THEAtlanta MONTHLY MAGAZINE OF THE ATLANTA MEMORIALArts ARTS CENTER JANUARY 1975 Because you cared... we care.

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ALLIANCE THEATRE COMPANY

The Boy Friend Opens Theatre Season on January 16

The Alliance Theatre Company will kick off its 1975 season Thursday even­ ing, January 16, with a red-hot hoofing opening show The Boy Friend, a fab­ ulous roaring twenties musical by Sandy Wilson. Hit songs such as “Perfect Young Ladies,” “The Boy Friend,” and “Won’t You Charleston With Me” are inter­ spersed with moments when the entire stage erupts into a slam-bang Charles­ ton, the Blackbottom, or the Tango, a Tap, the Bunny Hug, or the Lindy Hop. Wilson’s tunes are in the character of the boisterous decade—heavy with saxophones, drum blocks, a banjo, cymbal-crashes and a stomping rhythm.

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All this is interwoven by a slyly burles­ qued innocent plot—poor boy falls in love with rich girl posing as poor girl. Poor boy turns out to be rich boy in disguise . . . Presto! At the stroke of twleve hero gets heroine, the girl’s father gets his old flame, and three of her girl friends say “Yes” adding up to the happiest ending of a musical comedy since 1929. continued We make house calls Whatever your home improvement needs . . . from custom draperies to central air-conditioning, Sears can make it easy. We’ll come to you with samples of materials and expert advice. We’ll measure and give you free estimates at no obligation and we’ll handle all the details from start to finish. Phone your convenient Sears right away.

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2950 S. Hwy 41, next to Cumberland Mall Phone 435-2361 Citizens, where you’ll find a complete selection of diamonds, fine jewelry, famous name sterling silver 4070 LaVista Road at flatware, watches,appliances, cameras, sound com­ Northlake Mall ponents and unusual gifts, always at prices far be­ low nationally advertised or manufacturer’s list. Phone 939-8515 The Boy Friend had its debut in London in 1953 and was a thundering success there for over five years before beginning an equally successful tour of the provinces. In 1954 the producing team of Feuer and Martin established the American version which has since delighted audiences throughout the country with its uproarious lampoon of the speakeasies, cloche hats, cupid- bow muoths, hip flasks, and raccoon coats. The Boy, Friend will be directed by Fred Chappell with set designs by Lewis Stone Greenleaf, III, and runs through February 1. In past seasons at the Alliance Theatre, Fred Chappell has directed such outstanding productions as Romeo and Juliet, Cat on a Hot Tin Roof, Oh, Coward!, Jaques Brel Is Alive and Well and Living in Paris, and Tobacco Road. When You Comin Back, Red Ryder?, the chilling hard core suspense drama, follows The Boy Friend, from Febru­ ary 6 through 22. Currently playing off- Broadway this successful new produc­ tion by Mark Medoff has been ac­ claimed “one of the very best plays of the season!” by Clive Barnes of The New York Times. The production will be staged by Robert J. Farley, with set design by Lewis Stone Greenleaf, III. Other plays to be presented will be Harvey, The Crucible, Sherlock Holmes and the Curse of the Sign of the Four (or The Mark of the Timber Toe), and Midsummer Night’s Dream. Season subscriptions will be available through February 1 from the Alliance Theatre Office by calling 892-2797.

Tours and Cruises ... ATLANTA SYMPHONY ORCHESTRA by Air and Steamship First Atlanta Young Artist's Competition Announced for Pianists The first Atlanta Young Artist’s Competition for pianists, to be jointly ATLANTA TRAVEL AGENCY sponsored by the lunior Associates of I' ' 217 Georgia Life & Health Building the Atlanta Music Club and the Atlanta Symphony Orchestra, has been an­ 66 Luckie Street, N.W. nounced for April, 1975. Atlanta, Georgia 30303-Alex Hitz. Jr. continued You know what you ought to do tonight? You ought to sit down at a hibachi table and treat yourself to hibachi steak, hibachi shrimp or hibachi chicken— that's what you ought to do tonight.

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and a gourmet dinner too! A full evening’s entertainment cocktails 6:30-7:00 buffetdinner 7:00-8:00 curtain 8:30 Shows Monday thru Saturday all year Mon - Thurs - $9.00/Fri ■ $9.50/Sat ■ $10.00

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December 27 through February 1

THE BARN DINNERTHEATRE Reservations Required 436-6262 The competition is open to pianists of any nationality, who will have reached their seventeenth, but not their 28th birthday, as of March 1, 1975, ac­ cording to Competition Director, John Schneider. The First Prize award carries a Spend the day at $1,500 fee; a guest appearance on the 1975-76 subscription series with the Atlanta Symphony and the possibility of a brief tour with the Orchestra. Second Prize will be a $600 fee and a special performance with the Atlanta Symphony on Sunday afternoon, April 20, 1975. Third Prize will be $400 and a solo recital in the Atlanta Music Club’s 1975-76 concert series. Preliminary judging will be made by a three-member selection committee from tapes submitted by the candidates. From the tape submissions, no less than six and not more than eight semi­ finalists, will be selected. The semi­ finalists will come to Atlanta to per­ form in Symphony Hall on April 16, The full-size fashion store 1975, before an audience. Three final­ at Phipps Plaza —with great ists will be chosen who will each per­ form a concerto with the Atlanta clothes for the whole family­ Symphony Orchestra before an audi­ home fashions, too, including ence on April 19. Associate Conductor, interesting antiques. Michael Palmer, will direct the Or­ chestra. And marvelous gifts we found Repertory requirements, to be sub­ mitted on reel-to-reel tape, include for you all over the world, Toccata in G Major by J.S. Bach; a many available only at work or group of works of the candi­ Lord & Taylor. date’s choice, not to exceed a total of 20 minutes in contrasting style to the Stay for luncheon or tea Bach. Although not required for tape submission, the candidate must also in our enchanting Bird Cage specify a concerto, should he be se­ restaurant, open every lected as a semi-finalist. Tapes must be shopping day. submitted not later than March 1, 1973. The tape selection judging will be by Lord & Taylor, Phipps Plaza Jeannine Morrison, Clayton Junior Col­ lege, Atlanta; William Noll, Atlanta Peachtree Road between Wieuca Symphony Orchestra; and Joyce John­ and Lenox Roads —266-0600 son, Spelman College, Atlanta. Semi­ final competition will be judged by Open Monday thru Saturday Lee Luvisi, pianist and artist-in-resi- 10:00 a.m. to 6:00 p.m. dence, University of Louisville School Open Monday and Thursday of Music and William Masselos, pianist and artist-in-residence at Georgia State evenings until 9:00 p.m. University. They will be joined by Robert Shaw, Music Director of the continued following program notes 9

Almost a century ago. a matt re d’ will welcome Atlantans French chef serving at the and their guests with the same Imperial Russian court develop­ warmth he has shown to such ed a rare and extravagant dish notables as the Queen of England, called Pheasant Souvar- Sir Winston Churchill and off. Encased in a clay dish. _ President Eisenhower. the pheasant was prepared with truffles, goose liver and port The Coromandel is a small restaurant, intimate, wine. When presented to the gracious, lit by the glow of candle court, the dish was embellished light. Those who dine will enjoy with ribbons and the Czar was re­ an experience which will live with quired to break the clay with a them. A luncheon or dinner in special hammer before savoring the delicacy. surroundings where crystal is crystal, the china is china, the linen The clay for your Pheasant is linen and the silver is sterling. Souvaroff is being imported from Those who prefer to simply France. It. along with your ham­ relax and converse over drinks will mer, will be waiting for you at the find comfort and entertainment Coromandel. in the Coromandel Lounge. The Coromandel will offer ...... The Coromandel takes its name to Atlanta classic French cuisine, unparalleled from the huge, twelve-paneled Chinese screen, in this part of the country. The Executive Chef depicting ancient Chinese court scenes, will oversee the preparation of the Coro- that becomes the restaurant’s focal point. mandel s specialties with the same critical eye I ts decor is plush, elegantly comfortable. and palate that won him renown at Paris' Its cuisine and ceremonies go back to famed Le Grand Vefour. and Europe's Louis XV. I ts traditions go back to the highest, most coveted honors, the age of the grand hotel. And its future Guide Michelin award and the will beassured by The Fairmont. Taittinger Cup. The Coromandels sEs For more information call 892-6000. COROfflARDEL HESI7XIRAHT atjju

Colony Square Hotel Peachtree and Fourteenth Streets Atlanta Symphony Orchestra Robert Shaw, Music Director and Conductor

Thursday and Friday evenings 8:30, January 9 and 10, 1975 Sunday afternoon 2:30, January 12, 1975 FRANCOIS HUYBRECHTS Conducting STEPHEN KATES, Cello

PROGRAM

MOZART Overture to “The Abduction from the Seraglio”, K. 384 (1782)

SCHOENBERG *Verklarte Nacht (Transfigured Night), Op. 4 (1899)

INTERMISSION

ADAM *Concerto for Cello and Orchestra (1973) Allegro appassionato Adagio lamentoso Allegro giocoso

SCHUBERT Symphony No. 4 in C Minor (1816) Adagio molto; Allegro vivace Andante Allegro vivace Allegro

*First performance at these concerts

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE FM 90.1, Monday evening at 8 p.m. by special permission of the Atlanta Federation of Musicians, Local 148-462 and the Atlanta Symphony Players’ Association.

The use of recording devices or cameras during concerts is strictly prohibited EVEN ON A LYNCHBURG FOX HUNT, the talk will generally take a turn toward whiskey. Mainly, we’ll sit round the fire, let the dogs do the work and tell stories about the good old days. We’ll recall when our founder, Jack Daniel, bested all the big distillers at the St. Louis World’s Fair. CHARCOAL Or when the state of Tennessee voted dry in MELLOWED 1909. And the day Mr. Jack nearly got 6 married. It seems that the stories could go DROP on and on. But then the dogs get to baying 6 in a special way and someone says, “Boys, BY DROP let’s chase ourselves a fox.”

