DOCSLIB.ORG

Gavin Rap Retail XZIBIT

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gavin Rap Retail XZIBIT Gavin Rap Retail XZIBIT Singles 1 1 1 OUTKAST - Elevators (LaFace/Arista) 2 2 2 L.L.COOL J - Loungin' (Def Jam Recording Group) 6 6 3 DO OR DIE - Po Pimp (Rap-A-Lot/Noo Trybe) 5 3 4 H. S. HIGH SNDTRK - Wu-Wear:Garment Renaissance/Get Down For Mine (Big Beat/Atl.) A Gavin classic (I to r): Red Alert, 3 4 5 2 PAC - How Do You Want It/California Love/Hit 'Em Up (Death Row/Interscope) Themblaa, and Wildman Steve! 7 5 6 JAY -Z - Can't Knock The Hustle (Roc-A-Fella/Priority) His journey: Xzibit was born and 16 10 7 A+- AllSee (Kedar/Universal) Rap Picks raised in Detroit until age nine. 8 7 8 GOODIE MoB - Dirty South (LaFace/Arista) RAS-T He moved to New Mexico then 4 8 9 NAS -IfI Ruled The World (Columbia/CRG) "Nine -Six Million Dollar Man" lived in Arizona briefly. At 14, 9 11 10 BUSTA RHYMES - It's A Party featuring Zhane/III Vibe featuring 0 -Tip (Elektra/EEG) (Norfside) trouble took hold of him, and he Salaam Remi delivers his signature 14 9 11 CAPONE-N-NOREAGA - Illegal Life/Stick You (Penalty) served a two-year stint in the sys- production style beneath a new 15 15 12 XZIBIT - Papparazzi (Loud/RCA) emcee known as Ras -T. The 007 - tem. Released on his own recog- 13 12 13 DRU DOWN - Can You Feel Me (Relativity) type fanfare gives his braggadocious nizance at 17, he relocated to 14 ORIGINO0 GUNN CLAPPAZ - No Fear/Da Storm (Duck Down/Priority) lyrics an air of mystery that will California. It was there that he 18 25 15 THE ROOTS - Clones/Sections (DGC) keep ya head noddin'. Ras -T is the lead project from Salaam Remi's began to take rhyming seriously. 10 18 16 TOO SHORT - Gettin' It (Jive) Norfside Records. Feels good to LABEL: Loud Records - 23 17 LOST BOYZ - Music Makes Me High (Universal) have up -tempo tracks comin' back. 19 16 18 RAS KASS - Anything Goes/On Earth As It Is.... (Patchwerk/Priority) Contact Leroy at (212) 2 :5-2727. CAMEOS: On the posse cut 24 19 AL'TARIQ - Do Yo' Thang (Correct/Grindstone Ent.) THE ROSE FAMILY "Freestyle Ghetto" with King Tee, "Beaches N Creme" b/w "HRH!" 12 20 20 THE 2 LIVE CREW - Shake A Lil' Somethin' (Lil' Joe) and three cuts from Tha 11 13 21 A TRIBE CALLED QUEST - ince Again (Jive) (Rawkus) Alkoholiks' Coast to Coast album. "Chillin'...Sittin" on about a half -a - He was offered his deal with Loud 22 21 22 DE LA SOUL - Stakes Is High/The Bizness (Tommy Boy) million." This hook will be running soon after the buzz caught on. - 19 23 GHOST TOWN DJs - My Boo (So So Def/Columbia/CRG) through your head indefinitely, and NEW 24 WESTSIDE CONNECTION - Bow Down (Priority) the beat is knockin', too! Rawkus is NEXT SINGLE: "The setting the rap world on its ear with NEW 25 M.C. LYTE - Everyday (eastwest/EEG) Foundation," produced by Muggs this, and the Rose Family has a cast Albums of all-star voices that you'll want to DEBUT ALBUM: hear more from. Flip the wax for a At the Speed of Life 4 2 1 OUTKASTATLiens (LaFace/Arista) taste of the down 'n' dirty B-side. 2 1 2 NAS -It Was Written (Columbia/CRG) Contact Brian or Red at Rawkus PRODUCERS INCLUDE: Muggs (212) 566-3160. 1 3 3 A TRIBE CALLED QUEST - Beats, Rhymes And Life (Jive) (Cypress Hill), Diamond D (Fat YO YO 5 4 4 JAY -Z - Reasonable Doubt (Roc-A-Fella/Priority) Joe), and E -Swift (Alkoholiks). "One for the Cutie" featuring MC 6 6 5 FACEMOB - The Other Side Of The Law (Noo TrybeNirgin) LYTE (eastwest/EEG) ON THE ALBUM: "I did this 3 5 6 DE LA SOUL - Stakes Is High (Tommy Boy) This cut opens up l o Yo's album album for more than photos and 7 DO OR DIE - Picture This (Rap-A-Lot/Noo Trybe) with a bang, and is among my travel. It's heartfelt. People have favorite tracks. Look for this to he 18 9 8 M.C. LYTE - Bad As I Wanna B (eastwest/EEG) told me how refreshing it is to a huge record; the ladies are a 9 HIGH SCHOOL HIGH