Geva's 44 Season Begins with a Funny Thing Happened On
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Sherry Hoel, 773-248-4860; [email protected]
Sarah Siddons Society Contact: Sherry Hoel, 773-248-4860; [email protected] www.sarahsiddonssociety.org FOR IMMEDIATE RELEASE SARAH SIDDONS SOCIETY HONORS CHICAGO’S OUTSTANDING INNOVATORS AND ARTISTS IN MUSICAL THEATRE (Chicago, IL, October 14, 2013) — The Sarah Siddons Society of Chicago recently announced that Eileen LaCario, Doug Peck, and Rachel Rockwell will be honored at Siddons’ Annual Meeting to be held at The Arts Club of Chicago on Wednesday, November 13, 2013, beginning at 11:30 am. Eileen LaCario is the Founding Member and Vice President of Broadway In Chicago which brings over one million people into the Chicago theatre district each year. Eileen has launched six theatres in Chicago including Royal George, Halsted Theatre Center, Cadillac Palace, Oriental, Bank of America Theatres and, most recently, the Broadway Playhouse. Eileen served on Mayor Rahm Emanuel’s Arts and Culture Transition Team and is past chair of the League of Chicago Theatres. She now serves on the City of Chicago Cultural Advisory Council and Choose Chicago’s Cultural Tourism Commission. Doug Peck, Music Director, has won five Jeff Awards (Porgy and Bess; Caroline, or Change; Carousel; Fiorello;Man of La Mancha) and two After Dark Awards (Guys and Dolls, Hello Again). His work has been heard in Chicago at Court Theatre, Chicago Shakespeare Theater, Writers Theatre, TimeLine Theatre Company, Northlight Theatre, the Paramount Theatre, Drury Lane Oakbrook Terrace, Porchlight Music Theatre, as well as the Ravinia Festival. Rachel Rockwell is aJeff Award winning theatre director and choreographer. Rachel’s work has been seen locally at Chicago Shakespeare Theatre, Steppenwolf, Drury Lane, The Marriott, TimeLine, Apple Tree and the Paramount Theatre. -
Bangor Publishing Company
Blue Hill's 'Forum' fulfills longing for summertime laughs Thursday, July 17, 2008 - Bangor Daily News Summer, especially summer in Maine, is for laughter. In offering up "A Funny Thing Happened on the Way to the Forum," the New Surry Theatre not only recognizes but also honors this notion in its production that opened Friday and runs weekends through Aug. 16. The company’s production at the Blue Hill Town Hall Theater of the 1962 musical that earned Stephen Sondheim the first of many Tony Awards is a delicious way to spend a summer evening. The local talent serves up a show that’s a step above the usual community theater fare thanks to the tight direction of Bill Raiten and marvelous mugging of lead actor Michael Reichgott. "Forum" is loosely based on three comedies by the Roman playwright Plautus and tells the story of the Herculean efforts by the slave Pseudolus to earn his freedom from Hero, his young master. The only things standing in his way are courtesans, soldiers, long-lost children, a virgin and a fellow slave. Reichgott, who is a newcomer to Maine and the theater company, seems to channel Zero Mostel and Nathan Lane, who played the role on Broadway in 1962 and 1996, respectively. He hams it up colossally, always stepping up to but never crossing that thin line that divides hysterically funny from grossly crass. The actor is equally adept at the physical comedy, the double-entendres and belting the role requires. Reichgott wrings every drop of humor from the part and throwing himself into his character’s big numbers — "Comedy Tonight," "Free" and "Everybody Ought to Have a Maid." He is nearly matched by Christopher Candage as Hero and Jim Fisher as Hysterium, his fellow slave. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Download (4MB)
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] 6iThe Adaptation of Literature to the Musical Stage: The Best of the Golden Age” b y Lee Ann Bratten M. Phil, by Research University of Glasgow Department of English Literature Supervisor: Mr. AE Yearling Ju ly 1997 ProQuest Number: 10646793 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uesL ProQuest 10646793 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. -
The Enduring Power of Musical Theatre Curated by Thom Allison
THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
TRU Speak Program 021821 XS
THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
King of the Half Hour : Nat Hiken and the Golden Age of Comedy Pdf Free Download
KING OF THE HALF HOUR : NAT HIKEN AND THE GOLDEN AGE OF COMEDY PDF, EPUB, EBOOK David Everitt | 248 pages | 01 Mar 2001 | Syracuse University Press | 9780815606765 | English | New York, United States King of the Half Hour : Nat Hiken and the Golden Age of Comedy PDF Book Nat Hiken June 13, — December 7, was an American television writer, producer, and songwriter who rose to prominence in the s. The New York Times. All translations of Nat Hiken. This page uses Creative Commons Licensed content from Wikipedia view authors. Despite her many personal problems, there was at least one aspect of Martha Raye's life in which she found fulfillment. Introduction Broadcasting Modernity, Spectacles, and Television. He was 5'2" and weighed over pounds and had once told TV writer Bert Resnik that he was "too ugly to get married". Thread Tools. Blum, Daniel ed. Phil Silvers , in his autobiography, said of