Wavelength (October 1985)

Total Page:16

File Type:pdf, Size:1020Kb

Wavelength (October 1985) University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1985 Wavelength (October 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1985) 60 https://scholarworks.uno.edu/wavelength/55 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. MUSIC VIDEO CLUB CALL FOR DETAILS - -ALSO VISIT THE METRO CAFE- l<t_T Pleasant at Magazine I New Orleans, Louisiana 70115 I (504) 897-5015 . - z-- --===- ? 2 otRock The ROOts and espun Tapes ISSUE NO. 59 • OCTOBER 1985 orleans Plano on ttotn "I'm not sure, but I'm almost positive. Now you can learn blues, rock, Jazz, and boogie woogle that all music came from New Orleans." plano from a master! Ernie K-Doe. 1979 Here areflvesolld hours of Mac (Or. John) Rebennack playing, singing, and teaching, imparting his vast knowledge of music I in a way that will make it valuable to a// musicians. Although it is Features the keyboard player who will benefit most from these tapes, this Jazz Awareness ................... 18 is more than a series of piano lessons-it is an oral documentary Ramsey McLean . .. ... ..... ........ 21 of American popular music, and will be of wide interest to The Gondoliers ................... 23 everyone who hears it. On these cassettes, Or. John guides the player through the Departments styles of great pianists such as Professor Longhair, Huey Smith, October News . 4 Fats Domino, Lloyd Glenn, Ray Charles, James Booker, It's All Music. 8 Charles Brown, and many others. You'll also learn: New Bands ... .. .................. 10 • Lead and rhythm styles • Right hand Improvisation • Rhythmatic_ . ...... ............... 12 Walking basses • Turnarounds • Licks • Great solos U.S. Indies . ..... ................ 14 More Importantly, you'll learn the feel of the New Rare Record ...................... 16 Orleans and Mississippi Delta style, as well as Reviews ... ................. .... 16 numerous tips such as how to play October Listings ..... ........ ..... 26 with a drummer, making a band Classifieds ....................... 29 swing, song accompaniment, and Last Page . .. .................... 30 much, much more. BONUS This package also contains a cassette of Dr. John's critically acclaimed solo album, Dr. John Mtnnberof Plays Mac Rebennack! NeiWCSfk Ploblloher, Nauman S. Scort Editor, Connie Zeanah Addnson. ~ F.dlton: 0 Enclosed is $69.95. for Dr. John's five one-hour tapes and music booklet plus solo album on cassette I Almost Slim. Gene Scaramuzzo, Mart Bingham. Olllc:e M....,., Ooana Rosenbe11. Art Dlrmor. Enc Gemhauser. Typocraploy. Oevhn/Morris Associates. Cototrlbut· I packaged in deluxe vinyl binder (cassettes without binder $65), plus post. & hand. $4.00 U.S. & Canada. en: Lou Berney. Alloson Brandin, St. Geor~e Bryan. Bob Cataliocu, Macon Fry, Carol Europe $11.50 airmail (without bint1er $7 .00), Asia & Australia $15.50 airmail (without binder $9.50). NY Gnoady, Radomor U.u. Jr. • Nick Marinello, Melody Mineo. Ric Olivier. Diana I I Rosenberc. Kalamu ya Salaam, Gene Scaramuuo, Hammond Scort. Steve Songerman. 1 State residents add 7% tax. 0 Enclosed is $1 for full -catalog of guitar, banjo, fiddle, mandolin, and I William 0 . Whote. Wawl•nxtlt os published monthly on New Orleans. Telephone. (S04) 895·2342. Mail other cassette-tape lessons on HOMESPUN TAPES. (Sent free with any tape order.) C.O.D. or credit 1 ..,bscripcions. address chances to Wuwl.nxtlt, P.O. Box 15667. New Orleans, LA I 70175. Subscripcion rate S12 ptr year. Foreign S20 per year (surface). FiiSI class I cards accepted. Write or call (914) 679-7832, weekdays 9-4 p.m. 0 Visa 0 MasterCard I subscripcoons $28 per year (domestiC tu1d Canada), AO airmail rate at S40 per year (overseas). The entire contents of Wuwl•nxtlt are copyrighted C 1985 Wawl.nxth. Card number Exp. date I Back os.