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Continue Australian film, television and stage actress Judy DavisDavis at the AACTA Awards in Sydney, New South Wales, January 2012BornJudith Davis (1955-04-23) April 23, 1955 (age 65)Perth, Western Australia, AustraliaNational Atustralma MaterNational Institute for Dramatic ArtOcoculationActionAction 1977-presentWorksFull listSpouse (s) Colin Friles (m. 1984) Children2AwardsFull list Judith Davis (born April 23, 1955) is an Australian actress known for her work in film, television, and theatre. With a career spanning more than 40 years, she has been praised for her versatility and is considered one of the best actresses of her generation with frequent collaborator Woody Allen describing her as one of the most exciting actresses in the world. She has won numerous awards, including eight Australian Film Institute awards, three Emmy Awards, two British Film Awards and two Golden Globe Awards, and two Academy Awards. Davis is a 1977 graduate of the National Institute of Dramatic Art, where she starred opposite Mel Gibson in Romeo and Juliet. Most of Davis's stage work was in Australia, including Visions (1979), Piaf (1980), Miss Julie (1983), King Lear (1984), Hedda Gabler (1986), Victory (2004) and Seagull (2011), but she also starred in 1982 London-produced insignificance, for which she was nominated for the Laurence Olivier Award for Best Actress, and the 1989 Los Angeles production of Hapgood. She returned to the National Institute of Dramatic Art in 2017 to direct the play Love and Money. She won the British Film Academy Awards for Best Actress and Most Promising Newcomer for My Brilliant Career (1979), two Australian Film Institute awards as Best Actress for The Winter of Our Dreams (1981) and Supporting Actress for Hoodwink (1981), and then received an Oscar nomination for Passage to India (1984) and Husbands and Wives (1992). This made her the first Australian to receive nominations in both categories, and the fourth Australian actress to receive an Academy Award nomination. Her other film roles include High Rolling (1977), Who Dares Wins (1982), Heatwave (1983), High Tide (1987), Georgia (1988), Alice (1990), George Sand in Impromptu (1991), Barton Fink (1991), Dark Blood (1993), Absolute Power (1997), Harry's Deconstruction (1997), Celebrities (1998), Man, who sued God (2001), Gap (2006), Anne d'Arpajon in Marie Antoinette (2006), Eye of the Storm (2011) , In Rome with Love (2012) , Young and Huge T.S. Spieth (2013) and Dressmaker (2015). For her work in television, Davis won the Primetime Emmy Awards for service to Silence: Margaret Kammermeier's Story (1995), for her role as Judy Garland in Life with Judy Garland: Me and My Shadows (2001) and The Starter Wife (2007) and the Golden Globes for Female role Miniseries or TV movie for a living with Judy Garland: Me and My Shadows and One Against the Wind (1991). Other television roles include Water Under the Bridge (1980), a woman named Golda (1982), Cool Climate (1999), Nancy Reagan in The Reagans (2003), Coast to Coast (2003), Santa Kims in The Little Thing, Murder (2006), Page 8 (2011), Hedda Hopper in Feud: Bette and Joan (2017), Mystery Road (2018) and Ratched (2020). Davis' personal life was born in Perth, Western Australia, and had a strict Catholic upbringing. She was educated at Loreto Monastery and the West Australian Institute of Technology and graduated from the National Institute of Dramatic Art (NIDA), Sydney in 1977. She has been married to actor and fellow NIDA graduate Colin Friels since 1984; The couple have a son and a daughter. The relationship was briefed in the media when the dispute led to a court order against Friels - however, they stayed together at the time. They live in the Sydney area of Birchgrove, Nsw. After the debut of her feature film in the comedy High Rolling (1977), Davis first rose to fame for her role as Sybil Melvin in the age saga My Brilliant Career (1979), for which she won the BAFTA Award for Best Actress and Best Actor. Davis was particularly praised for her performance; Janet Maslin of The New York Times admired