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Colonial Frontier Massacres in Australia 1788-1930: Sources
Colonial Frontier Massacres in Australia 1788-1930: Sources © Ryan, Lyndall; Pascoe, William; Debenham, Jennifer; Gilbert, Stephanie; Richards, Jonathan; Smith, Robyn; Owen, Chris; Anders, Robert J; Brown, Mark; Price, Daniel; Newley, Jack; Usher, Kaine, 2019. The information and data on this site may only be re-used in accordance with the Terms Of Use. This research was funded by the Australian Government through the Australian Research Council, PROJECT ID: DP140100399. http://hdl.handle.net/1959.13/1340762 Colonial Frontier Massacres in Australia 1788-1930: Sources 0 Abbreviations 1 Unpublished Archival Sources 2 Battye Library, Perth, Western Australia 2 State Records of NSW (SRNSW) 2 Mitchell Library - State Library of New South Wales (MLSLNSW) 3 National Library of Australia (NLA) 3 Northern Territory Archives Service (NTAS) 4 Oxley Memorial Library, State Library Of Queensland 4 National Archives, London (PRO) 4 Queensland State Archives (QSA) 4 State Libary Of Victoria (SLV) - La Trobe Library, Melbourne 5 State Records Of Western Australia (SROWA) 5 Tasmanian Archives And Heritage Office (TAHO), Hobart 7 Colonial Secretary’s Office (CSO) 1/321, 16 June, 1829; 1/316, 24 August, 1831. 7 Victorian Public Records Series (VPRS), Melbourne 7 Manuscripts, Theses and Typescripts 8 Newspapers 9 Films and Artworks 12 Printed and Electronic Sources 13 Colonial Frontier Massacres In Australia, 1788-1930: Sources 1 Abbreviations AJCP Australian Joint Copying Project ANU Australian National University AOT Archives of Office of Tasmania -
04 Part Two Chapter 4-5 Everett
PART TWO. "So what are you doing now?" "Well the school of course." "You mean youre still there?" "Well of course. I will always be there as long as there are students." (Jacques Lecoq, in a letter to alumni, 1998). 79 CHAPTER FOUR INTRODUCTION TO PART TWO. The preceding chapters have been principally concerned with detailing the research matrix which has served as a means of mapping the influence of the Lecoq school on Australian theatre. I have attempted to situate the research process in a particular theoretical context, adopting Alun Munslow's concept of `deconstructionise history as a model. The terms `diaspora' and 'leavening' have been deployed as metaphorical frameworks for engaging with the operations of the word 'influence' as it relates specifically to the present study. An interpretive framework has been constructed using four key elements or features of the Lecoq pedagogy which have functioned as reference points in terms of data collection, analysis and interpretation. These are: creation of original performance material; use of improvisation; a movement-based approach to performance; use of a repertoire of performance styles. These elements or `mapping co-ordinates' have been used as focal points during the interviewing process and have served as reference points for analysis of the interview material and organisation of the narrative presentation. The remainder of the thesis constitutes the narrative interpretation of the primary and secondary source material. This chapter aims to provide a general overview of, and introduction to the research findings. I will firstly outline a demographic profile of Lecoq alumni in Australia. Secondly I will situate the work of alumni, and the influence of their work on Australian theatre within a broader socio-cultural, historical context. -
MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition. -
Old Canberra Ged Martin This Book Was Published by ANU Press Between 1965–1991
Old Canberra Ged Martin This book was published by ANU Press between 1965–1991. This republication is part of the digitisation project being carried out by Scholarly Information Services/Library and ANU Press. This project aims to make past scholarly works published by The Australian National University available to a global audience under its open-access policy. First published in Australia 1978 Printed in Hong Kong for the Australian National University Press, Canberra ®Ged Martin 1978 This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism, or review, as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Inquiries should be made to the publisher. National Library of Australia Cataloguing-in-Publication entry Martin, Ged. Episodes of old Canberra. (Canberra companions). ISBN 0 7081 15780. 1. Canberra — Social life and customs. I. Title (Series). 994'.7[1] North America: Books Australia, Norwalk, Conn., USA Southeast Asia: Angus & Robertson (S. E. Asia) Pty Ltd, Singapore Japan: United Publishers Services Ltd, Tokyo Designed by ANU Graphic Design Adrian Young Maps drawn in the Cartographic Office, E>epartment of Human Geography, ANU. Contents Introduction 1 The Explorers 8 The Early Settlers 26 Life in Early Canberra 42 The Aborigines 80 ::x:x:::x land over 2000 feet • Property ' Crossing • Ucertam site ? Church Methodist Church Coppms Crossmc Old Canberra IV Introduction I arrived in Canberra from England at Christmas 1972. Like most people, I accepted it as a totally modern city, entirely cut off from the past, planned solely for the future. -
