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Pink Floyd - The Endless River (Deluxe Edition) (2014) [Hi-Res] Artist : Pink Floyd Title : The Endless River (Deluxe Edition) Year Of Release : 2014 Label : Columbia Genre : Progressive Rock Quality : Mp3 320 kbps / FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet) Total Time : 01:05:06 Total Size : 149 / 351 MB / 1.27 GB WebSite : Album Preview. 01. Side 1, Pt. 1: Things Left Unsaid (4:25) 02. Side 1, Pt. 2: It's What We Do (6:21) 03. Side 1, Pt. 3: Ebb And Flow (1:50) 04. Side 2, Pt. 1: Sum (4:49) 05. Side 2, Pt. 2: Skins (2:38) 06. Side 2, Pt. 3: Unsung (1:07) 07. Side 2, Pt. 4: Anisina (3:15) 08. Side 3, Pt. 1: The Lost Art Of Conversation (1:44) 09. Side 3, Pt. 2: On Noodle Street (1:42) 10. Side 3, Pt. 3: Night Light (1:42) 11. Side 3, Pt. 4: Allons-y (1) (1:57) 12. Side 3, Pt. 5: Autumn '68 (1:35) 13. Side 3, Pt. 6: Allons-y (2) (1:35) 14. Side 3, Pt. 7: Talkin' Hawkin' (3:26) 15. Side 4, Pt. 1: Calling (3:39) 16. Side 4, Pt. 2: Eyes To Pearls (1:52) 17. Side 4, Pt. 3: Surfacing (2:47) 18. Side 4, Pt. 4: Louder Than Words (6:33) Deluxe Edition Bonus Tracks: 19. TBS9 (2:28) 20. TBS14 (4:11) 21. Nervana (5:31) "The Endless River represents a return to the creative principles that informed the writing process that produced Pink Floyd classics like Echoes, Shine On You Crazy Diamond and Animals. In early 1993, David Gilmour, Nick Mason and Richard Wright set up their equipment in their own Britannia Row Studios in Islington and created more than hundred pieces of music by jamming together, interacting with each other's performances and recording the results. They then honed the pieces at David's Astoria floating studio, played them live for 2 days at Olympic Studios in Barnes with an extended lineup (Guy Pratt on bass, Jon Carin on keyboards and Gary Wallis on percussion). After that, the core trio returned to Astoria, and worked further on the compositions, alongside co-producer Bob Ezrin, refining the structure, tempos and arrangements. The result, after lyrics and vocals were added, was the 12 million selling 'Division Bell' album. At the time, there had been talk of a separate ambient album being created from the non-vocal tracks not subsequently issued on 'The Division Bell', but the idea was eventually dropped. In 2014 David Gilmour and Nick Mason re-entered the studio and, starting with unreleased keyboard performances by Richard Wright, who sadly died in 2008, added further instrumentation to the tracks, as well as creating new material. The result is The Endless River, including 60% of recordings other than the 1993 sessions, but based upon them. The title is a further link, '. the endless river…' being part of the closing phrases of High Hopes, the final song of the previous Pink Floyd album. David Gilmour describes the record as follows: ""The Endless River has as its starting point the music that came from the 1993 Division Bell sessions. We listened to over 20 hours of the three of us playing together and selected the music we wanted to work on for the new album. Over the last year we've added new parts, re-recorded others and generally harnessed studio technology to make a 21st century Pink Floyd album. With Rick gone, and with him the chance of ever doing it again, it feels right that these revisited and reworked tracks should be made available as part of our repertoire."" Stylistically, The Endless River includes all of the musical elements that characterize Pink Floyd: mellifluous keyboards, jazz-tinged drums, musique concrete, ethereal vocals, and distinctive, emotional lead guitar. As well as Pink Floyd's trademark backing vocals, there is one vocal track, with lyrics by author Polly Samson, who also contributed to The Division Bell." Pink Floyd – The Endless River (2014) UPDATE. Pink Floyd – The Endless River (2014) EAC Rip | FLAC Image + Cue + Log Blu-ray | MPEG-4 AVC Video | DTS-HD MA (5.1 / 24bit / 96kHz) | LPCM (5.1 & 2.0 / 24bit / 96kHz) Hi-Res | FLAC Tracks / 24bit / 96kHz | Stereo & Multichannel Full Scans Included