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  • Critical Acclaim for ‘THE LOOK of SILENCE’ by Joshua Oppenheimer

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    Critical Acclaim For ‘THE LOOK OF SILENCE’ By Joshua Oppenheimer “A painful, profoundly empathetic work of moral reckoning.” ​ ​ —A.O. Scott, The New York Times ​ ​ “A shocking and significant film, a further illumination of one of recent history's great horrors, ​ a documentary that will make a difference in the world.” ​ —Kenneth Turan, Los Angeles Times ​ ​ “In a way, I wish I'd never seen The Look of Silence, because now I won’t be able to forget it. But ​ ​ ​ that’s the point.” ​ —Joe Morgenstern, The Wall Street Journal ​ ​ “Profoundly shattering.” —Stephanie Merry, The Washington Post ​ ​ “Painful and unforgettable.” —Michael Phillips, Chicago Tribune ​ ​ “Piercingly and authentically horrifying. a must see. arresting and important filmmaking.” ​ ​ —Peter Bradshaw, The Guardian ​ ​ “Powerful.” —Newsday ​ “Over and over in The Look of Silence, we hear people tell the filmmakers, ‘The past is past.’ The ​ ​ wound is healed, they say, and if you don’t want trouble, don’t reopen it. The movie itself proves otherwise.” —Ty Burr, The Boston Globe ​ ​ “Stunning. a high­wire achievement. [with] crushing emotional impact. The film reveals Oppenheimer to be a documentary stylist of evolving grace and sophistication.” —Guy Lodge, Variety ​ ​ “Every scene weighs on the audience. But Oppenheimer and [subject] Adi manage to locate a lightness as well that lessens the burden.” —Lenika Cruz, The Atlantic ​ ​ “The Look of Silence is perhaps even more riveting for focusing on one man’s personal search for ​ ​ answers as he bravely confronts his brother’s killers. In the end, the real value of [The Act of ​ Killing and The Look of Silence] is the anguishing new light they cast on the darkest reaches of human ​ ​ ​ evil.” —Deborah Young, The Hollywood Reporter ​ “Manages to burrow deep into your soul .
  • THE Permanent Crisis of FILM Criticism

    THE Permanent Crisis of FILM Criticism

    mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem­ the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author­ N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo­ C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter­ film criticism since its origins. net amateurs and the lack of authorita­ of tive critics, many journalists and acade­ Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, co­editor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis­ tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory.
  • Journalism Awards

    Journalism Awards

    FIFTIETH FIFTIETHANNUAL 5ANNUAL 0SOUTHERN CALIFORNIA JOURNALISM AWARDS LOS ANGELES PRESS CLUB th 50 Annual Awards for Editorial Southern California Journalism Awards Excellence in 2007 and Los Angeles Press Club A non-profit organization with 501(c)(3) status Tax ID 01-0761875 Honorary Awards 4773 Hollywood Boulevard Los Angeles, California 90027 for 2008 Phone: (323) 669-8081 Fax: (323) 669-8069 Internet: www.lapressclub.org E-mail: [email protected] THE PRESIDENT’S AWARD For Impact on Media PRESS CLUB OFFICERS Steve Lopez PRESIDENT: Chris Woodyard Los Angeles Times USA Today VICE PRESIDENT: Ezra Palmer Editor THE JOSEPH M. QUINN AWARD TREASURER: Anthea Raymond For Journalistic Excellence and Distinction Radio Reporter/Editor Ana Garcia 3 SECRETARY: Jon Beaupre Radio/TV Journalist, Educator Investigative Journalist and TV Anchor EXECUTIVE DIRECTOR: Diana Ljungaeus KNBC News International Journalist BOARD MEMBERS THE DANIEL PEARL AWARD Michael Collins, EnviroReporter.com For Courage and Integrity in Journalism Jane Engle, Los Angeles Times Bob Woodruff Jahan Hassan, Ekush (Bengali newspaper) Rory Johnston, Freelance Veteran Correspondent and TV Anchor Will Lewis, KCRW ABC Fred Mamoun, KNBC-4News Jon Regardie, LA Downtown News Jill Stewart, LA Weekly George White, UCLA Adam Wilkenfeld, Independent TV Producer Theresa Adams, Student Representative ADVISORY BOARD Alex Ben Block, Entertainment Historian Patt Morrison, LA Times/KPCC PUBLICIST Edward Headington ADMINISTRATOR Wendy Hughes th 50 Annual Southern California Journalism Awards

