DOCSLIB.ORG

The AEOLIAN COMPANY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THE MIICA NEWS BULLETIN 1__-----------------------_----The AMICA News Bulletin ..... Published by the Automatic Musical Instrument Collectors' Association, a non-profit club devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls. Contributions: All subjects of interest to readers of the bulletin are encouraged and invited by the publisher. All articles must be received by the first of the month. Every attempt will be made to publish all articles of general interest to AMICA members at the earliest possible time and at the discretion of the Publisher, in the following areas: * Letters to the Publisher *Research Findings *Questions and Answers *Biographical Sketchesof Artists and Composers *Photographs, Old Advertisements *Technical Information * Anything elseof general interest to AM ICA Advertisements: Personal adsare accepted by the AM ICA Bulletin Board. Businesses which are interested in placing ads must follow these rules: - Each ad wi II consist of one fu II standard pagein the bulIeti n. - Payment of $25 must be included with the ad copy. - Ads must reach the publisher by the first of the month. - Ad copy must be complete and ready for print. - At least 50% of the ad must consist of photographs or art work that will be of specific interest to AMICA readers. PUBLICATION OF BUSINESS ADVERTISING IN NO WAY IMPLIES AMICA'S ENDORSEMENT OF ANY COMMERCIAL OPERATION. However AMICA reserves the right to refuse any ad that is not in keeping with AMICA's general standardsor if complaints are received indicating that said business does not serve the best interests of the membersof AMICA, according to its goalsand by-laws. I THE AMICA WHO & WHERE THE AMICA BULLETIN AMICA PRESIDENT PHOTOGRAPHS REQUIRING HALF-TONE Frank Loob Sam Thompson 219 Montecito Boulevard 6809 Iris Circle Napa, California 94558 Hollywood, California 90028 AMICA BULLETIN MUSICAL JIGSAW Ginny Billings, Publisher Ruth Bingaman Smith 1428 Liberty Street 206 Tuttle Road EI Cerrito, California 94530 San Antonio, Texas 78209 AMICA BULLETIN PAST ISSUES PARENT MINUTES & MEETINGS Dick Reutlinger Ginny Billings, Publisher 824 Grove Street 1428 Liberty Street San Francisco, California 94117 EI Cerrito, California 94530 NEW MEMBERSHIPS & MAILING PROBLEMS BIOGRAPHICAL SKETCHES Dick Reutlinger, Membership Secretary Bob Pye, Editor 824 Grove Street 342 Leon Avenue San Francisco, California 94117 Kelowna, B.C., Canada MEMBERSHIP DUES & TREASURY SOUTHERN CALIFORNIA CHAPTER Bob Whiteley, Treasurer Karl Petersen, Reporter 175 Reservoir 314 South Halladay Street San Rafael, California Santa Ana, California 92701 BULLETIN BOARD INSTRUMENTS Mel Luchetti, Advertising Secretary Bob Billings, Editor 3449 Mauricia Avenue 1428 Liberty Street Santa Clara, California 95050 EI Cerrito, California 94530 AMICA A'UCTION TECHNICALITIES Gar Britten, Auctioneer John A. Patten, Editor 642 Diamond Street 601 Penn Street San Francisco, California Pasadena, California 91104 THE AMICA NEWS BULLETIN 2 MEMBERSHIP MINUTES by Sally Lawrence, acting Secretary OUR NEXT MEETING The President , Frank Loob , called the meet ing to order at 9 :45 p.m. He asked for t he report from the nom­ DATE: Saturday, November 27 inat ion Commi ttee of t he newly established Founding 7:30 P.M . Chapter. Sally Lawrence reported that the following TIME: Roger Johnson persons had accepted nominat ions for the local chapter : 6380 Wisteria Way, San Jose Al f Werolin, President PLACE: Ni cholas Jarrett, Vice President Bill Whe rry, Secretary Joe Bogle , Treasurer Sally Lawrence, Reporte r . ANNUAL CHRISTMAS PARTY COMING UP Frank asked i f there we re any further nomina t ions from the floor. There we re none and th e slate was unanimously San Fran ciscans and tmavel.l.ere t o the Bay Area, p l an elected. t o attend the t raditional and always exciting AMICA Frank turned t he meeting over to Vi ce Pres ident Nick Christmas party, to be held, as always , at the home of Jarrett. Nick annou nced t he dues fo r the Founding Chap­ Dick Reutl.inqer i n San Francisco . ter were to be collected and that the next meeting woul d Each guest i s asked to bring a t oken (Joke) gift with be at the Jones' home in San Franc isco , He adjourned the him... a maximum val ue of $1.00, please . Las t year