her for bringing unconventional energy to every scene she's in, even in a film that's as consistently animated as this one, while Luke Buckmaster, writing for The Guardian in 2014, noted that Davis gave an incendiary performance as a bullish hero. The term once-in-a-lifetime is usually struck around like a bumper sticker, but this meaty role lives up to the awards. Her breakthrough success continued with major roles in the Australian films The Winter of Our Dreams (1981), as a heroin addict, the drama Heat Wave (1982), as a radical Sydney tenant organizer, and the thriller Hudwink (1981) as the wife of a sexually depressed priest. From her appearance in Winter of Our Dreams, Roger Ebert had the view that: Davis brought a kind of cunning, brash intelligence into my glittering career, playing an Australian farm woman who rather believed she would do things her own way. She's beautiful again this time, in a completely different role as an insecure, incredulous, skinny street waif. She's doing a great job. Her international film career began when she played the younger version of Ingrid Bergman's Golda Meir in the television documentary A Woman Named Golda (1981), the role for which she was nominated for an Emmy award for Best Supporting Actress - a miniseries or film, followed by a terrorist role британском фильме Who Dares Wins Wins She was cast as Adelaide's the quest in David Lean's latest film Passage to India (1984), an adaptation of E. M. Forster's novel, for which she was nominated for an Oscar for Best Actress. Variety praised Davis for being a rare gift to be able to look very simple (as the role requires) at one point and extraordinarily beautiful in another. In addition, The Washington Post wrote: With the makeup of the color of smeared ivory, her pallor is enhanced by the non-white underwear she wears, Davis is boldly unattractive to the leading lady; that simplicity is emphasized in the book. Davis's neuroticism, her way of twitching and shoving her jaw and looking adoringly under the edge of her straw hat, brings to life the predatory sexuality beneath the decent look of Miss Kvested. She returned to Australian cinema for her next two films, Kangaroo (1987), as the wife of a German-born writer, and High Tide (also 1987), as a legless mother trying to reunite with her teenage daughter, who is being raised by her paternal grandmother. Her performance in the latter won her glowing praise. Pauline Cale called Davis a genius in the mood and wrote: As one of three backing vocalists for the Elvis copycat tour, Judy Davis is contemptuous of the cruddy act, contemptuous of herself. The emotional suggestive film makes it an almost primal female picture: Judy Davis has been compared to Jean Moreau, and it's apt, but she's Moro without the cultural swank, high-fashion brilliance. She speaks to us more directly. She received additional awards from the Australian Film Institute for both roles, as well as the National Society of Film Critics Award for the short American theatre race High Tide. Her last film of the decade, Australian thriller Georgia (1988), saw her play a dual role, a mother, Georgia, and her daughter Nina. For her work, Davis received another nomination from the Australian Film Institute for Best Actress. Founded by an actress (1990-1999) Davis had a cameo in Woody Allen's Alice (1990), her first appearance in the Allen-directed film. The following year, she was featured in Joel Cohen's Barton Fink, which won the Palme d'Or at the Cannes Film Festival, and in the film adaptation of David Cronenberg's hallucinogenic novel Naked Lunch. She returned to E.M. Forster in Where Angels Are Afraid to Step and won the Independent Spirit Award for her work as writer George Sand in Expromt, a romantic drama starring Hugh Grant as her lover, Frederick Chopin. Davis was particularly praised for her performance as a sand, and Hal Hinson of the Washington Post wrote: Judy Davis makes her entrances as if she were a cross-border cyclone. She doesn't just enter, she blows on a torrent of extravagant self-confidence and wild temperament. Sand, who locus this blissfully