  • Diciembre 2018

    Isaki Lacuesta & Isa Campo Lo real y lo fabulado [Festival Márgenes] Todo Scorsese (3) La cámara historicista Los años del cambio (12) 40 años de la Constitución Navidad, oscura Navidad diciembre Ecos de Bergman (2) 2018 1 sábado 2 domingo 17:30 - Sala 1 • Filmoteca Junior / Todo Scorsese. La 17:30 - Sala 1 • Todo Scorsese. La cámara historicista cámara historicista / Juego de espejos Las sesiones anunciadas pueden sufrir cam- La invención de Hugo (Hugo, Martin Scor- Juego sucio (Mou gaan dou, Wai-Keung Lau bios debido a la diversidad de la procedencia sese, 2011). Int.: Ben Kingsley, Asa Butterfield, y Alan Mak, 2002). Int.: Andy Lau, Tony Leung, de las películas programadas. Chloë Grace Moretz. EEUU. 35 mm. VOSE. 126’ Anthony Wong. Hong Kong. B-R. VOSE. 101’ «Visual y tecnológicamente abrumadora, La invención Las copias que se exhiben son las de mejor de Hugo se las arregla para envolver una historia emocional sobre un niño huérfano en el París de calidad disponibles. Las duraciones que figu- 1930 en un apasionado alegato por la preservación ran en el programa son aproximadas. del cine, una causa cercana al corazón de Scorsese». (Marjorie Baumgarten) Los títulos originales de las películas y los de Segunda proyección día 15. su distribución en España figuran en negrita. 20:00 - Sala 1 • Ecos de Bergman Vania en la calle 42 VOSE Versión original subtitulada en (Vanya on 42nd Street, Louis Malle, 1994). Int.: Phoebe Brand, Lynn Co- es pañol hen, Julianne Moore. EEUU. 35 mm. VOSE. 119’ VOSE* Versión original subtitulada en «Teje su red con aplomo, generando más y más dupli- Segunda proyección y texto día 12.
  • Annual Terlingua CASI Chili Championship Here's Wishing All A

    Annual Terlingua CASI Chili Championship Here's Wishing All A

    January 2008 Web Page www.chili.org Volume 21 Issue 1 Annual Terlingua CASI Here's Wishing All A Happy Chili Championship and Prosperous New Year A First Timer's View Terlingua, Texas This historic chili cookoff is held annually in Terlingua, Texas, or as most people have said, the middle of nowhere. The four day celebration begins each year on Wednesday before the big weekend and culminates on Saturday with the Terlingua International Chili Championship©. A Texas chili cookoff can be as much fun as one person can stand. There’s usually so much going on it’s hard to take it all in. Besides the cookoff there’s music, contests, and other food events such as salsa, etc. That’s why these things can run 2-3 days. Anyone and everyone comes to a Texas chili cookoff. Chili cookoffs are very popular in Texas and are a major form of family entertainment. The chili cooking teams are judged not only for the quality of their chili product but there are also competitions for presentation which can mean you get a show with the chili. Groups use themes and entertainment to get points for presentation. The official chili sanctioning body in Texas is the Chili Appreciation Society International - CASI. CASI makes the rules. They award points to the best ten cookers and these points can qualify a team for the International Chili Championship held the first Saturday of November in the dusty ghost town of Terlingua. CASI is a not-for-profit organization and one of the best things about their events is that all proceeds from their sanctioned events You know that you’re from Texas if you hear these phrases in conversations.
  • THE ZINE DUMP 49 a Zine About Zines by GUY LILLIAN III 1390 Holly Avenue Merritt Island FL 32952 GHLIII@Yahoo.Com 318/218-2345 GHLIII Press Pub #1278 May, 2020