your meet ing at 9 :50 p.m. pub Usher took home an envelop of lettuce bubbl e bath / Members attending we re Mr . and Mr s . Loob , Bill Wherry, So that Sally Lawrence and Dick can make approp riate Sa l l y and Dale Lawrence, Bob and Barba ra Whiteley, Dick plans , please RSVP to either of them during the evening. Reutlinger , Ginny and Bob Bill ings , Al and Linda Nielsen , THE DATE : December 11 (Saturday ) ; THE TIME: 8:00 p.m . ; Roger John son, Larry Mangus, Ni cho l as Jarrett and Don THE LOCATION: 824 Gr ove S ty-eat; THE COST (to cover r e­ Stroh, Bill Englund (vi siting from Seattle) , and guests freshments ) .' $2.50 fo r each per s on . THE CITY: San of the Loobs, Fr ancisco. See yo u there / 11111111111 1111111111 11111111111111 11111 *0 /*0* / *0 * / *0 * / *0* /0* NEXT AUCTION DATE SET FOR JANUARY Ruth Bingcunan Smith examinee Bill Knorp 's Victor V by Gar Britten talking machine . She and Jarod Clark were t reated to OWl. ne.x.t Auction Lw:t, No. 15, will be. pubW he.d wa h an interes t i ng concert at Bi Ll. Knorp 'e ! Ruth has :the. Ve.c.embe.Jt BuUe.tin 60!l a mi..d-JanuaJz.y auction. written and asked t hat AMICA be th anked and given her We. would have. p~ e. 6~ e.d :to have. ~ auction in Nov­ love for t he gr acious hospitality she re cei ved during embe.Jt , bu:t by :the. .tUne. you membe.M wo uld ge.:t :the. w :t, her San Francisco visit . and ~e.:tMn YOWl. b-i..d6 , -i..:t would have. 6a.Ue.n ~gh:t -i..n :the. mi..d6 :t a6 YOWl. ChJU!., :tm1U pl0Jt6 . We. we.Jte. all, a a b-i..:t a.ppMhe.M-i..v e. aboiu: und-tng ou:t package;., -i..n :the. mi..dd.te. 06 V e. c. em b e.~, know-i..ng aboui; PO-6:ta..t c. o n 6~ -i.. on a:t :tha:t .tUne. 06 ye.M. e. e.e.e.e. e.e.e.e.e.e. e. e.e.e.e.e. e. e. e. Rober t a Cherney gives Ursula Dietrich-Hollinshead a jade pin on behalf of AMICA during her visit to San Fr ancis co . Ginny Bi l l i ngs looks on, as Ursula charms everyone wi t h he r i nf ormality, f rankness and spirited discussi on . 3 THE AMICA NEWS BULLETIN Thanks, Gar, for all you've done to make the auction the success that it is and the fine event to at tend, be­ AUCTION #14 AT GAR BRITTEN'S HOME sidesl It's a tremendous job you've handled, prepar ing by Sam Thompson and tallying the auction lists and bid sheets, re ce i vi ng and redirecting over 500 items in a single auction, pro­ Shortly past 3:00 p.m. on Sunday, August 12, AMICA's viding refreshments of such magnitude, and opening your la rgest auction ye t began . Over 500 items , consisting home to AMI CAns as well. of rolls , a cat~log, a month ly bulletin, and even a jumbo Ampico, appeared and were to find new homes. .."",.,.,.,',.,',. .. .. ..... If vou haven' t attended one of these events, it's an e x c it i ~ g happeni ng , especially if you're involved in the b i dd i ng. He re ' s how the ac tua 1 auct ion proceeds. The auct ion­ OPEN LETTER FROM ROBERT BARTLETT ee~ Ga r Britten , seated at his desk by the front , "0 . w;ndow , calls t he item number and states, pen i nq at $3. 25." This means that the figure stated i s 25¢ higher t han the next highest mail bid (incidentally, all bids I recentl y purchased wha t was suppos ed t o be a Wil cox should be in in crements of 25d. If a person at the &White Symphony organ roll. It was in a W/W box labelled _ auction wishes to bid , he must raise by 25¢ and compete UX10087 Leonore Ove r t ur e U3. The roll was 1110087 in b idding with Gar, who will bid as the mail bidders ' Aeol i an grand! agent. Gar can bid only until he reaches the mail bid­ Since the W/W "o lls are 10-1/4" wide and the Aeolian der's maximum; for 25¢ more, the live bidder can get the gr and rolls are 10- 1 / 8" wide but with larger pins, I item. However , t he live bidder does not know the actual could not play the roll on my player, but I s us pe c t it amount the mail bidder has authorized. If no bids have woul d have worke d on my system. My conclusion i s t hat been received on an item, Gar states, "minimum bid of the Aeolian Company made rolls for Wil cox & Wh ite, or (the amount stated on the bid sheet)." If a person will that Wilcox & White made rolls for the Aeolian Company . bid this minimum, he will get it for that amount unless The roll numbers are identical in this case excep t for other live competition develops.
Recommended publications
  • The Triangle