•ues are available by writing to Back I <Sues, P.O. Box 15667. New Orleans, LA 70175. Because ofa hmited supply. back o<Suesareavailable for$4each. Please allow a I Signature 1 few weeks for p<OCtSStng tu1d delivery of orders. New Subscribers: Please allow up to six weeks for receipc or li/SI issue due to our small, non-computenzed subscripcion I Name depattmtnt I Foreign custome" may poy by I.M.O. or check drawn on a U.S. bank. Because of I Address 1 exorbitant bank p<OCtSSing ch"'lts. we cannot accepc checks in Canadian dollus or ocher foreign currency. or checks drawn on a foreign bank. Subscribers must notify us immediately of any change of address. If notifteatton is not I ~ ~~ ~p I receoved, magazonessent to incorrect old addresses will not be replaced. U.S. customers I Send To: Hornnpun T•pese, Box eMD, Woo<btock, NY 12498 .J must include tip code. ·----------------------------- 1Iftft()V(N(VI(fS of R/!COI(/) fVN By K. Kintj tWIIIOR CEL£f3R/'fl( ,. The renovation of the club will add much floor space. There will be a balcony, which will be a place for private parties and even some priva­ cy, away from the downstairs ac­ tion. There is a bar upstairs and n mid-November, Tipitina's will down, as well as a bar near the new reopen on its original site at the patio, which is directly behind Icorner of Napoleon and Tchoupi­ where the stage used to be. The toulas. At present, renovations are stage will now face Napoleon in­ in progress. stead of Tchoupitoulas. The new Tipitina's closed in 1984, a vic­ patio will, in theory, replace the tim of changing times, the World's neutral ground as the place to get Fair and, perhaps, too many cooks outside and away from the action. in its management set-up. The name Cleaning up the neighborhood af­ Tipitina's is now controlled by the ter each show will be a priority. Tipitina Social Aid and Pleasure Additional lights are being installed Club, whose seven trustees are ori­ in the vicinity of the club to make ginal Tipitina's founders. In the late night revelers feel a bit safer on spring of 1985, investors doing music in New Orleans." late the air every 30 seconds, a their way back to the their cars. On business as Real New Orleans Inc. What will change? The bath­ boon to non-smokers. Monday-Wednesday, the shows will purchased the real estate that was rooms will be bigger, with an atten­ Those responsible for the changes start at 8, so those of us with real Tjpitina's with plans to renovate, dant on duty in the women's room. in design are all long-time Tipiti­ jobs can hear music and be home reopen and manage the club. After Every effort is being made to im­ na's devotees who have many, by 10:30. Yes, starting on time will negotiations, Real New Orleans Inc. prove the parking situation. There many nights experience with the be a priority. was able to license the use of the are talks going on concerning the past problems. Architects Nick What remains the same about name Tipitina's from the Tipitina use of the China Glass lot as well Musso and Seldon "Reb" Haizlip Tip's? Visually, you will see the Social Aid and Pleasure Club. as the Rosy's lot. Valet parking is have come up with a plan that is same posters and junk that were al­ While Real New Orleans Inc. will being considered. For bike riders, not ostentatious, but is essential and ways there. The logo remains the manage the business of the club, there wjll be a lower cover charge goes a long way toward making the same and the bar top will be there the trustees of TSAPC will handle and a Jew bike rack right out in club comfortable. Both construction as always. So will the photo booth. the music. The TSAPC, a non­ front of the club. There will be two head Jim Eckert and construction The music, booked again by Sonny profit corporation, exists solely to police officers on duty for supervisor Joe Bucher have