SOUNDTRACK - Various Artists (Big Beat/Atlantic) power -packed pair that make their hear music from the West Coast 8 11 10 - Ridin' Dirty (Jive) standards for the opposite sex that doesn't have a Roger sample 10 12 11 MR. MIKE - Wicked Wayz (Suave/Relativity) clear! Bonus: this is actually a dou- or G -Funk in it" 11 7 12 LOST BOYZ - Legal Drug Money (Universal) ble A -side, and MC Lyte's "T.R.G (The Rap Game)" is a slammin' CREATIVE INFLUENCE: "My 9 8 13 HELTAH SKELTAH - Nocturnal (Duck Down/Priority) wake-up call to all Big Willies in mother, who was a writer. I 7 10 14 CRUCIAL CONFLICT - The Final Tic (Pallas/Universal) training. Contact Rene at Elektra express hostility in my written - 24 15 AL'TARIQ - God Connections (Correct/Grindstone Ent.) (212) 275-4058. thoughts then put it in a rhyme. 12 16 16 FUGEES - The Score (Ruffhouse/Columbia/CRG) TES MIXSHOW PICK Releasing them in the studio 16 13 17 2 PAC - All Eyez On Me (Death Row/Interscope) ILL AL SKRATCH makes it all worthwhile." 15 21 18 TOO SHORT - Gettin' It (album number ten) (Dangerous/Jive) "Yo Love" featuring Crystal Waters (Mercury) 13 14 19 SADAT X - Wild Cowboys (Loud/RCA) FUTURE PLANS: To catch wreck "Me and My Clickvas just an as one-third of the Usual 20 17 20 AKINYELE - Put It In Your Mouth E.P. (Stress/BMG) appetizer, and this explosive hit Suspects, a new group comprised NEW 21 A+ - Latch Key Child (Kedar/Universal) single is the main course. It has all NEW 22 DRU DOWN - Can You Feel Me (Relativity) the necessary ingredients to win, of Ras Kass, Saafir, and Xzibit. from the addictive hook to Crystal's 19 19 23 SO SO DEF BASS ALLSTARS - Various Artists (So So Def/Columbia/CRG) sassy vocals. It's what we love Ill AT SESSIONS: Check Xzibit out 14 15 24 BLAHZAY BLAHZAY - Blah, Blah, Blah (Fader/Mercury) and Al for, so "Yo, Love"-show during the Loud, Rawkus, HiTown, - 20 25 NINE - Cloud 9 (Profile) love! Contact Marlo at Mercury and Jungle Records Opening (212) 603-7922. Compiled by Matt Brown and Justin Tores Showcase, Thursday at 8 p.m..
Load more

Recommended publications
  • Is Hip Hop Dead?
    IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work.
    [Show full text]
  • Digitale Disconnectie Voor De La Soul
    juridisch Digitale disconnectie dreigt voor hiphopgroep De La Soul Stakes Is High Bjorn Schipper Met de lancering op Netflix van de nieuwe hitserie The Get Down staat de opkomst van hiphop weer volop in de belangstelling. Tegen de achtergrond van de New Yorkse wijk The Bronx in de jaren ’70 krijgt de kijker een beeld van hoe discomuziek langzaam plaatsmaakte voor hiphop en hoe breakdancen en deejayen in zwang raakten. Een hiphopgroep die later furore maakte is De La Soul. In een tijd waarin digitale exploitatie volwassen is geworden en de online-mogelijkhe- den haast eindeloos zijn, werd onlangs bekend dat voor De La Soul juist digitale disconnectie dreigt met een nieuwe generatie (potentiële) fans1. In deze bijdrage ga ik in op de bizarre digi- tale problemen van De La Soul en laat ik zien dat ook andere artiesten hiermee geconfronteerd kunnen worden. De La Soul: ‘Stakes Is High’ Net als andere hiphopalbums2 bevatten de albums van De New Yorkse hiphopgroep De La Soul bestaat De La Soul vele samples. Dat bleef juridisch niet zon- uit Kelvin Mercer, David Jude Jolicoeur en Vincent der gevolgen en zorgde voor kopzorgen in verband met Mason. De La Soul brak in 1989 direct door met het het clearen van de gebruikte samples. Niet zo vreemd album 3 Feet High and Rising en kreeg vooral door ook als we bedenken dat in die tijd weinig jurispruden- de tekstuele inhoud en het gekleurde hoesontwerp al tie bestond over (sound)sampling. Zo kreeg De La Soul snel een hippie-achtig imago aangemeten. Met hun het na de release in 1989 van 3 Feet High and Rising vaste producer Prince Paul bewees De La Soul dat er aan de stok met de band The Turtles.