Tennessee Whiskey • 90 Proof • Distilled and Bottled by Jack Daniel Distillery, Lem Motlow, Prop., Inc., Lynchburg (Pop. 361), Tenn. Placed in the National Register of Historic Places by the United States Government. PROGRAM NOTES BY PAUL AFFELDER

Overture to The Abduction from the two oboes, two clarinets, two bassoons, Seraglio two horns, two trumpets, kettledrums, Wolfgang Amadeus Mozart (1756-1791) bass drum, cymbals, triangle and strings. Die Entfiihrung aus dem Serail (The (Copyrighted) Abduction from the Seraglio) was Mo­ zart’s first full-length German opera. In following the style of the day, it took Verklarte Nacht (Transfigured Night), the form of a Singspiel—literally a Op. 4 “song-play”—in which there is spoken Arnold Schoenberg (1874-1951) dialogue as well as singing. The opera The name of Arnold Schoenberg im­ was written at the request of the mediately brings to mind atonality and Austrian Emperor Joseph II. When it music written in the twelve-tone system, was given its premiere in Vienna on a method of composition of which he July 16, 1782, it was a tremendous was such an ardent pioneer. But Schoen­ success, despite some organized opposi­ berg was also the man who could write tion on the part of a rival composer. ardently of his musical forebears and The Emperor told Mozart that he en­ who could make rich orchestral tran­ joyed the music, that he found it novel scriptions of several works by Bach as and daring. He had one complaint, well as the Piano Quartet in G minor however; the music, he said, was too by Brahms. good for Viennese ears, and besides, In his early days, Schoenberg was there were too many notes. The com­ deeply influenced by the late romantic­ poser assured him that he had put in ists like Wagner and Richard Strauss. exactly as many notes as he felt the These influences will be found in music required. Verklarte Nacht (Transfigured Night), Since the opera deals with what was which some have called—not without a popular subject of the day—the cap­ justification—an extension of Tristan ture of a beautiful girl and her maid und Isolde. by pirates, who sell them to a Turkish Verklarte Nacht was composed in harem, and the attempt by their lovers only three weeks in September 1899, to rescue them from their fate—it con­ during a vacation spent in the country. tains a certain amount of what was Schoenberg was only twenty-five at the known as “Turkish music.” This was time, and if he had any atonal schemes, the term used in Mozart’s and Bee­ they had not yet borne fruit. Verklarte thoven’s day to describe rather noisy or­ Nacht, which he wrote in the form of chestral passages employing bass drum, a string sextet for two violins, two violas cymbals, triangle, and sometimes a and two cellos, was frankly post-Wag- piccolo. There is a good deal of this nerian music with a great deal more “Turkish music” in the Overture to The than a touch of originality. Despite the Abduction from the Seraglio. fact that it is such an early work Verk- The overture begins in lively fashion Icinte Nacht remains, among the general with plenty of “Turkish music.” There host of music lovers, Schoenberg’s most is a brief middle section, in slow tempo, popular composition. which hints at the music of the opera’s Unlike Rachmaninoff, who grew to opening aria, “Hier soli ich dich denn hate himself for ever having written the sehen, Constanze,” sung by the hero, Prelude in C sharp Minor, Schoenberg Belmonte, after which the lively section retained a fondness for Verklarte Nacht, returns. When the overture is played even though it did not represent his in conjunction with the opera, it leads more mature thinking along composi­ directly into that opening aria. For tional lines. He thought enough of the concert purposes, therefore, it has to be sextet to arrange it for full string or­ provided with a special ending. The chestra — including double-basses — in one customarily used was arranged by 1917 and to make further revisions in the Italian composer, Ferruccio Busoni. this enlarged version as late as 1943. The overture is scored for piccolo, According to a note on the score, When you come into money, keep the money coming in. 9hMpk-Spuki, 9m.

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P.O. Box 1077 INTERIORS ANTIQUES Atlanta. Georgia 30301 Schoenberg derived his inspiration for Quartet. In 1955, he joined the Juilliard Verklarte Nacht from the poem Weib String Quartet, remaining with the en­ und Welt by Richard Dehmel, a portion semble until the summer of 1974, when of which is printed on the score’s fly­ he left to concentrate on composing leaf. The gist of the poem is this: A and teaching. man and a woman walk together It is a curious fact of musical history through a moonlit grove. She confesses that very few of the outstanding con- to him that she is with child and that certi for cello and orchestra have been he is not the father. Seeking happiness written by cellists. In August 1972, the and the satisfaction of motherhood, she Ford Foundation decided to commission had yielded to a man she did not even a new concerto for the young American know. But she has found this new love cellist Stephen Kates. Kates phoned in the man by her side. He reassures Adam, with whom he had pursued ad­ her; she need feel no guilt, for the child vanced study at the Juilliard School in will be theirs, warmed and transfigured New York, and asked him if, as a by the glow of their mutual love. cellist, he would be interested in com­ Described as “a symphonic poem for posing a cello concerto for him. Though an orchestra of strings,” Verklarte Adam was then on tour with the Juil­ Nacht follows the “program” of the liard Quartet, he accepted the commis­ poem. Formally, it consists of an intro­ sion. He began the composition at As­ duction, two large sections—one de­ pen, Colorado, and finished it there voted to the woman’s confession and approximately a year later, in August the other to the man’s reply—and a 1973. final apotheosis, or love duet. The new concerto was given its world This music has also been used as the premiere by Stephen Kates with the accompaniment to a ballet by Antony Cincinnati Symphony Orchestra, con­ Tudor, called Pillar of Fire, which has ducted by Carmon DeLeone, on Oc­ been presented for some years with tober 26, 1973, and was enthusiastically great success by the American Ballet received by both public and press. Thatre. The underlying story of the The concerto, which is in the usual ballet, however, is different. three movements, was described as fol­ (Copyrighted) lows in the Cincinnati Symphony Or­ chestra’s program book in notes based on material supplied by the composer: Concerto for Cello and Orchestra “1. Allegro appassionato; 4/4. The Claus Adam (19J7- ) first movement, the composer points Claus Adam was born of Austrian out, follows roughly the sonata-allegro parents on the island of Sumatra, a part form. It opens with an impassioned of what is now Indonesia. His father main subject for the orchestra, soon was an ethnologist who was studying taken up by the soloist. After the theme the culutre of what was then known as is expanded in bravura style, it yields to the Netherlands East Indies; his mother a quiet lyrical melody for orchestra was a singer who gave concerts in the against a long pedal point in the strings. islands, and his oldest sister studied The music works up to an orchestral dancing at the Sultan’s court in Jakarta. tutti and the opening theme returns. A Young Adam, however, received his cadenza-like section for the soloist is education abroad from the time he was followed by a return to the lyric theme. six—in Austria, Germany, Holland and The Coda accelerates to a fortissimo the United States. He came here in close. 1929 and became an American citizen “2. Adagio lamentoso; 9/8. The slow in 1935. movement is inscribed on the score: Tn Adam’s career has been centered memory of my friend and teacher, around the cello, which he studied with Stefan Wolpe' [with whom Adam Emanuel Feuermann. For a time, he studied composition]. The memorial was a cellist in the Minneapolis Sym­ music opens with a quiet yet stately phony Orchestra, then left to form and melody for solo cello over a long pedal play cello in the New Music String point. A counter-theme is introduced by TAKE A LESSON FROM AN OLD MASTER. impeccably tailored cuts and fabrics Sure, stdes change. Waists may simple—be tasteful stylish, elegant taper, lapels may widen, but the qual- consistent. ’ , - / x ity never varies. Tasteful, styiisE. That's how we run Muse’s ■ ' . Sr-c elegant consistent. ' L ; We cany the finest lines in Just a few more reasons why, menswear; names like V s*4 * even in Robert E. Lee's day, they Hickey-Freeman arid Louis » called us the style center of the South Roth in a stunning array of rf?

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FRANCOIS HUYBRECHTS pointment in 1972 as Music Director A native of Belgium, and Conductor of the Wichita Sym­ Francois Huybrechts phony Orchestra, Mr. Huybrechts has was born in Antwerp divided his time between the United in 1946. He received States and extensive European tours, his musical training in where he is a welcome guest at the Belgium, France, the major festivals such as Wiener Festwo- Mozarteum in Salz­ chen, Festival of Flanders, and the cele­ burg and with the brated “Proms” in Royal Albert Hall in composer - conductor London. As an opera conductor, Mr. Bruno Maderna . In lanuary 1968 Mr. Huybrechts’ plans included a new pro­ Huybrechts was one of 35 contestants duction of “Salome” at the Brussels from 19 countries chosen to compete Opera during the 1974 season. in the Dimitri Mitropoulos Competition In the fall of 1975 Mr. Huybrechts for Conductors in New York. As first will also become the Music Director of prize winner, he was chosen by Leonard the Antwerp Philharmonic. He is a Bernstein to be his assistant at the New Decca/London recording artist, and York Philharmonic. His first big oppor­ after a very successful recording debut tunity came when he had to replace Mr. with the London Philharmonic of works Bernstein leading the Philharmonic in by Janacek, a new release of Nielsen an all-Stravinsky concert at the last compositions is planned with the Lon­ minute. The resounding success caused don Symphony. great excitement in the audience and was hailed by the press as amazing! Since then many audiences of such STEPHEN KATES major orchestras as the London Phil­ Stephen Kates was harmonic, English Chamber Orchestra, born in New York London Symphony, Berlin Philhar­ City in 1943, the third monic, Radio Symphony Berlin, Vienna generation of a family Symphony, Los Angeles Philharmonic, of musicians. At the Denver Symphony, Helsinki Philhar­ age of ten he started monic, Belgium National Orchestra and his formal cello in­ the Toyko Philharmonic have greeted struction with his his talent with equal enthusiasm. great uncle and con­ He made his debut with the Cleve­ tinued working through his high school land Orchestra at the personal invitation years with Marie Rosanoff. He entered of the late George Szell and was his the Juilliard School of Music after grad­ assistant for two years. Since his ap­ uating fom the High School of Music and Art with honors. At Juilliard he from the Ford Foundation in order to studied with Leonard Rose and at a commission a cello concerto from a later date with Claus Adam. In 1964 composer of his choice. He picked Gregor Piatigorsky invited him to join Claus Adam, his former cello teacher, his master class at The University of to complete this task. The concerto was Southern California where he spent completed in the fall of 1973 and was three years. given its world premiere a month later In 1966 he was catapulted to interna­ by Stephen Kates and the Cincinnati tional attention by winning the Silver Symphony Orchestra in October 1973. Medal at the prestigious Third Interna­ Stephen Kates has recorded for tional Tchaikowsky Cello Competition R.C.A. and Melodia recordings. His in Moscow. Engagements with the Bos­ recent release of the Frank Martin Cello ton, New York Philharmonic and Chi­ Concerto on the First Edition Label has cago Symphonies followed. Lyndon received critical acclaim. In addition to Johnson invited him to appear at the his schedule of solo concerts he teaches White House in a Command Perform­ ance before a select group of the na­ at the Peabody Conservatory of Music tion’s conductor’s and performing mu­ in Baltimore. Mr. Kates plays on a sicians. magnificent Montagnana cello made in In 1971 he received a $5000 grant 1739.