also Schniedau, will be variable, whim­ protect the name Tipitina's, with Thursday-Saturday shows. There spent many a night at Tip's. As sical, but essentially: the best of lo­ any money derived from licensing will be two huge draw fans on the such, this is a labor of love for all cal and regional music, mainly of a going to "the betterment of live roof which will, in theory, recircu- involved. roots-oriented variety, combined with the occasional big time act. The new, more spacious environs will allow bigger crowds, thus big­ ger bookings. Real New Orleans Inc. wants the style and attitude of the old Tip's to continue on with the new. There will still be live WWOZ broadcasts -Walter Brock of 'OZ is one of the TSAPC trustees and a once-a­ week "Live From Tipitina's" show is in the works. TSAPC spokesman Michael Smith says, "The reopen­ ing of Tipitina's will end the post World's Fair depression in the New Orleans music scene." - Mark Bingham FOUR A.M. AT ROSY'S And the blackbirds swooped down. Two blackbirds joined in with their high brass tones wailing together . cello silent and bass upright . the way the tree recalls music at sunrise or after rainfall. • Crystal shatters; wood revemerates. The heart. though encased, divides into chambers of fear and hope. It is that hour in a darkened cove when waitresses collect their tips.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Wickenden Wonderland, Dec 21, Rings in Holiday Spirit,H.R. From
    Wickenden Wonderland, Dec 21, Rings In Holiday Spirit Caroling is part of the Christmas tradition. Ordinary folks gracing their neighborhood with their own style of holiday cheer is commonplace in many cities. Fox Point on the PVD East Side, one of the city’s neighborhoods with an artistic temperament, is putting their own spin on it. Wickenden Wonderland – Thursday, Dec 21, 6-8pm – is a celebration put together by the Fox Point Neighborhood Association, and it is for a great cause. Raising money for the homeless with Amos House, this wonderland provides a glimpse of beauty in the human spirit. It also looks like a damned good time. The start is the Point Tavern 6-7pm with drinks and plans for merrymaking. The kitchen will be occupied by Great Northern Barbeque, so it’s an opportunity to enjoy delicious food among friends. There will be drink specials at the Point, and their beverages are a great way to lubricate your singing voice – and no one should be caroling on an empty stomach. Revenue from food and drink sales will go toward Amos House. This all makes for a stellar reason to join in on the fun. At 7pm, the party moves to George M. Cohan Plaza (the intersection of Wickenden and Governor Streets) for what the event Facebook page describes as “great musical accompaniment of the Mighty Good Boys. There will be hot chocolate and cookies for everyone!” If you find yourself on PVD’s East Side or you’re in the city looking for something to do on a Thursday night, then celebrate the holiday season with a caroling crowd.
    [Show full text]
  • Top 40 Singles Top 40 Albums
    08 March 1987 CHART #559 Top 40 Singles Top 40 Albums Funky Town Thorn In My Side Revenge Different Light 1 Pseudo Echo 21 Eurythmics 1 Eurythmics 21 The Bangles Last week 3 / 2 weeks EMI Last week 15 / 8 weeks RCA Last week 1 / 28 weeks Platinum / RCA Last week 19 / 19 weeks FESTIVAL Word Up Hungry Town Graceland True Colours 2 Cameo 22 Big Pig 2 Paul Simon 22 Cyndi Lauper Last week 1 / 3 weeks POLYGRAM Last week 38 / 2 weeks FESTIVAL Last week 5 / 20 weeks Platinum / WEA Last week 20 / 20 weeks Platinum / CBS Good Times Don't Give Up Genesis They Don't Make Them Like They Us... 3 Jimmy Barnes & INXS 23 Peter Gabriel & Kate Bush 3 Genesis 23 Kenny Rogers Last week 2 / 9 weeks FESTIVAL Last week 34 / 3 weeks VIRGIN Last week 2 / 104 weeks Platinum / POLYGRAM Last week - / 1 weeks RCA Shake