Theatre; Lady Day REGIONAL: Turn Sammy Davis, Jr., (Bay Area Theatre Critics Circle Award), of the Century (Dir. Mr. Babatundé has Theatre on the Square; Porgy and Bess, Tommy Tune), The been entertaining Houston Grand Opera; Betsey Brown, Goodman Theatre; audiences since he McCarter Theatre. NATIONAL TOURS: The Hans Christian was a child. A Civil War, Bubbling Brown Sugar, The Wiz. Anderson skilled actor, singer Narrator of Aretha Franklin's autobiography (w/Maury Yeston), and dancer, Davis audiobook Aretha from These Roots; Maine State Music Theatre; Damn Yankees once said of historical voices in Ken Burns TV (Lola), Arizona Broadway Theatre; Cabaret Babatundé that “I documentries. (Texas), Stages St. Louis; La Cage Aux Folles feel safe knowing (Bitelle), Merry-Go-Round Playhouse; that with cats like Obba, when I get out of Jenelle Engleson Chicago (Annie), Forestburgh Playhouse; this business I am leaving it in good hands.” (WAC/Ensemble) Amadeus (u/s Constanze) and West Side Babatundé was nominated for a Tony Award NYC THEATER: Story (Estella), Syracuse Stage. TV: “Guiding for his performance as C.C. White in the Radio City Light.” EDUCATION: BFA in Musical Theatre original Broadway cast of Dreamgirls. His Christmas from Syracuse University. additional Broadway credits include the Spectacular. revival of Chicago, Grind, and Timbuktu! He REGIONAL: Mary Ann Hermansen also created the role of Jelly Roll Morton in Thoroughly (Kim Novak/Ensemble) Jelly’s Last Jam. On television, Babatundé Modern Millie, BROADWAY: delivered an Emmy and CableACE North Shore Music Carrie, Chicago. nominated performance in Miss Evers’ Boys, Theater; Crazy for TOURS: Chicago, received a NAACP Image Award nomination You, Ogunquit Thoroughly for his performance as Harold Nicholas in Playhouse; Grease, Modern Millie and Introducing Dorothy Dandridge, and has Kansas City Starlight; 42nd Street, Reagle Smokey Joe’s appeared in 60 made-for-television movies Players. FILM: Little Manhattan. Café. FILM: Blast and countless TV series. Some of his EDUCATION: Currently attending Fordham from the Past, That theatrical films include Philadelphia, That University for degree in Communication and Thing You Do, Thing You Do, After the Sunset, The Public Relations. Forrest Gump and Manchurian Candidate, The Notebook and Forget Paris. TV: the upcoming feature Moneyball opposite “It’s Always Sunny in Philadelphia,” “CSI: NY,” Brad Pitt. “Step It Up and Dance,” “Strong Medicine,” “General Hospital” and “Nip/Tuck.” EDUCATION: UC Irvine and St. Mary’s University.

P12 PERFORMANCES MAGAZINE Adam James 90210” and “As the World Turns.” Perry Ojeda (Frank Sinatra) EDUCATION: Troy holds a BA from NYU’s (Eddie Cantor/Ensemble) OFF BROADWAY: Tisch School of the Arts. THE OLD GLOBE: Our Sinatra. Imaginary Friends. REGIONAL:The Ted Louis Levy BROADWAY: On Rat Pack — Live (Sammy Davis, Sr.) The Town, Blood from Las Vegas, Emmy Award Brothers, Imaginary Forever Swing, winner Ted Louis Friends. WEST END: Eddie!, Sinatra... Levy’s profes- Dolly West's Kitchen. Remembered. sional training TV: “Desperate GUEST ARTIST: began in Chicago House-wives,” “Eli Detroit Symphony, with Finis Stone,” “Guiding Atlanta Pops, Henderson II, Light,” TNT's The Orchestra London, Kitchener Symphony, Master Tap Dancer Day Lincoln Was Shot, “All My Children,” “One Victoria Symphony. FILM: Mambo Italiano. and former Life To Live.” EDUCA-TION: BFA with honors AWARDS: Genie nomination (best song), manager of Sammy from University of Michigan Musical Theater Jazz Report Awards (best vocalist with Davis, Jr. Levy Program, Graduate - Interlochen Arts group). EDUCATION: BMus from McGill collaborated with George C. Wolfe and Academy. ONLINE: www.HAtheSeries.com University. UPCOMING: Release of debut Gregory Hines on the choreography of Jelly's and www.PerryOjeda.com solo CD, Adam James. Performing in Last Jam, for which he received Tony Award Vancouver during 2010 Winter Olympics. and Drama Desk nominations, and the Outer Victoria Platt www.adamjames.us Critics Circle Award. Levy also appeared on (Altovise Gore/Ensemble) Broadway in Black and Blue and as Papa BROADWAY: Troy Britton Johnson Jack in Susan Stroman and Harry Connick, Original Broadway (Sgt. Jennings/Cohn/Dean Martin/ Jr.'s Thou Shalt Not. He received a Helen production of Jelly's Ensemble) Hayes Award for his portrayal of The Mikado Last Jam directed BROADWAY: Troy in The Ford’s Theatre production of The Hot by George C. Wolfe. created the role of Mikado. Levy made his film debut in Spike REGIONAL: Pippin, the tap dancing, Lee’s Malcolm X, appeared with Gregory Mark Taper Forum; blind-folded roller Hines in Bojangles and received an Emmy Atlanta, Geffen skating groom Award for his television debut performance Playhouse; Asphalt, Robert Martin in in the PBS Special “Precious Memories.” He REDCAT; Smoke, The Drowsy is the recipient of the 2008 Gregory Hines Lilies and Jade, The Chaperone. Also, Humanitarian Award. He offers his sincere Public Theater; All Night Strut, Fullerton Civic Joe Hardy in Damn gratitude to his trainers Shirley Hall Bass and Light Opera; Last Days of Judas Iscariot, Black Yankees directed Lois Simon. Dahlia Theatre; The Hot Mikado, Ford’s by Jack O’Brien, Theatre; Hope Runs Eternal (NAACP Elvis in the short-lived sequel The Best Little Keewa Nurullah nomination), Nate Holden Performing Arts Whorehouse Goes Public and the original (Lola Folana/Ensemble) Center; Dreamgirls, Westchester Broadway company of The Will Rogers Follies, both NATIONAL TOUR: Theatre; Women of Plums, The Kennedy directed by Tommy Tune. He originated the On the Record Center; Matt Sax & Eric Rosen’s hip-hopsical role of Corny Collins in the first national tour (Disney Theatri- Venice, Kirk Douglas Theatre. EUROPEAN of Hairspray and played Teddy Slaughter in cals). REGIONAL: TOUR: Hair. FILM: Jonah Hex starring Josh the national tour of The Full Monty, both Monty Python’s Brolin (2010), My Girlfriend’s Back (2010), directed by Jack O’Brien. OFF BROADWAY: Spamalot, Las Cover, Flip the Script, Winchell (HBO), True Craig Prince in Charles Busch’s infamous Vegas; Peter Pan, Grits (Cannes Short Film Corner), 'Round Vampire Lesbians of Sodom. REGIONAL: The MUNY; Joseph Midnight. TV: “CSI: Miami,” “Crossing Jordan,” Steven Kodaly in She Loves Me at both the and the Amazing “Strong Medicine,” “Guiding Light,” Huntington Theater in Boston and the Technicolor “Barbershop” and “All My Children.” Williamstown Theatre Festival directed by Dreamcoat, The Nicholas Martin; The Drowsy Chaperone, MUNY and Kansas City Starlight Theatre. Anise Ritchie Ahmanson Theater; A House in the Woods, FILM: Save the Last Dance. TV: “Victoria’s (Ensemble) Goodspeed Opera House; A Day in Secret Fashion Show.” THE OLD GLOBE: Hollywood, A Night in the Ukraine, Bristol Dr. Seuss’ How The Riverside Theater; Violet, Laguna Playhouse; Grinch Stole Cinderella, Santa Barbara Civic Light Opera; Christmas! (2007, South Pacific, Westbury Music Fair as well as 2008). NATIONAL productions of Strike Up the Band (Timothy TOUR: Ain't Fletcher), and Bells Are Ringing (Blake Misbehavin', Barton) for Los Angeles’ Reprise Theatre Menopause The Company. FILM: Blood Night, Life in Flight, Musical. ELSE- and Calling it Quits. TV: Disney’s “Geppetto,” WHERE: Beehive, “The Drew Carey Show,” “Beverly Hills, The 60's Musical,

PERFORMANCES MAGAZINE P13 Profiles (continued)

