7 Lawrentfaii Vol

Total Page:16

File Type:pdf, Size:1020Kb

7 Lawrentfaii Vol 7 Lawrentfaii Vol. 82— No. 27 Lawrence College, Appleton, Wis. Fri., May 3, 1963 SEC To Investigate Merits Of Present Honor System IN A 90-MINUTE session highlighted by the forma­ ment just a little bit better” STEVE ELLIOTT presents Liz ('ole, ex-president of tion ol two new committees, SEC’s representative in her tenure. SEC, with the “little Indonesian gavel” which she council debated, and legislated upon matters of greatly Elliott, after commenting made use of during her term in office. The gift was diversified interest. A topic of heated discussion was that he now had a gavel with presented at last Monday’s SEC meeting. the proposal of Rep. Gaer (Inde.) to form an SEC his initials on it and that it is committee to investigate the “ my very own,’’ presented present honor system, to behalf of Jackson, Mississippi Miss Cole with hers. The for­ gather objections to it, and Negroes was passed by SEC. mer president, struck speech­ May Day Preparations to be an organ which would President Elliott has set the less by Elliott’s warm dis­ be more representative of amount to be given at $25. play, paused and finally gave student opinion than the cur­ In other business, Bruce a gracious “thank you.’’ Begin for 57th Celebration rent Honor Council and pre­ Bauer and Judy Famum have THE LONG-KEPT tradition of May Day is again vious groups which have dis­ been selected to represent observed this year as plans for the 57th annual cele­ cussed honor. Lawrence in the NSA region­ Petitions Due REP. NICHOLS (Phi Delta al in Madison on May 3 and bration of this day are well under way. May Day will Theta), a member of the hon­ 4. President Elliott has man­ For Contributor take place on May 12, Mother’s Day. It will honor the senior women and other Lawrence women who have or council, was the lone de­ dated that at least one com­ The Contributor Board is served the college. The cere- fender of that body in the mittee co-chaiiVnan be pres­ accepting petitions from those mony will also honor the wo­ ceremony will take place at debate. The proposal w a s ent at each SEC meeting. No students who feel they have men of the administration, the bottom of Union hill. passed by a substantial mar­ alternates are allowed. the ability, interest and time the dietitians and the house Mr. Mayer’s two children gin. President Elliott has re-an­ to be successful members of will act as the flower girl and mothers. A letter expressing: the stu­ nounced the due-dates for a the magazine’s staff. Mem­ page and will lead the seven dent body’s wish that the number of petitions. Petitions bers of this year’s staff are THE MAY DAY tradition senior girls who have been Wisconsin beer law age re­ for J-Board are due on May particularly interested in re­ dates back to 1900 when it elected by the students to the main at 18 was passed by the 5. To date, very few petitions ceiving petitions from Eng­ was held in celebration of the May Day Court. As these representative council. The have been received for the lish majors or students with festivities that took place in girls parade around the May draft of the letter which will positions on this board, the a strong background in col­ early Rome and it has al­ Pole in their white formats, be sent to this district’s as­ all-school election of which lege literature courses. ways been one of the out­ the May Queen and maid of semblyman was passed un­ will be May 17. There will, however, be po­ standing events of the year. honor will be announced, and animously by the representa­ PRESIDENT’S committee sitions open to those students In the past the celebration the new May Queen will be tive council. petitions are due May 8. Se­ qualified in the fields of art, has been quite a gala event crowned by last year’s May The representative body al­ lection will be by the execu­ photography, and business with parades, floats, sports Queen. so passed a proposal of vice- tive council on May 13 and managership. events, pageants and as the The choir will* open the president Valukas to torm a announced in SEC that even­ The Contributor Board 1924 issue of the Lawrentian ceremony and also sing after committee to aid in the Stu­ ing stresses that the time needed reported it, “ A true carnival the winners of this year’s dent Non-Violent Co-ordina­ Petitions for those wishing for the magazine is of pri­ spirit is planned to pervade