You Down To Be A Lover The Whole Story So 4 Gregory Abbott 24 Billy Idol 4 Kate Bush 24 Peter Gabriel Last week 4 / 7 weeks CBS Last week 21 / 12 weeks FESTIVAL Last week 4 / 8 weeks EMI Last week 50 / 29 weeks Platinum / VIRGIN C'est La Vie Slice Of Heaven Dancing On The Ceiling The Autobiography Of Supertramp 5 Robbie Nevil 25 Dave Dobbyn 5 Lionel Richie 25 Supertramp Last week 8 / 2 weeks EMI Last week 23 / 23 weeks Gold / SONY Last week 3 / 19 weeks Platinum / RCA Last week 16 / 9 weeks Gold / FESTIVAL Greetings To The New Brunette Victory Invisible Touch Brothers In Arms 6 Billy Bragg 26 Kool & The Gang 6 Genesis 26 Dire Straits Last week 12 / 3 weeks FESTIVAL Last week 30 / 2 weeks POLYGRAM Last week 6 / 32 weeks Platinum / VIRGIN Last week 22
    [Show full text]
  • The Uk's Top 200 Most Requested Songs in 1980'S
    The Uk’s top 200 most requested songs in 1980’s 1. Billie Jean - Michael Jackson 2. Into the Groove - Madonna 3. Super Freak Part I - Rick James 4. Beat It - Michael Jackson 5. Funkytown - Lipps Inc. 6. Sweet Dreams (Are Made of This) - Eurythmics 7. Don't You Want Me? - Human League 8. Tainted Love - Soft Cell 9. Like a Virgin - Madonna 10. Blue Monday - New Order 11. When Doves Cry - Prince 12. What I Like About You - The Romantics 13. Push It - Salt N Pepa 14. Celebration - Kool and The Gang 15. Flashdance...What a Feeling - Irene Cara 16. It's Raining Men - The Weather Girls 17. Holiday - Madonna 18. Thriller - Michael Jackson 19. Bad - Michael Jackson 20. 1999 - Prince 21. The Way You Make Me Feel - Michael Jackson 22. I'm So Excited - The Pointer Sisters 23. Electric Slide - Marcia Griffiths 24. Mony Mony - Billy Idol 25. I'm Coming Out - Diana Ross 26. Girls Just Wanna Have Fun - Cyndi Lauper 27. Take Your Time (Do It Right) - The S.O.S. Band 28. Let the Music Play - Shannon 29. Pump Up the Jam - Technotronic feat. Felly 30. Planet Rock - Afrika Bambaataa and The Soul Sonic Force 31. Jump (For My Love) - The Pointer Sisters 32. Fame (I Want To Live Forever) - Irene Cara 33. Let's Groove - Earth, Wind, and Fire 34. It Takes Two (To Make a Thing Go Right) - Rob Base and DJ EZ Rock 35. Pump Up the Volume - M/A/R/R/S 36. I Wanna Dance With Somebody (Who Loves Me) - Whitney Houston 37.
    [Show full text]
  • Tribute to the Cars to Appear at Hht
    PRESS RELEASE – September 17, 2018 Susan Carrier (951) 551-5363 [email protected] TRIBUTE TO THE CARS TO APPEAR AT HHT On Saturday October 6th, the Historic Hemet Theatre will host a tribute to The Cars, a band that pioneered synthesizer pop music in the late 70's and early 80's. Performing the tribute will be Heartbeat City, a band that has recreated the look and sound of the Cars, dressing in the 80's style of the band and perfecting a sound that is amazingly close to the real thing! Although less well known than other classic bands, The Cars were quite successful in their day, including being named "Best New Artist" by Rolling Stone in 1978 and "Video of the Year" for "You Might Think" at the very first MTV Video Music Awards in 1984. Their debut album, The Cars, sold six million copies and appeared on the Billboard 200 album chart for 139 weeks. Robert Palmer, music critic for Rolling Stone, described the Cars' musical style by saying: "they have taken some important but disparate contemporary trends—punk minimalism, the labyrinthine synthesizer and guitar textures of art rock, the '50s rockabilly revival and the melodious terseness of power pop—and mixed them into a personal and appealing blend." The Cars most memorable hits include "My Best Friend's Girl," "Just What I Needed," "Who's Gonna Drive You Home Tonight?," and "Good Times Roll." The members of Heartbeat City are Phil Rowland (drums), Jamie Rio (lead vocals, guitar), Don E Sachs (Lead guitar, vocals), Andy Catt (bass, lead vocals), Mark Adame (keyboard, vocals).