Sierra Repertory Theatre; Showboat, Alonzo Saunders time writer-composer-lyricist. His Townsend Opera Players; Once on this Island, (Murphy/Ensemble) subsequent stage musicals include Stop the TheatreWorks; A Grand Night for Singing, BROADWAY: World—I Want to Get Off, The Roar of the Smokey Joe’s Café, California Conservatory Chicago, Showboat Greasepaint—The Smell of the Crowd, Theatre; Little Shop of Horrors, Portland Civic LONDON WEST Pickwick, Harvey, The Good Old Bad Old Theatre; Oregon Shakespeare Festival; The END: The Rat Pack Days, Goodbye, Mr. Chips, Henry’s Wives, Dance on Widow’s Row, Blue, Eubie and Ain't — Live From Las Scrooge, One Shining Moment, Sherlock Misbehavin', Lorraine Hansberry Theatre, San Vegas. . TOURS: Holmes, Jekyll and Hyde and Victor/Victoria. Francisco. WORKSHOP: San Francisco's The Rat Pack, He has written songs and/or screenplays for Aftershock. EUROPEAN TOUR: Emmitt Chicago, The such films as Doctor Dolittle, Scrooge, Willy Powell and the Gospel Elites (Lead Singer). Wizard of Oz. Wonka and the Chocolate Factory, EDUCATION/ TRAINING: International REGIONAL: Goodbye, Mr. Chips, Superman, Performing Arts Academy, San Francisco; Ragtime, Maine Victor/Victoria, Santa Claus – The Movie, Academy of Arts, San Francisco. State Music Theatre; La Cage Aux Folles, Home Alone I & II, Hook, Tom & Jerry – The Stages St. Louis; Oliver!, Paper Mill Movie,; and various Pink Panther films. Lance Roberts Playhouse; A Chorus Line, Theater By The Bricusse has written more than 40 musical (Will Mastin) Sea. FILM: My Father's Will. TV: “30 Rock.” shows and films, and over the years has had Originally from the good fortune to enjoy fruitful New York, Lance Sarrah Strimel collaborations with an array of musical now makes his (WAC/Ensemble/Dance Captain) talents, including Anthony Newley, Henry home in L.A. where BROADWAY: Mancini, John Williams, John Barry, Jerry he has appeared in Young Franken- Goldsmith, Jule Styne, Quincy Jones, Andre almost 100 stein (Inga u/s), The Previn, Frank Wildhorn and Peter Illyich professional shows Producers (Ulla Tchaikovsky (whose Nutcracker Suite he including the u/s). Encore adapted into a song score). His better-known original L.A. casts Theatre Company’s songs include “What Kind of Fool Am I?,” of: Cats, I Love You Stairway to “Once in a Lifetime,” “Gonna Build a You’re Perfect Now Paradise. Mountain,” “Who Can I Turn To?,” “The Change, Forbidden NATIONAL Joker,” “If I Ruled the World,” “My Kind of Hollywood, The All Night Strut, Once on this TOURS: Dirty Girl,” “Talk to the Animals,” “You and I,” Island and most recently Ain’t Misbehavin’ at Rotten Scoundrels “Feeling Good,” “When I Look in Your Eyes,” the Music Center’s Ahmanson Theater. San (Jolene u/s), The Producers (1st and 2nd “Goldfinger,” “Can You Read My Mind?” (the Diego audiences have seen him at San Diego Nat.). REGIONAL: Minsky's (Mary u/s), Love Theme from Superman), “You Only Live Repertory, La Jolla Playhouse, Moonlight, Ahmanson Theatre; Lil Abner (Stupifyin' Twice,” “Le Jazz Hot!,” “On a Wonderful Day Welk and Gaslight Theatres. NEW YORK: Jones), Goodspeed Opera House; Cats Like Today,” “Two for the Road,” “The Candy Forbidden Hollywood (original casts), Radio (Bombalurina), Houston Theater Under the Man,” “This Is the Moment,” “Crazy World,” City’s America and the revival of The Me Stars; 42nd St. (Anytime Annie), Atlanta “Pure Imagination” and “Oompa-Loompa- Nobody Knows. TOURS: Ragtime, Theater of the Stars and Wolf Trap; as well as Doompa-Dee-Doo.” He has been nominated Dreamgirls, Five Guys Named Moe and many many shows at Pittsburgh Civic Light Opera, for ten Academy Awards, nine Grammys and others. REGIONAL: Antony and Cleopatra, St. Louis’ The MUNY and Starlight Theatre four Tonys, and has won two Oscars, a Driving Miss Daisy, I’m Not Rappaport and (Kansas City). Grammy and eight Ivor Novello Awards. many other original works. TV: “Numb3rs,” Hundreds of Bricusse’s songs have been “Related,” “The Drew Carey Show,” Leslie Bricusse recorded by major artists, including Frank “Girlfriends” and “Zoey 101,” as well as DVD (Book, Music and Lyrics) Sinatra, Nat King Cole, Judy Garland, Aretha classics such as “Knots Landing,” “Dallas,” Double Oscar and Grammy winner Leslie Franklin, Barbra Streisand, Sammy Davis, Jr. “The Colbys,” “My Two Dads” and more. He Bricusse is a writer-composer-lyricist who (who recorded 60 Bricusse songs), Tony has been playing Jafar at Disney’s California has contributed to many musical films and Bennett, Shirley Bassey, Tom Jones, Petula Adventure since the beginning of its 7000 plays during his career. He was born in Clark, Julie Andrews, Liza Minnelli, Elaine performance run in Aladdin, The Musical London and educated at University College Paige, Anthony Newley, Michael Feinstein, Spectacular. School and Gonville and Caius College, Bette Midler, the Moody Blues, Nancy Cambridge. The late, great Beatrice Lillie Sinatra, Lena Horne, Sergio Mendes, Nina plucked him out of the Footlights Revue at Simone, Dionne Warwick, Ray Charles, Ethel London’s Phoenix Theatre and made him her Merman, Placido Domingo, Jennifer Holliday, leading man in An Evening with Beatrice Lillie Danny Kaye, Robbie Williams, Mariah Carey, at the Globe Theatre, where he spent the Linda Eder, Maroon 5, Michael Bublé, and first year of his professional life writing the the Black Eyed Peas. In 1989 he received the musical, Boy on the Corner, and the Kennedy Award for consistent excellence in screenplay and score of his first motion British songwriting, bestowed by the British picture, Charley Moon, which won his first Academy of Songwriters, Composers and Ivor Novello Award, Britain’s premiere music Authors, and was inducted into the American award. That year he decided to drop the Songwriters Hall of Fame – only the fourth possibilities of directing and performing, and Englishman to be honored – after Noël concentrate his career on becoming a full- Coward, John Lennon and Paul McCartney.