"DON'T BE A NO-SHOW" If you cannot come to a concert in your series, please avoid leaving your seat empty. Please turn your unused ticket in to the box office for resale. You will help the Orchestra, someone else will have a chance to hear the concert, the house will be full and you will obtain a tax credit for the amount of the ticket resold. To release your ticket, simply call the number below, preferably before 5 P.M. on the day of the concert, and give your name and seat location. 892-2414

ATLANTA SYMPHONY ORCHESTRA LEAGUE OFFICERS Tom M. Brumby J. W. Kercher LIFE SPONSORS David Goldwasser, Dr. Dan Burge Louis Kunian President Mrs. Murdock Equen Mrs. Henry Chanin Dr. Noah Langdale Mrs. Lon Grove James J. Doherty, Edward S. Croft, Jr. John B. Lawhorn Vice President Mrs. Granger Hansell Bradley Currey, Jr. Mrs. Nathan I. Lipson Byron Harris Robert G. Edge, Paul A. Ebbs, Jr. Mrs. Edwin Lochridge, Jr. Vice President Mrs. Julian Hightower Herbert R. Elsas Mrs. Mason Lowance Mrs. Lewis Hirsch John A. Wallace, Edward E. Elson Lawrence J. McEvoy, Jr. Vice President Charles Jagels Richard C. Everett Tom McLain C. K. Liller Mrs. Charles Watkins, Jr., Robert Forrestal N.. _Barnard Murphy. , Vice President Michael McDowell Mrs. Henry Geigerman, Jr. Mrs. William E. Schatten Mrs. Lawrence J. McEvoy Washington Falk, III, Shouky A. Shaheen Secretary Larcy Gellerstedt 01 * * Mrs. Louis H. Moss Bob P. Gordon Dr. Grace B. Smith Mrs. Bernard Neal Mrs. Drew R. Fuller, H. Hamilton Smith Treasurer Stanley K. Gumble Richard H. Rich Joseph F. Haas Maynard Smith Samuel Rothberg BOARD OF SPONSORS Mrs. John R. Hall Charles L. Towers Mrs. T. Erwin Schneider Dr. J. Rhodes Haverty Mrs. Ralph K. Uhry Mrs. Howard C. Smith Peter Abreu Mrs. J. Rhodes Haverty Mrs. Robert Wells Charles R. Yates Dr. Sanford Atwood Mrs. W. Stell Huie L. Neil Williams Eugene Young A. Leigh Baier Alfred Kennedy, Jr. Robert M. Wood Frank Ratka, General Manager All season ticket holders are members of the Orchestra League Atlanta Symphony Orchestra Robert Shaw, Music Director and Conductor

Thursday, Friday and Saturday evenings 8:30, January 16, 17 and 18, 1975 ROBERT SHAW Conducting GRANT JOHANNESEN, Piano

PROGRAM

HUSA *Music for Prague 1968 (1969 version) Introduction and Fanfare Aria Interlude Toccata and Chorale

FAURE *“Ballade” for Piano and Orchestra, Op. 19 (1881)

LISZT *Fantasy in C major, Op. 15 (“Wanderer”, after Schubert) (1851) Allegro con fuoco Adagio Presto Allegro

INTERMISSION

SCHUMANN Symphony No. 3 in E-flat major, Op. 97 (1850) Allegro con brio Molto moderato Andante comodo Molto maestoso Allegro giocoso

*First performance at these concerts

This concert will be broadcast on a delayed basis by Atlanta Public Radio, WABE FM 90.1, Monday evening at 8 p.m. by special permission of the Atlanta Federation of Musicians, Local 148-462 and the Atlanta Symphony Players’ Association. The use of recording devices or cameras during concerts is strictly prohibited PROGRAM NOTES BY PAUL AFFELDER

Music for Prague 1968 cussion only), leading directly into IV. Karel Husa (1921- ) Toccata and Chorale. Karel Husa, Czech-born but long a When the Cleveland Orchestra per­ resident of the United States, has had a formed Music for Prague 1968 in 1971, distinguished career both as a composer the program notes quoted the following and a conductor. After studying at the information from the composer, most Prague Conservatory, he went to Paris of which is also included in the fore­ in 1946, furthering his studies both at word to the score: the Paris Conservatory and the Ecole “It was in late August of 1968 when Normale de Musique. His teachers in I decided to write a composition dedi­ the French capital included the com­ cated to the city in which I was bom. posers Arthur Honegger and Nadia I have thought about writing for Prague Boulanger and the conductors Andre for some time because the longer I am Cluytens, Eugene Bigot and Jean Four- far from this city (I left Czechoslovakia net. In 1954, he was appointed to the in 1946) the more I remember the music faculty of Cornell University as beauty of it. I can even say that in my Professor of Composition and Director idealization, I actually see Prague even of the Cornell University Symphony more beautiful. and Chamber Orchestras, all posts “Three main ideas bind the composi­ which he continues to hold. tion together. The first and most im­ Despite a busy schedule at Cornell, portant is an old Hussite song from the Husa has found time to do a good deal 15th century, ‘Ye warriors of God and of guest conducting of orchestras and His Law,’ a symbol of resistance and bands both in the United States and hope for hundreds of years, whenever Europe and to compose a sizable fate lay heavy on the Czech nation. It quantity of music in various forms. His has been utilized also by many Czech works have been performed under pres­ composers, including Smetana in ‘My tigious circumstances at important fes­ Country.’ The beginning of this war tivals of contemporary music and else­ chorale is announced very softly in the where, and he has received a number first movement by the timpani and con­ of significant awards, citations and cludes in a strong unison (Chorale). fellowships, including the 1969 Pulitzer The song is never used in its entirety. Prize for Music for his String Quartet “The second idea is the sound of bells No. 3. throughout; Prague, named also the City Music for Prague 1968 exists in two of ‘Hundreds of Towers,’ has used its versions. The original version, for wind magnificently sounding church bells as ensemble, was composed during the calls of distress as well as of victory. summer and fall of 1968 in fulfillment “The last idea is a motif of three of a commission from the Ithaca Col­ chords first appearing very softly under lege Concert Band, which gave the work the piccolo solo at the beginning of the its world premiere performance, in piece, in flutes, clarinets and horns. January 1969, under the direction of Later it reappears at extremely strong Kenneth Snapp. The composer himself dynamic levels, for example, in the conducted the first performance of the middle of the Aria. orchestral version with the Munich Phil­ “Different techniques of composing as harmonic Orchestra exactly one year well as orchestrating have been used in later, on January 31, 1970. It was the Music for Prague and some new introduced to the United States by sounds explored, such as the percussion Sergiu Commissiona and the Baltimore section in the Interlude, the ending of Symphony Orchestra on October 21, the work, etc. Much symbolism also ap­ 1970. pears; in addition to the distress calls Music for Prague 1968 is in four in the first movement (Fanfares), the movements: I. Introduction and Fan­ unbroken hope of the Hussite song, fare; II. Aria; III. Interlude (for per­ sound of bells, or the tragedy (Aria), there is also the bird call at the begin­ Tod und das Madchen (Death and the ning (piccolo solo), symbol of the Maiden) , Trock'ne Blumen (Broken liberty which the City of Prague has Blossoms) from Die schone Mullerin, seen only for moments during its thou­ Sei mir gegriisst (Greetings to Thee), sand years of existence.” and Der Wanderer (The Wanderer)— (Copyrighted) figured prominently in as many of the composer’s instrumental works, where they were altered and treated primarily Ballade for Piano and Orchestra, Op. 19 in sets of variations. Gabriel Faure (1845-1924) The germinal motive of the Wanderer Gabriel Faure was a pupil, friend and Fantasy, which Schubert wrote in No­ colleague of Camille Saint-Saens, whom vember 1822, at the time he was work­ he succeeded as organist at the Made­ ing on the Unfinished Symphony, is de­ leine in Paris. He taught composition at rived from the middle portion of his the Paris Conservatory, where he had song Der Wanderer, Op. 4, No. 1 (D. many distinguished pupils, among them 493), which dates from October 1816. Maurice Ravel, and ultimately he be­ In many ways, his treatment of the the­ came the director of that famous in­ matic material in the Fantasy helped to stitution. lay the groundwork for so-called Faure is remembered today chiefly “cyclical form,” in which one or two for his compositions in the more inti­ motto themes dominate most or all of mate forms, especially his piano pieces, the movements of a composition. chamber music and songs. Even the In form, the Wanderer Fantasy re­ Ballade on this program is a fairly inti­ sembles a four-movement sonata whose mate work, as is his more familiar suite sections are all connected to one an­ of incidental music to Pelleas et Meli- other. The first movement, Allegro con sande. The only really large-scale work fuoco, opens immediately with the of his that is heard with any degree of rhythmic-thematic germ upon which the regularity is his deeply moving Requiem. entire Fantasy is based. There is also a The Ballade began life as a solo for contrastingly more lyrical theme that is piano. It was written in 1880 and dedi­ derived from this motto. This generally cated to Saint-Saens. The following year, sturdy movement subsides at the end to Faure added a simple orchestral accom­ lead into the second movement, Adagio, paniment to this expressive piece. which presents the Wanderer theme in In his book French Piano Music, the its entirety for the first time, then pro­ late Alfred Cortot had this to say about ceeds to treat it in what Tovey called the Ballade: “M. Faure’s individuality “ ‘a kind of set of variations’ because manifests itself from the first in the the variations all arise as so many con­ entirely novel conception of a form tinuations of a tune that has no end.” which romanticism seemed to have These continuous variations cover a destined to the exclusive expression of good deal of pianistic ground before passionate and heady emotion. This coming again to a quiet ending. The work, on the contrary, is lapped in a third movement, Presto, is a scherzo calm atmosphere of controlled emo­ in 3/4 time whose theme is a rhythmic tion and quiet happiness, emphasizing transformation of the motto and whose an instrumental technique that is de­ trio—or contrasting middle section—is liberately light and pellucid.” similarly derived from the lyrical theme (Copyrighted) in the first movement. At the end of the scherzo, there is a modulation into the final Allegro, a powerful fugue with Fantasy in C major, Op. 15 a subject that is yet another metamor­ (“Wanderer”) phosis of the motto. Franz Schubert (1797-1828) As a virtuoso pianist, Franz Liszt (Transcribed for piano and orchestra evidently felt that there was more music by Franz Liszt) buried or implied within the Wanderer No fewer than five of Schubert’s Fantasy. Therefore, in 1851, he tran­ songs—Die Forelle (The Trout), Der scribed it for piano and orchestra, al- The Arts In Atlanta U! JANUARY 1975

Pre-concert lecture by Journal music critic, John FRIDAY & SATURDAY, JANUARY 10 & 11 Schneider, 12:30 p.m., Rehearsal Hall. Sponsored THURSDAY A FRIDAY, JANUARY 30 A 31 by Women s Association of the Atlanta Symphony Sherlock Holmes Movie Series. HA. 8:00. “The 8:00. “Trans­ Orchestra League. Free. Adventures of Sherlock Holmes” with Basil Science Fiction Movie Special. HA. atlantic Tunnel” and the original “Lost Horizon,” MEMORIAL ARTS CENTER Rathbone, and “They Might Be Giants” with with Ronald Coleman. $1/Members; $1.50/Stu­ George C. Scott and Joanne Woodward. $1 /Mem­ dents; $2/General. bers; $1.50/Students; $2/General.