high-spirited romp about the circle of writers and musicians in Paris, never does anything halfway; Her life is an experiment in full throttle, passionate immersion, which is why Davis is the perfect actress for the piece. She is the most atmospheric of the actors, perhaps the only one who is able to want the screen with lightning. She received an Emmy nomination and the first Golden Globe Award for Best Actress, a miniseries or television movie for her role as World War II heroine Mary Lindell in the presentation of the CBS One Against the Wind Hall of Fame. Adrian Turner of the Radio Times noted about her: Judy Davis, one of the greatest and least stellar actresses around, plays Lindell and shows the same sensibility that she brought to her role in the passage to India. Starring in Woody Allen's Husbands and Wives (1992), Davis starred Sally Simmons, half-divorced couples. Husbands and wives were well received, and Davis's speech was praised. Vincent Keynesy of The New York Times wrote, Sally must have been one of the nicest impossible characters that Mr. Allen has ever written, and Ms. Davis is almost a purloins film and Todd McCarthy of Variety thought Davis showed a whole new side to her personality that had never surfaced on screen before. She received Oscar and Golden Globe nominations for Best Supporting Actress. She then starred alongside Kevin Spacey in the comedy film The Ref (1994), portraying a married couple whose relationship is on the rocks, with Denis Leary playing a thief who advises their marriage. Roger Ebert called Davis naturally verbal and praised her for being able to develop a courageous counterpoint in her disputes with Spacey, which elevates them to a kind of art form. Similarly, Peter Travers of Rolling Stone magazine found Davis very funny, finding nuance even in nonsense. Considered one of the most violent film actors around, Davis's other roles included the mysterious, The schizophrenic mother of a teenager at a boarding school in On My Own (1993), a lifelong member of the Australian Communist Party reacts to the fall of the Soviet Union in the Children of the Revolution (1996), two more Allen films, Harry's Deconstruction (1997) and Celebrity (1998) and the heavily strung White House Chief of Staff in Absolute Power (1997). After appearing in Celebrity, The Guardian reported that Davis had succeeded Diane Keaton and Mia Farrow as Allen's unfit muse in recent years. Much of her work in the late nineties was for television, receiving a collection of Emmy nominations. She won her first Emmy for her portrayal of a woman who gently coaxes a tough military woman, Glenn Close, out of a closet in Service in Silence: A Margaret Kammermeier Story, followed by nominations for her repressed Australian outback mother in Echo of Thunder (1998), her Lillian Hellman's Dash and Lilly (1999) and her Cold Matron Society in Cold Climate (1999). Later work (2000-present) Davis won a second Emmy for her portrayal of Judy Garland in the television biopic Life with Judy Garland: Me and My Shadows (2001). In 2003, she received another Emmy nomination for her interpretation of Nancy Reagan in the controversial Reagans. In July 2006, she received her ninth Emmy nomination for her role in the television movie Little Thing Called Murder. Her tenth nomination came in 2007 for Best Supporting Actress in an American miniseries, First Wife, for which she won an Emmy Award. In August 2007, she appeared opposite Sam Waterston in an episode of the ABC anthology series Masters of Science Fiction. She appeared on the TV mini-series Diamonds from 2008-2009. In the movies, she went on to earn good notices for her supporting roles in Swimming Upstream (2003), as a working-class mother, and in the films Break-Up (2006) and Marie Antoinette. Davis appeared as Jill Tankard in the television drama, Page Eight (2011), for which she was nominated for an Emmy. She played Dorothy de Lascabein in the 2011 film The Eye of the Storm, an adaptation of Patrick White's novel of the same name, for which she won the Australian Film Institute Award for Best Actress in a Leading Role. She