P14 PERFORMANCES MAGAZINE Anthony Newley Glover received an Outstanding Writing in a Fabio Toblini (Additional Songs) Feature Film/Television Movie Image Award (Costume Design) Anthony Newley garnered three Tony Award nomination for Life is Not a Fairytale: The THE OLD GLOBE: The Pleasure of His nominations (Best Actor, Best Musical Fantasia Barrino Story. Company, The Two Gentlemen of Verona. Author and Best Composer and Lyricist) for OFF BROADWAY: Hedwig and the Angry Stop the World—I Want to Get Off and two Keith Young Inch, Batboy: The Musical, Intrigue with Tony Award nominations (Best Director and (Choreographer and Musical Staging) Faye. NATIONAL TOURS: Godspell, Fame, Best Composer and Lyricist) for The Roar of BROADWAY: On The Town. REGIONAL: Jesus Christ Superstar. OPERA: Zar und the Greasepaint—The Smell of the Crowd, Crowns, Pasadena Playhouse; Thunder Zimmermann, Tiroler Landestheater both written with his longtime collaborator, Knocking on the Door; Cheer, Theatre (Austria); Macbeth, Portland Opera; L’Opera Leslie Bricusse. After the worldwide success Workshop/Richard Frankel Productions. Seria, Tales of Hoffmann, Nationale of these two hit musicals, Mr. Newley FILM: Director Nancy Meyer’s upcoming Reisopera Holland. DANCE: Romeo and ventured into film with roles in Doctor feature It’s Complicated with Meryl Streep Juliet, Dominic Walsh Dance Theatre; The Dolittle and Sweet November. Other film and Alec Baldwin, The Baster with Jennifer Nutcracker, Ballet Arizona. REGIONAL: credits as director, actor or producer include Aniston, Rent, Something’s Gotta Give with American Players Theatre, Alley Theatre, Summertree, It Seemed Like a Good Idea at Jack Nicholson, What Women Want with Mel Guthrie Theater, The Shakespeare Theatre, the Time, Mr. Quilp and Can Hieronymous Gibson, Dark Streets, The Holiday, Rat Race, Ford's Theatre, Long Wharf Theatre, Merkin Ever Forget Mercy Humppe and Find The Affair of the Necklace, The Parent Children’s Theatre Company in Minneapolis. True Happiness? His collaborations with Mr. Trap. TV: The Academy Awards, The Emmy ELSEWHERE: Creature from the Black Bricusse also produced the score to the Awards, The Grammy Awards, The NAACP Lagoon, Universal Studios Hollywood. television production of Peter Pan which Image Awards, “Pushing Daisies,” “So You EDUCATION: Istituto Marangoni, Milano; starred Danny Kaye and Mia Farrow, the film Think You Can Dance,” “The Drew Carey Parsons School of Design, NYC. AWARDS: Willy Wonka and the Chocolate Factory, and Show” (Emmy Award nominee), “Seinfeld,” 2008 Irene Sharaff Award, 2001 Lucille the London stage production of the Good “Christopher Reeve: A Celebration of Hope” Lortel nomination for Batboy: The Musical. Old Bad Old Days. Together they created (American Choreography Award). MUSIC www.Fabiotoblini.com. such standards as “What Kind of Fool Am I?,” ARTISTS HIGHLIGHTS: Madonna, Baby “Who Can I Turn To?,” “Goldfinger,” “Once in Face, Bette Midler, Josh Groban, Outkast, Chris Lee a Lifetime” and Sammy Davis, Jr.’s Phil Collins, LL Cool J, Talking Heads, Red (Lighting Design) international hit record “The Candy Man.” Hot Chili Peppers, Gladys Knight, Natalie THE OLD GLOBE: The Glass Menagerie. On television he played opposite Joan Cole, Brian Boitano, Earth Wind & Fire. BROADWAY/WEST END: Fame Becomes Collins in the “Tonight at Eight Thirty” series, Me, Linda Eder Live at the Gershwin, “Red Peppers” and “Fumed Oak.” His final Alexander Dodge Shakespeare’s R&J (Tokyo & London). OFF television appearances were in “Eastenders” (Scenic Design) BROADWAY: Broadway Bares VI – XIV, and “The Lakes.” Mr. Newley devoted his THE OLD GLOBE: The Pleasure of His Floyd And Clea Under The Western Sky, time in later years to personal appearances Company, Bell, Book and Candle, The Sisters Saving Aimee!, The Mistress Cycle, Under in nightclubs and cabarets around the world Rosensweig, Moonlight and Magnolias. The Bridge, Boy, The Mysteries Of Harris performing his highly acclaimed one man BROADWAY: Old Acquaintance, Burdick, The Violet Hour, … in the absence of show. During the last five years of his life he Roundabout Theatre Company; Butley, spring…, Sarah, Plain And Tall, Skyscraper, achieved enormous success in the musical Hedda Gabler with Kate Burton. OFF Cloud Nine, Linda Eder Live at Carnegie version of Scrooge culminating in a record BROADWAY: The Understudy, Roundabout Hall. REGIONAL: Kiss Of The Spider Woman breaking season at London’s Dominion Theatre Company; Mom, How Did You Meet (2009 Helen Hayes Award), The Glass Theatre. the Beatles?, Paris Commune, Measure for Menagerie, M. Butterfly (Barrymore Pleasure, The Public Theater; Antony and nomination), Merrily We Roll Along, The Keith Glover Cleopatra, Theatre for a New Audience; The Word Begins, The Witches Of Eastwick, Into (Director) Water’s Edge, Second Stage Theatre; the Woods, Assassins, Urinetown (Helen The multitalented Keith Glover returns to Observe the Sons of Ulster… (Lortel Award) Hayes nomination), Elegies: A Song Cycle The Old Globe having previously directed and Chaucer in Rome, Lincoln Center (Barrymore nomination), The Burnt Part his own work, Thunder Knocking on the Door, Theater; Force Continuum and Sexual Boys, The Last Five Years (Barrymore winner of the American Theatre Critics Perversity in Chicago, Atlantic Theater nomination), Follies (Helen Hayes Association’s Osborn Award. He authored a Company. REGIONAL: Alley Theatre, Arena nomination), Hedwig and the Angry Inch new adaptation of the Sammy Davis, Jr. Stage, CENTERSTAGE, Huntington Theatre, (Helen Hayes nomination), Grand Hotel, vehicle, Golden Boy (based on the original The Gate Theatre (Dublin), Geffen Sideshow, I Am My Own Wife, Of Mice and by Clifford Odets and William Gibson) and Playhouse, Mark Taper Forum, Papermill Men, My Fair Lady, Four Dogs and a Bone, has directed many of his own plays including Playhouse, The Shakespeare Theatre and Three Viewings. ELSEWHERE: The In Walks Ed which was nominated for the Company (D.C.), Stratford Festival of Pajama Game (National Tour), The Pulitzer Prize; Dancing on Moonlight, Canada, Triad Stage, Williamstown Theatre Backyardigans (National Tour), Barbie Live In produced by the New York Shakespeare Festival and Yale Repertory Theatre. Fairytopia (National Tour), Jesus Christ Festival; Coming of the Hurricane, a finalist OPERA: Der Waffenschmeid (Munich); The Superstar (European Tour), Twice Charmed for the American Theatre Critics Award for Flying Dutchman (Würzburg); Lohengrin and Remember the Magic for Disney Best Play; The Rose of Corazon, Jazzland, (Budapest); Il Trittico (Berlin). Mr. Dodge is a Creative Entertainment, Peep Show for Dark Paradise, The Clandestine Crossing graduate of the Yale School of Drama. Planet Hollywood Resort And Casino, and and The Sword of Kazaran. As an actor, he the feature film Camp. His studio, has appeared on stage, television and film. Lightworks, conceives and designs lighting