folk dance, Delta Gamma so­ ting Committee’s drive to to be a member of the Stu­ mary importance because the the campus.” rority, have performed their help Negroes in Greenwood, dent - Faculty Committee on fact that the Contributor will For some years the events dance. The ceremony will Mississippi. SNCC, as the na­ Student Affairs can be ob­ be publishing two issues next were performed on the grass close with the presentation tional student group is often tained from President Elliott year and will contribute this in front of main hall. They of roses to the Lawrence wo­ called, is sending food and and must be returned May 19. policy in the years to come. were also performed along men who have served the col­ clothing to Negroes in that In a ceremony bordering Petitions should be at least the Fox River in what was lege, such as this year’s coun­ town who have been deprived between the comical and the two typewritten pages long called the amphitheater selors, members of Mortar of federal aid over the winter. warmly sentimental, Presi­ and state the petition’s back­ where a pageant called the Board, Phi Beta Kappa, Phi THE MOTION to give an dent Elliott presented former ground in literature, his cri­ “Triumph of Spring” was en­ Kappa Lambda and t h f s amount up to $30 at the SEC SEC President Liz Cole with teria for and experience in acted and where the fresh­ year’s Best Loved. judging literature, and if pos­ president’s discretion to the the Indonesian gavel which men performed a «lance. FOLLOWING the ceremony sible, his own creative liter­ petitioners who have been Elliott felt she had used to there will be a tea in the Un­ ary accomplishment. This year, as in the past working on College avenue on make the “ student govern- ion until 5:00 p.m. The choir Petitions must be finished few years, the carnival at­ will also give a concert at and in the Contributor box in mosphere has been replaced 4:00 p.m. the Terrace room of the Un­ by a less elaborate celebra­ tion of the day. A breakfast Invitations to the day’s fes­ Students Begin Campaign ion before 11:00 p.m. Mon­ day, May 20. in the Union from 9 to 10 a. tivities have been mailed to Anyone desiring more in­ m. will start the day s events. the mothers of all Lawrence To Aid Greenwood, Miss. formation should contact Jon TICKETS will be sold in women and all parents are the dorms and at the door invited to attend the celebra­ A NUMBER of Lawrence students, in cooperation LaFarge at Plantz, Bill Holz- worth at the Delt house, Dan for 40 cents. At 2:30 p.m. the tion of this year’s May Day. with the Appleton Youth Council, will be working to Miller at the Beta house, or aid the Greenwood, Miss. Negro in his fight to register Rosalie Ward at Colman. to vote. Negroes there who have attempted to register to vote are now being deprived of the food and cloth­ Lawrence Players To Give ing which the United States a passage of the Mississippi government has designated Film Classics Plans constitution. for them. ‘Ah, Wilderness’ May 7-11 SNCC (Student Non-Violent Since the board of examin­ Experimental Films “AH, WILDERNESS,”by Eugene O’Neill will be ers is composed entirely of Co-ordinating Committee) is Sunday at 1:30 p.m. and local white officials, few Ne­ presented by the Lawrence College theatre at 8:15 collecting food, money and 7:30 p.m. in Stansbury thea­ groes can vote. Only 1.2 per p. m. Tuesday - Saturday, May 7 to 11. Free student clothes to send these families ter, film classics will present tickets may be obtained at the theatre box office in to help them continue their cent of eligible Negroes are a group of experimental films drive for registration. now registered to vote. the music drama center weekdays from 11 a. m. to which have been chosen es­ one p.m. and 4-6 p.m. Leflore County is in the WHEN a Negro tries to pecially to give the viewer an rebel. And his reactions to Delta region of Mississippi, register, he literally takes his introduction to the develop­ THE PLAY is directed by the parental and neighborly and its economy is based life in his hands, since there ments of the avant garde cin­ Mr. Joseph llopfensperger, disciplines make for compel­ largely upon cotton planta­ is much organized opposition ema. who says that the play is a ling comedy. tions. The Negroes constitute to the Negro vote. For this The short films cover a va­ “ turnabout” for O’Neill, who “ Ah, Wilderness’ appeared 64.4 percent of the county’s reason.