also starred as the wife of psychiatrist Woody Allen in His To Rome with Love. Davis starred alongside Helena Bonham Carter and Callum Keith Rennie in The Young and Huge T.S. Spieth (2013). She repeated her role as Jill Tankard in Salting Battleground (2014) and costarred with Kate Winslet in Dressmaker (2015), for which she won the AACTA Award for Best Supporting Actress. Although the film received mixed reviews, Davis's supporting performance was praised by critics: Richard Ouzounian of the Toronto Star called her sublime and Justin Chang of Variety wrote: Davis, whose performance here is like binge-swilling, dementia-added and hellishly sharp-tongue old matriarch is good enough to make another interest that she could do with the role of Violet. In 2017, Davis received an Emmy nomination for her role as gossip columnist Hedda Hopper in Ryan Murphy's anthology The Feud. The following year, Davis starred alongside Aaron Pederson in six parts of ABC's Mystery Road. Davis's performance as a local police sergeant was highly praised, and The New York Times wrote: The thing that really sets Mystery Road apart is the actress who signed on to play Sgt. Emma James: the great Judy Davis, playing a police officer for the first time in her career and starring in an Australian TV series for the first time in almost 40 years. Mrs. Davis is so firm In the American consciousness with intense, often neurotic city residential characters, it takes an episode or two to get used to it climbing in and out of a police car in dusty, empty landscapes, wearing baggy blue shapes that swallows her tiny frame. It seems at first glance as if it may not be right for the part, but in the end you see that it is perfect. James is a formidable woman stuck in the middle of nowhere because of the family's bonds and history, and Ms. Davis's supernatural intellect and tightly limited energy serve her well. In January 2019, it was announced that Davis would star in the Netflix drama series Ratched. The stage work of the Davis Scene was largely limited to Australia. Early in her career, she played Juliet opposite Romeo Mel Gibson. In 1978 she appeared in Louis Nowra's Visions at the Paris Theatre Company in Sydney. In 1980, she played the French chant of Edith Piaf in Stephen Barry's production of Pam James's play Piaf at the Perth Theatre. She played Cordelia and Fool in a 1984 production of King Lear by the Nimrod theatre troupe, and starred in productions of Miss Julie Strindberg, Chekhov's Bear, Louis Nowra's Inside the Island and, in 1986, ibsen's Headda Gabler for the Sydney Theatre Company. In 2004, she starred in Howard Barker's Victory and co-directed Howard Barker's play when a puritan decided to find her husband's dismembered corpse. Other directorial efforts include Sheridan's Scandal School and William Luce's Barrymore (all three for the Sydney Theatre Company). She created the role of actress in Terry Johnson's The Insignificance at the Royal Court in London, receiving an Olivier Award nomination, and appeared in a short production of 1989's Hapgood by Tom Stoppard in Los Angeles. Writing for Philadelphia magazine, David Fox found her marvellous in the title role as charismatic and commanding on stage as she did in the movie. In 2011, she played the role of withering actress Irina Arkadina in Anton Chekhov's film The Seagull at The Sydney Theatre Belvoir St. Paul Chai of Variety praised her performance as Irina, writing: Davis manages to instill in Irina not only the haughty air of divas and cunning manipulations, but also the right hint of fragility, as evidenced by her concern for the young. Filmography Home Article: List of Performances by the Judy Davis Awards Home Article: List of Awards and Nominations Received by Judy Davis Links and Peter Biskind. Gods and Monsters: Thirty years of writing about film and culture. Google Books. Received on July 14, 2017. Judy Davis in the eye of the storm. Asia Pacific Film Academy. 