Suzanne Treister

SUZANNE TREISTER

1958 Born in London Lives and works in London

SOLO EXHIBITIONS

2009 MTB (Military Training Base), Alma Enterprises, London

2008 NATO Black Dog Publishing, London, UK Annely Juda Fine Art, London, England Galerie Lorenz, Frankfurt, Germany Alchemy P.P.O.W New York, USA HEXEN 2039 Kunstverein Langenhagen, Germany

2007 HEXEN 2039 Skolska 28, Prague, Czech Republic HEXEN 2039 New Art Gallery Walsall, UK HEXEN 2039 Book launch and screening, City Lights, San Francisco, USA HEXEN 2039 Screening, Star and Shadow Cinema, Newcastle upon Tyne, UK

2006 HEXEN2039 Multi-venue project across London. Installation: CHELSEA space; Screening: Warburg Institute; Interverventions: Ognisko Polskie, Science Museum, British Museum; Event: Dana Centre and the internet www.hexen2039.net Funded by Arts Council of England. VESNA (video installation) Commission for Art under construction: the Balkans in context, City Atrium,Social Sciences Building, City University, London, England

2004 Operation Swanlake, Annely Juda Fine Art, London, England. Kunstlerhaus Bethanien, Berlin, Germany. MOP project space, Sydney, Australia.

2001 Rosalind Brodsky - Music case history. Briefcase project, Hollywood Hotel + mobile, Sydney.

2000 Sightings/Archives from the Institute of Militronics and Advanced Time Interventionality. Digimatter/Grey Matter, Sydney Sightings, Greenaway Gallery, Adelaide

1999

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Odyssey (an investigation into the lives of Rosalind Brodsky and Pope Alice) Institute of Modern Art, Brisbane. No Other Symptoms - Time Travelling with Rosalind Brodsky (CD ROM and video installation) Artspace, Sydney. No Other Symptoms - Time Travelling with Rosalind Brodsky CD ROM - Launch event with performance (involving Richard Grayson, Susan Hiller, Pauline van Mourik Broekman, Elaine Pyke and James Flint) and Ghosts of Maresfield Gardens video installation, Freud Museum, London, England.

1997 Dying for your sins (CD ROM), Australian Centre For Contemporary Art, Melbourne.

1996 The Tannery-project space, London, England. Dying for your sins (CD ROM Installation) Institute of Modern Art, Brisbane. Kitschn Shrink Greenaway Gallery, Adelaide.

1995 Mizuma Art Gallery, Tokyo

1994 Q.Would you recognise a Virtual Paradise?and other paintings Contemporary Art Centre of South Australia.

1993 Q.Would you recognise a Virtual Paradise? Exeter Hotel, Adelaide. "Recorded Evidence:Prosthetic Speech" [RE] Gallery, Adelaide. Software, Union Gallery, University of Adelaide.

1992 Edward Totah Gallery, London. Between the Clues lies the Evidence PostWest, Adelaide.

1990 Edward Totah Gallery, London. Kerlin Gallery, Dublin. Ikon Gallery, Birmingham: Major Arts Council touring exhibition, to: Spacex, Exeter; Oldham Art Gallery; The Minories, Colchester; Darlington Arts Centre; Nottingham Castle Art Gallery.

1988 Edward Totah Gallery, London.

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1985 Edward Totah Gallery, London.

GROUP EXHIBITIONS

2009 Reinventing Ritual, The Jewish Museum, New York travelling to the Contemporary Jewish Museum, San Francisco, USA The Hidden Hand, Hayward touring show: Quad, Derby; Grundy Art Gallery, Blackpool, England Insiders - pratiques, usages, savoir-faire, CAPC Museum of Contemporary Art, Bordeaux, France Scorpios Garden, Temporary Kunsthalle, Berlin, Germany Planet of Signs, Le Plateau Art Center, FRAC Paris, Ile de France Image Search, P.P.O.W New York, USA Tactical Support: Curators Choice Tracy WIlliams Ltd, New York, USA Awake are only the Spirits, Hartware MedienKunstVerein (HMKV), PHOENIX Halle, Dortmund, Germany Drawing 2009 - Biennial Fundraiser, The Drawing Room, London, England The Secret of the Ninth Planet, CCA Curatorial Practice exhibition, Queens Nails Projects, Photo Epicenter and the Studio for Urban Projects, San Francisco, USA Histoires a lere numérique - works from the collection of Espace Multimédia Gantner, [plug.in], Basel, Switzerland Gothic, Contemporary Art Society fundraiser event, Sothebys New Bond Street, London, England