Recommended publications
  • ROGER Mcguinn
    ROGER McGUINN Biography Jim McGuinn, later known as Roger, was already a veteran of the New York and Los Angeles music scene when he co-founded the group that would become the Byrds with Gene Clark and David Crosby in 1964. Prior to forming the Byrds, Roger toured and performed folk music with the Limeliters, Chad Mitchell Trio and Bobby Darin as a guitarist and banjo player. He was also the musical director and guitarist on Judy Collins #3. McGuinn, a Chicago native, studied at the Old Town School of Folk Music and was active on Chicago's folk scene, where he was strongly influenced as a teenager by Bob Gibson. Within a few weeks of finishing high school, McGuinn was working with the Limeliters in California, playing guitar and banjo on their album "Tonight: In Person." McGuinn is also on the Chad Mitchell Trio's albums: "Mighty Day on Campus" and The Chad Mitchell Trio at the Bitter End After touring for awhile with singer Bobby Darin, McGuinn moved to New York at Darin's request to work for his publishing company, TM Music, in the fabled Brill Building as a songwriter. He and Frank Gari co wrote the song "Beach Ball" and performed it with Darin, as the City Surfers, on a very rare single, July 1963. After hearing the Beatles for the first time at the Brill Building, Roger began playing folk songs to a rock beat in the coffee houses of Greenwich Village. His experiments in merging folk and rock didn't please the folk purist, so he moved to Los Angeles to work at the Troubadour.
    [Show full text]
  • Troubadours Folk and the Roots of American Music
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] Troubadours Folk And The Roots Of American Music INFORMATION In the one hundred years that folk music has been recorded in the United States, the tradition has embraced ballads – mostly new, but some transplanted from Europe, political statements, personal introspection, and much more. Now the story is here from the 1920s to the 1970s and beyond in four exclusive 3-CD sets. Through this music, we feel it all from the isolation of early twen- tieth century Appalachia through the economic and political upheavals of the Depression, War, and Civil Rights eras to contem- porary west coast singer-songwriters looking within for inspiration. The story is here: original artists and original versions in stunning sound with detailed notes from folk scholar Dave Samuelson. The first set covers the period from the 1920s through to 1957. All the names you'd expect are here: the Carter Family, Woody Guthrie, Pete Seeger, the Weavers, Lead Belly, Cisco Houston, and many, many more. Here are the original versions of songs that have become classics and rallying cries: Wildwood Flower, Midnight Special, Rock Island Line, Wayfaring Stranger, So Long It's Been Good To Know You, This Land Is Your Land, 16 Tons, 900 Miles, Delia, and many, many more. The second set begins with the folk revival that started in the wake of the Kingston Trio's Tom Dooley and continues through the dawn of the singer-songwriter era. It includes early folk revival classics like Walk Right In, Michael, and Green, Green.
    [Show full text]
  • Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
    Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events.
    [Show full text]
  • THE FOLK CLUB of RESTON-HERNDON Saved a Bundle! Join up on Folk Club Tuesdays, Or Call a Meets Tuesday Nights, 7:30Pm at the Tortilla Factory Board Member for Info
    TTHHEE FFOOLLKK CCLLUUBB OOFF RREESSTTOONN——HHEERRNNDDOONN Preserving the traditions of Volume 21, Issue 2 Folk Music, Folklore, and Gentle Folk Ways February 2005 Mardi Gras February 8 Showcase – The All-New Genetically Altered Jug Band By Dan Grove “The All New Genetically Altered Jug Band (ANGAJB) provides a fun time for all ages by playing music that makes you smile! Featuring novelty songs of the 20th Century, the band performs both obscure oldies and lively original tunes.” That’s how these guys describe themselves on their website, but it doesn’t begin to capture the animated zaniness that is ANGAJB’s forte. Imagine banjo, kazoo, washtub bass, trumpet, whistles, tintinnabulating clankety percussion, and vocals all colliding in a highly caffeinated pileup, asking “Does Your Chewing Gum Lose Its Flavor on the Bedpost Overnight?” These guys won’t just make you smile, they’ll have slack- jawed astonishment competing with laugh-out-loud hilarity in a death-match competition for control of your face. Your cheeks will be sore for weeks! So, who are these guys? The most familiar one to Folk Clubbers is Ron Goad, the Club’s MVP percussionist. In ANGAJB you’ll see him putting on thimbles to play a washboard/tin can/bike horn/wood block/junkyard thing of beauty created by Harny (Ken Harnage). The man is made of mischief, and with this weaponized washboard he’s downright dangerous. Famously born in an elevator (cue the theme from Shaft), Ron performs and records prolifically, and is a board member of Focus (www.focusmusic.org) and the Songwriters’ Association of Washington (saw.org).