2011. Received on 27 January 2020. Constant Dead Connection - Powers, John (December 3, 2009). Judy Davis, inspiring 'Brilliant Career' 30 years later. npr.org. January 27, 2020. Maslin, Janet (February 22, 1980). New face: Judy Davis don't call her Sybylla; A last-minute replacement I'm not very good at reading elizabeth swados's scripts at the club. The New York Times. Received on May 7, 2010. Rowy, Hal Erickson. Biography of Judy Davis. A TV squad. Received on October 10, 2010. Biography of Colin Friels in IMDb and Judy Davis: I Never Wanted a Celebrity. a b c Ryan Gilbey (April 25, 2013). Judy Davis: I never wanted a celebrity. Keeper. Received on May 2, 2013. a b Judy Davis in the Oscar nominees. The Canberra Times. February 8, 1985. Received on November 18, 2018. Maslin, Janet (October 6, 1979). Film: Gillian Armstrong's Australian Brilliant Career: Actors. New York TImes. Received on September 20, 2018. Luke Buckmaster (February 28, 2014). My brilliant career: watching classic Australian films. Keeper. ISSN 0261-3077. Received on January 27, 2020. Ebert, Roger. Winter of Our Dreams film review (1983) by Roger Ebert. www.rogerebert.com. received on January 27, 2020. Variety review. Archive from the original on February 29, 2008. Received on December 10, 2018. - Alanacio, Paul (January 18, 1985). Oh, it's so delicious. washingtonpost.com. received on January 27, 2020. Pauline Cale. www.geocities.ws. received on January 27, 2020. Judy Davis receives the U.S. film. The Canberra Times. January 12, 1989. page 3. Received on November 18, 2018. a b c Wuntch, Philip (April 12, 1994). Intelligence as well as wit. The Canberra Times. page 15. Received on November 18, 2018. Coltnow, Barry (September 25, 1994). Judy Davis writes her own screenplay. The Canberra Times. page 25. Received on November 18, 2018. Hinson, May 3, 1991. An impromptu review. The Washington Post on December 12, 2018. Turner, Adrian (2018). Review: One Against the Wind - review. Radio Times. Received on December 12, 2018. Cubby, Vincent (September 18, 1992). Review / Film - Husbands and Wives; Fact? Fiction? It doesn't matter. The New York Times. Received on September 19, 2015. McCarthy, Todd (August 26, 1992). Review: Husbands and Wives. Different. Received on September 19, 2015. Roger Ebert (March 11, 1994). Referee. Chicago Sun-Times. The Sun-Times media group. Archive from the original on October 4, 1999. Travers, Peter. Referee. Rolling Stone. Gilbey, Ryan (April 25, 2013). Judy Davis: I never wanted a celebrity. Keeper. ISSN 0261-3077. Received on January 27, 2020. Staff, Guardian (June 6, 1999). Read my lips... Keeper. ISSN 0261-3077. Received on January 27, 2020. ER, Fraser's success overshadows the boring rambling Emmy host. The Canberra Times. September 12, 1995. page 8. Received on November 18, 2018. Bernard Weinraub (December 10, 2000). Rewards and risks of a game icon. The New York Times. Received on May 3, 2013. Frater, Patrick (December 9, 2015). Mad Max, Сплит Австралии AACTA Awards. Awards. Received on November 18, 2018. Screening at TIFF Tuesday, September 15: Dressmaker, room, sleeping giant. Star. Toronto. September 14, 2015. Received on May 31, 2020. Toronto movie review: 'Dressmaker'. Received on September 15, 2015. The New York Times: Mystery Road TV Review. Received on December 12, 2018. Denise Petsky (January 14, 2019). 'Ratched': Sharon Stone, Cynthia Nixon among 10 actors in Ryan Murphy's Netflix series. Term. Received on January 20, 2019. Allen, Paul Stephen Barry (obituary) The Guardian, London, November 9, 2000 - Fitzgerald, Michael Judy in Time magazine, April 24, 2004 - Kerry O'Brien (August 9, 1999). Judy Davis takes on directing. Abc 7.30 report. Received on May 3, 2013. The Society of West End Theatre Awards 1982 in the West End Theatre.com - REVIEW: Spying meets physics at the Hapgood Lantern Theatre, but not Sparks Fly. The Philadelphia Journal. September 13, 2018. Received on January 27, 2020. Tea, Paul; Tea, Paul (June 20, 2011). Seagull. Different. Received on January 27, 2020. Judy Davis's external references to the encyclopedia of women and leadership in the twentieth century Judy Davis on Judy Davis's IMDb on Judy Davis' TCM film database on AllMovie are extracted from

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