High Museum Events SUNDAY, JANUARY 12 SH: Symphony Hall AT: Alliance Theatre HA: Hill Auditorium HM: High Museum A show of original slides by Atlanta artist Harold ST: Studio Theatre G: Galleria High Museum hours: Mon. thru Sat « 10:0°. J? Bright, entitled “Talking Rock Biography.” 2:30- Theatre For ticket information, call the box office at 892-2414 Sun., 12 noon to 5:00; closed evenings Art Shop 5:00. HA. Free. hours: Tues, thru Sun., 12:00 5:00; dosed Mon­ days and evenings. The City Exhibition and J . TUESDAY, JANUARY 14 Art Shop hours: Mon.-Fri., p.m.; Sat. & Sun., THURSDAY THRU SATURDAY 12:00 to 5:00; admission fee. Closed New Year s Art World Speaker Series Lecture by coverlet JANUARY 16 THRU 18 Concerts Day. authority Robert Bishop. HA. 10:00 a.m. Free. Seating may be limited; first-come, first-serve. The Boy Friend, 8:00, AT. Alliance Theatre Com- CLOSING JANUARY 12 Topic: “American Coverlets” pany. THURSDAY & FRIDAY JANUARY 9 4 10 Masters of Photography. HM. The first exhibition SUNDAY, JANUARY 19 of the Museum’s new and burgeoning collection WEDNESDAY, JANUARY 15 Atlanta Symphony, 8:30, SH. Subscription Series. of photographs, featuring such foremost masters Great Artists Lecture. HA. 10:30 a.m. Catherine The Boy Friend, 2:30, AT. Alliance Theatre Com- Francois Huybrechts, guest conductor. Assisting as Hill and Adamson, Muybridge, Stieglitz, Evans, Museum Lecturer. Topic: “Van Gogh: The pany. Artist: Stephen Kates, cello. Schoenberg: Vark- Steichen, Weston, Evans, and many more. Revelatory Self-Portrait” $1.50/Members; $2/ larte Nacht; Adam: Cello Concerto; Dvorak: General. TUESDAY THRU SATURDAY Symphony No. 7. CLOSING JANUARY 19 Free Film Program: “John Constable”—part of JANUARY 21 THRU 25 The Romantic Rebellion film series not shown last SUNDAY, JANUARY 12 American Coverlets. HM. In the Museum Lobby, a The Boy Friend, 8:00, AT. Alliance Theatre Com- colorful exhibition of coverlets from the Smith­ fall, plus two other free films. 8:00. HA. pany. Atlanta Symphony, 2:30, SH. Subscription Series. sonian Institution’s Traveling Exhibition Service, supplemented by examples from private local SUNDAY, JANUARY 19 Francois Huybrechts, guest conductor. Same pro­ SATURDAY, JANUARY 25 gram as January 9 & 10. collections. An Afternoon with Benny Andrews. HA. 3:00. A Treasure Island, 2:30. AT. Atlanta Children’s free lecture by one of America’s foremost Black Theatre. THURSDAY, FRIDAY & SATURDAY OPENING JANUARY 18 artists, whose one-man exhibition is currently on JANUARY 16, 17 & 18 Benny Andrews: The Bicentennial Series. HM. One view at the High Museum. SUNDAY, JANUARY 26 Atlanta Symphony, 8:30, SH. Subscription Series. of America’s foremost black artists, Andrews is a Robert Shaw conducting. Assisting Artist: Grant native of Madison, Georgia, attended Fort Valley t TUESDAY, JANUARY 21 The Boy Friend, 2:30, AT. Alliance Theatre Com­ Johannesen, piano. Husa: Music for Prague, 1968; State College for two years, and is a graduate of pany. Faure: “Ballade” for Piano; Liszt: Fantasia in C the Art Institute of Chicago. This exhibition con­ Free Lecture/Film Program: Bunuel’s “Mickey major; Schumann: Symphony No. 3. tains four main compositions, plus 40 related One” HA. 8:00. Candace Kaspers, guest lecturer. paintings and drawings. Catalogue. TUESDAY THRU FRIDAY JANUARY 28 THRU 31 THURSDAY & FRIDAY WEDNESDAY, JANUARY 22 JANUARY 30 & 31 CONTINUING 1975 The Boy Friend, 8:00, AT. Alliance Theatre Com- Great Artists lecture. HA. 10:30 a.m. Catherine Atlanta Symphony, 8:30, SH. Subscription Series. American Works Past and Present. HM. The Evans, Museum Lecturer. Topic: “Edvard Munch” Ranier Miedel, guest conductor. Assisting Artist: inaugural exhibition for the Museum’s New Gallery, and “Ernst Kirchner” $1.50/Members; $2/General. Irina Bochkova. Larsson: Pastoral Suite; Proko- third floor. fieff: Violin Concerto No. 1; Franck: Symphony FRIDAY A SATURDAY, JANUARY 24 A 25 in D minor. THE CITY Exhibition. HM. Junior Gallery. An ex­ hibition showing Atlanta as a place composed of Sherlock Holmes Movie Series. HA. 8:00. “Woman the elements of design. 25c children, 50c adults, Dance SATURDAY, JANUARY 25 in Green” with Basil Rathbone, and “The Private Museum Members free. 3-5 weekdays, 12-5 week­ Life of Sherlock Holmes,” a Billy Wilder film. Atlanta Symphony in concert at Kennesaw Junior ends. Members/$1; Students/$1.50; General/$2. College, Marietta. 8:00. Robert Shaw conducting. SATURDAY, JANUARY 4 Joan Yarborough and Robert Cowan, duo-pianists. Special Loans from the Metropolitan Museum of SUNDAY, JANUARY 26 Free. Art. HM. A group of paintings from the permanent Frederick Taylor Dance Theatre. 8:00, HA. Ad­ collection of the Metropolitan Museum of Art, “Jacques Lipchitz.” HA. 3:00. A documentary film mission fee. New York. narrated by sculptor Jacques Lipchitz, who died The William and Robert Arnett Collection of An­ in 1973. Sponsored by Trust Company of Georgia. Free. Special Events tique Chinese Jades. McBurney Gallery, 3rd floor. WEDNESDAY, JANUARY 8 WEDNESDAY, JANUARY 29 Film Lectures Great Artists Lecture. HA. 10:30 am. Catherine THURSDAY, JANUARY 9 Great Artists lecture. HA. 10:30 a.m. Catherine Evans, Museum Lecturer. Topic: “The Girl in the Evans, Museum Lecturer. Topic: “German Ex­ Mirror—Picasso Backwards.” $1.50/Members; $2/ pressionism: The Blue Rider and The Bridge.” 2.30 4 5:30, SH. Atlanta Symphony Orchestra open rehearsal, 10:00 $1.50/Members; $2/General. Travelog Adventure Film Series, a.m. SH. Francois Huybrechts, guest conductor. General. Film to be shown: “Discovering New Zealand." bouis Yfb) two drawer commode reproduced from an original in our ^Baker furniture museum collection.

‘Quo volume 400 page Baker 'Book, $15.00. 430 aPtCerchandise ePltart, Chicago 60654- ‘Distinguished manufacturer and distributor through your interior designer or furniture retailer, Showrooms in cAtlanta, Chicago, Cleeland, ‘Dallas, Qrand ‘Rapids, ^High ‘Point, SPtouston, L,os ^Angeles, dfrCiami, TVeu- york, ‘Philadelphia, San Francisco.

A Thought for a Permanent Gift A BOOK FROM GEORGIA

1) Atlanta Cooks for Company...... $ 5.00 Atlanta’s official cookbook by the Atlanta Music Club 2) Sketching and Etching Georgia...... $30.00 a limited edition of drawings by Ledlie W. Conger 3) Roswell: Historic Homes and Landmarks...... $12.50 a collection of drawings by Ernest E. DeVane, text by Clarece Martin 4) Historic Clayton County, home of Gone With the Wind . . . $10.00 a pictoral history by Terry Bakken & Historic Jonesboro, Inc. 5) Georgia Recipes & Food...... $ 5.50 compiled from Georgia families by the Women’s Auxil. to the Medical Assn, of Atlanta

These books may be purchased from Rich’s, your local book store, or send a check, including 75

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The TICKLE High Museum YOUR Art Shop FAMCY! At the funniest show in Atlanta! See The Wits’ End Players in the hilarious new revue at Empire Dinner Showcase. And enjoy all you can eat at our fabulous The Gifts that you buy in Buffet Dinner—7 p.m. Only $10.50 per The Art Shop person, plus tax. Dinner show Tuesday through Saturday. Late show Fridays. Have been Juried for Quality Saturdays 11:15 pm —$3.50 per person entertainment charge. Free parking. For reservations, call 892-2227. Shop Hours: 12 A.M. — 5 P.M. Special Group Rates Available. /<>*•. Tuesday thru Sunday Sheraton-^ Closed Mondays Biltmore Hotel 817 West Peachtree Street, N.E. The High Museum of Art Sheraton Hotels and Motor Inns Worldwide 1280 Peachtree St., N.E., Atlanta, Georgia lowing the orchestra to bring out cer­ the symphony usually carries the title tain ideas that had only been hinted at Rhenish. in Schubert’s original and elaborating to When the symphony was first per­ a certain extent on the solo piano part. formed in Geisler Hall in Dusseldorf on This arrangement was first preformed February 6, 1851, with the composer in Vienna on December 14, 1851. Liszt conducting the municipal orchestra, the later revised his transcription, which he reception by press and public was himself conducted for the first time at rather cold. Much of the blame for the Jena on March 10, 1856. work’s failure could be laid to the poor (Copyrighted) interpretation by both conductor and players. The symphony begins with a lively, Symphony No. 3 in E flat major, Op. vigorous, strongly rhythmed movement. 97 {“Rhenish”) The second movement is considered to Robert Schumann (1810-1856) be the scherzo, though it is a scherzo At the beginning of September 1850, with very delicate, often elegant quali­ Schumann, together with his wife Clara ties. This is followed by a calm, serene and their five small children, moved movement. Then comes the aforemen­ from Dresden to the town of Dusseldorf tioned Cathedral Scene, a solemn, im­ in the Rhine Valley, where the com­ pressive section which leads without poser had been appointed conductor of pause into the fifth and final movement, the municipal orchestra and-choral so­ cast in a gay, festive mood. ciety. The new position, his first pro­ There has scarcely been a conductor fessional engagement as a conductor, af­ who has not felt it necessary to make forded Schumann enough leisure time some alterations in the comporser’s or­ for composition and sightseeing, and chestration, either by shifting parts or he took full advantage of his oppor­ by adding or substracting certain instru­ tunities. He was not long in getting to ments. By his own admission, Schumann work on a new score; by the end of was not the best orchestrator, and his October he had already completed his tonal balances do not satisfy many con­ Cello Concerto in A Minor, and on ductors. But in recent years there has November 2 he began work on his been an inclination on the part of some Symphony in E flat major. musicians to insist that Schumann’s While laboring on the symphony he original orchestral plan be adhered to, and Clara took a trip to Cologne, where and that the necessary balances be at­ on November 12 they witnessed at the tained simply by regulating the relative Cathedral the installation of the Arch­ volume of each group of instruments. bishop of Geissel as a Cardinal. The Some confusion also exists as to the ceremony must have made a deep im­ numbering of the Schumann sym­ pression on Schumann, for he originally phonies. The present work, though inscribed the fourth of the new sym­ designated Symphony No. 3, is actually phony’s five movements In the char­ the fourth and last in order of com­ acter of an accompaniment to a solemn position. ceremony. Later, however, he crossed (Copyrighted) this out of the score with the remark that “one should not show his heart to people; for a general impression of an GRANT JOHANNESEN art work is more effective; the hearers Since his New York then, at least, do not institute any absurd debut nearly thirty comparisons.” years ago, Grant Jo- The symphony as a whole was in­ hannesen has appear­ tended by its composer to give a gen­ ed with all of the eral impression of the pleasant folk life major American or­ in the Rhine Valley, and he himself ex­ chestras and has fre­ pressed the belief that he had accom­ quently been re-en­ plished his task satisfactorily. Therefore, gaged with those of though Schumann did not so name it, Europe, South America and Australia. In addition, he has given solo recitals early musical training began when he on five continents. was six, Mr. Johannesen continued his The pianist has played repeatedly at work in New York at the age of 18, the music festivals of Aix-en-Provence, followed by scholarship study with Amsterdam, Bergen, Berlin, Prague, and Robert Casadesus and Egon Petri in Oslo, in Europe, as well as at the Holly­ Europe. A winner of the International wood Bowl, Tanglewood, Ravinia, Piano Competition at Ostend, Belgium, Blossom and Meadowbrook Festivals, he also was a recipient of the Harriet Stanford, Brevard, and Ann Arbor. For Cohen International Award given an­ many seasons he was Artist-in-Residence nually in London. In January, 1969, he at Colorado’s Aspen Festival, and dur­ gave a Philharmonic Hall recital cele­ ing 1972-73 he was “visiting artist” at brating the 25th anniversary of his New the University of Nebraska and the York debut. Cleveland Institute of Music, to which Notable among his many recordings he has just been appointed Artistic Ad­ is the complete edition of the piano visor and Consultant. works of Gabriel Faure, in addition to A native of Salt Lake City, where his works of Chopin and Schumann.