PERFORMANCES MAGAZINE P15 Profiles (continued) for clients such as Coke, Ford Motor Ian Fraser King’s Singers, The Broadway Kids, Wonder Company, Sony Ericsson, American Express, (Music Supervisor/Vocal Arrangements) Pets. As a composer, his musical They Chose Bell Canada and Intel. Ian Fraser came to New York from England in Me written with Michael Colby (on the 1962 with Anthony Newley’s and Leslie subject of adoption) has its ninth production John H. Shivers Bricusse’s Stop the World—I Want to Get Off, this fall, and he, Colby, and filmmaker/ (Sound Design) for which he was Musical Director and bookwriter Susan Seidelman are developing Broadway sound design credits include: 9 to Arranger of both the original London and a musical based on Seidelman's 2006 film 5 (2009 Drama Desk Award nomination for Broadway productions. After conducting Boynton Beach Club. AWARDS: National Outstanding Sound Design), Cat on a Hot Tin Pickwick on Broadway, he served as Vocal Endowment for the Arts, N.A.R.A.S, Jazz Roof, The Little Mermaid, Tarzan, In My Life, Supervisor for Doctor Dolittle, and was John Educators, Downbeat magazine. Billy Crystal's 700 Sundays, Julia Sweeney's Williams’ associate on Goodbye, Mr. Chips. God Said 'Ha.’ He is also credited as the For the musical film Scrooge, starring Albert Rahn Coleman Associate Sound Designer for Broadway and Finney, both he and Mr. Bricusse received (Music Director/Conductor/Dance worldwide productions of Mary Poppins, The Academy Award nominations. He and Mr. Music Arranger) Lion King, The Producers, Hairspray, Elton Bricusse have now worked together for over Mr. Coleman’s depth, passion and artistry are John and Tim Rice’s Aida, Titanic, How to fifty years. His association with Sammy Davis, rarely matched in the areas of musical Succeed in Business Without Really Trying, Jr. began in 1961, when he wrote Mr. Davis’ direction, piano and professional Big, The Who's Tommy, Guys and Dolls and first arrangement of “What Kind of Fool Am performance coaching. He has served as Buddy — The Buddy Holly Story. Other I?” and continued for many years on musical director, conductor and pianist for credits include work on various productions television specials, and Mr. Davis’ revival of Play On, Purlie, Blues in the Night, Lady Day of Ace, Savion Glover, Dionne Warwick and Stop The World. In 1977, he received his first at Emerson’s Bar and Grill, The Wiz, Ain’t Burt Bacharach and Gregory Hines. Mr. Emmy Award for the Musical Direction of Misbehavin, and the world premiere of Ray Shivers is married to singer/songwriter “America Salutes Richard Rodgers,” Charles Live! at the Pasadena Playhouse, Catherine Porter with whom he has a gem of beginning what was to become the longest winning the professional musical theater a daughter, Ruby. run of individual Emmy nominations in the award given by the NAACP for best musical history of the Television Academy. In 2009, direction. A product of extensive classical David Patridge he received his thirtieth nomination, and was training having studied at Fisk University and (Sound Design) awarded his eleventh Emmy in 1993 for the under the renowned teacher Nadia THE OLD GLOBE: Ace. SOUND DESIGNER: 52nd Presidential Inaugural Gala. In Boulangier, Mr. Coleman has over 30 years of Singin’ In The Rain, Ordway Music Theatre; December 2009, he will once again be the professional experience having performed, Ace, Repertory Theatre of St. Louis/ Musical Director for TNT’s 26th “Christmas conducted coached and arranged for such Cincinnati Playhouse; Sweeney Todd, Miss in Washington,” which he has conducted notables as Aretha Franklin, Freda Payne, Saigon, 5th Avenue Theatre; Angels in every year since its inception in 1982, and Nichelle Nichols, Michael Feinstein, Gladys America, Canadian Stage; Needfire as well as for which he has received three of his Emmy Knight, Barry White, The Ojays, The numerous concerts and special events, Awards. His 2009 Emmy nomination was his Temptations, Tina Turner, Ray Charles, Sarah Mirvish Productions. BROADWAY (As tenth for this show. His film scores include Vaughn, the Philadelphia Philharmonic and Associate Sound Designer): 9 to 5 The Hopscotch, First Monday in October and the Clinton Presidential Inaugural Orchestra. Musical, The Little Mermaid, Mamma Mia! Zorro the Gay Blade. He has been Julie Mr. Coleman is the recipient of national and (also Toronto, USA Tours, Germany, the Andrews’ musical director since 1973, international critical acclaim and always in Netherlands and Mexico City), Tarzan (also returning to Broadway with her to conduct the running for top honors. Hailed as one of Germany and the Netherlands), Cat on a Hot Victor/Victoria. His 1995 and 1997 the most effective performance coaches Tin Roof and In My Life. ELSEWHERE: We Broadway albums with Ms. Andrews on around he is in great demand by directors Will Rock You, Las Vegas and Toronto; Philips Classics were Grammy nominated. and producers alike for his work with their Pajama Game (also Toronto), London West He is the past President of the American lead singers. He also contributes his artistic End; Béatrice et Bénédict, Toronto, Canadian Society of Music Arrangers and Composers, gifts through service as Minister of Music at Opera Company. BROADWAY(As Mixer): and recently completed his eighth two-year Christ the King Lutheran Church in Southern Tarzan, Cat on a Hot Tin Roof and Buddy — term as a Governor of the Academy of California. As producing director of “The The Buddy Holly Story. TORONTO: Mamma Television Arts and Sciences. He and his wife Mystic Knight Recorder,” L.A’.s leading Mia!, Rent, Beauty and the Beast, Crazy For Judith, a marriage and family therapist, underground studio, new vistas for world You, Pajama Game, Jolson, Jane Eyre, Man writer and actress, reside in Los Angeles. class music and its performance are in of La Mancha and Oliver! TOURS: Mamma constant creation. Mia!, Guys and Dolls, Buddy — The Buddy Ned Paul Ginsburg Holly Story and Rent. Winner of 2007 Kevin (Orchestrator) Tara Rubin Casting Kline award for outstanding sound design for BROADWAY: Liza’s at the Palace..., Beauty (Casting) Ace. and the Beast, Gershwins’ Fascinatin’ THE OLD GLOBE: The First Wives Club — A Rhythm, Minnelli on Minnelli. REGIONAL/ New Musical. BROADWAY/TOURS: Guys OFF BROADWAY: Paper Moon, Casper, The and Dolls, Billy Elliot (Adult Casting), Shrek, Apple Tree, Inside Out, Sharon. CONCERT/ The Country Girl, Rock ‘n’ Roll (US casting), TV/FILM: Bernadette Peters, Diahann The Farnsworth Invention, Young Carroll, Elaine Stritch, Kathie Lee Gifford, Frankenstein, The Little Mermaid, Mary The Academy Awards, Radio City Music Hall, Poppins, My Fair Lady, The Pirate Queen, Faith Prince, Michael Collins (Elliot Les Misérables, The History Boys (US Goldenthal), Tony Danza, Marilyn Horne, The Casting), Spamalot, Jersey Boys, The 25th

P16 PERFORMANCES MAGAZINE Annual Putnam County Spelling Bee, The Louis G. Spisto Foxes, Hapgood (Lucille Lortel Award for Producers, Mamma Mia!, The Phantom of the (CEO/Executive Producer) Direction, 1995), Damn Yankees (Tony Opera, Good Vibrations, Bombay Dreams, Lou Spisto directs both the artistic and nomination Best Musical Revival), Two Oklahoma!, Happiness, Flower Drum Song, administrative activities of The Old Globe. Shakespearean Actors (Tony nominations: Imaginary Friends, Metamorphoses, Frogs, During his tenure, Mr. Spisto spearheaded Best Director and Play), Porgy and Bess for Contact, Thou Shalt Not, A Man of No the return of the Shakespeare Repertory Houston Grand Opera and Broadway (Tony Importance. Yale Repertory Theatre. Company, revitalized the Globe’s new works Award), as well as Radio City Music Hall, Il program, resulting in ten world premiere Trittico, Metropolitan Opera. RECENT David Sugarman plays and eight world premiere musicals, and AWARDS: 2008 Theatre Hall of Fame (Stage Manager) produced more than 100 productions. Under Inductee, 2004 Thomas Degaetani Award THE OLD GLOBE: The Times They Are A- Mr. Spisto’s leadership, ticket sales and (USITT), 2002 “Mr. Abbott” Award (SDCF), Changin’. BROADWAY: South Pacific, contributions have increased substantially, 2001 Joan Cullman Award for Extraordinary (Lincoln Center Theater), Pygmalion, and the fiscal health of the organization has Creativity, 2001 Joe A. Callaway Award Journey’s End, The Times They Are A- been strengthened to support the expanded (SDCF), the Drama League’s Julia Hansen Changin’, Amour, The Elephant Man, Dance artistic vision. Mr. Spisto has successfully led Award for Excellence in Directing, 2001. of Death, Jane Eyre, Marlene, Little Me, the Globe’s $75 million Capital Campaign Honorary Doctorate, University of Michigan. 1776, Taking Sides, Indiscretions. NATIONAL and managed the development of the Honorary Doctor of Humane Letters, TOURS: Hairspray, Fosse, West Side Story. Conrad Prebys Theatre Center, which University of San Diego. Recipient of REGIONAL: What is the Cause of Thunder?, includes a new state-of-the-art arena theatre ArtServe Michigan’s 2008 International Williamstown Theatre Festival; Pippin, Deaf and education center opening, in December Achievement Award. Mr. O’Brien is a West/Mark Taper Forum. OFF BROADWAY: 2009. An advocate of arts education, Mr. member of the College of Fellows of the Playwrights Horizons, Manhattan Theatre Spisto created a number of new programs American Theatre. Club, Second Stage Theatre, City Center that serve tens of thousands of young San Encores, MCC Theatre and Theatre for a Diegans each year. These programs include a New Audience. bilingual summer Shakespeare intensive, a major initiative in Southeastern San Diego Jess Slocum which includes the development of new (Assistant Stage Manager) works for younger and more diverse FOR THIS PRODUCTION THE OLD GLOBE: Cornelia, Since Africa, Dr. audiences, and free student matinees of the Seuss’ How the Grinch Stole Christmas! (’07, Globe’s regular productions. Mr. Spisto holds Additional Staff ’08), The Glass Menagerie. BROADWAY: In a Master’s degree from the University of the Heights. REGIONAL: The Third Story, Wisconsin and a Bachelor’s degree from the Asst. Director ...... Charmen Jackson Memphis, Most Wanted, La Jolla Playhouse; University of Notre Dame. He has served as Asst. Choreographers Tranquility Woods, Steppenwolf Theatre chief executive for the Pacific Symphony, ...... Sharon Ferrol-Young, Dominique Kelley Company; Romeo and Juliet, Nashville Opera Detroit Symphony and American Ballet Asst. Scenic Design ...... Sean Fanning Association. EDUCATION: BA’s in Theatre Theatre. First Asst. Costume Design and Sociology from Vanderbilt University...... Charlotte Devaux Member Actors’ Equity Association. Love and Second Asst. Costume Design thanks to Ross. Jack O’Brien (Artistic Director Emeritus) ...... Shelly Williams Mr. O’Brien served as the Artistic Director of Asst. Lighting Design ...... Shawna Cadence, The Old Globe from 1982 through 2007. James Tan UNDERSTUDIES Recent Globe productions: Dirty Rotten Voice and Dialect Coach...... Jan Gist Scoundrels, Imaginary Friends, Twelfth Night, Production Asst...... Marie Natoli Sammy Davis, Jr., Will Mastin, The Full Monty, The Seagull, The Magic Fire, Rehearsal Pianist ...... Charlie Reuter Sammy Davis, Sr...... Alonzo Saunders Dr. Seuss’ How the Grinch Stole Christmas! Rehearsal Drummer...... Jeff Dalrymple Rosa Davis, Lola Folana, WEST END: Love Never Dies (sequel to Projections/Montage Design Altovise Gore ...... Anise Ritchie Andrew Lloyd Webber’s Phantom, Fall 2009), ...... Aaron McFarland WACs ...... Stephanie Girard Hairspray (Olivier Award for Best Musical, Interns...... Megan Danielson, Frank Sinatra, Dean Martin, Cohn, Best Director nomination). BROADWAY: Catherine Miller, Stephen Ravet Sgt. Jennings, Murphy ...... Perry Ojeda Catch Me If You Can, Impressionism (March 2009) Creator/ Supervisor, Dr. Seuss’ How May Britt...... Mary Ann Hermansen the Grinch Stole Christmas!, The Coast of Kim Novak...... Lauren Haughton Utopia (2007 Tony Award for Best Direction of a Play, which won a total of 7 Tony Awards, including Best Play), Dirty Rotten Scoundrels SPECIAL THANKS (Tony nominations: Best Director and Musical), Henry IV (Tony Award), Hairspray Tara Rubin Casting Lonnie Gettman — Designer Fabrics (Tony Award), The Invention of Love (Tony Tara Rubin, CSA, Merri Sugarman, CSA, Wear It Again Sam nominations: Best Director and Play), The Eric Woodall, CSA, Laura Schutzel, CSA, Full Monty (Tony nominations: Best Director Dale Brown, Paige Blansfield, Kaitlin Shaw and Musical), More to Love, Labor Day, St. Louis Woman, Pride’s Crossing, The Little