    [Show full text]
  • Wavelength (November 1984)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 11-1984 Wavelength (November 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (November 1984) 49 https://scholarworks.uno.edu/wavelength/49 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. I I ~N0 . 49 n N<MMBER · 1984 ...) ;.~ ·........ , 'I ~- . '· .... ,, . ----' . ~ ~'.J ··~... ..... 1be First Song • t "•·..· ofRock W, Roll • The Singer .: ~~-4 • The Songwriter The Band ,. · ... r tucp c .once,.ts PROUDLY PR·ESENTS ••••••••• • • • • • • • •• • • • • • • • • • • • • • • ••••••••• • • • • • • • •• • • • • • • • • • • • • • •• • • • • • • • • • • • ••••••••••• • •• • • • • • • • ••• •• • • • • • •• •• • •• • • • •• ••• •• • • •• •••• ••• •• ••••••••••• •••••••••••• • • • •••• • ••••••••••••••• • • • • • ••• • •••••••••••••••• •••••• •••••••• •••••• •• ••••••••••••••• •••••••• •••• .• .••••••••••••••••••:·.···············•·····•••·• ·!'··············:·••• •••••••••••• • • • • • • • ...........• • ••••••••••••• .....•••••••••••••••·.········:· • ·.·········· .....·.·········· ..............••••••••••••••••·.·········· ............ '!.·······•.:..• ... :-=~=···· ····:·:·• • •• • •• • • • •• • • • • • •••••• • • • •• •
    [Show full text]
  • CARNIVAL and OTHER SEASONAL FESTIVALS in the West Indies, USA and Britain
    CORE Metadata, citation and similar papers at core.ac.uk Provided by SAS-SPACE CARNIVAL AND OTHER SEASONAL FESTIVALS in the West Indies, U.S.A. and Britain: a selected bibliographical index by John Cowley First published as: Bibliographies in Ethnic Relations No. 10, Centre for Research in Ethnic Relations, September 1991, University of Warwick, Coventry, CV4 7AL John Cowley has published many articles on blues and black music. He produced the Flyright- Matchbox series of LPs and is a contributor to the Blackwell Guide To Blues Records, and Black Music In Britain (both edited by Paul Oliver). He has produced two LPs of black music recorded in Britain in the 1950s, issued by New Cross Records. More recently, with Dick Spottswood, he has compiled and produced two LPs devoted to early recordings of Trinidad Carnival music, issued by Matchbox Records. His ‗West Indian Gramophone Records in Britain: 1927-1950‘ was published by the Centre for Research in Ethnic Relations. ‗Music and Migration,‘ his doctorate thesis at the University of Warwick, explores aspects of black music in the English-speaking Caribbean before the Independence of Jamaica and Trinidad. (This selected bibliographical index was compiled originally as an Appendix to the thesis.) Contents Introduction 4 Acknowledgements 7 How to use this index 8 Bibliographical index 9 Bibliography 24 Introduction The study of the place of festivals in the black diaspora to the New World has received increased attention in recent years. Investigations range from comparative studies to discussions of one particular festival at one particular location. It is generally assumed that there are links between some, if not all, of these events.
    [Show full text]
  • UNDERNEATH the MUSIC Ellington
    ABSTRACT Title of Document: UNDERNEATH THE MUSIC Ellington Rudi Robinson, Master of Fine Arts, 2008 Directed By: Professor, Jefferson Pinder, and Department of Art I see my work as an expression of a young man growing up in a household of music, books, and highly influential people. During the crack era that becomes prevalent under the tenure of President Reagan. The influences of the past will be the guides to surviving in a time when many friends parish as victims from the abundance of violence. The influences and tragedies are translated into motifs that are metaphors combined to create forms of communication. The hardwood floors, record jackets, tape, and railroad tracks provide a catalyst. These motifs are combined and isolated to tell an intense story that is layered with the history of the Civil Rights Movement, hip hop culture, drugs and music. The work is a conduit to release years of pain dealing with loss and oppression. It is also a vehicle to celebrate the philosophy that joy and pain are synonymous with life. UNDERNEATH THE MUSIC By Ellington Rudi Robinson Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Fine Arts 2008 Advisory Committee: Professor Jefferson Pinder, Chair Professor Patrick Craig Professor Margo Humphries Professor Brandon Morse Rex Weil © Copyright by Ellington Robinson 2008 Preface The smell of the coffee bean aroma surrounded by the books and music, the phone rings. “Good afternoon, thank you for calling Borders Books and Music, how can I help you?” “El! What’s up man, I have some bad news.” This is an all too familiar greeting.