Special Events for season ticket holders

PRE-CONCERT DINNERS At Symphony Hall.. . sponsored by PRE-CONCERT LECTURES the Women’s Association and OPEN REHEARSALS Members' Room ■ Daytime: Memorial Arts Center March 5 and April 23 Before Subscription Series Concerts Open Rehearsal 10 a.m. — 12:30 each Thursday evening Symphony Hall at 6:30 p.m. Lecture 12:45 — 1:00 p.m. and by Rehearsal Hall special arrangement for groups ■ Evenings: of 26 or more February 19 and May 14 on Friday and Saturday evenings Lecture 6 p.m. — 7:15 $7.50 per person Rehearsal Hall Reservations Only Open Rehearsal 7:15— 11 p.m. by noon Symphony Hall of the Wednesday before OPEN TO THE PUBLIC 874-0739 NO ADMISSION

MEET THE ARTISTS LUNCHEON 12:15 p.m. — Members' Room, Memorial Arts Center January 30, Rainer Miedel, Irina Bochkova February 13, Hiroyuki Iwaki, Jerome Lowenthal March 20, Otto-Werner Mueller, Murray Perahia For Reservations and Information please call 892-3600, ext. 252 SYMPHONY HALL SUNDAY, JANUARY 26 Two shows: TRAVELOGS2:30 p.m. & 5:30 p.m. WORLD TRAVEL ADVENTURE FILMS Bill Herring, Director present

DISCOVERING NEW ZEALAND Narrated in person by KENNETH RICHTER

SYNOPSIS

In the wake of the Maori, Polynesian discoverers of New Zealand, on their epic voyage of colonization from their homeland in the mid-Pacific. What the Maoris found: smoking volcanos, steaming thermal valleys, lovely lakes and waterfalls, hospitable forests, no dangerous animals or insects. The coming of the white man: whaling village of Russell, French settlement at Akaroa. The Treaty of Waitangi, personal pact between Queen Victoria and the Maori chiefs—historic keystone of the New Zealand of today. Costume sequence of life in a restored cottage of 1860. Gold Rush towns: Arrowtown and Cardrona. Scottish Dunedin. New Zealand’s wealth: her grasslands. 52,000,000 sheep and 2,500,000 people. Spectacular fertilizing of pastures by light planes operating from ski-jump landing strips. Napier and its famous gardens at the height of spring. Breathtaking closeups in the Kennedy Rose Gardens. Auckland, jet metropolis and cultural center. The tourist's New Zealand: Beautiful mountains and lakes. New Zealand’s symbol: the flightless kiwi. Steaming cliffs of Lake Rotomahana. Wairakei thermal valley. Wairakei power project: New Zealand leads the world in the production of electricity from natural thermal power. Wellington, capital city. Christmas in mid-summer. Imports and exports on the Wellington docks. Man-made forests, prodigiously productive of timber. State-owned lumber mill. Rotorua, famed resort town of the North Island. Yachting. A part-Maori, part-English New Zealand family: John Leonard teaches in a fine new school; six-year-old Mary Jane studies ballet; eight-year-old Wendy enjoys a swimming lesson; the warm home life of the Leonard family.

INTERMISSION—fifteen minutes

Beautiful Marlborough Sound country. Resort town of Queenstown; the Remarkables. Up Coronet Peak by chairlift. Pioneering the new Haast Pass road to the West Coast. Franz Josef Glacier. Lake Tekapo. The lonely Mackenzie country. Majestic Mount Cook. Thrilling ski plane flight to land on high alpine snow fields. Exciting jet boat trip on Lake Te Anau and the Waiau river. How the jet boat, a New Zealand invention, is built. Delightful Christchurch, most English of New Zealand towns. Cricket match. Celebrating Guy Fawkes Day with bonfires and fireworks. Exploding color in the Ham Gardens: acres of azaleas and rhododendrons in bloom. University of Canterbury: studying the atom, mapping the weather. Mementoes of Scott, whose base for Antarctic exploration was Christchurch. Operation Deep­ freeze, U.S. Antarctic project now based in Christchurch. Life on a remote and beautiful high country sheep station. Wool auction at Invercargill. Lake Manapouri, deep in banks of myriad-colored lupins. Air scenes of Sutherland Falls, world’s second-highest waterfall. Spectacular Milford Sound, one of the world’s great scenic wonders: delicate waterfalls cascade down thousand-foot cliffs into a deep blue fjord.

Our next program . . . SERENADE TO SPAIN Narrated, in person by WALTER SID DODSON SYMPHONY HALL SUNDAY, FEBRUARY 9 • 2:30 and 5:30 P.M. Tickets $3.25 (students $2.15) Travelogs scheduled for February, March and April: The Netherlands, Britain, Bavaria, Alaska. Atlanta Symphony Orchestra ROBERT SHAW Music Director and Conductor MICHAEL PALMER Associate Conductor and EXXON/Arts Endowment Conductor John Head Assistant Conductor Alan Balter Conducting Assistant

The Mr. & Mrs. Howard R. Peevy Concertmaster Chair is endowed by the Tommie & Howard Peevy Foundation

VIOLIN* Bonita Potts Thomas Witte William Steck Donovan Schumacher Brice Andrus Concertmaster Paul Warner Christopher Scheufler Martin Sauser BASS* TRUMPET Co-Concertmaster Robert Harrison Dale Schmidt John Head Associate Concertmaster Principal Principal Willard Shull Jane Little Joseph Walthall Assistant Concertmaster Associate Principal Assistant Principal David Arenz Ralph Jones Prin. Second Trumpet Assistant Principal Larry Black Principal Second Violin Harvey Kaufman Jacqueline Anderson TROMBONE Frances Arm Michael Kenady Shalom Ben-Uri Thomas Thoreson Harry Maddox Anita Cahoon Randolph Ujcich Principal Piotr Haase Wiley Weaver Richard Hansbery Donald Wells Martha Reaves Head FLUTE Stephen Horvath Warren Little BASS TROMBONE Ruth Little Principal Donald Wells Karen Matthews Paul Brittan TUBA Thomas O'Donnell Benson Prichard Alice Oglesby Michael Moore Lorentz Ottzen PICCOLO TIMPANI Oscar Pereira Benson Prichard Benjamin Picone William Wilder Ann Pinney OBOE Principal Susan Pitard Elaine Douvas Jack Bell Carol Ramirez Principal Assistant Principal Juan Ramirez Elizabeth Camus Eugene Rehm Ronda Respess Assistant Principal Assistant Principal Richard Robinson Prin. Second Oboe PERCUSSION Patricio Salvatierra Patrick McFarland Edward Scruggs Jack Bell Linda Smith ENGLISH HORN Principal Eugene Rehm Patricia Vas Dias Patrick McFarland Frank Walton CLARINET HARP VIOLA* Judy Beattie Alan Balter Robert Jones Principal KEYBOARD Principal Norman Baker Peter Bertolino William F. Noll Associate Principal Alice Oglesby Ardath Cohen Douglas Smith John Detrino Robert Wingert PERSONNEL MANAGER Manuel Diaz Enid Jones BASS CLARINET Martin Sauser Marion Kent Douglas Smith PERSONNEL MGR. EMERITUS Haskell Marrinsor Heidi Moss E-FLAT CLARINET Harry Robkin Robert Parcells Norman Baker LIBRARIAN CELLO* BASSOON David Hinshaw Stephen Horvath, Ass’t. Robert Marsh Carl Nitchie Principal Principal STAGE MANAGER Edmund Basson Charles Nussbaum Michael Destazio Assistant Principal Daniel Dowdakin Jere Flint MASTER ELECTRICIAN Eleanor Hodges CONTRA BASSOON Robert Spradlin Kathleen Kee Daniel Dowdakin Bruce Klingbeil *Players listed alphabetically Larry LeMaster FRENCH HORN Kay Lortz John Henigbaum Nan Maddox Principal

ADMINISTRATIVE STAFF Frank Ratka, general manager Richard W. Thompson, assistant manager William W. Brown, director of public relations Peter Stelling, director of audience development Mrs. Nancy Burke, director of season tickets Miss Nola Frink, choral secretary Miss Pat Perry, secretary, women's association Mrs. Julia Crawford, executive secretary Miss Betty Davenport, secretary Mrs. Susan Taylor, receptionist Steve Cucich, symphony hall house manager Dan Miller, head usher CONTRIBUTORS TO THE 1973-74 ATLANTA SYMPHONY ORCHESTRA INDIVIDUAL GIFTS CAMPAIGN This listing includes only those contributors who qualified for member­ ship in the Orchestra League by giving twenty-five dollars or more during the 1973-74 season. The League is grateful to the more than two thousand Friends of the Orchestra for their smaller gifts.