    [Show full text]
  • Special WFMA Showcase at Ireland's Four Fields
    FVOL. 26OLK NO 1 NWORLDEWS FOLK MUSIC ASSOCIATION SPRING 2012 Special WFMA Showcase at Ireland’s Four Fields Come help us bid a fond farewell to this great Washington, DC institution! On August 5, Frank Hughes, recently received her Masters Degree the owner of Ireland’s Four Fields in violin performance, provides a more (formerly known as Ireland’s Four contemporary influence to their music. Provinces, or 4Ps) announced that the Reservations are being accepted pub would close in early November. now, with the admission fee being Frank recently received an extension collected at the door (cash or check on the lease, so the pub is now only). Admission for WFMA Friends scheduled to close in a few months. of Folk Music members will be $20. The pub opened at its current Admission for non-members will be location on Connecticut Avenue in $25. Reservations can be made using 1976 and has been a mainstay of Celtic Photo by Bill Adler our Online Reservation Form at http:// music and a proud contributor to the wfma.net/res4fields.htm or by sending DC community for over 35 years. son (and Berklee College of Music an email to [email protected], with This DC icon has hosted numerous graduate), Owen Danoff. Owen is your name, phone number, number in events: concerts, fundraisers, reunions, active in the DC area music scene and party and arrival time. Those without receptions, wakes and WFMA Music has been nominated for two Wammies Internet access can make a reservation Americana Showcases. (Washington Area Music Awards). by calling the Four Fields at (202)244- In the fall of 1986, Dick Cerri Doris Justis and Sean McGhee 0860.
    [Show full text]
  • Folk Artist # of Albumstitles Andersen
    Folk Artist # of AlbumsTitles Andersen, Eric 4 bout Changes & Things; The Best of Eric Andersen; More Hits from Tin Can Alley; Blue River Axton, Hoyt 2 Joy To The World; Southbound Baez, Joan 10 Diamonds & Rust; Farewell Angelina;Come From The Shadows;The First 10 Years; Joan; One Day At A Time; Blessed are…; Any Day Now; Joan Baez 5; The Joan Baez Ballad Book Batdorf & Rodney 1 Life Is You Bawdy Songs & Backroom Ballads 7 Bawdy Sea Shanties; Bawdy Songs & Backroom Ballads Vol 1; Vol 3; Vol 4; Vol 6; Sing Along; Bawdy Hootenanny Belafonte, Harry 3 An Evening with Belafonte; Harry Belafonte Pure Gold; Belafonte Bikel, Theo 2 A Folksingers Choice; A New Day Blues Project 1 The Blues Project Live At Town Hall Bonoff, Karla 2 Karla Bonoff; Restless Nights Bowers, Bryan 1 The View From Home Bread & Roses 1 Bread & Roses Bromberg, David 2 Demon in Disguise; The Best Of David Bromberg Browne, Jackson 5 The Pretender; Running On Empty; Late For The Sky; For Everyman; Saturate Before Using Camp, Hamilton 2 Paths of Victory; Welcome to Hamilton Camp Cashman & West 1 A Song or Two Clancy Brothers 3 Green In The Green; In Person At Carnegie Hall; Sing of the Sea Collins, Judy 12 Living; Judy Collins; Judith; Judy Collins 3;True Stories; Who Knows Where The Time Goes; Wildflowers; In My Life; Fifth Album; The Judy Collins Concert; A Maid of Constant Sorrow; Golden Apples of the Sun Cooney, Michael 3 Singer of Old Songs; Still Cooney After All These Years; The Cheese Stands Alone Donovan 4 The Best Of Donovan; Donovan in Concert; Thye Real Donovan;
    [Show full text]
  • Aloha Concert Program
    Side by Side DORIS JUSTIS AND SEAN MCGHEE Brought together by the music of John Denver and Dick Cerri, Doris and Sean have performed together for 30 years with a virtual “who’s who” of folk music including: the Chad Mitchell Trio, the Limeliters, Tom Paxton, Mary Chapin Carpenter, Bill Danoff, Noel Paul Stookey and the Brothers Four. They are blessed and honored to have shared the stage with a long list of performers over the years. And owe Dick Cerri more than can be listed here. DORIS, a mainstay of the local folk scene, has been a concert performer, a coffeehouse regular, a concert producer and a host of her own radio show. She has performed at the Bitter End, Birchmere and Kennedy Center. Doris is Vice President of the World Folk Music Association. SEAN is a vocalist and guitarist with a quick wit and irreverent sense of humor. A master of the 12-string guitar, he has been featured at the Birchmere as one of the “Three Folk Tenors.” BILL DANOFF has been extraordinarily successful on the international stage. He has been singing and writing songs since the late 1960s when he performed and co-wrote songs with John Denver at the Cellar Door in Georgetown, Washington, D.C. When Bill and his then partner, Taffy Nivert, invited Denver to help them finish writing a song, little did anyone know that the song would soar to the top of the charts. “Take Me Home Country Roads” catapulted John Denver into national prominence. Another Danoff-Nivert song, “I Guess He’d Rather Be in Colorado” was recorded by Denver and it became the theme song of Colorado.