PERFORMANCES MAGAZINE P17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) The Legler Benbough Foundation Globe Guilders The Shubert Foundation Mary Ann Blair Supervisor Bill Horn Vice Chairwoman Pam Slater-Price City of San Diego Commission for and the County of San Diego and the County of San Diego Arts & Culture The James Irvine Foundation Sheryl & Harvey White Foundation Audrey S. Geisel/The San Diego Donald & Darlene Shiley Foundation Dr. Seuss Fund

Season Sponsors ($50,000 to $99,999) Bank of America Valerie & Harry Cooper Conrad Prebys & Debra Turner John A. Berol Gigi & Ed Cramer QUALCOMM, INC. California Bank & Trust Edgerton Foundation Mickey Stern J. Dallas & Mary H. Clark Fund at HM Electronics, Inc. Wells Fargo The San Diego Foundation Joan & Irwin Jacobs Fund of the Karen & Donald Cohn Jewish Community Foundation Peter Cooper & Norman Blachford The Bernard & Dorris Lipinsky Advised Fund at the San Diego Fund of the Jewish Community Human Dignity Foundation Foundation

Production Sponsors ($25,000 to $49,999)

Mary Beth Adderley & Elizabeth Adderley Danah H. Fayman The San Diego Foundation’s Art American Airlines Kathryn & John Hattox Works for San Diego Initiative, American Express Barbara & Neil Kjos supported by The James Irvine Alan Benaroya National Corporate Theatre Fund Foundation, Ariel W. Coggeshall Cohn Restaurant Group/ National Endowment for the Arts Fund and The San Diego Prado Restaurant Sempra Energy Foundation Endowment Continental Airlines Sheraton San Diego Hotel & Marina Gillian & Tony Thornley Union Bank of California U.S. Bank Mandell Weiss Charitable Trust

Directors Circle ($10,000 to $24,999)

Anonymous Pamela A. Farr Supervisor Ron Roberts and the Jane Smisor Bastien Hal & Pam Fuson County of San Diego Arthur & Sophie Brody Fund of the Robert Gleason & Marc Matys Jean & Gary Shekhter Jewish Community Foundation Lee & Frank Goldberg Patsy & Forrest Shumway The Louis Yager Cantwell Private Martin Goodman Ms. Jeanette Stevens Foundation Ingrid B. Hibben Anne Taubman & David Boyle Deni & Ken Carpenter Deni & Jeff Jacobs Evelyn Mack Truitt Pamela & Jerry Cesak Daphne H. & James D. Jameson Brent V. Woods & Laurie C. Mitchell Elaine & Dave Darwin Dr. Ronald & Mrs. Ruth Leonardi June E. Yoder Mr. & Mrs. Brian Devine Sue & John Major Carolyn Yorston-Wellcome Nina & Robert Doede Dr. Patricia Montalbano Robert & Deborah Young Dr. & Mrs. Robert Epsten Allison & Robert Price Carol Spielman-Ewan & Joel Ewan Price Family Charitable Fund P18 PERFORMANCES MAGAZINE FOUNDER CIRCLE Mrs. Philip H. Dickinson Tom & Lisa Pierce ($5,000 to $9,999) Jim & Sally Ditto Matthew & Judith Pollack Anonymous Marion Eggertsen Mo & Bill Popp Lawrence G. Alldredge & Dawn Moore Peter & Doris Ellsworth Dr. & Mrs. Daniel Porte Richard & Kathy Binford Mr. & Mrs. Ira S. Epstein Brian & Paula Powers The Colwell Family Fund at Alan & Pauline Fatayerji Joanne Powers The San Diego Foundation Carol Fink The Pratt Memorial Fund at Union Bank R. Patrick & Sharon Connell Mary & David Fitz of California Bernard J. Eggertsen & Florence Nemkov Susanna & Michael Flaster Joseph & Jane Rascoff Martha & George Gafford Samuel I. & John Henry Fox Foundation Sarah B. Marsh-Rebelo & John G. Rebelo Mary Ann & Arnold Ginnow at Union Bank of California Mrs. Charlotte Rees Leo S. Guthman Fund Millicent & Charles Froehlich Roger & Christine Roberts Alexa Kirkwood Hirsch Deede Gales Nancy J. Robertson Leonard & Elaine Hirsch Barbara & Albert Garlinghouse Warren & Beverly Sanborn Melissa & James Hoffmann Bill & Judy Garrett Sherry & Charles Sheppard Carol & George Lattimer Drs. Thomas H. & Jane D. Gawronski Drs. Joseph & Gloria Shurman Peter & Inge Manes Sheila & Tom Gorey Nancy & Alan Spector and Family Paul I. & Margaret W. Meyer Ms. Cheryl Haimsohn Nancy Steinhart & Rebecca Goodpasture Money/Arenz Foundation, Inc. Norm Hapke & Valerie Jacobs Hapke Hannah & Eugene Step Harle Garth Montgomery Drs. Patrick Harrison & Eleanor Lynch Julie & Bob Sullivan Arthur & Marilyn Neumann Susan & Dr. Ronald Heller Cherie Halladay Tirschwell Charles & Barbara Noell Dr. & Mrs. Peter K. Hellwig Ric Torres The Kenneth T. & Eileen L. Norris Rhonda Heth & Thomas Mabie Carol Vassiliadis Foundation Dr. & Mrs. Harry F. Hixson, Jr. Doris & Lou Vettese John & Marcia Price Family Foundation Tish & Jere Horsley Jordine Von Wantoch Ellen C. Revelle* Dr. David K. Hostetler Merle Wahl Jeannie & Arthur Rivkin Richard & Janet Hunter Jan Harden Webster & Raul Ortega Deborah Szekely Hutcheson Family Fund at Chris & Pat Weil The Thursday Club Foundation The San Diego Foundation Helene & Allan Ziman Dixie & Ken Unruh Al Isenberg & Regina Kurtz Drs. Sonia & Andy Israel ($1,500 to $2,499) CRAIG NOEL CIRCLE Al* & Pat JaCoby Anonymous As of July 2008, the Craig Noel Circle Mary & Russell Johnson Anita Busquets & William Ladd includes gifts of $2,500 - $4,999. This change Dr. & Mrs. Richard L. Kahler Lisa & David Casey is being phased in over the current year as William Karatz Ron & Devora Eisenberg - Great News! patrons renew their gifts. For donors who Marge & Jerry Katleman Joy & Dr. Fred Frye contribute to the Paver Campaign, the Maurice Kawashima Elaine & Murray Galinson phase-in period is up to five years. Bob* & Gladys King Gary & Carrie Huckell Ken & Sheryl King Jackie Johnston-Schoell ($2,500 to $4,999) Jane & Ray Klofkorn William & Edythe Kenton Richard Addesso Curt & Nancy Koch Jo Ann Kilty Dr. & Mrs. Wayne Akeson Brooke & Dan Koehler Sherry & Larry Kline Gail, John & Jennifer Andrade Rosalie Kostanzer & Mike Keefe Christopher & Cheryl Lee Dr. Bob & Jill Andres Bob & Laura Kyle Robin J. Lipman & Miro Stano Anonymous (3) Dr. Eric Lasley & Judith Bachner Elizabeth Meyer Mr. & Mrs. Richard Baldwin Ledford Enterprises Inc. Akiko Charlene Morimoto & Melissa Garfield Bartell & Michael Bartell Terry & Mary Lehr Hubert Frank Hamilton,Jr. Joan & Jeremy Berg Ms. Sherrill Leist Nancy & James Mullen Charles & Charlotte Bird James & Pamela Lester Dolly* & Jim Poet Paul Black Jerry Lester, M.D./Rosarito, Mexico Marie & Don Prisby Dr. Herman & Irene Boschken Sandy & Arthur Levinson Sanderson Family Donor Advised Fund Dr. & Mrs. Edgar D. Canada Mathew & Barbara Loonin at the Rancho Santa Fe Foundation George & Ellen Casey Merriel F. Mandell, Ph.D. Marisa SorBello & Peter Czipott Carol & Rudy Cesena Charlie & Jackie Mann Pat & Jack Thomas Carol & Jeff Chang R.J. Maus, Architects Pamela J. Wagner Garet & Wendy Clark Elizabeth & Edward McIntyre Z.J. Waxenberg Fund of the Ms. Heidi Conlan/ Harold O. McNeil Jewish Community Foundation The Sahan Daywi Foundation Rebecca Moores James & Ellen Weil Susan B. Cowell Mr. & Mrs. David Mulliken Shirli Fabbri Weiss Ann & John Davies Joyce & Martin Nash Dr. Steve & Lynne Wheeler Darlene G. Davies in memory National Alliance for Musical Theatre of Lowell Davies Josiah & Rita Neeper Pat & Dan Derbes Eileen & Lawrence Newmark