PATRON Mrs. May P. Abreu W. O. Duvall J. W. Kercher Mr. Peter M. Abreu Herbert R. Elsas Mr. and Mrs. I. L. Kunian Allen Organ Studios of Edward E. Elson Mr. and Mrs. Nathan I. Lipson Atlanta, Inc. Washington Falk, III Mrs. Everett McDonnell Atlanta Foundation, Peters Fund Mr. and Mrs. Drew R. Fuller Mrs. Louis H. Moss Mr. and Mrs. Charles C. Barton Mr. and Mrs. David Goldwasser Mrs. Theophile Raphael Joseph E. Brown Bob P. Gordon Mr. and Mrs. James E. Riley Mrs. Henry Chanin Mrs. Lon Grove Dr. Shirley L. Rivers Chatham Valley Foundation, Inc. Mr. and Mrs. Joseph F. Haas Mr. and Mrs. Simon Selig, Jr. Citizens and Southern National Mr. E. Reginald Hancock Mr. and Mrs. Shouky A. Shaheen Bank Dr. and Mrs. J. Rhodes Haverty Smith, Currie and Hancock Mr. and Mrs. Hampton L. Joseph B. and Lena B. Jacobs Mr. John A. Wallace Daughtry Foundation, Inc. J. J. Doherty Dr. James A. Kaufmann

DONOR Amilsco Charitable and Walter Clifton Foundation, Inc. Mr. and Mrs. John S. Hunsinger Educational Foundation, Inc. Edward S. Croft, Jr. Mr. and Mrs. Max L. Kuniansky Mr. A. Leigh Baier Mrs. Paul C. Crowell Mrs. John K. Ottley Mr. and Mrs. James E. Richard C. Everett Dr. William E. Schatten Bennett, Jr. Mr. and Mrs. Hugh W. Gibert Dr. Alan J. Sievert Mrs. Verdery R. Boyd Mr. Elliot Haas H. Hamilton Smith Mr. William Breman Mr. and Mrs. John H. Harland Mr. ar.d Mrs. L. Neil Williams Tom M. Brumby Mr. and Mrs. Joseph K. Heyman Mr. Robert M. Wood Dr. and Mrs. Robert L. Bunnen Julian T. Hightower, Inc. Dr. Dan Burge Daniel B. Hodgson

SPONSORING MEMBER Mr. and Mrs. Anthony M. Ames Henkel and Lamon, P. C. Mr. and Mrs. J. Leonard Reinsch Mr. and Mrs. Jack P. Mr. and Mrs. Clark Howell, Jr. Mrs. Harris Robinson Ashmore, Jr. D. Scott Hudgens Mr. and Mrs. Emory Schwall Leonard G. Berger Dr. Thomas B. Janter G. Maynard Smith Dr. and Mrs. M. H. Cole, Jr. Thornton Kennedy Mrs. Howard C. Smith Dr. John W. Cooledge Mr. Martin Kilpatrick Mr. and Mrs. W. B. Smith, Sr. Mrs. William C. Cram, Jr. Michael McDowell, Jr. Mrs. John E. Talmadge Mr. Charles W. Duncan, Jr. Mr. William Masselos Mr. Henry L. Taylor Paul A. Ebbs, Jr. Mr. Ernest L. Miller, Jr. Mr. and Mrs. Charles L. Towers Robert Glenn Edge Mr. and Mrs. Stephens Mitchell Mrs. Ralph K. Uhry Mr. and Mrs. DeJongh Franklin Mr. Fred Nichols Dr. and Mrs. Robert Wells Mr. Banks O. Godfrey, Jr. Mrs. Lucien E. Oliver Mrs. Ray C. Werner Mrs. Hix H. Green Mrs. Frederick W. Patterson Mr. and Mrs. William B. Wylly Mrs. William B. Hartsfield Erie Phillips Mr. Charles R. Yates

SUSTAINING MEMBER Mrs. Jack Adair Mr. and Mrs. Thomas P. Mrs. James M. Crawford, Jr. Mr. and Mrs. C. Scott Akers Bowles, Jr. Bradley Currey, Jr. Mr. and Mrs. Cecil A. Alexander Mr. and Mrs. Talmadge H. Mr. and Mrs. George Daigh Mr. and Mrs. W. J. Alexander Boynton Mr. and Mrs. Tillman S. Allen and Associates Mr. and Mrs. L. Travis Dandridge Municipals, Inc. Brannon, Jr. Mr. and Mrs. John M. The Hon. and Mrs. Ivan Mr. Harold Brockey DeBorde, III Allen, Jr. Dr. H. Eugene Brown Mr. and Mrs. Anthony E. Dinos Mr. Richard A. Allison, III Dr. Lester Alexander Brown Jasper N. Dorsey Mr. and Mrs. Philip H. Mr. and Mrs. George W. Bryan Dr. Marion S. Dressier Alston, Jr. Mr. and Mrs. T. M. Bryan Mrs. Beverly M. Dubose, Jr. Arthur Andersen and Co. Mr. and Mrs. Robert M. Bunzl Mr. and Mrs. Alden D. Eddy Mr. and Mrs. Paul H. Anderson Mr. and Mrs. W. Lee Burge Mr. and Mrs. J. M. Efron Apex Supply Company Mr. and Mrs. John A. Butler Mr. and Mrs William W. Epstein John M. Arnold Mr. and Mrs. A. Paul Cadenhead Mrs. Murdock Equen Dr. Sanford Atwood Lawson P. Calhoun Dr and Mrs. W. L. Eubanks Dr. Ivan A. Backerman Wilfred Cambre Mr. and Mrs. William F. Ford G. B. Bardi Mrs. W. B. Carnes Mr. Robert Forrestal Mr. and Mrs. N. William Bath Mr. Beauchamp Carr Mrs. Carlyle Fraser Harry S. Baxter Mrs. Stewart F. Carver Jack I. Freedman Mr. and Mrs. Russell W. Bill Mrs. John O. Childs William H. Frey Mrs. W. Troy Bivings, Jr. William F. Clark Mrs. Jake Friedman Mr. Joseph H. Block Dr. and Mrs. B. Woodfin Mr. and Mrs. S. G. Friedman Mrs. Joseph H. Boland Cobbs, Jr. Dr. Thomas W. Gable Dr. and Mrs. Jack S. Boozer Carl H. Cofer Mr. Alex P. Gaines Mrs. Margery R. Borom Mr. and Mrs. Herbert B. Cohen Dr. Herbert I. Garfield Mr. and Mrs. Henry L. Bowden Dr. Roger P. Cook Mr. Cecil Garvin Dr. and Mrs. Edward G. Mr. Hewitt H. Covington Mrs. Henry Geigerman, Jr. Bowden Dr. and Mrs. Glenn D. Crawford Larry Gellerstedt SUSTAINING MEMBER (Continued) Dr. Milton S. Goldman Mrs. Edwin M. Malcolm Sea Pines Company Mr. and Mrs. Ciaude Griffin, Jr. Dr. and Mrs. P. Thomas Mrs. Roy B. Sewell Mrs. James P. Groton Manchester, Jr. Mr. I. M. Sheffield, Jr. Stanley K. Gumble Mr. and Mrs. Frank J. Marchese Mr. and Mrs. Charles H. Siegel Mr. and Mrs. John R. Hall Margaret Mitchell Marsh Estate Mrs. R. A. Siegel Mr. James P. Hamilton, Jr. Mr. Allen D. Martin Dr. John Elias Skandalakis Mr. and Mrs. Kyle E. Hamm Mr. and Mrs. E. H. Mattingly Mr. and Mrs. Alex W. Smith, Jr. Mrs. Granger hansell Mr. Henry J. Miller Mr. and Mrs. Edward D. Smith Mr. and Mrs. Byron P. Harris Mr. and Mrs. John W. H. Miller Dr. Grace B. Smith Mr. C. N. Harris Mr. S. T. Miller Mr. Harold E. Smith, Jr. Mrs. Hugh H. Harris Mr. Samuel A. Miller Mr. and Mrs. J. Lucian Smith Mr. and Mrs. Richard D. Harvey Mr. Robert L. Mills Mr. R. Theodore Smith Mr. Walter B. Haun The Modernaires, Inc. Mr. and Mrs. George F. Sowers Mrs. Clarence Haverty Mr. John H. Mobley, II Mr. and Mrs. Robert A. Starr Mr. and Mrs. V. Frank Mr. and Mrs. John L. Moore, Jr. Mrs. Peter J. Stelling Hazelwood Mrs. Alex C. Morgan Mr. Dante S. Stephensen Mr. and Mrs. James W. Hess Mr. and Mrs. Brannon Morris Mr. and Mrs. Bernard Stevens Mr. David A. Heuett Dr. Chester W. Morse Miss Dixie Stevens Mr. and Mrs. Kent Higgins Dr. and Mrs. Marvous E. Mr. and Mrs. Francis Storza Mrs. Ruth Akin Hightower Mostellar Mr. and Mrs. Rhett Tanner Mr. and Mrs. Lewis I. Hirsch Richard C. Munroe G. Kimbrough Taylor Mrs. Morris Hirsch Mr. N. Barnard Murphy Mr. and Mrs. Herbert Taylor Mrs. Hugh Hodgson Mrs. Bernard N. Neal, Sr. Tharpe, Brooks, Inc. Mr. and Mrs. Luther P. Mr. and Mrs. Edgar A. Neely, III Mr. and Mrs. Herman M. House, Jr. Dr. and Mrs. Milton Nichaman Thompson Mr. Larry Howard Mr. H. Burke Nicholson, Jr. Mr. and Mrs. Randolph W. J. Winston Huff Mr. and Mrs. Hiram M. Thrower Dr. and Mrs. James M. Hund Nowlan, Jr. Mr. and Mrs. George A. Titlow Dr. Sidney Isenberg Mr. and Mrs. Charles T. Kiliaen V. R. Townsend Mr. and Mrs. William H. Nunnally Mr. J. W. Travis Izlar, Jr. Mr. and Mrs. Henry I. Mr. H. Burton Trimble, Jr. Charles H. Jagels O’Neill, Jr. Mr. and Mrs. Harry K. Tucker Mr. and Mrs. Carl E. Johnson Mr. and Mrs. Michael J. Onofrio Mr. and Mrs. J. Pollard Turman Mrs. Travis Johnson Mr. Robert Oppenlander Dr. and Mrs. Augustus B. Miss Isabel Johnston Mrs. A. Bingham Owens Turnbull, III Mr. G. L. Jones Mrs. Lilia Gray M. Parker Mr. and Mrs. A. R. Tyson Mr. and Mrs. William R. Jorden Mr. and Mrs. I. Benjamin Parrill Mr. and Mrs. John J. Ullman Junior League of Atlanta, Inc. Mrs. Harold T. Patterson Mr. and Mrs. John L. Mr. Richard L. Kattel Mr. and Mrs. William R. Underwood, Jr. Mr. and Mrs. James G. Kenan Patterson Mr. and Mrs. Ray E. Vaughters Alfred Kennedy, Jr. Mrs. T. Brooks Pearson WAGA-TV 5, Storer Broadcast Kessler Foundation Mr. and Mrs. Thomas S. Perry Mr. and Mrs. Robert H. Walling Mr. and Mrs. H. T. Mr. and Mrs. Joseph M. Pettit Dr. and Mrs. Paul F. Walter Killingsworth Arthur Pew Construction Co. Dr. William C. Warren Dr. Jong-ln Kim Robert B. Porch Mrs. William E. Waters Alex C. King, Jr. Mr. Putnam Porter Mr. and Mrs. Charles E. Miss Judy King Mr. and Mrs. Allen Post Watkins, Jr. Mr. and Mrs. Robert C. Knox Mrs. Vernon E. Powell Mr. and Mrs. Wayne M. Watson Mr. Noah Langdale Mr. and Mrs. William L. Power Mrs. J. Prince Webster Mr. and Mrs. Roy E. Larsen Mrs. Richard H. Pretz Dr. and Mrs. James O. Mr. and Mrs. Robert N. Lehrer Dr. and Mrs. Morgan B. Raiford Wells, Jr. Dr. and Mrs. John Leonardy Dr. Joseph L. Rankin Mr. and Mrs. Charles B. West Mr. and Mrs. Donald A. Leslie Mr. and Mrs. Frank Ratka Miss Catherine G. White Dr. and Mrs. Charles T. Lester Mr. Robert W. Redd Mr. and Mrs. Norman E. White Mrs. Nelson T. Levings Mr. and Mrs. Robert Redfearn Mrs. Robert H. White, Sr. Mr. C. K. Liller Mr. and Mrs. David A. Reinach Mr. and Mrs. R. E. Wilgus Dr. and Mrs. Mark M. Lindsey Mrs. Percy A. Rich Dr. and Mrs. Alfred E. Wilhelmi Mr. W. K. Lomason Mr. Richard Rich Mr. and Mrs. D. Ellis Williams Mrs. Albert Love Mr. and Mrs. Jack L. Dr. and Mrs. W. Talbert Williams Dr. and Mrs. Mason Lowance Richardson Ms. Betty Williford Mrs. Arthur Lucas Mr. Lee Richardson Mr. and Mrs. John C. Wilson Mr. Larry Gill Lynch Mr. and Mrs. J. Mack Robinson Mrs. Alex Wishnew Mr. and Mrs. Devereaux F. Dr. and Mrs. J. B. Robitscher Mr. and Mrs. Edwin D. Wolf McClatchey, Sr. Dr. and Mrs. Ralph E. Roughton Mr. Bruce F. Woodruff, Jr. Mrs. Lawrence J. McEvoy The Hon. and Mrs. Carl Sanders Mrs. Leroy A. Woodward Lawrence McEvoy, Jr. Mr. and Mrs. Marthame E. Mr. T. Guy Woolford Mrs. RalDh E. McGill, Sr. Sanders, Jr. Mr. and Mrs. Charles R. Younts John E. McIntyre Mr. and Mrs. Nat Sandler Mr. Erwin Zaban Tom M. McLain Mrs. Homer R. Sanford Mr. and Mrs. Joe I. Zimmerman Mrs. Floyd W. McRae Mr. and Mrs. Robert J. Saunders Mr. and Mrs. J. R. Maddox Mrs. T. Erwin Schneider