About Our Catchment
3.2 About Our Catchment DEFINING.THE.SOUTHERN.ACT.CATCHMENT.AREA. A catchment area is generally defined through the physical geography of an area of land generally bounded by natural features that all drain to a common point such as a river or into a specific body of water. In human geography however, a catchment area is defined as the area that services or attracts the surrounding population, for example a local nature reserve has a geographic area from which the community is able to benefit from the natural resources through physical, social or mental wellbeing. This area is not limited to the reserve itself but also the surrounding neighbourhoods that may benefit from linkages with the reserve. Woden Valley (January 2000) For the purposes of the CMS the southern ACT catchment area has been redefined to enable community participation in the management of this part of the Upper Murrumbidgee River Catchment. Our catchment boundaries are based upon the sub- catchments outlined in the ACT Government’s water resources strategy, Think Water Act Water – a strategy for sustainable water resource management, and includes the original catchments outlined in the Woden-Western, Tuggeranong-Tharwa and South-West ACT sub- catchment plans. Map 1 outlines the southern ACT catchment area and its 14 sub-catchments. It is important to note that in several areas the SACTCG has redefined the watershed catchments to include the social catchment. This was done to provide a more effective administration of the catchment area for both physical and human geographic -
Chesley Park Brick Making Plant (Site 2), 416 Berrima Road, New Berrima NSW: Historical Heritage Assessment
Chesley Park Brick Making Plant (Site 2), 416 Berrima Road, New Berrima NSW: Historical Heritage Assessment FINAL REPORT Prepared for Brickworks Ltd 1 April 2020 Biosis offices Document information NEW SOUTH WALES Report to: Brickworks Ltd Newcastle Prepared by: Samantha Keats Phone: (02) 4911 4040 Maggie Butcher Email: [email protected] Biosis project no.: 30434 Sydney File name: 30434.416.Berrima.Road.Site.2.HHA.FIN01.20200401 Phone: (02) 9101 8700 Email: [email protected] Citation: Biosis 2020. Chesley Park Brick Making Plant (Site 2), 416 Berrima Road, New Berrima NSW: Historical heritage assessment. Report for Wollongong Brickwork. Authors: S Keats, M. Butcher Biosis Pty Ltd, Wollongong. Project Phone: (02) 4201 1090 Email: [email protected] no. 30434 Albury Phone: (02) 6069 9200 Document control Email: [email protected] Version Internal reviewer Date issued Draft version 01 James Cole 04/02/2020 Final version 01 Samantha Keats 01/04/2020 VICTORIA Melbourne Acknowledgements Phone: (03) 8686 4800 Email: [email protected] Ballarat Biosis acknowledges the contribution of the following people and Phone: (03) 5304 4250 organisations in undertaking this study: Email: [email protected] • Megan Kublins, Brickworks Ltd. Wangaratta Phone: (03) 5718 6900 • Andrew Cowan, Willowtree Planning. Email: [email protected] Biosis staff involved in this project were: • Anne Murray (mapping). Biosis Pty Ltd This document is and shall remain the property of Biosis Pty Ltd. The document may only be used for the purposes for which it was commissioned and in accordance with the Terms of the Engagement for the commission. Unauthorised use of this document in any form whatsoever is prohibited. -
Campbelltown Local Government Area Heritage Review for Campbelltown
CAMPBELLTOWN LOCAL GOVERNMENT AREA HERITAGE REVIEW FOR CAMPBELLTOWN CITY COUNCIL VOLUME 1: REPORT APRIL 2011 Section 1 EXECUTIVE SUMMARY CONTENTS Page 1 Executive summary ...................................................................................... 1 2 Introduction .................................................................................................. 3 2.1 Background ....................................................................................................... 3 2.2 Report structure ................................................................................................. 3 2.3 The study area ................................................................................................... 