    [Show full text]
  • Across the Universe? a Comparative Analysis of Violent Behavior And
    The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Across the Universe? A Comparative Analysis of Violent Behavior and Radicalization Across Three Offender Types with Implications for Criminal Justice Training and Education Author(s): John G. Horgan, Ph.D., Paul Gill, Ph.D., Noemie Bouhana, Ph.D., James Silver, J.D., Ph.D., Emily Corner, MSc. Document No.: 249937 Date Received: June 2016 Award Number: 2013-ZA-BX-0002 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this federally funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Across the Universe? A Comparative Analysis of Violent Behavior and Radicalization Across Three Offender Types with Implications for Criminal Justice Training and Education Final Report John G. Horgan, PhD Georgia State University Paul Gill, PhD University College, London Noemie Bouhana, PhD University College, London James Silver, JD, PhD Worcester State University Emily Corner, MSc University College, London This project was supported by Award No. 2013-ZA-BX-0002, awarded by the National Institute of Justice, Office of Justice Programs, U.S. Department of Justice. The opinions, findings, and conclusions or recommendations expressed in this publication are those of the authors and do not necessarily reflect those of the Department of Justice 1 ABOUT THE REPORT ABOUT THE PROJECT The content of this report was produced by John Horgan (Principal Investigator (PI)), Paul Gill (Co-PI), James Silver (Project Manager), Noemie Bouhana (Co- Investigator), and Emily Corner (Research Assistant).
    [Show full text]
  • Lossless Audio Codec Comparison
    Contents Introduction 3 1 Test setup 4 1.1 Scripting and graphing . .4 1.2 Codecs and parameters used . .5 1.3 WMA, RealAudio and ALAC . .6 2 CD-audio test 8 2.1 CD's used . .8 2.2 Results all CD's together . .9 2.3 Interesting quirks . 12 2.3.1 Mono encoded as stereo (Dan Browns Angels and Demons) 12 2.4 Convergence of the results . 15 3 High-resolution audio 17 3.1 Nine Inch Nails' The Slip . 17 3.2 Howard Shore's soundtrack for The Lord of the Rings: The Re- turn of the King . 20 3.3 Wasted bits . 22 4 Multichannel audio 24 4.1 Howard Shore's soundtrack for The Lord of the Rings: The Re- turn of the King . 24 A Motivation for choosing these CDs 27 Bibliography 31 2 Introduction While testing the efficiency of lossy codecs can be quite cumbersome (as results differ for each person), comparing lossless codecs is much easier. As the last well documented and comprehensive test available on the internet has been a few years ago, I thought it would be a good idea to update. Beside comparing with CD-audio (which is often done to assess codec perfor- mance) and spitting out a grand total, this comparison also looks at extremes that occurred during the test and takes a look at 'high-resolution audio' and multichannel/surround audio. While the comparison was made to update the comparison-page on the FLAC website, it aims to be fair and unbiased. Because of this, you'll probably won't find anything that looks like conclusions: test results are displayed and analysed, but there is no judgement or choice made.