2007 Gegen den Strich Kunstlerhaus Bethanien, Berlin, Germany How We May Be, Late at the Tate, Tate Britain, London, England Jerwood Drawing Prize, Jerwood Gallery, London and UK tour 3Things (curated by Donald Smith) RUN Gallery, London, England ARTIST MAKES VIDEO: art rage survey 1994-1998, art rage: artworks for television, DELL Gallery@QCA , Brisbane, Australia Annely Juda - A Celebration, Annely Juda Fine Art, London, England FILE RIO (HEXEN 2039 website) - festival internacional de linguagem eletr™nica, Centro Cultural da Oi Futuro, Rio de Janeiro, Brazil

2006 Flash on the Screen Basekamp space, Philadelphia, USA DUSK by Raul Zamudio, (curatorial section of Digital Video Art Fair (DiVA)) Lummus Park, Ocean Drive, Miami Beach,

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FL, USA Drawing from Turner Clore Gallery, Tate Britain, London, England FILE 2006 (HEXEN 2039 website) - festival internacional de linguagem eletr™nica, SESI Gallery, Sao Paulo, Brazil. EN 2039" website) - festival internacional de linguagem eletr™nica, SESI Gallery, Sao Paulo, Brazil

2006 Heartbreaker, Mary Boone Gallery, New York Haunted States, Grand Arts, Kansas City, Mo. KunstFilmBiennale, Kunst-Werke, Berlin Video And Performance, Okay Mountain, Austin, Tex. One Way or Another – Asian American Art now, Asia Society, New York Reckless Behavior, The Getty Center, Los Angeles Tokyo National University of Fine Arts, Tokyo, Japan

2005 The Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, The Center for Art and Visual Culture, University of Maryland Baltimore County, USA and touring USA NATO, project space at Annely Juda Fine Art, Frieze, London. ICOLS Strategy Defense and Arms Fair The Performance Space, Sydney, Australia Glasgow International ICOLS Strategy Defense and Arms Fair RISK, CCA, Glasgow, Scotland ICOLS audio, finetuned, ETA Project Space, Hove, UK 10th Anniversary Exhibition, Mizuma Art Gallery, Tokyo, Japan Dont Call it Performance Konceptkonstmuseum, Rydboholm, Sweden Bodies Through Technology, Tompkins County Public Library, Ithaca, New York, USA. Operation Swanlake, Transmediale.05 Haus der Kulturen der Welt, Berlin, Germany

2004 Dont Call it Performance Centro Andaluz de Arte Contempor‡neo,Seville, Spain; Domus Artium 2002 (DA2) Salamanca, Spain; El Museo del Barrio, New York, USA. CITY OF WOMEN 10th International Festival of Contemporary Arts, Gallery Skuc, Ljubljana, Slovenia. ICOLS, Collectivity and critical collective/cooperative cultural action, Oliver Gallery, University of South Florida, Tampa FL USA. ICOLS, Connect the Dots The LeRoy Neiman Gallery, Columbia University, New York, USA. ICOLS Strategy Defense and Arms Fair, ferry between Helsinki, Stockholm, Mariehamn, Tallin, ISEA 2004. Media Forum of the XXVI Moscow International Film Festival, ClubnaBrestskoj, Moscow, Russia.

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PLANET B Das B-Movie in der zeitgenšssichen Kunst, Magazin4 Vorarlberger Kunstverein, KŸnstlerhaus Palais Thurn & Operation Swanlake, FILE 2004- festival internacional de linguagem eletr™nica, Sesi Gallery, S‹o Paulo, Brazil. Contact Zones, New World Gallery @ Radio Free Hamptons, Sag Harbor, New York, USA. Digital Salon, The ART Mission, Binghamton, NY, USA. Eurographics 2004, WTC, Grenoble, France. Metis:Time/Beam me up ANU School of Art Gallery, Canberra, Australia. Unframed, Standpoint Gallery, London. Fly Utopia! transmediale.04, Haus der Kulturen der Welt, Berlin, Germany

2003 Dont Call it Performance, Centro de Arte Reina Sofa, Madrid;Centro Parraga, Murcia, Spain New York Calling P.S.1 Australian Studio project, Long Island City, NY USA Paradies (Paradise) MAIS V, Bunker under Alexanderplatz, Berlin, Germany ICOLS AUDIO juniradio Berlin104.1 08.-30. juni FILE 2003- festival internacional de linguagem eletr™nica, Museum of Image and Sound (MIS) S‹o Paulo, Brazil. http://www.file.org.br wywh wish you were here, First Draft Gallery, Sydney, Australia ICOLS How to be a perfect guest Sharjah International Biennial 6, Sharjah Art Museums and Expo Centre Sharjah, United Arab Emirates. ICOLS Glasgow Event, Wasps Studios, Glasgow, Scotland. ICOLS The Esplanade, Theatres on the Bay, Singapore.