PERFORMANCES MAGAZINE P19 Annual Fund Donors (continued)

DIAMOND Beth & Tim Cann Elaine Rendon* & Alicia Atun ($1,500 to $2,499) Greg & Loretta Cass Joseph W. & Kathleen A. Robinson Mrs. Lazare F. Bernhard Luc & Ann Marie Cayet-Pleska Linda J. Seifert Ronda & Stanley Breitbard Ray & Shelley Chalupsky Mr. & Mrs. Randall Silvia BRG Consulting Lynne Champagne & Wilfred Kearse Rodney & Dolores Smith Fund at Dr. & Mrs. Robert M. Callicott Roseann Concannon & Bill Waggoner The San Diego Foundation Jack & Carol Clark Betsy Dam Gloria Penner Snyder & Bill Snyder Richard & Stephanie Coutts Dr. Donald & Eilene Dose Mr. & Mrs. George Stassinopoulos Sid & Jean Fox Dorothy R. Dring Edward Stickgold & Steven Cande Martin & Enid Gleich William Eiffert & Leslie Hodge Sharon S. Storey & Theodore A. Milby Sherry & Rick Levin Paul & Clare Friedman Helga & Sam Strong Joy & Ronald Mankoff Dr. & Mrs. Steven Garfin John & Linda Sunkel Ruth & Jim Mulvaney Peter & Christine Gault Clifford & Kay Sweet Parker & Crosland, LLP Craig & Terrie Georgi Dr. Terry & Naomi Tanaka Susan Parker Arthur & Judy Getis Randy Tidmore Peggy Price Norman & Patricia Gillespie Gertrude Trebon Dee E. Silver, M.D. Chris Graham & Michael Albo Jeffrey & Sheila Truesdell Susan Steele & Mike Conley Carol & Don Green Natalie C. Venezia & Paul A. Sager Christy & Howard Zatkin Mr. & Mrs. Arthur A. Greenberg Johanna Vertullo Mr. & Mrs. Norman Greene Douglas Wallingford PLATINUM Jay & Mary Hanson Howard & Jo Weiner ($1,000 to $1,499) Alex & Mary Hart Mr. & Mrs. David Weinrieb Judy & Larry Belinsky Mr. & Mrs. Arnold Hess Katherine White Nicholas B. Binkley Mr. Stephen Hopkins & Dr. Carey Pratt Ross & Barbara White Sandra & Harry Carter Viviana Ibanez Dennis & Carol Wilson Roger Cornell, M.D. Isabella Fund at The San Diego Cass Witkowski Family Patricia Eichelberger Foundation Bill & Betty Witman In Memory of John A. Geisel Kathy & Rob Jones Brendan M. & Kaye I. Wynne Richard & Candace Haden Kenneth & Marilyn Jones RAdm. & Mrs. Guy Zeller Webster & Helen Kinnaird David & Susan Kabakoff Family Fund Dr. & Mrs. Ara Klijian of the Jewish Community Foundation This list is current as of August 11, 2009 Dr. & Mrs. James E. Lasry Patricia & Alexander Kelley Don & Mary Jane Lincoln Gerald & Phyllis Kelly As announced in July 2008, the names of Dr. Robert & Marcia Malkus Bill & Linda Kolb Annual Fund donors at the Silver level are Jasna Markovac & Gary Miller Marvin M. Kripps, M.D. published semi-annually, once in the Dr. & Mrs. M. Joseph McGreevy LABS, Inc./Silvia Dreyfuss Shakespeare Festival program and again in a Judith & Neil Morgan Sherry & Rick Levin winter Globe program. Jack & Virginia Oliver CDR. Mark C Lorenzo, USN Ret. Rod & Barbara Orth Dr. & Mrs. David D. Lynn To learn more about supporting The Old Dr. Julie Prazich & Dr. Sara Rosenthal Edward & Nancy Lyon Globe’s artistic, education and community Alan & Esther Siman Carl Maguire & Margaret Sheehan programs, please visit our website at Herbert & Elene Solomon Jeanne Maltese www.TheOldGlobe.org or call Margery & John Swanson Drs. Betty Joan Maly & John Meyers Josh Martinez-Nelson at Linda Terramagra Ron & Mercy Mandelbaum (619) 231-1941 x2308. Gene & Celeste Trepte F. Dale & Lois Marriott Stan & Anita Ulrich Martin & Passante AAL M.J. Zahnle JoAnne D. Marugg Rev. Stephen J. Mather GOLD Christopher J. Maxin & ($500 to $999) Stephanie Buttell-Maxin Dr. & Mrs. Maurice Alfaro Ronald McCaskill & Robyn Rogers Janet Anderson & John Glascock Mr. & Mrs. William McKenzie Anonymous (2) James & Estelle Milch Fund of the Drs. Michael & Gabriela Antos Jewish Community Foundation Jeff & Donna Applestein Carole S. Miller John & Carolyn Backman Charles W. Mills, Jr. Mr. & Mrs. David A. Baer Steve & Jill Morris Richard & Linda Basinger Susan & Charles Muha Madelyn Bennett Mark Niblack Bob & Joyce Blumberg Barbara B. Oswalt Mr. & Mrs. Blaine A. Briggs Julius J. Pearl Fund at Dr. & Mrs. Simon C. Brumbaugh, Jr. The San Diego Foundation Ruth Mary Campbell Leslie & Judy Reed *In Memoriam