    The Triangle

    Entertainment Opinion Comics This week. Entertainment gives you a look at Pat The world is full of jx:ople who try to take advan­ This week in the comics section, Beaver Boy and Benatar’s latest. True Love, Elvis Costello’s Mighty tage of others. A reader relates just such an experi­ Bungee Boy try their hands at cartooning. Also, Like the Rose, a summertime classic import from ence in this week’s Ed-Op pages. Also, take a look John the Engineer expands to a new format. Could Mud, and The Gourmet Express tickles your taste at one columnist’s view of Drexel University, 2017. this be the beginning of something big? Turn to page buds with summer yummies. Turn to page ten... Turn to page six... fourteen to find out... The Triangle Volume 66 • Number 33 Serving Drexel University Since 1926. May 31,1991 M ascaro defeats four candidates to become Congress president Andrew Ross mal arrangement was not publi­ O f The Triangle cized, however, even though it N e w p r e s , went into effect when the col­ Joseph Mascaro was elected leges merged in June. “There is h o p e s to President of Student Congress nothing in the constitution that over four others who desired the provides for two student deans i m p r o v e position. Elections were held of Arts and Sciences,” Richards last Tuesday and Wednesday but added. However, in the election C o n g r e s s results were not available until rules distributed by the Student Friday moming.
  • Songs by Title Karaoke Night with the Patman

    Songs by Title Karaoke Night with the Patman

    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
  • Steinway & Sons Reception Room and Hallway

    Steinway & Sons Reception Room and Hallway

    Landmarks Preservation Commission September 10, 2013, Designation List 466 LP-2551 STEINWAY & SONS RECEPTION ROOM AND HALLWAY, first floor, including the reception room’s domed rotunda and balcony, the east foyer and stairs leading to the balcony; the hallway of the public corridor, up to the north glass doors, that adjoins the reception room; and the fixtures and components of these spaces, including but not limited to, wall and ceiling surfaces, floor surfaces, arches, pilasters, stairs, landings, ceiling murals, painted medallions, metal railings, metal grilles, chandeliers and lighting fixtures, door enframements, doors, windows, attached furnishings and decorative elements; Steinway Hall, 109-113 West 57th Street (aka 106-116 West 58th Street), Manhattan. Built 1924-25; Warren & Wetmore architects; Walter L. Hopkins, lead designer; Thompson-Starrett Co., builders. Landmark Site: Borough of Manhattan Tax Map Block 1010, Lot 25, in part. On July 23, 2013, the Landmarks Preservation Commission held a public hearing on the proposed designation of the Steinway & Sons Reception Room and Hallway and the proposed designation of the related landmark site. The hearing had been duly advertised in accordance with provisions of law. Three people spoke in support of designation, including the owner and representatives of the Historic Districts Council and the Society for the Architecture of the City. Summary Commissioned by the prominent New York City piano manufacturer Steinway & Sons in 1924-25, the Steinway & Sons Reception Room and Hallway is one of New York City’s most impressive neo-Renaissance style interiors. Located in Steinway Hall, a designated New York City Landmark, on the north side of West 57th Street, between Sixth and Seventh Avenues, the primary space is a double-height octagonal rotunda where visitors, musicians, and potential customers meet store representatives before entering various piano showrooms.
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor

    Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor

    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next.
  • 1. LETTER to PARASRAM MEHROTRA [Before June 16, 1932]1 CHI

    1. LETTER to PARASRAM MEHROTRA [Before June 16, 1932]1 CHI

    1. LETTER TO PARASRAM MEHROTRA [Before June 16, 1932]1 CHI. PARASRAM, Judging from your letter the children seem to have made good progress. You speed with the takli is also good. Do give half an hour daily to it; if you can in what time spin 160 rounds, nothing can be better than that. What does kule ki haddi2 mean? The word Kula is not to be found in the Hindi Dictionary. Why did the haddi get swollen? Has the swelling subsided now? If it has not, you must take immediate steps to cure it. The replies to the questions which you have put to Mahadev are: 1. I consider a minimum of half an hour’s walk morning and evening essential for you and others. It is not necessary to sit in one position for more than an hour. One should stand up for a minute at least, or change the posture. 2. It is natural that a mother should desire to see her son, but every mother ought to restrain such a with and, if the son is engaged in some activity of service, he must cure his mother of such attachment. 3. When a son goes abroad and lives in a foreign country for ten years, his mother has no choice but to bear the separation. There are innumerable poor mothers in India who possibly never again see the face of their son after he has gone out to earn a living. One may console the mother through a letter, and cheer her as much as one can by reasoning with her and citing other similar instances.
  • THE WELTE Philharmonic Organ Vorsetzer

    THE WELTE Philharmonic Organ Vorsetzer

    IHTERHATlOHAL CHAPTER OFFICERS OFFICERS NO. CALIFORNIA Pres.: Phil McCoy PRESIDENT Vice Pres.: Isadora Kolt Bob Rosencrans Treas.: Bob Wilcox 36 Hampden Rd. Sec.lReporter: Jack & Upper Darby, PA 19082 Dianne Edwards VICE PRESIDENT SO. CALIFORNIA Bill Eicher Pres.: Francis Cherney 465 Winding Way Vice Pres.: Mary Lilien Day1on, OH 45429 Sec.: Evelyn Meerler SECRETARY Treas: Roy Shelso Jim Weisenborne Reporter: Bill Toeppe 73 Nevada St TEXAS Rochester, MI 48063 Pres. Jim Phillips PUBLISHER Vice Pres: Merrill Baltzley AMICA MEMBERSHIP RATES: Tom Beckett Sec/Treas.: Janet Tonnesen Reporter James Kelsey Continuing Members: $15 Dues 6817 Cliltbrook Dallas, TX 75240 MIDWEST New Members, add $5 processing fee MEMBERSHIP SECRETARY Pres.: Bennet Leedy Lapsed Members, add $3 processing fee (New memberships and Vice Pres.: Jim Prendergast mailing problems) Sec.: Jim Weisenborne Bobby Clark Jr Treas.: Alvin Wulfekuhl P O. Box 172 Reporter: Molly Yeckley Columbia SC 29202 PHILADELPHIA AREA TREASURER Pres.: Len Wert THE AMICA NEWS BULLETIN Jack & Mary Riffle Vice Pres.: Harvard Wood 5050 Eastside Calpella Rd. Sec.: Beverly Naddeo Published by the Automatic Musicsllnstrument Collectors' Association, a non­ Ukiah, CA 95482 Treas.: Doris Berry profrt club devoted to the restoration, distribution and enloyment of musical Reporter: Dick Price instruments using perforated paper music rolls. BOARD REPRESENTATIVES N. Cal: Howie Koff SOWNY (So. Ontario, West NY) Contributions: All subjects of interest to readers of the Bulletin are S Cal Dick Rigg Pres: Bruce Bartholomew encouraged and invited by the publisher. All articles must be received by the Texas: Wade Newton Vice Pres: Mike Walter 10th of the preceeding month Every attempt will be made to publish all articles Phil: Bob Taylor Sec.
  • The Club Scene at New College