    THE ZINE DUMP 49 a Zine About Zines by GUY LILLIAN III 1390 Holly Avenue Merritt Island FL 32952 [email protected] 318/218-2345 GHLIII Press Pub #1278 May, 2020

    THE ZINE DUMP 49 A zine about zines by GUY LILLIAN III 1390 Holly Avenue Merritt Island FL 32952 [email protected] 318/218-2345 GHLIII Press Pub #1278 May, 2020 The Zine Dump is a fanzine devoted to the science fiction fanzine world. It wants to see and list every generally- distributed amateur publication devoted to SF and its fandom published in English, and hear and comment on all news connected with the hobby. Published on eFanzines.com, by e-mail, by hard copy for trade and in mailings of the Worldcon Order of Fan-Editors. Dedicated to Marty Pasko, writer, editor and wit, who added mad humor and excitement to my year at DC Comics. Among the many superheroes he sent to fight injustice: Superman, Batman, the Metal Men, Swamp Thing, the Justice League of America, the Tick, E-Man, and many others. He wrote for Roseanne Barr and brought superhero TV animation high esteem, winning an Emmy for his work on the Batman animated series. He was brilliant and iconoclastic and hilarious. His work and his wit were wondrous, and I’m proud I knew him. God rest his epic soul. The Zine Dump 49 Some new tactics for this issue of The Zine Dump. For one thing, I’m not letting zines stack up to review all at once as I formerly – and stupidly – did. For years, la belle Rose-Marie has advised me to write up a zine as soon as it shows, in the mail, e-mail or on eFanzines. I did so this time, and the difference in my energy and enthusiasm has been amazing.
  • Maui Boyz” Tells the Story of Ten Locals from the Island of Maui. Despite How Different Their Lives Appear in the Beginning

    Maui Boyz” Tells the Story of Ten Locals from the Island of Maui. Despite How Different Their Lives Appear in the Beginning

    “Hawaiians are known for being good “There were cowboys in Hawaii ”Here in the islands, "Maui Boyz" reminds us that to see the beauty that sits in waterman, and I’m just really proud before there were cowboys in Texas.” front of you from birth, you must use someone else's eyes.“ to represented the Hawaiian culture, Peter Baldwin - Rancher represent the people of Hawaii and be proud of what I do.” ”Maaz captures the disparate backgrounds and cultures that co-exist on Maui. Archie Kalepa - Hawaiian Waterman And the cinematography is enchanting.“ ”If MTV really wanted its Hawaii-based reality television series "Maui Fever" and "Living Lahaina" to succeed, they should have hired German filmmaker Carsten Maaz.“ ”Maui Boyz” tells the story of ten locals from the island of Maui. Despite how „Maui Boyz“ erzählt parallel die Geschichten von zehn Einheimischen der different their lives appear in the beginning, the documentary leads to the hawaiianischen Insel Maui. Je unterschiedlicher das Leben der einzelnen Personen ”Documentary filmmaker Carsten Maaz focuses on 10 "Hawaiian Sup’pa Men" ... realization that this place is a unique world in itself – and that every single zunächst erscheinen mag, desto klarer kristallisiert sich nach und nach heraus, dass to show how these aging "boyz" have discovered the secret of eternal youth en individual represents a piece in the almighty “Aloha Spirit”. dieses Eiland eine Welt für sich bildet und dass jeder Einzelne ein Glied in der Kette route to becoming island legends.“ des allumfassenden Aloha-Spirit der Insel repräsentiert. The lifeguard Archie Kalepa provides insight into his life, lead in the tradition of ”Don’t miss Maui Boyz, a look at the daily lives of surfers and ranchers on that the “Hawaiian Waterman”.