P20 PERFORMANCES MAGAZINE Globe Ambassadors

Globe Ambassadors are generous Nina and Robert Doede Charles Noell and Barbara Voss supporters of The Old Globe who Marion Eggertsen Joanne C. Powers contribute $2,500 or more to the Annual Bernard J. Eggertsen and Jeannie and Arthur Rivkin Fund, attend special presentations about Florence Nemkov Donald and Darlene Shiley activities at the Globe and serve as the Danah H. Fayman Ms. Jeanette Stevens Susanna and Michael Flaster Dixie and Ken Unruh Theatre’s Ambassadors in the community. Mary Ann and Arnold Ginnow Doris and Lou Vettese Alexa Kirkwood Hirsch Pamela J. Wagner Lawrence G. Alldredge and Leonard and Elaine Hirsch Jordine Von Wantoch Dawn Moore Pat Jacoby *In Memoriam Paul Black Mary and Russell Johnson Dr. and Mrs. Edgar D. Canada Bob* and Gladys King For more information please Carol and Rudy Cesena Rosalie Kostanzer and Mike Keefe contact Marilyn McAvoy, Mary H. Clark Bob and Laura Kyle Major Gifts Director Steven J. Cologne James & Pamela Lester at (619) 231-1941 x2309 R. Patrick and Sharon Connell Dr. Jerry Lester [email protected]. Susan B. Cowell Merriel F. Mandell, Ph.D. Gigi and Ed Cramer Peter and Inge Manes Darlene G. Davies Paul I. and Margaret W. Meyer Mrs. Philip H. Dickinson David and Noreen Mulliken

Craig Noel League Members Planned Giving Society of The Old Globe

Craig Noel League members are leaving Kathryn Crippen Hattox Greg and Polly Noel Marian Trevor (Mrs. Walter M.)* lasting gifts to the Theatre through David and Debbie Hawkins PACEM (Pacific Academy of Evelyn Mack Truitt planned gifts, cash contributions, Craig and Mary Hunter Ecclesiastical Music) Ginny Unanue bequests and other estate planning Barbara Iredale* Mrs. Margaret F. Peninger* Carol and Lawrence Veit options. Bob Jacobs Velda Pirtle* Harvey* and Jordine Von Wantoch Joseph E. Jessop* Florence Borgeson Plunkert* Merle and Phil* Wahl Anonymous (14) J. Robert* and Gladys H. King Dolly* and Jim Poet Holly J.B. Ward Robert S. Albritton* Marilyn Kneeland Dorothy Shorb Prough* Sheryl and Harvey P. White Diana Barliant Jean and David Laing Sarah B. Marsh-Rebelo and Mrs. Jack Galen Whitney Nancine Belfiore Jerry Lester Foundation John Rebelo Stanley E. Willis II* Alan Benaroya Dr. Bernard Lipinsky* Donald and Darlene Shiley Julie Meier Wright Dorothy Brown Endowment Fund Heather Manion Patsy and Forrest Shumway Carolyn Yorston-Wellcome Dr. and Mrs. Edgar D. Canada Calvin Manning* B. Sy and Ruth Ann Silver *In Memoriam Garet and Wendy Clark Chris and Jill Metcalf Stephen M. Silverman J. Dallas* and Mary H. Clark Paul I. and Margaret W. Meyer Roberta Simpson For more information please R. Patrick and Sharon Connell Judy* and George Miller Dolores and Rod Smith contact Marilyn McAvoy, Patricia W. Crigler, Ph.D., CAPT/USN/Ret. Steve Miller Marisa SorBello and Peter Czipott Major Gifts Director Carlos and Patricia Cuellar Dr. Robert W. Miner John and Cindy Sorensen at (619) 231-1941 x2309 Patricia* and Donn DeMarce Shirley Mulcahy Marje Spear* [email protected]. Mrs. Philip H. Dickinson Laurie Dale Munday Nancy A. Spector and Alan R. Spector Dr. and Mrs. Robert Epsten Stanley Nadel and Cecilia Carrick Jeanette Stevens Frank A. Frye, III Alice B. Nesnow Eric Leighton Swenson Robert Gleason and Marc Matys Arthur and Marilyn Neumann Anne C. Taubman Marcy Goldstone Craig Noel Cherie Halladay Tirschwell

PERFORMANCES MAGAZINE P21 Special Thanks to our Corporate Donors

Corporate Partners enjoy benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions at the theatre, behind-the-scenes tours, and preferred seating at our shows.

SEASON SPONSORS ($50,000 and more)

PRODUCTION SPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999)

City National Bank KPMG, LLP Torrey Pines Bank Cyberknife Centers of San Diego, Inc./ Neiman Marcus Vistage International Radiation Medical Group ResMed Foundation Higgs, Fletcher & Mack, LLP Starbucks Coffee Company

FOUNDER CIRCLE ($5,000-$9,999) CRAIG NOEL CIRCLE ($2,500-$4,999) AT&T Break-Away Tours M2000 Corporation Cushman Family Foundation San Diego Business Journal Designer Fabrics Nordstrom Target WD-40 Company The Westgate Hotel

For information, please contact Todd Schultz at (619) 231-1941 x2310.

P22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

William Anton Richard Easton Mark Harelik John McLain Ken Ruta Deborah Taylor Jacqueline Brooks Tovah Feldshuh Bob James Jonathan McMurtry Douglas W. Schmidt Irene Tedrow * Lewis Brown Monique Fowler Charles Janasz Stephen Metcalfe Seret Scott Sada Thompson Victor Buono* Robert Foxworth Peggy Kellner* Robert Morgan David F. Segal Paxton Whitehead Wayland Capwell * Ralph Funicello Tom Lacy Ellis Rabb* Richard Seger James Winker Kandis Chappell Lillian Garrett-Groag Diana Maddox Steve Rankin Diane Sinor Robert Wojewodski Eric Christmas* Harry Groener Dakin Matthews Robin Pearson Rose Don Sparks G Wood* George Deloy A.R. Gurney Deborah May Marion Ross David Ogden Stiers * in memoriam Tim Donoghue Joseph Hardy Katherine McGrath Steven Rubin Conrad Susa

Patron Information

TICKET SERVICES HOURS may be given alternative seating and will be seated at an Monday: Closed appropriate interval. Tuesday - Sunday: Noon – last curtain Hours subject to change. Please call ahead. YOUNG CHILDREN Phone (619) 23-GLOBE or (619) 234-5623 Children five years of age and under will not be admitted to FAX (619) 231-6752 performances. Email [email protected] ELECTRONIC DEVICES AND CAMERAS ADMINISTRATION HOURS Monday - Friday: 9am – 5pm Use of recording devices and cameras is not permitted. If Phone (619) 231-1941 you are wearing a digital watch or pager, or if you are Website www.TheOldGlobe.org carrying a cellular phone, please silence it prior to entering Address The Old Globe the theatre. P.O. Box 122171 San Diego, CA 92112-2171 ASSISTED LISTENING SYSTEM For the convenience of the hearing impaired, the assisted ORDERING TICKETS/CHANGE OF ADDRESS listening system is available in the Old Globe Theatre. The Old Globe accepts Visa, Discover, MasterCard, or Lightweight headsets may be obtained from the house American Express. Phone orders for non-subscribers are manager prior to performances, free of charge. subject to a $3.50 per ticket service charge. Ticket exchanges are subject to a service charge for non-subscribers. If you PUBLIC TOURS have moved, please notify the Ticket Services Office to Go behind the scenes at The Old Globe to learn about the update our records. Call (619) 234-5623 during Ticket history, three stages, shop and craft areas. Open tours: Services hours, mail your change of address to the Ticket most Saturdays and Sundays at 10:30am. Groups by Services Office, or email us at [email protected]. reservation. $5 adults; $3 seniors and students. Phone (619) 231-1941 x2142 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give LOST AND FOUND them to a friend, or turn them in to the Ticket Serivces Office If you have misplaced a personal item while at the theatre, and receive a tax receipt for your donation. Tickets must be please contact the Ticket Services Office or Security as received by show time. soon as possible. If we are unable to locate your item, we’ll happily take down your contact information as well as a RESTROOMS AND TELEPHONES description of the item and contact you if it is found. The Restrooms are located in the lower lobby of the Old Globe Old Globe does not assume liability for items left behind on Theatre and adjacent to the Festival Theatre; pay phones premises. may be found in the lower Globe Theatre lobby and next to the Gift Shop. Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., are available upon request. Please ask an usher. SEATING OF LATECOMERS Although we understand parking is often at a premium, the seating of latecomers is extremely disruptive. Latecomers