    [Show full text]
  • Top R &B /Hip -Hop Catalog Albums
    OCTOBER. E Compiled by SoundScan from a national subset 2001 Billboard I Top R. H Ho Albu panel of core R &B /Hip -Hop stores. Y O C 2 W Q O z 3 G O 3 n o ARTIST TITLE á Ñ I- ARTIST TITLE ¿ (7 -' 3 M P R I N T & NUMBER /DISTRIBUTING LABEL á ° g S IMPRINT & NUMBER /DISTRIBUTING LABEL á rs° _-t NUMBER 1 % := 2 WAIMhadia1 50 37 23 JANET v:rum 10144.11298/18981 All For You 1 1 59 3 JAY -Z RorA- Fella /Del Joel 586396' /IGJMG112.98/1998: The Blueprint 1 47 42 12 LIL' ROMEO Saulja501981/F1mM,(1198/1798) LB. Romeo 5 #' HOT SHOT DEBUT # 45 35 8 GANGSTA BOO Hypnotize Minds/Loud 19z5/CRG112.93E0/17981 Both Worlds, *69 8 1 GERALD LEVERT Elektra62855/EEGnz9aId98, Gerald's World 2 © 52 41 65 NELLYA' Fo Reel 157743 /Universa1It2.9w1a98) Country Grammar 1 2 2 FABOLOUS Duo, Storm/110ton132b79' /LLG11298119981 Ghetto Fabolous 2 53 43 27 112 P,nr Boy 53039 /Arslau298/IB991 Part Ill 1 34 2 KILLARMY Wu- Tang /Loud19Z7/CRG(ts- SOE0/17.98) Fear Love & War 34 4 3 6 MAXWELL A Columbia 67136/CRG11298ED/18981 Now 1 - Roc- ell 3 1 4 MARY J. BLIGE MCA 112616.11298/1898) No More Drama 1 51 46 13 BEANIE SIGEL AF a /0et.1 ant 549538 /IDJMG11298/18NI The Reason 2 7 4 4 BRIAN MCKNIGHT Motowo014743+Universal(12.98 /18.981 Superhero 4 55 44 7 SOUUA SLIM No Linda South 2001p198/1798I The Streets Made Me 42 5 2 1C AALIYAH A En:c+.g,ound10082'11298/1899I Aaliyah 2 58 52 50 JA RULE A M, u der Inc /Dot Jam 542934./IDJMG1129w18.98) Rule 3:36 1 Anna751083/Arrem1,11298,19981 5 9 5 12 ALICIA KEYS A' J2000211198/1798) Songs In A Minor 1 60 50 10 KURUPT Space Boogie: Smoke Oddessey 3 1 0298EOi18981 t PACESETTER 4 g 0} Lit MACY GRAY Emc85200' The ID 9 cia 96 - 2 DENNIS DA MENACE 1ssAvenu woos 9scRI, The Wonderful World Of Dennis 60 12 10 7 USHER Arista 14715'112.98/18981 8701 3 40 56 38 6 VARIOUS ARTISTS Del Jam 586239/IDJMGlt98n891D The Source Hip -Hop Music Awards 2001 34 64 66 8 MR.
    [Show full text]
  • BLOCKHEAD Funeral Balloons
    BLOCKHEAD Funeral Balloons KEY SELLING POINTS • Blockhead has released albums with Ninja Tune and produced for artists such as Aesop Rock, Open Mike Eagle and Billy Woods over the course of his nearly two decade long career • Blockhead’s evolution as a producer is on full display, exploring different avenues and sounds with every new release and continuing to forge his own lane between the worlds of hip-hop and electronic music DESCRIPTION ARTIST: Blockhead Funeral Balloons is the new album from acclaimed producer & NYC TITLE: Funeral Balloons fixture Blockhead [real name; Tony Simon]. Funeral Balloons is as bold CATALOG: l-BWZ747 / cd-BWZ747 and irreverent as the title suggests; from the uplifting and energetic mood LABEL: Backwoodz Studioz of “Bad Case of the Sundays” to the spaced out airy grooves found on GENRE: Hip-Hop/Instrumental BARCODE: 616822028315 / 616892517146 “UFMOG” all the way to the 1970s car chase anthem like “Escape from FORMAT: 2XLP / CD NY”, the songs never stop in one place. HOME MARKET: New York RELEASE: 9/8/2017 While, at its core, Funeral Balloons doesn’t stray far from the kind of LIST PRICE: $25.98 / FA / $13.98 / AM music Blockhead has been making since his debut Music by Cavelight, his evolution as a producer is on full display, exploring different avenues TRACKLISTING (Click Tracks In Blue To Preview Audio) and sounds with every new release and continuing to forge his own lane 1. The Chuckles between the worlds of hip-hop and electronic music. 2. Bad case of the Sundays 3. UFOMG 4. Zip It 5.