    [Show full text]
  • John Sebastian Presents: Folk Rewind (My Music) Airing on Wqed-Tv
    FOR IMMEDIATE RELEASE CONTACT: George Hazimanolis November 24, 2010 WQED Multimedia 412-622-1366 [email protected] T. J. Lubinsky TJL Productions 724-940-3263 [email protected] PITTSBURGH IS THE SHOWCASE FOR LATEST FOLK MUSIC SPECIAL - JOHN SEBASTIAN PRESENTS: FOLK REWIND (MY MUSIC) AIRING ON WQED-TV National Pledge Special Part of TJL Productions’ My Music Series for PBS PITTSBURGH – The greatest singers and songwriters of the classic 1950s and 1960s folk era are featured in FOLK REWIND , produced by Pittsburgh-based TJL Productions and taped at the Benedum Center in May. FOLK REWIND airs Saturday, December 4 at 8pm on WQED-TV . Presented by John Sebastian of The Lovin’ Spoonful ( Do You Believe in Magic ), FOLK REWIND features a treasure trove of historical footage that has not been seen in more than four decades plus new performances by artists who still appear in concert today. Pittsburgh’s stunning Benedum Center for the Performing Arts was the venue in May for the three-day taping of legendary performers with stirring renditions of old favorites. The live concert was a partnership between TJL Productions and WQED to bring these folk artists and 50 other legends together for three new national PBS specials that are scheduled to air in March and December 2011. Captured for posterity at the Benedum and airing during this national pledge special were the original Chad Mitchell Trio, who reunited for Bob Dylan’s anthem Blowin’ in the Wind and Roger McGuinn of The Byrds with an encore of Turn, Turn, Turn . Barry McGuire captured the audience with his 1965 chart-topper Eve Of Destruction and Jesse Colin Young of The Youngbloods performed the generation-defining hit Get Together .
    [Show full text]
  • Playguide JOHN DENVER: at a GLANCE
    SEPTEMBER 11 – NOVEMBER 8, 2015 | STACKNER CABARET World Premiere Event By Randal Myler and Dan Wheetman Directed by Randal Myler Executive Producers: Associate Producer: Wayne and Kristine Lueders Adlon Partnership www.MilwaukeeRep.com | 414-224-9490 SEPTEMBER 11 – NOVEMBER 8, 2015 | STACKNER CABARET Milwaukee Repertory Theater Presents the World Premiere of By Randal Myler & Dan Wheetman Directed by Randal Myler Executive Producers: Wayne and Kristine Lueders Associate Producer: Adlon Partnership Mark Clements ARTISTIC DIRECTOR Table of Contents Chad Bauman John Denver: At a Glance. 3 MANAGING DIRECTOR Cast and Creative Team. 3 ✸ ✸ ✸ 4 PLAY GUIDE WRITTEN BY About Our Production . Hope Parow Tonight’s Set List. 4 Education Assistant John Denver: A Timeline. 6 PLAY GUIDE EDITED BY Lindsey Hoel-Neds American Folk Music: Education Associate For the People, By the People. 8 Jenny Toutant Education Director Visiting The Rep . 10 Leda Hoffmann Director of Community Engagement Lisa Fulton Director of Marketing and Communications GRAPHIC DESIGN Eric Reda 2 Back Home Again: On The Road With John Denver - PlayGuide JOHN DENVER: AT A GLANCE “It has been said that what Elvis was to the 50s and The Beatles were to the 60s, John Denver was to the 70s.” –Dan Wheetman With a legacy reflective of the true essence of folk music, John Denver proved to be one of the most influential singer/songwriters of the 20th century. Not only did his environmentally and socially- conscious music resonate with audiences of all ages and backgrounds, it helped strengthen his voice as a devoted humanitarian and activist. Denver remains to this day an iconic American figure who managed to bridge the gap between the pop, folk, and country music genres.