Gosfield that he had a pomposity and condescension off-screen and "thought of himself as Cary Grant playing a short, plump man," [6] Silvers continued: "He began to have delusions. Phil Silvers visits the set of Car 54, nat Hiken on the right. Ro synonym - definition - dictionary - define - translation - translate - translator - conjugation - anagram. Following the show, Martha's understudy Vicki Carlson was also bitten. In fact, he had to go through a lot of struggles with the people over and under him. Bilko and Car 54, Where Are You? If anyone can add any more information to this, please do. Phil Silvers , in his autobiography, said of Gosfield that he had a pomposity and condescension off-screen and "thought of himself as Cary Grant playing a short, plump man," [4] adding, "He began to have delusions. -
The Last Days of Buster Keaton John C. Tibbetts
Fall 1995 79 The Hole in the Doughnut: The Last Days of Buster Keaton John C. Tibbetts In the Fall of 1995 Eleanor Norris Keaton will come to Kansas to celebrate the 100th birthday of her late husband.1 Part of an extensive itinerary that also takes her to other centenary observances in New York, Muskegon, Michigan, and Los Angeles, the Kansas trip is particularly poignant. Keaton was born on October 4,1895, in the tiny farm community of Piqua, in southeast Kansas, while his parents were performing with a medicine show.2 Although he may have been a Kansan only through sheer accident of circumstances—the baby and his mother remained in Piqua only two weeks before rejoining the troupe on the road—he returned there many times as a child on tour with his parents.3 Later, the classic slapstick comedian paid tribute to his home state in many of the themes and situations of his best films, most notably in the cyclone sequence in Steamboat Bill, Jr. (1928). To my mind, even his trademark "deadly horizontal" hat (as James Agee described it) evokes the stark flatness of the Kansas prairies.4 While the Keaton phenomenon will be fully explored throughout the centenary year, Eleanor herself should not be forgotten. By all accounts, she was an important force in Buster's later years. "She has seen Buster Keaton through a long period of painful adjustment, relapse, and readjustment and a dozen partial comebacks," wrote Rudi Blesh, shortly before Buster's death on February 1,1966. "She has carried him, content and at times happy, across the threshold of his seventies. -
Winona Daily News Winona City Newspapers
Winona State University OpenRiver Winona Daily News Winona City Newspapers 6-19-1973 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1973). Winona Daily News. 1303. https://openriver.winona.edu/winonadailynews/1303 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. Cloudy t!i rough ' ' ¦ "V- :- - '_ jft^- ' .r- .- '- -OErs6Mi :, y'l- • .:¦ ¦' Wednesday witfiy :¦-¦ Bioytop.Btirs,.. : ¦ ' ¦ ¦ -' - -/K ^'J . " ¦ "#Sr\Reail the¦ Want¦ ¦ ¦Ads¦ v¦ ¦y- .y.vychahcit bf showers ,afie5.rtK . : I- - - ---- " J . - . 118th Year of Pobrieailori 4 Seetfoni, 34 Pagjflsi 15 Cin*« Friendly afrndspfe Stimitiit By GAYLORD SHAW talks- reporters at the party, " . turnam certain that I'm that I Congressto looms as trade a potential stumbling block: ¦:- ;. WASHINGTON .AP). -; After- .agreeing V. 'there. going to leave here ( the United States) ^iri a. very, to increased U.S.-Soviet trade;: The 'Soviets . -''interest ' - .; ' - " Isf: no, alternative fto. a p«licy of peace,". President - •good mood."' . -f "P": in overcoming legislative opposition wasf . evident in Nixon and Soviet leader Leonid I. Brezhnev turned He described the first round of talkf fas = "very Brezhnev's Invitation to members of the Stenate For- ' their . summit; talks today : to the • ..thorn;/¦ issues of friendly. I' was • -very.'ji appy ," . 'A; eign Relations Corrirriittee to have itinch with him ai ?" "¦¦ "*" - " trade; and economics. W . -
Mousical Trivia
Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) b.) e.) d.) c.) BONUS QUESTION: Can you name the choreographer Pippin the intern is paying tribute to on the cover of the book? ANSWERS Level I: Name the classic Broadway musicals represented in these illustrations from THE GREAT AMERICAN MOUSICAL. Level II: Identify the song and the character(s) performing each one. Level III: Name the show's creators, the year the show originally opened, the theatre it opened in, and the original stars. a.) d.) Level I: The King and I Level I: Fiddler on the Roof Level II: "Getting to Know You", Anna Leonowens, Royal Wives Level II: “If I Were a Rich Man”, Tevye and Royal Children Level III: Book by Joseph Stein; Based on stories by Sholom Aleichem; Level III: Music by Richard Rodgers; Lyrics by Oscar Hammerstein Music by Jerry Bock; Lyrics by Sheldon Harnick. 1964, Imperial Theatre. II; Book by Oscar Hammerstein II; Based on the novel "Anna and Zero Mostel & Beatrice Arthur the King of Siam" by Margaret Landon. 1951, St. James Theatre. Yul Brynner & Gertrude Lawrence b.) e.) Level I: My Fair Lady Level I: Hello, Dolly! Level II: “Wouldn't It Be Loverly?”, Eliza Doolittle and the Cockneys Level II: “Hello, Dolly!”, Mrs. Dolly Gallagher Levi, Rudolph, Waiters and Level III: Book by Alan Jay Lerner; Lyrics by Alan Jay Lerner; Music by Cooks Frederick Loewe; Adapted from "Pygmalion" by George Bernard Shaw.