    [Show full text]
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
    [Show full text]
  • Settin' My Dial on the Radio
    SETTIN ’ MY DIAL ON THE RADIO BOB DYLAN 2006 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , RECORDINGS & BOOKS . © 2010 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Settin’ My Dial On The Radio — Bob Dylan 2006 page 2 of 86 1 INTRODUCTION ...................................................................................................................................................................4 2 2006 AT A GLANCE ..............................................................................................................................................................4 3 THE 2006 CALENDAR ..........................................................................................................................................................4 4 NEW RELEASES AND RECORDINGS ..............................................................................................................................6 4.1 MODERN TIMES ................................................................................................................................................................6 4.2 BLUES ..............................................................................................................................................................................6 4.3 THEME TIME RADIO HOUR : BASEBALL ............................................................................................................................8
    [Show full text]
  • Council of the District of Columbia Committee of The
    C OUNCIL OF THE DISTRICT OF COLUMBIA C O MMITTEE OF THE WHOLE COMMITTEE REPORT 1350 Pennsylvania Avenue, NW, Washington, DC 20004 DRAFT TO: All Councilmembers FROM: Chairman Phil Mendelson Committee of the Whole DATE: December 17, 2019 SUBJECT: Report on Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” The Committee of the Whole, to which Bill 23-317, the “Go-Go Official Music of the District of Columbia Designation Act of 2019” was referred, reports favorably thereon, with amendments, and recommends approval by the Council. CONTENTS I. Background and Need .................................................................1 II. Legislative Chronology ...............................................................3 III. Position of The Executive ...........................................................4 IV. Comments of Advisory Neighborhood Commissions .................4 V. Summary of Testimony ...............................................................4 VI. Impact on Existing Law ..............................................................6 VII. Fiscal Impact ...............................................................................6 VIII. Section-by-Section Analysis .......................................................7 IX. Committee Action .......................................................................7 X. Attachments .................................................................................7 I. BACKGROUND AND NEED Bill 23-317, the “Go-Go Official Music of the District
    [Show full text]
  • MUSIC LIST Email: Info@Partytimetow Nsville.Com.Au
    Party Time Page: 1 of 73 Issue: 1 Date: Dec 2019 JUKEBOX Phone: 07 4728 5500 COMPLETE MUSIC LIST Email: info@partytimetow nsville.com.au 1 THING by Amerie {Karaoke} 100 PERCENT PURE LOVE by Crystal Waters 1000 STARS by Natalie Bassingthwaighte {Karaoke} 11 MINUTES by Yungblud - Halsey 1979 by Good Charlotte {Karaoke} 1999 by Prince {Karaoke} 19TH NERVIOUS BREAKDOWN by The Rolling Stones 2 4 6 8 MOTORWAY by The Tom Robinson Band 2 TIMES by Ann Lee 20 GOOD REASONS by Thirsty Merc {Karaoke} 21 - GUNS by Greenday {Karaoke} 21 QUESTIONS by 50 Cent 22 by Lilly Allen {Karaoke} 24K MAGIC by Bruno Mars 3 by Britney Spears {Karaoke} 3 WORDS by Cheryl Cole {Karaoke} 3AM by Matchbox 20 {Karaoke} 4 EVER by The Veronicas {Karaoke} 4 IN THE MORNING by Gwen Stefani {Karaoke} 4 MINUTES by Madonna And Justin 40 MILES OF ROAD by Duane Eddy 409 by The Beach Boys 48 CRASH by Suzi Quatro 5 6 7 8 by Steps {Karaoke} 500 MILES by The Proclaimers {Karaoke} 60 MILES AN HOURS by New Order 65 ROSES by Wolverines 7 DAYS by Craig David {Karaoke} 7 MINUTES by Dean Lewis {Karaoke} 7 RINGS by Ariana Grande {Karaoke} 7 THINGS by Miley Cyrus {Karaoke} 7 YEARS by Lukas Graham {Karaoke} 8 MILE by Eminem 867-5309 JENNY by Tommy Tutone {Karaoke} 99 LUFTBALLOONS by Nena 9PM ( TILL I COME ) by A T B A B C by Jackson 5 A B C BOOGIE by Bill Haley And The Comets A BEAT FOR YOU by Pseudo Echo A BETTER WOMAN by Beccy Cole A BIG HUNK O'LOVE by Elvis A BUSHMAN CAN'T SURVIVE by Tania Kernaghan A DAY IN THE LIFE by The Beatles A FOOL SUCH AS I by Elvis A GOOD MAN by Emerson Drive A HANDFUL
    [Show full text]