    [Show full text]
  • Carolyn Hester: Texas Songbird
    East Texas Historical Journal Volume 51 Issue 2 Article 10 10-2013 Carolyn Hester: Texas Songbird C R. Burns Follow this and additional works at: https://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Burns, C R. (2013) "Carolyn Hester: Texas Songbird," East Texas Historical Journal: Vol. 51 : Iss. 2 , Article 10. Available at: https://scholarworks.sfasu.edu/ethj/vol51/iss2/10 This Article is brought to you for free and open access by the History at SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. CAROLYN HESTER, TEXAS SONGBIRD By: C. Ross Burns During the early years of the folk music revival of the late 1950s and early 1960s, one of the leading female folksingers in the country was the Texas Songbird, Carolyn Hester. She used her soaring girlish so­ prano to breathe life into old traditional songs from the British Isles, the United States, and Mexico. She chose songs that had beautiful haunting melodies which her voice augmented. Following in the footsteps of Pete Seeger and Susan Reed, she worked with and learned from Buddy Holly, Paul Clayton, Bob Dylan, Tom Paxton, Judy Collins, Ian and Sylvia, and many of the folk singers of the period. Along with many of her cohorts, she was active in the civil rights movement as well. She has influenced subsequent female singer-songwriters, including Emmylou Harris, Joni Mitchell, and Nanci Griffith.
    [Show full text]
  • The New Frontier ◆ 81
    The New 5 Frontier Early on a Saturday night in April 1961, a twenty-year-old singer carrying an over- sized guitar case walked into a dimly lit folk club, Gerde’s Folk City in Greenwich Village, New York City. He was dressed casually: worn brown shoes, blue jeans, and a black wool jacket covering a plain yellow turtleneck sweater. A jumble of rumpled hair crowned his head, which was topped by a black corduroy Huck Finn cap. He pressed his lips together tightly and glanced at the tables of patrons, who sipped espresso and seemed to be arguing feverishly about current events. The singer looked serious and exhibited a nervousness that a friend had earlier tried to calm with four jiggers of Jim Beam bourbon. He slowly mounted the stage, opened his guitar case, and care- fully took out an old, nicked, six-string acoustic guitar, which he treated like an old friend. He fixed a wire harmonica holder around his neck and pushed a harmonica into place. As the singer stood alone on stage, motionless, a hush descended upon the coffeehouse. The audience, mostly white middle-class college students, many of them attending nearby New York University, politely applauded the singer. For a moment, the scene appeared to epitomize Eisenhower gentility and McCarthy repression: boys with closely cropped hair, button-down shirts, corduroy slacks, Hush Puppy shoes, and cardigans; and rosy-cheeked girls dressed in long skirts, bulky knit sweaters, and low-heeled shoes, who favoured long, straight, well-groomed hair. The singer shattered the genteel atmosphere when he began to strum a chord and sing.
    [Show full text]
  • Michael Johnson Takes the Stage in Madison Fans of Legendary Singer-Songwrit- to Attend the Liceu Conservatory and Wild Sound Recording Studio
    Volume 42 No. 3 March 2016 Michael Johnson Takes the Stage in Madison Fans of legendary singer-songwrit- to attend the Liceu Conservatory and Wild Sound Recording Studio. ers like James Taylor, Gordon Lightfoot, study with the classical guitar great Gra- Michael said, “It just seemed that all and John Denver will be delighted to ciano Tarragó. Not long after returning roads were leading me back to Minne- discover—or perhaps become reac- to the U.S., Michael joined Randy Sparks sota—signing with Red House, working quainted—with songwriter and bal- in a group called The New Society, tour- on the new album and most especially, ladeer Michael Johnson. If you do not ing East Asia. reconnecting with my daughter who immediately recall his name, you will re- In 1968, Michael started touring with lives here.” Michael adds, “And I’m just call his voice from some of his Billboard the Chad Mitchell Trio and began co- an old hippy, and I need to be up where Top 40 hits, including “Bluer Than Blue,” writing with John Denver, forming the my people are.” “This Night Won’t Last Forever” and “Al- trio Denver, Boise & Johnson. In the late Michael released his latest album, most Like Being in Love.” Michael is also 1960s he spent some time as an actor, Moonlit Déjà Vu, in October 2012. His a classically trained, masterful guitarist working in New York, Los Angeles, and once-long-lost daughter Truly Car- who is equally at home singing pop, Chicago. In the 1970s, Michael returned michael, a classically trained vocalist, country, or classics from the American to the music scene in a big way.
    [Show full text]