7 2.4 Sources ............................................................................................................. 8 2.5 Method .............................................................................................................. 8 2.6 Limitations ......................................................................................................... 9 2.7 Background to the investigation of potential heritage items ................................ 9 2.8 Author Identification ......................................................................................... 10 2.9 Acknowledgements .......................................................................................... 10 3 Historical Context of the Campbelltown LGA ............................................. 11 3.1 Sources and background -
Delavale and Gilbert
DELAVALE AND GILBERT Ern Delavale and Will Gilbert (1908-1916) Regarded as one of the more popular Australian comedy duos touring Australia and New Zealand during the pre-war years, Ern Delavale and Will Gilbert worked an act that comprised patter, sketch material and songs. The themes explored by the pair included marriage, outback life, and the navy. During their time together the two comedians worked for most of the leading variety managements, including James Brennan, Ted Holland, Harry Clay and Fullers' Theatres. They toured Queensland twice for Clay (1912 and 1916) and played for several months in India in early 1914. The partnership was interrupted for around six months that same year while Gilbert recovered from a severe illness and eventually dissolved in late-1916. Both men later worked long-term acts with their wives. Will Gilbert, renowned for his ultra thin and very lanky appearance, and thus often billed the "Loose Legged Comedian," and "the Human Hairpin," joined forces with Ern Delavale,1 the "robust one," in either late-1907 or early 1908. Their first recorded appearance as Delavale and Gilbert appears to have been at James Brennan's Gaiety Theatre (Melbourne) in January 1908. One of the earliest reviews of their act, published in the Newsletter in early February, suggests that the combination still required some fine-tuning: "The patter of Ern Delavale and Will Gilbert is an infliction too grievous to be borne in silence, but their singing might stand as a slight mitigation of the offence."2 By the end of their debut season with Brennan the pair was accorded more favourable critical responses, with a Table Talk critic writing, for example, "Delavale and Gilbert are to the fore with fresh and breezy sketches."3 They followed the Brennan engagement with work with Harry Sadler (Newcastle) and Harry Rickards (Western Australia). -
Who Came Down with Dr Charles Throsby? : Were John Wait, Joe
8 MAR/APR 2006 Illawarra Historical Society Inc. WHO CAME DOWN WITH DR CHARLES THROSBY? WERE JOHN WAIT, JOE WILD & JOHN ROWLEY ILLAWARRA'S 1815 WHITE PIONEERS? Many local historians have told the tale of Dr Charles Throsby corning down the mountain into Illawarra in 1815. Dr Throsby's nephew, Charles Throsby Smith, tells the fmnest version of story of his uncle in his 1863 Reminiscences: " ... in the year 1815 the County of Cumberland was suffering from the effects of drought ... My late uncle, Dr Throsby ... met with some of the Aborigines who told him there was plenty of grass and water at the Five Islands. From their representations of the area he at once made up his mind to proceed hither and see for himself - and so, accompanied by a couple of men, two native blacks, and a pack horse carrying his provisions, he started on his journey ... " [published in full in the lliS Bulletin May-June 1990] Unfortunately, this reminiscence is not a pure primary source and it does not name any of the other individuals who came down with Throsby. Not only was it written long after the event it describes but its author, Dr Throsby's nephew, Charles Throsby Smith, did not arrive in New south Wales until April 1816- a full year after his Uncle's (Dr Charles Throsby's) pioneering walk. Charles Throsby Smith's "Reminiscence", therefore, is not based on his own experiences - even though he may have actually met ALL of the men involved. Even so the reminiscence may even be an error about precisely how many white men came down the mountain with Dr Throsby in 1815. -
Wogs Still out of Work: Australian Television Comedy As Colonial Discourse