Total Size: 285 MB (CD) + 16 GB (BD) + 4.57 GB (Hi-Res) + 253 MB (Scans) | 3% RAR Recovery Label: Columbia | USA | Cat#: 88875020102 | Genre: Progressive Rock. David Gilmour sang about an endless river on “High Hopes,” the last song on what appeared to be the last Pink Floyd album, 1994’s Division Bell. Twenty years later, the same phrase became the title of The Endless River, an album designed as Pink Floyd’s last. Assembled largely from Division Bell outtakes initially intended as an ambient project dubbed The Big Spliff, the record was sculpted into shape in 2014 by Gilmour, Youth, Andy Jackson, and Roxy Music’s Phil Manzanera by adding guitar and Nick Mason’s drums to original tapes that were laden with keyboards from the late Rick Wright. He’s not the only missing member of Floyd, of course. Roger Waters is absent, as is the long-gone Syd Barrett, but their ghosts are present throughout the primarily instrumental The Endless River. Mortality is on the mind of the two remaining Floyds, mentioned obliquely in “Louder Than Words,” the only song with lyrics here, but felt through allusions to all their possible pasts. A song unfurls with washes of synth pulled from “Welcome to the Machine,” the four sides are structured like an ongoing amorphous suite à la “Shine on You Crazy Diamond,” snippets of Atom Heart Mother slide against guitars that beat to the rhythm from “Run Like Hell,” creating an impression of a band in a state of repose: they’re not indulging in their past so much as reflecting on it, watching a tide of memories repeatedly roll in and out. Although very little about The Endless River is risky by design — it is one of the most popular bands of the 20th century returning to slowly pulsating aural waves that characterized their biggest albums — the very shift away from vocals realigns the band with not only Wish You Were Here (which this often resembles) but their pre-Dark Side records for Harvest, undercutting the arena-pleasing aspirations of the Gilmour-led reunion while underscoring how Pink Floyd always were an arty band at their core. Instrumentals are also a savvy solution to the trouble of working with uncompleted tapes — it’s easier to turn them into an ever-shifting suite than to graft on melodies — but the comforting sway of swelling synthesizers and the soaring Gilmour guitar are sometimes unexpectedly moving. Gilmour and Mason know this is their farewell, so they’re saying goodbye not with a major statement but with a soft, bittersweet elegy that functions as a canny coda to their career. —Allmusic. [su_spoiler title=”UPDATE” icon=”plus-square-1″ style=”fancy”] 02/08/2019 – Added Hi-Res 5.1 Surround Sound & Stereo at 24/96 [/su_spoiler] Additional Info: • Recorded Date: 1969, 1993, and 2013–2014 • Released Date: November 7, 2014 • Producer: David Gilmour, Youth, Andy Jackson, Phil Manzanera • More info. CD – The Endless River 01. Things Left Unsaid – 04:26 02. It’s What We Do – 06:17 03. Ebb And Flow – 01:55 04. Sum – 04:48 05. Skins – 02:37 06. Unsung – 01:07 07. Anisina – 03:16 08. The Lost Art Of Conversation – 01:42 09. On Noodle Street – 01:42 10. Night Light – 01:42 11. Allons-y (1) – 01:57 12. Autumn ’68 – 01:35 13. Allons-y (2) – 01:32 14. Talkin’ Hawkin’ – 03:29 15. Calling – 03:37 16. Eyes To Pearls – 01:51 17. Surfacing – 02:46 18. Louder Than Words – 06:36. Blu-ray & Hi-Res The Endless River (5.1 Surround Sound & Stereo at 24/96) 01. Things Left Unsaid – 04:26 02. It’s What We Do – 06:15 03. Ebb And Flow – 01:58 04. Sum – 04:49 05. Skins – 02:38 06. Unsung – 01:07 07. Anisina – 03:15 08. The Lost Art Of Conversation – 01:44 09. On Noodle Street – 01:42 10. Night Light – 01:42 11. Allons-y (1) – 01:57 12. Autumn ’68 – 01:36 13. Allons-y (2) – 01:35 14. Talkin’ Hawkin’ – 03:26 15. Calling – 03:39 16. Eyes To Pearls – 01:51 17. Surfacing – 02:47 18. Louder Than Words – 06:33 Bonus Tracks (Stereo at 24/96) 01. TBS9 – 02:28 02. BS14 – 04:11 03. Nervana – 05:31 Audio-Visual 01. Anisina – 02:49 02. Untitled – 01:20 03. Evrika (A) – 05:56 04. Nervana – 05:31 05. Allons-y – 05:58 06.