    The Club Scene at New College

    The Volume VI, Issue 4 September 17, 1996 mentally retarded, immersed in vice and corruption 'Alternative' THE CLUB SCENE AT NEW Academics COLLEGE by Charles Choi Contributed by Mario Rodriguez parodies human behavior, unlike the more The standards and schedules that we Do you watch Japanese animation topical humor of American mainstream are at times forced to conform to here can solely for sexual gratification? Are you cartoons, like The Simpsons. lead to a sense of academic claustropho­ comfortably chained to the land? Or to "Even though people are getting bia. But there are alternatives available the earth-{;ontent not to challenge the cursed, turned into animals and having other than intellectual suicide that can strictly physical existence to which soci­ martial arts battles on the school help us remember why we came to New ety relegates you? grounds," she said, "[anime] is a lot more College in the first place. In fact, there If your answer is yes, three clubs realistic than anything on American tele­ are now two more of them. forming at New College don't want you. vision." And unlike most American The Alternative College Network However, if you stay in the darkness of animation, cartoons appeal to a wide fan stems out of the Alternative Higher your room all day cursing your corporal base in Japan (adults as well as children.) Education Network that was started last bondage and seething with angst, the American viewers aren't quite as di­ January by Chris Kawecki of Hampshire Anime Club, which will be having its first verse.
  • “Writing About Music” Vol

    “Writing About Music” Vol

    UCLA Department of Musicology presents MUSE An Undergraduate Research Journal “Writing About Music” Vol. 1, No. 1 “Dissonant Ones: The Harmony of Lou Reed and “Waitress! Equalitea and Pie, Please” John Cale” Irena Huang Gabriel Deibel “Boy Band: Intersecting Gender, Age, Sexuality, “A Possible Resolution for the Complicated and Capitalism” Feelings Revolving Around Tyler, the Creator” Grace Li Isabel Nakoud “Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie Rock” Jenna Ure Winter 2020 2 3 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 1 Winter 2020 Contents Introduction from the Editors 4 Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie 6 Rock Editor-in-Chief Jenna Ure Matthew Gilbert Waitress! Equalitea and Pie, Please 16 Managing Editor Irena Huang Alana Chester Dissonant Ones: The Harmony of Lou Reed and John Cale 26 Review Editor Gabriel Deibel Karen Thantrakul Boy Band: Intersecting Gender, Age, Sexuality, and Capitalism 36 Technical Editors Grace Li J.W. Clark Liv Slaby A Possible Resolution for the Complicated Feelings Revolving 46 Gabriel Deibel Around Tyler, the Creator Isabel Nakoud Faculty Advisor Dr. Elisabeth Le Guin Closing notes 62 4 Introduction Introduction 5 Introduction Li’s discussion of the exploitation of boy band One Direction, Gabriel Deibel’s essay on the influence of John Cale on the Velvet Underground’s experimental sound, a feminist exploration by Irena Huang of the musical Alana Chester, Matthew Gilbert, and Karen Waitress (composed by a UCLA alumnus, Sara Bareilles), and a critique Thantrakul of the music industry through indie singer Mitski’s music by Jenna Ure.
  • Howe Collection of Musical Instrument Literature ARS.0167

    Howe Collection of Musical Instrument Literature ARS.0167

    http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items.
  • Elvis Costello and the Attractions by As F Fey Kahn I