Wogs Still Out of Work: Australian television comedy as colonial discourse Mitchell, Tony “Wogs still out of work: Most representations of non-Anglo-Saxon Australian television comedy as colonial migrant groups in Australian comedy, both on discourse”, Australasian Drama Studies, No. 20, stage and television, confirm received Anglo- 1992, pp119-133. Australian negative stereotypes, whether generated by Anglo (or autochthonous, to use by Tony Mitchell van Dijk's term) or non-Anglo (or alecthonous) comics. (In terms of the dominant Anglo-Saxon In his studies of the representation of ethnic culture of Australia, Aboriginal groups, despite minorities in the news media, the Dutch being autochthonous, or Indigenous, must be sociologist Teun A. van Dijk has suggested that included in the alecthonic group.) the reader or viewer of mass media texts stores "hidden information" about the world and A Note on Con the Fruiterer other nationalities in the form of "models" and "scripts". The former are personal impressions Between 1988 and 1990, the entirely Anglo- based on individual experience, while the latter dominated TV show The Comedy Company are "culturally shared, and hence more social... became the most highly rating Australian TV which feature the stereotypical information comedy series. Arguably its most popular members of a culture or group share about character was Mark Mitchell in the role of Con everyday events and episodes". (1) These the Fruiterer, conceived as an attempt at notions, in so far as they relate to ethnic "proportional representation" -
References-Theatres-And-Conferences-V1.3.Pdf
Country City Theatre/Conference P1 P2 Year Supplier Argentina Avellaneda Colonial Theatre GEOS8 CD18 2009 Los Angeles Argentina Buenos Aires Gran Rex Theatre STM CD18 2004 Los Angeles M46 / 2014 Argentina Buenos Aires La metro Theatre GEO S8 CD18 2008 Los Angeles Argentina Buenos Aires Astros Theatre PS10 RS15 2010 Los Angeles Argentina Bahia Blanca Municipal Theatre GEOS8 CD18 2009 Los Angeles Argentina Ituzaingo Ituzaingo Theatre GEOS8 CD18 2008 Los Angeles Argentina Misiones Municipal Theatre of GEOS8 RS15 2009 Los Angeles Posadas Australia Melbourne Robert Blackwood GEO M6 LS18 2016 GT Group Hall Australia Melbourne Melbourne x 2011 Group Technologies Convention Centre Australia Sydney Enmore Theatre GEO GEO 2010 Group Technologies S1230 D10 Australia Melbourne Grand Banquet Room GEO D10 GEO Sub 2009 Group Technologies + Rutledge Engineering Australia Melbourne Rod Laver Arena GEO S8 Alpha E 2006 Advanced Audio Australia Sydney Metro x x x Australia Sydney Factory Theatre x x x Cambodia Angkor Angkor Wat PS8 2008 Fuzion Far East China Hong Kong Art Fesrtival x x x China Hong Kong Taikoo City Plaza GEO S12 2008 Top Plot China Hong Kong Hong Kong GEO D GEO Sub 2006 Top Plot Convention and Exhibition Centre Chile Santiago de Teatro Oriente GEO S12 RS15 2008 Yamaimport Chile Cultural Centre Chile Santiago de Cultural Centre x x x Chile Gabriela Mistral Colombia Cartagena de Centro de GEO S12 2007 Sound Logiscs indias convenciones y eventos Colombia Bogota Down Town Magic GEO S12 2014 Sound Logiscs Colombia Bogota Jorge Eliecer Gaitan -
Stitched in Time History, Steampunk and Beyond
STITCHED IN TIME HISTORY, STEAMPUNK AND BEYOND Inside the time travel adventures of Alexandra Chambers When Alexandra Chambers tells people In recognition of its public profile, Clockwork Butterfly was invited she works full-time as a fashion and in 2012 to be part of The Antipodean Steampunk Show, a travelling costume designer, they often look at exhibition of 21 leading Australian steampunk artists. In 2013, her oddly as if to say ‘is that a job?’. With her successful Melbourne-based fashion business, Clockwork Butterfly, this one-time Blue Mountains resident has combined her passions for history and design to create striking neo-Victorian outfits for men and women. Launched at the Melbourne Fringe Festival in 2010, the Clockwork Butterfly brand has built a loyal following, particularly among devotees of steampunk, the seriously playful retro- futuristic aesthetic that fuses 19th century style and steam-powered machinery with contemporary fashion and technology. Right: Alexandra as a child (photo Joan Chambers) Opposite: White Dress (photo Teardrop Studios) model Natalie Calafiore, hair Kamil Jreich An early love Though Australian-born, Alex Chambers was raised The other most striking effect and schooled from a young age in England. Her of Chambers’ training and mother Joan was a school art teacher as well as the educational coordinator of a costume museum experience is how richly her and later a prolific writer of art books for primary teachers. Her father Doug was a professional garments express the personality actor and singer with whom Alex performed Victorian Christmas shows as a child. She proudly of the wearer... acknowledges the formative influence of her British childhood and both her parents on her own love ‘Even though I loved all the practical knowledge, I ended for history, art and performance.