2002 Gaze Travelling artroom - gallery suryun, Cologne, Germany Connecting Principle Newcastle University UK http://www.ncl.ac.uk/connectingprinciple ICOLS launch event, Museum of Contemporary Art, Sydney, Australiia. (The World May Be) Fantastic, Biennale of Sydney, MCA Sydney, Australia. Underwood Audio 2 (The Communist Manifesto, by Rosalind Brodsky and the Satellites of Lvov) & cd launch event Underwood St, London. Irish Museum of Modern Art net.art exhibition ICOLS in Art meets Archive Sydney State Records Centre, Sydney, Australia

2001 LE NUMERIQUE : nouveau médium de lart- From 01.10.01 to 01.11.01 Galerie de Pret doevres dArt, Bruxelles, Belgium. Penthouse and Pavement, Melbourne.

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Model Citizen/No More Ice Cream (An ICOLS project with Bronia Iwanczak) Artspace, Sydney, & images at: Disaster Tourism Rubyayre, Sydney. New Releases (video) 4a Gallery, Sydney and tour.

2000 Electronic Art Festival, Cyberslag Foundation, Groningen, Netherlands. Gene spill, Imperial Slacks Gallery Sydney. Spooky-Ghosts, Spirits and the Uncanny, Glen Eira City Gallery, Melbourne. Chemistry, Art Gallery of South Australia, Adelaide. PUSAN International Contemporary Art Festival, Metropolitan Museum of Art, Pusan, South Korea. Moving Image Festival, Youthworks shop window installation SALA 2000, Adelaide. New Thinking is Rare, South Australian Touring Exhibition Program. F I L E Festival internacional de linguagem eletrönica, Museum of Image and Sound (MIS) São Paulo, Brazil. (Second place/offline) World Wide Video Festival, Amsterdam, Netherlands. The Noorderzon Festival, Groningen, Netherlands. Sonar Festival/CD ROM a la carta, Carrer de les Flors 22, Barcelona. Chip Melbourne International Film Festival. Manifest/o, Zagreb, Croatia. Festival of Independent Press, Museo de la Memoria, Tlaxcala, Mexico. LIVE-STOCK ram/fm, 72 hour audio event, ARC, Stockton on Tees, UK. Urban Futures 2000 International Conference and Electronic Art Exhibition, Johannesburg University Art Gallery.

1999 Love and Consciousness, Artopiques Gallery, Paris, France. Confined, HERE Gallery, New York, USA. (Presumed Innocent collaboration) Sex and Consciousness, Artopiques Gallery, Paris, France. WRO 99 - 7th International Media Art Biennale - Wroclaw, Poland. 21, Spacex, Exeter, UK. National Digital Art Awards exhibition, Institute of Modern Art, Brisbane. Women in Film and Television Festival (WIFT) Festival, Sydney. Fusion, St Kilda Film Festival, Melbourne. 2nd International show of CD ROMs, Media Centre dArt i Disseny, Barcelona. Contact Zones, Johnson Museum of Art, Cornell University, USA and travelling to Centro de la Imagen,Mexico City, Virginia film festival and touring US and Canada 2000-2001. Fast + Wide, Broadway Media Centre, Nottingham, U.K.

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1998 Third International Video Summit Videomedeja, Kulturni Centar-Art Klub, Novog Sada, Yugoslavia. ArtRage, ABC TV, Australia. Interact (video screening)The Exhibition Centre, Melbourne. Kino-Eye: Cybercities, Royal Palace, Antwerp, Belgium. Xobject space, Dusseldorf, Germany. corpoREAL, Tullie House, Carlisle, U.K. Videonale 8, Bonn Kunstverein, Germany Isea 98, The Tea Factory, Liverpool, U.K Pandaemonium Festival, Lux Centre/Standpoint Gallery, London. European Media Art Festival, Osnabrück, Germany. National Digital Art Awards exhibition, I.M.A. Brisbane. Prix Ars Electronica 98, Linz, Austria. Underbelly, Cosmopolitan Cinema Complex, Adelaide. Throw Down a Shape Supermild, sound event, Adelaide, Australia 4 November, 1998 The Plato Problem, University of S.A. Art Museum window (with Richard Grayson).