    Elvis Costello and the Attractions by As F Fey Kahn I

    PERFORMERS Elvis Costello and the Attractions By Asf fey Kahn I— £ i£ — I 1 And it came to pass that many tribes were spread across the land, divided bp the music they made and the clothes they wore. One danced in tight skins of many colors, one sang of peace and allowed no razor to touch their heads, and one sang o f wrath and shaved their heads and rent their garments. 2 From the East a singer came, whose words were plenty and whose songsfoundfavor from all tribes. But the singer was strange, for his hair was neither long nor shaved and he called himself with a kingly name and he sang of wrath and yet said he was not wrathful N SOME WAYS, 1977 IS ALM OST ANCIENT HISTORY and lush Hollywood soundtracks. His songwriting now, back when a skinny-tied, gap-toothed, revealed a depth and wit and prolificacy unmatched Fender-banging Buddy Holly look-alike from by most popular tunesmiths, let alone his punk- England formed a band, called it the Attrac­ driven peers; Dylan comparisons were inevitable and tionsI and dared to name himself after the King of earned. Each album defied expectation and defined an Rock & Roll. At first, Elvis Costello ever-widening musical embrace. seemed a part of punk’s spit and Costello was less a product of his audacity, his music spinning time, it turned out, than of his par­ aggression into slashing riffs with ents’ expansive record collection. lyrics that became slogans of the “My mother says I could work the season.
  • A Brief History of Re-Performance

    A Brief History of Re-Performance

    A Brief History of Re-performance by Nicholas Patrick Seaver B.A. Literature Yale University, 2007 SUBMITTED TO THE PROGRAM IN COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2010 © 2010 Nicholas Patrick Seaver. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: ____________________________________________________________ Program in Comparative Media Studies 11 May 2010 Certified by: __________________________________________________________________ William Uricchio Professor of Comparative Media Studies Director, Comparative Media Studies Thesis Supervisor Accepted by: _________________________________________________________________ William Uricchio Professor of Comparative Media Studies Director, Comparative Media Studies A Brief History of Re-performance by Nicholas Patrick Seaver Submitted to the Program in Comparative Media Studies on May 11, 2010, in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract Discussions of music reproduction technology have generally focused on what Jonathan Sterne calls “tympanic” reproduction: the recording and playback of sounds through microphones and speakers. While tympanic reproduction has been very successful, its success has limited the ways in which music reproduction is popularly imagined and discussed. This thesis explores the history of “re-performance,” an alternative mode of reproduction epitomized by the early twentieth-century player piano. It begins with a discussion of nineteenth-century piano recorders and the historical role of material representation in the production of music.
  • FWWH Revised Songbook ―This Camp Was Built to Music Therefore Built Forever

    FWWH Revised Songbook ―This Camp Was Built to Music Therefore Built Forever

    FWWH Revised Songbook Revised Summer 2011 ―This camp was built to music therefore built forever‖ These are the songs sung by Four Winds and Westward Ho campers – songs that have expressed their interests and ideals through the years. As you sing the songs again, may they recall memories of sunny days, and some misty and rainy ones too, of sailing on sparkling blue water, of cantering along leafy trails, of exploring the beach when the tide is out. May these songs remind you of unexpected adventure, and of friendships formed through the sharing of Summer days, working and playing together. 1 Index of songs A Gypsy‘s Life…………………………………………………….7 A Junior Song……………………………………………………..7 A Walking Song………………………………….…….………….8 Across A Thousand Miles of Sea…………..………..…………….8 Ah, Lovely Meadows…………………………..……..…………...9 All Hands On Deck……………………………………..……..…10 Another Fall…………………………………...…………………10 The Banks of the Sacramento…………………………………….…….12 Big Foot………………………………………..……….………………13 Bike Song……………………………………………………….…..…..14 Blow the Man Down…………………………………………….……...14 Blowin‘ In the Wind…………………………………………………....15 Boy‘s Grace…………………………………………………………….16 Boxcar……………………………………………………….…..……..16 Canoe Round…………………………………………………...………17 Calling Out To You…………………………………………………….17 Canoe Song……………………………………………………………..18 Canoeing Song………………………………………………………….18 Cape Anne………………………………………………...……………19 Carlyn…………………………………………………………….…….20 Changes………………………………………………………………...20 Christmas Night………………………………………………………...21 Christmas Song…………………………………………………………21 The Circle Game……………………………………………………..…22