SUPPORTING MEMBER Mr. and Mrs. Gerald E. Abbott Mr. and Mrs. W. Roane Beard Mr. and Mrs. Gordon B. Brooke Dr. Herbert S. Alden Mr. and Mrs. George W. Mr. Bennett A. Brown Mrs. Robert W. Allison Beiswanger Dr. Howard S. Brown Anderson-McGriff Company Mr. and Mrs. Glenn E. Bennett Mr. Tom Watson Brown Dr. and Mrs. Thomas J. Mr. and Mrs. Francis M. Bird, Sr. Mr. and Mrs. J. Gregg Buckalew Anderson, Jr. Mr. and Mrs. Ralph T. Birdsey Mr. and Mrs. Walter H. Bunzl Dr. Grover J. Andrews Mrs. Ralph Peters Black Mr. and Mrs. Thomas E. Burn Mr. Joseph F. Asher Mrs. L. M. Blair Mr. and Mrs. H. E. Burroughs Atlanta Solvents and Dr. J. T. Blasingame, Jr. Miss Jessie L. Butler Chemical Co. Mr. and Mrs. E. William Bohn Dr. and Mrs. F. Phinizy Mr. and Mrs. Herbert I. Avery, Jr. Mr. and Mrs. Charles Bohrer Calhoun, Jr. Dr. and Mrs. William G. Avery Mr. W. M. Boice Dr. and Mrs. Thomas H. Callahan Mrs. Emil W. Baran Mr. and Mrs. Harllee Branch, Jr. Mr. Ralph V. Campbell Miss Verita Barnett Mr. and Mrs. James H. Mr. Floyd E. Carithers Dr. and Mrs. Earl G. Barton Bratton, Jr. Mr. Frank A. Carlson Mr. and Mrs. M. Cook Barwick Mrs. James Briggs Mrs. Julian S. Carr, Sr. No Strings.

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CANADIAN WHISKY Seagram’s V.O. A BLEND Canadian is a OP rare SELECTED WHISKIES “W'lUO. AGED. BLENDED AND BOTTLED W*«* one-of-a-kind creation. E SUPERVISION OF THE CANADIAN GOVt*®* The First Canadian THIS WHISKY IS SIX YEARS OLD in smoothness. JOcr BlENDEO ANO BOTTLED BY ,4)TfD The First Canadian JOSEPH E SEAGRAM £ SONS. LlM^J in lightness. The ^°° ONTARIO-CANADA • DISTILLERS S®*6 First Canadian in 86.8 PROOF popularity throughout CANADA’S FINEST the world. All the others come after. UMPORTEDJ Only V.O. is V.O. The First Canadian.

CANADIAN WHISKY-A BLEND OF SELECTED WHISKIES. 6 YEARS OLD. 86.8 PROOF. SEAGRAM DISTILLERS CO., N.Y.C. SUPPORTING MEMBER (Continued) Mrs. W. Wayne Carr Gerald T. Horton, Miss Joyce Reedy Mr. and Mrs. J. Harrison Carter The Research Group Mr. and Mrs. Claude P. Rhen Gov. and Mrs. Jimmy Carter Mr. Harvey Howalt Mr. and Mrs. Philip A. Rhodes Mrs. John B. Chapman Mr. and Mrs. Harry C. Howard Mr. Don C. Robinson Mr. and Mrs. Richard Childs Mr. and Mrs. Thomas D. Hughes Mr. Robert H. Rohrer, Jr. Mrs. B. F. Coggins Mr. and Mrs. W. Stell Huie Mr. and Mrs. Hansford Sams, Jr. Mr. and Mrs. R. D. Comstock, Jr. Mrs. J. Gibson Hull Dr. and Mrs. Roy P. Sandidge Mr. and Mrs. John A. Conant Mrs. Robert C. Hunt Sandy Springs Women’s Club Mr. Harry L. Cooper Dr. and Mrs. Julian Jacobs Mr. and Mrs. Carl Sanford Mrs. L. B. Coppie Mr. and Mrs. Harvey Jacobson Mr. Paul W. Sanger Mr. and Mrs. Philip B. Cordes Mr. and Mrs. M. A. Jamison Mr. and Mrs. Martin Sauser Mr. and Mrs. Henry Curtis Dr. Charles Joel, Jr. Mr. and Mrs. J. S. Schneider Mr. and Mrs. Edward L. Dr. Maurice J. Jurkiewicz Dr. and Mrs. James F. Schwartz Daugherty Dr. Herbert R. Karp Wilbert H. Schwotzer Dr. and Mrs. Nicholas E. Davies Mr. Donald Keough Mrs. Frank A. Sewell Mrs. Ovid R. Davis Mr. and Mrs. Edward W. Killorin Robert B. Shelley Dr. Peter G. Dayton Mrs. Martin Luther King, Jr. Mr. Henry I. Sherry Mr. and Mrs. Bob W. Dean Mr. R. W. Koskela Mr. and Mrs. Edward S. Shorter Dr. and Mrs. David B. Dennison Mr. and Mrs. Marshall Ross Lane John A. Sibley Mrs. Teresa Derepa Dr. and Mrs. Stanley Lichtman Mr. and Mrs. W. King Sims Mr. and Mrs. Harry D. Dewar Dr. and Mrs. Edwin Mr. A. J. Singletary, Jr. Dr. and Mrs. Joseph H. Lochridge, Jr. John Dickerson Smith Dimon, III Mr. and Mrs. Allen E. Orville N. Smith Dr. and Mrs. Allan Dinnerstein Lockerman Mr. and Mrs. Robert L. Smith Mrs. C. W. Dukehart Hinton F. Longino Mr. and Mrs. John H. Soper, II Mr. and Mrs. J. Ray Efird Mr. and Mrs. Eugene C. Loring Hughes Spalding, Jr. Mr. and Mrs. Michael J. Egan, Jr. Mrs. Herbert F. Loring Dr. Phinizy Spalding D. B. Elam Mr. and Mrs. P. K. McCash Dr. and Mrs. Allen C. Steere Mr. Lynn E. Eller Dr. and Mrs. Thomas H. McDill Dr. John E. Steihaus Mr. Robert M. Faulk Dr. and Mrs. Alexander S. Miss Sue Brown Sterne Dr. and Mrs. Roger Feldman McKinney Adm. and Mrs. Carl F. Stillman Dr. and Mrs. Wilson J. Ferguson Mrs. J. J. McLendon, Jr. Mr. Jules J. Stine Mr. and Mrs. Carlyn F. Fisher Dr. and Mrs. Leo M. Mack, Jr. Mrs. J. R. Street Mr. and Mrs Lloyd C. Flatt Dr. and Mrs. Dan M. Mackey Mrs. J. C. Strother Mrs. Allison Fleetwood Mr. and Mrs. Leroy Maddox, Sr. Mr. and Mrs. J. A. Summers, II Dr. and Mrs. Andrew R. Fodor Mr. Carl Marshall Mr. and Mrs. A. C. Tate, Jr. Robert L. Foreman, Jr. Mr. Kenneth W. Martin Mr. and Mrs. C. Eric Tiller Mrs. Clyde C. Fowler Mr. and Mrs. William M. Mrs. Abner A. Towers Mrs. Ralph Frederick Matthews Mr. and Mrs. John M. Tucker Mr. William J. Gibson Mrs. Edward H. Mayer Mr. and Mrs. Ben M. Turner Dr. and Mrs. Howard C. Dr. Benjamin E. Mays Mr. and Mrs. K. Morgan Glover, Jr. Mr. and Mrs. Stanley P. Varner, III Mr. and Mrs. J. Bryan Godwin Meyerson Mr. and Mrs. Clarence Dr. John Godwin Mr. H. Clay Moore, Jr. Vaughn, Jr. Raymond A. Gold Dr. Christian Moorehead Mr. Harrison T. Wadsworth Mrs. Sam A. Goldberg Dr. George H. Moulton Miss Hester May Walker Mr. and Mrs. J. L. Goldstucker Mr. and Mrs. Richard O. Mr. Henry Hall Ware, III Mrs. Bea Gore Munsche William B. Wasson Mr. and Mrs. Robert J. Gore Dr. and Mrs. Ralph A. Mr. William Weaver Mrs. Duncan S. Gray, Jr. Murphy, Jr. Mr. and Mrs. Wayne M. Welty Mr. and Mrs. Richard A. Mr. and Mrs. L. D. Murray, Jr. Mrs. Colie B. Whitaker Guthman Mr. and Mrs. Clark E. Myers Mr. and Mrs. E. R. Wilkerson Mr. and Mrs. Bradley W. Hale Mrs. Edward Rex Neely Mr. Bruce B. Wilson Mrs. White Hancock Dr. and Mrs. F. Levering Neely Mrs. Elin Winn Dr. and Mrs. Robert W. Hansen Mr. and Mrs. Russell E. Mrs. Walter Wolf Mr. and Mrs. G. Calvin Harris Newton, Jr. Mr. Thomas H. Wood Mr. H. C. Hearn, Jr. Mr. and Mrs. Otis P. Norcross Mr. and Mrs. John P. Woodall Mrs. Herman Heyman Northside Jr. Womans Club, Inc. Mr. and Mrs. P. Dan Yates, Jr. Mr. Alex M. Hitz. Jr. Mr. Henry R. Oliver, Jr. Mr. and Mrs. Charles E. Young Mr. and Mrs. John V. Hoey, Jr. Mr. and Mrs. E. Ralph Paris, Jr. Mr. and Mrs. D. K. Young, Jr. H. Randolph Holder Mr. and Mrs. Charles W. Pepe Rev. and Mrs. George R. Home Dr. and Mrs. John E. Per-Lee Mr. and Mrs. Lindsey Mr. and Mrs. Robert K. Price Hopkins, Jr. Mr. Nelson H. Rector