1997 Technoscience Hybrid Workspace, Documenta X, Kassel, Germany. Wardrobe, Madlove Gallery, Adelaide and tour (98). Heteronymous (curated by, Achille Bonito Oliva and Anna Maria Nassisi) San Michele a Ripa, Rome, Italy. Pass Go and other board games, The City Gallery, Leicester, U.K. Time Travelling with Rosalind Brodsky, Internet project for Electronic Writing Research Ensemble @ On a Clear Day, European Media Art Festival, Osnabrück, Germany. Thin Skin, The Performance Space, Sydney. Imprint 93 and related ephemera, Norwich Gallery, Norwich, U.K. Time Travelling with Rosalind Brodsky, Canberra Festival of Contemporary Arts.

1996 Artists Week : Compost Telstra Adelaide Festival 96. Foyer, Temporary space, Adelaide. White Hysteria, Contemporary Art Centre of South Australia; Stripp, Melbourne. White Hysteria(waiting room), Cleveland project space, London;The Physics Room, Christchurch, New Zealand. ICA/Toshiba Art and Innovation Commission, shortlist exhibition, ICA, London. On a Clear Day (CD ROM ,Website and publication project, curated by John Paul Bichard) ICA, London; Cambridge Darkroom; John Hansard Gallery, Southampton; First Site, Colchester; Focal Point, Southend; Oldham Art Gallery & Middlesborough Art Gallery. Domestic Disturbances, Fifth Experimenta Media Arts

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Festival, National Gallery of Victoria, Melbourne, Noosa Regional Gallery and touring.

1995 It`s a Pleasure, Royal Festival Hall, London. U.K. Wit and Excess, C.A.C. South Australia, A.C.C.A. Melbourne, Ivan Docherty, Sydney, I.M.A. Brisbane. Street Gallery Mishima Ave shopping arcade festival, Sizuoka, Japan. Frank Thing, Sym Choon Gallery, Adelaide. Parallel Internet gallery and journal web project. Weird Science, Australia Centre, Manila, Phillipines. Technothelylogia, Monash University Gallery, Melbourne. ROMulus and RAMbo-Body language in cyberspace, Canberra School of Art Gallery. Pretext:Heteronyms, Rear Window, Clink St. Studios, London. Contemporary Art Society market Royal Festival Hall, London.

1994 Flat, Union Gallery, University of Adelaide. Whitechapel Open Whitechapel Art Gallery, London. Presumed Innocent collaboration, Exeter Hotel, Adelaide. Lead and Follow, Atlantis, London.

1993/5 New Voices - Jeunes Artistes Britanniques, Musee National dHistoire et dArt a Luxembourg; Centre dArt Santa Monica Barcelona; Museo de Bellas Artes Bilbao; Centro Culturel Galileo Madrid; Sala de Veronicas, Murcia; Pescadera Viega Sala de Arte, Jerez; Kulturhistorisches Museum, Magdeborg, Germany

1993 Hit and Run, A Presumed Innocent collaborative event, [RE] Gallery, Adelaide. Moving into View - work from the Arts Council collection, Royal Festival Hall, London. The return of the Cadavre Exquis, The Drawing Center, N.Y. U.S.A. VITEA: A.I.P.#7, Fifth Sculpture Triennial, R.M.I.T. Faculty Gallery, Melbourne. The Disaster Show, with Presumed Innocent, Union Gallery, Adelaide University. Critical City project, domestic space, Adelaide.

1992/7 New Voices, British Council touring exhibition. Venues:

1992

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Whitechapel Open, Whitechapel Art Gallery, London. Blast from the Past, Minories Art Gallery, Colchester. Walls 1, Union Gallery, Adelaide University. 20th Century Womens Art, New Hall College, University of Cambridge. Scene of the Crime? APresumed Innocent collaborative installation, Post West, Adelaide. EdwardTotah Gallery, London. Nothing is {Hidden} (collaborative installation with Pamela Golden, Andrew Renton and LindaLevinson), Rear Window, Lambs Conduit St, London

1991 A Painting Exhibition in Two Parts Todd Gallery, London.

1990 Decoy, Serpentine Gallery, London. Global Art, Brent Gallery and Galleria, Houston, Texas. London passim, Casa Veneta, Trieste. Whitechapel Open, Whitechapel Art Gallery, London.