PERFORMANCES MAGAZINE P23 Anna MacDonald, DEVELOPMENT Noelle Van Wyk ...... Copley Run Crew Annamarie Maricle ...... Associate Director, Staff Marie Jezbera ...... Rental Agent Institutional Grants Properties Marilyn McAvoy ...... Major Gifts Director Neil A. Holmes ...... Properties Director Eileen Prisby ...... Events Manager Louis G. Spisto ...... CEO/Executive Producer Kristin Steva Campbell . . .Assistant to the Director Josh Martinez-Nelson ...... Development Manager, M.H. Schrenkeisen ...... Shop Foreman Individual Annual Giving Michael G. Murphy ...... General Manager Rory Murphy ...... Lead Craftsman Diane Addis ...... Membership Administrator Dave Henson ...... Director of Marketing David Medina ...... Properties Buyer Rachel Plummer ...... Development Assistant and Communications Kristi Hummel-Rosen ...... Properties Assistant Diana Steffen ...... VIP Donor Ticketing Todd Schultz ...... Director of Development Pat Cain ...... Property Master, Globe Donor Services Mark Somers ...... Director of Finance David Buess ...... Property Master, Copley Lee Conavay, Monica Jorgensen, Barbara Lekes, Richard Seer ...... Director of Professional Trevor Hay ...... Property Master, Festival Pamela Malone, Richard Navarro, Stephanie Reed, Training Joshua Camp, Andy Estep, Virginia Provencher, Judy Zimmerman ...... Suite Concierges Robert Drake ...... Director of Production Patricia Rutter ...... Craftspeople Roberta Wells-Famula ...... Director of Education Lighting MARKETING Nate Parde ...... Lighting Director Jeffrey Weiser ...... Public Relations Director ARTISTIC Jason Bieber ...... Lighting Assistant Mia Fiorella ...... Audience Development Manager Jack DePalma ...... Play Development Director Tonnie Ficken ...... Master Electrician, Globe Jackie Anderson ...... Publications Coordinator Samantha Barrie ...... Casting Director Jim Dodd ...... Master Electrician, Copley Samantha Haskins ...... Public Relations Associate Bernadette Hobson ...... Artistic Associate Kevin Liddell ...... Master Electrician, Festival Claire Kennelly ...... Marketing Assistant Bonnie Breckenridge, Noah Gehr, Erica Dei ...... Graphic Designer PRODUCTION Leah Nellman ...... Followspot Operators Craig Schwartz ...... Production Photographer Debra Pratt Ballard ...... Associate Director Bonnie Breckenridge, Katie Brost, Mark Dewey, Monica Jorgensen, Susie Virgilio ...... Marketing/ of Production Noah Gehr, Leah Nellman, Events Assistants Ron Cooling ...... Company Manager Jason Rothberg, ...... Electricians Subscription Sales Carol Donahue ...... Production Coordinator Sound Scott Cooke ...... Subscription Sales Manager Stage Management Paul Peterson ...... Sound Director Anna Bowen-Davies, Arthur Faro, Andy Fink, Randi Leila Knox ...... Production Stage Manager Erik Carstensen ...... Master Sound Technician, Hawkins, Pamela Malone, Yolanda Moore, Jessica Technical Globe Morrow, Ken Seper, Cassandra Shepard, Jerome Benjamin Thoron ...... Technical Director R.J. Givens ...... Master Sound Technician, Copley Tullmann, Grant Walpole ...... Subscription Sales Wendy Berzansky . . . .Associate Technical Director Jeremy Nelson ...... Master Sound Technician, Representatives Sean Fanning ...... Resident Design Assistant Festival Ticket Services Eliza Korshin ...... Technical Assistant/Buyer Elizabeth Robson ...... Sound Technician Bob Coddington ...... Ticket Services Manager Christian Thorsen Stage Carpenter/Flyman, Globe Rachel Eaves ...... Mic Runner, Globe Marsi Fisher ...... Ticket Operations Manager Carole Payette ...... Charge Scenic Artist Dana Pickop ...... Mic Runner, Festival Dani Meister ...... Group Sales Manager Adam Bernard, Victoria Erbe, Rebecca Johnson, Marissa Haywood, Edee Armand, Danny Griego ...... Scenic Artists ADMINISTRATION Shouna Shoemake ...... Lead Ticket Services Gillian Kelleher ...... Master Carpenter Suzanne Bradley ...... Assistant General Manager Representatives Robert Dougherty ...... Master Carpenter, Festival Daniel Baginski ...... Executive Assistant Brian Abraham, Elizabeth Brown, Sarah Ditges, Mihai Antonescu, Steve Bosik, Matt Clark, Sheldon Mark Gingery ...... Theatre Center Tony Dixon, Merri Fitzpatrick, Michael Knudsen, Goff, Mike Harris, Mark Henderson, Jack Hernandez, Project Coordinator Cassie Lopez, Caryn Morgan, Michael Pousson, Jim Hopper, Rashaad Howell, Dan Klebingat, Greg Information Technology Carlos Quezada, McCambridge, Laura McEntyre, Josh McIntyre, Dean Yager ...... Information Technology Manager Molly Whittaker . .Ticket Services Representatives Mongo Moglia, Mason Petersen, Stan Stauffer, Thad Steffen . . .Information Technology Asst. Mgr. Gilbert Vitela, Andrew Young ...... Carpenters John Ralston . . . .Information Technology Assistant PATRON SERVICES Costumes Human Resources Mike Callaway ...... Theatre Manager Stacy Sutton ...... Costume Director Sandra Parde ...... Human Resources Director David Carson, Rob Novak ...... House Managers Charlotte Devaux Shields ...... Resident Maintenance Kristen Cairns ...... Front of House Assistant Design Assistant Randy McWilliams ...... Facilities Manager Elaine Gingery ...... Food and Beverage Manager Maureen Mac Niallais . . . .Assistant to the Director Violanda Corona, Ismael Delgado, Miguel Gaspar, Haydee Aldas ...... Food and Beverage Shelly Williams ...... Design Assistant/Shopper Roberto Gonzalez, Reyna Huerta, Jose Morales, Assistant Manager Erin Cass, Wendy Miller, ...... Drapers Albert Rios, Maria Rios, Michelle Elliott, Miranda Halverson, Brock Roser, Swantje Tuohino ...... Ta i l o r Nicolas Torres ...... Building Staff Anne-Marie Shafer, Tess Thompson, Su-Lin Chen ...... Assistant Tailor Molly Quillion-McEwan ...... Pub Staff Babs Behling, Gwen Dunham, Anne Glidden Grace, PROFESSIONAL TRAINING Rose Espiritu, Stephanie Rakowski, Susan Sachs ...... Assistant Cutters Llance Bower ...... Program Coordinator Stephanie Reed ...... Gift Shop Supervisors Joan Mathison, Mary Miller . . . .Costume Assistants Maria Carrera, Cynthia Caywood, Ray Chambers, Security/Parking Services Mark Baiza, Maria de La Mora, Rebecca Fabares, Gerhard Gessner, Jan Gist, Claudia Hill-Sparks, Rachel “Beahr” Garcia ...... Security/ Nancy Liu, Nunzia Pecorara, Roxie Poynor, Sally Fred Robinson, Liz Shipman ...... MFA Faculty Parking Services Supervisor Smith, Joanne Stypulkowska ...... Stitchers Jeannie Marie Galioto, Ben Seibert, Irene Herrig . . . . .Associate Supervisor of Security Teri Tavares ...... Dyer-Painter George Yé ...... MFA Production Staff Dallas Chang, Sherisa Eselin, Janet Larson, Jeffrey Erin Carignan ...... Craft Supervisor Neitzel ...... Security Officers Sharon King ...... Craft Artisan EDUCATION Mark Anguiano, Nicole Apple, Patricia Ceja, Molly O’Connor ...... Wig and Makeup Supervisor Kim Montelibano Heil ...... Education Associate Deborah Elliott, Stephanie Eberl, Kim Parker ...... Assistant to Wig Carol Green ...... Speakers Bureau Coordinator Nicole Hagemeyer, and Makeup Supervisor Amy Biedel, Marisela De la Parra, Monique Gaffney, Michael Watts ...... Parking Lot Attendants Ana Maldonado, Vicky Martinez . . . .Wig Assistants JoAnne Glover, Janet Hayatshahi, Sarah Price, Andrew Ashton, Taylor Schmeling ...... V.I.P. Valet Beverly Boyd ...... Wardrobe Supervisor David Tierney ...... Teaching Artists Attendants Stephanie Parker ...... Wardrobe Supervisor (Sammy) FINANCE Marnee Davis ...... Globe Crew Chief Paula Nickodemus ...... Senior Accountant Lindsey Hall, Francisco Morales, Trish Guidi ...... Accounts Payable/ Jeri Nicolas, Heather Premo ...... Globe Run Crew Accounting Assistant Beth Merriman ...... Festival Crew Chief Adam Latham ...... Payroll Coordinator/ Accounting Assistant Kristin Bongiovanni, Sarah Cognan Jack O’Brien ...... Artistic Director Emeritus Timo Elliott, Deona Lopez ...... Festival Run Crew Tim Cole ...... Receptionist Craig Noel...... Founding Director

PERFORMANCES MAGAZINE P24