    [Show full text]
  • Courtney Malveaux Claims
    College of William & Mary Law School William & Mary Law School Scholarship Repository Student Newspaper (Amicus, Advocate...) Archives and Law School History 2001 The Amicus Curiae (Vol. 11, Issue 7) Repository Citation "The Amicus Curiae (Vol. 11, Issue 7)" (2001). Student Newspaper (Amicus, Advocate...). 350. https://scholarship.law.wm.edu/newspapers/350 Copyright c 2001 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/newspapers The VOLUMEXI,ISSUESEVEN MONDAY, MARCH 19,2001 WILLIAM & MARY SCHOOL OF LAW th 30 . Spong Tournantent Ends in Unprecedented Tie By Eric Nakano from the Ninth Circuit, Harry Carrico, Chief Law students as far away as California Justice of the Supreme Court of Virginia, gathered at the Law School on February 23 Elizabeth Lacy, from the Supreme Court of and 24 to compete in the 30th Annual Wil­ Virginia, and Nelson Overton from the !iamB. Spong, Jr. Invitational Moot Court Virginia Court ofAppeals. Tournament. Nineteen teams from sixteen After hearing arguments, the Justices schools competed in this year's competi­ deliberated, and rendered their score tion, arguing over the constitutionality of sheets before- they and all of the a high school's drug test policy. In the Tournament's competitors adjourned to closest result in the Tournament's history,. the awards dinner. Shortly after receiving. two teams tied for first place. the score sheets however, Stuart Turner, The South Texas College ofLaw team, the Spong Tournament Justice, was seen consisting of Natalie Koehler, Michael asking around for his copy of the Tourna­ Westbrook, and Warren Wills, and the ment rules, which had e.arlier been packed Brigham Young University team, Tessa away in a box.
    [Show full text]
  • 3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
    “3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums.
    [Show full text]
  • ALLA Press Release May 26 2015 FINAL
    ! ! ! A$AP ROCKY’S NEW ALBUM AT.LONG.LAST.A$AP AVAILABLE NOW ON A$AP WORLDWIDE/POLO GROUNDS MUSIC/RCA RECORDS TRENDING NO. 1 ON ITUNES IN THE US, UK, CANADA, AUSTRALIA, FRANCE, GERMANY AND MORE SOPHOMORE ALBUM FEATURES APPEARANCES BY KANYE WEST, LIL WAYNE, ScHOOLBOY Q, MIGUEL, ROD STEWART, MARK RONSON, MOS DEF, JUICY J, JOE FOX AND OTHERS [New York, NY – May 26, 2015] A$AP Rocky released his highly anticipated new album, At.Long.Last.A$AP, today (5/26) due to the album leaking a week prior to its scheduled June 2nd release date. The album is currently No. 1 at iTunes in the US, UK, Canada, Australia, France, Germany, Denmark, Finland, New Zealand, Poland, Switzerland, Russia and more. The follow-up to the charismatic Harlem MC’s 2013 release, Long.Live.A$AP, A$AP Rocky’s sophomore album, features a stellar line up of guest appearances by Rod Stewart, Miguel and Mark Ronson on “Everyday,” ScHoolboy Q on “Electric Body,” Lil Wayne on a new version of the previously released “M’$,” Kanye West and Joe Fox on “Jukebox Joints,” plus Mos Def, Juicy J, UGK and more on other standout tracks. Producers Danger Mouse, Jim Jonsin, Juicy J and Mark Ronson among others, contributes to the album’s trippy new sound. Executive Producers include Danger Mouse, A$AP Yams and A$AP Rocky with Co-Executive Producers Hector Delgado, Juicy J, Chace Johnson, Bryan Leach and AWGE. In 2013, A$AP Rocky announced his global arrival in a major way with his chart- topping debut album LONG.LIVE.A$AP.
    [Show full text]
  • G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED
    STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail.
    [Show full text]
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
    [Show full text]
  • Xzibit Napalm Album Free Mp3 Download Xzibit
    xzibit napalm album free mp3 download Xzibit. Alvin Nathaniel Joiner (born September 18, 1974 in Detroit, Michigan), better known by his stage name Xzibit, is an American rapper, actor, and host of MTV's Pimp My Ride. He began his music career as a member of the Likwit Crew, a loose collective of West Coast rappers including King Tee, Defari, and Tha Alkaholiks. He released his solo debut album 'At The Speed Of Life' in 1996 and has since released 5 more albums, his latest being Full Circle, released in 2006. His new album Napalm is expected to be released sometime in 2012. Born in Detroit, Michigan, Joiner moved to Albuquerque, New Mexico, with his father when he was ten years old (his mother had passed away when he was nine years old). Around this time, as he did not have any entertainment, he began writing poems. Around the age of 13, he started getting into trouble with the local police. By the time he was 14, he served a short stint in juvenile detention. Finally around 17 years old he had been expelled from several Albuquerque high schools for allegedly raping his guidance counselers. At that point, he moved with $3,000 to Los Angeles, California in his purple and black Geo Tracker to pursue his dream. Xzibit got his start as a member of the Likwit Crew a loose collective of West Coast rappers including Tha Alkaholiks and King T. After touring with them in 1995, Loud Records released the feisty young rapper's debut album, At The Speed Of Life (1996).
    [Show full text]