CONTRIBUTING MEMBER Dr. and Mrs. Osler A. Abbott Mr. and Mrs. Herbert S. Dr. and Mrs. J. G. Barrow Dr. Andrew H. Abernathy, III Archer, Jr. Mr. and Mrs. H. V. Barry Mr. and Mrs. Harold E. Abrams Mr. and Mrs. William K. Dr. and Mrs. Philip R. Mrs. Leah T. Adams Armstrong Bartholomew Mr. and Mrs. Robert F. Adamson Mr. and Mrs. Stanley B. Ashley Mrs. J. F. Bateman Mr. and Mrs. William Addams Mrs. Jack P. Ashmore, Sr. Mr. and Mrs. Jack Bauman Mr. and Mrs. Charles E. G. Aff Mr. and Mrs. William B. Astrop Mrs. A. W. Beasley Miss Katherine Akin Miss Mary L. Atkinson Dr. H. V. Bell, Jr. Mrs. A. P. Aldrich, Jr. Mr. and Mrs. R. Byron Attridge Mr. and Mrs. Hunter Bell, Jr. Dr. and Mrs. Harold Alexander Mr. and Mrs. J. Arch Avary, Jr. Mr. and Mrs. Richard B. Bell Mr. and Mrs. Steve E. Alexander Mrs. Donald Avil Dr. William H. Bennett Mrs. W. D. Alexander Mr. Howard G. Axelberg Mrs. L. D. Benton Ms. Eleanor P. Alford Ms. Mary H. Axtell Mrs. Marian M. Berger Mrs. Robert J. Allen Dr. and Mrs. James A. Bain Dr. ana Mrs. Harry Beverly Mrs. Pierce Allgood Mrs. Jane Landon Baird Mr. and Mrs. Robert Biccum Allied Chemical Corporation Mrs. Ralphe Boyd Baker Mr. and Mrs. A. J. Block, Jr. Mrs. Jose E. Almeida Colonel and Mrs. C. E. Balthis Dr. and Mrs. Donald Block Mr. James L. Alston Mr. and Mrs. R. A. Banks Dr. and Mrs. Walter L. Bloom Mr. and Mrs. Gerald E. Anderson Mr. and Mrs. John D. Mr. and Mrs. Donald B. Boldt Mr. and Mrs. John E. Bansley, Jr. Mr. and Mrs. Robert C. Boozer Anderson, Jr. Herbert E. Barfield Mrs. Ralph T. Bowden, Jr. Mrs. Robert L. Anderson Mrs. S. W. Barnett Dr. and Mrs. Hillard A. Bowen Mr. William W. Anderson, Jr. Ms. Cora D. Barron Mr. and Mrs. H. T. Bowling Mr. and Mrs. Shepard B. Ansley Miss Ruth Barron Dr. and Mrs. Lawson H. Bowling j.p Allen ATLANTA'S setting the fashion pace ACREAGE in Atlanta since 1 908 . . . AGENTS

FALK REALTY

1064 W. Peachtree St., N.W. Specialists in investment Acreage 876-1947 Developers of fine lake DOWNTOWN, > Communities LENOX SQUARE, NORTHLAKE, GREENBRIAR AND CUMBERLAND

(Sene anb (BaWs Restaurant PINKERTON 1578 Rtebnumi Afrercue, R. R. BUILDS ^Atlanta, (Benrgizx 30324 REMEMB

(Telephone 376-9420 THE PINKERTON & LAWS COMPANY Member Associated General Contractors of America DINNER 6 P.M. - 12 MIDNIGHT 2700 Cumberland Parkway, N.W. OPEN 7 DAYS Atlanta 30339 / 432-0171 SAVE with the fflipusandaires INTERIOR DESIGN AT •SPACE PLANNING at Alan L. Ferry HTLRNTH Designers Inc FEDERAL

34 Eleventh Street, N.E. Atlanta, Georgia 30309 SAVINGS Offices All Around Town • Mam Office Marietta at Broad CONTRIBUTING MEMBER (Continued) Mr. and Mrs. John M. Bragg Mr. and Mrs. Thomas Mr. and Mrs Rayburn J. Fisher Mr. Carl A. Bramlette, Jr. Covington, Jr. Mr. and Mrs. Strother C. Miss Adeline L. Branham Mr. and Mrs. W. W. Cowden Fleming, Jr. J. Alan Breus Hughes Spalding Craft Dr. and Mrs. Thomas J. Miss Josephine Bridgman Mr. and Mrs. Louie V. Florence Mr. and Mrs. R. B. Craig, Jr. Ms. Pam Flournoy Broadhurst, Jr. Dr. R. Sue Craig Miss Jane E. Foley Miss Barbara Bronson Mrs. Herschel C. Crawford Mr. and Mrs. Robert L. Mr. and Mrs. James F. Brooks Mrs. B. R. Crigler Foreman Mr. and Mrs. Joseph P. Dr. and Mrs. Alonzo Crim Dr. and Mrs. Douglas H. Brooks, Jr. Mrs. John Crisp Forsyth Mrs. Lovic A. Brooks, Jr. Mr. and Mrs. James F. Crist Ms. Mary Anne Fowlkes Dr. and Mrs. Charles E. Brown Miss Willie May Cromer Mrs. A. P. Francis Mr. and Mrs. John L. 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Chappell Eberhart Mr. and Mrs. John T. Greer Dr. and Mrs. Jacob Christ Ray Ebert Mr. and Mrs. James J. Griffin Mr. and Mrs. Richard Churchill Mrs. Jean Echols Mr. Jaap Groen Mr. and Mrs. Salvatore Cimino Mr. and Mrs. Ralph C. Mr. J. David Grow Mrs. Margaret S. Clark Edwards, Jr. Mr. Horace H. Guerrant Dr. and Mrs. Ben H. Clifton Ellsworth M. Ehni Miss Felicia Guest Mrs. T. E. Clyatt, Jr. Mr. and Mrs. Robert Eldridge Dr. and Mrs. Thomas N. Guffin Mr. Colburn Coe Mr. and Mrs. A. James Elliott Mr. and Mrs. Robert H. Mr. Stephen J. Coffey Mrs. Wayne Elliott Gunn, Jr. Mr. and Mrs. Eugene P. Mr. Edward P. Ellis Mrs. Guy W. Gupton Cofield, Jr. Mr. Harold Ellman Mr. and Mrs. Ransom H. Mr. and Mrs. Robert C. Cohen Dr. and Mrs. Louis J. Elsas Gurganus Dr. and Mrs. Sheldon B. Cohen Mr. and Mrs. John E. Elvin Dr. and Mrs. C. C. Gurley Mr. and Mrs. David L. Coker Teddy A. English, Jr. Mr. and Mrs. Sig Miss Elizabeth Cole Dr. Jacob Epstein Guthman, Jr. Mr. and Mrs. Clarence Coleman Mr. and Mrs. Thomas F. Mr. and Mrs. George Dr. and Mrs. Cleo Phillip Erickson Habersetzer Coles, Jr. Judge and Mrs. Jack P. Mr. Edward T. Hall, Jr. College Park Music Club Etheridge Dr. and Mrs. Alton V. Hallum Dr. and Mrs. William C. Collins Mr. Richard L. Evans Mr. Stark J. Hamilton Mrs. Allen Collinsworth Mr. Larry B. Faigin Mrs. Joseph L. Hammond, Jr. Mr. Brian Grey Conboy Mrs. Andrew M. Fairlie Mrs. McCarthy Hanger Mrs. Charles S. Conklin Dr. Arthur Falek Mr. and Mrs. Virgil C. Hanks Mr. and Mrs. David R. Conklin Mr. and Mrs. Clayton H. Mr. and Mrs. John F. Hanley, Jr. Rev. Vincent Conners Farnham Miss Courtney Wynelle Hannon Mr. and Mrs. Richard Conrad Miss Sara F. Farr Mrs E. L. Hansen Mr. and Mrs. P. P. Ms. Anne Fauver Mrs. W. R. Hardcastle Constantinides Mrs. John B. Felder Miss Florence C. Harris Mrs. B. C. Cook Mr. and Mrs. Harvey Fell, Jr. Mr. and Mrs. Joseph C. 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Lenox Square Cumberland Mall 266-8424 432-3115 open Sundays W midnight

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1630 First National Bank Building Atlanta, Georgia 30303 CONTRIBUTING MEMBER (Continued) Mr. and Mrs. Ronald W. Hartley Mrs. L. F. Kent Mr. and Mrs. Warren A. Dr. and Mrs. L. S. Hartzog Mr. Alexander C. King, Sr. Montgomery Mr. and Mrs. Edwin I. Hatch Mr. and Mrs. Lonnie King Mr. and Mrs. William Mooradian Mr. Gary W. Hatch Dr. and Mrs. Spencer B. Mr. and Mrs. A. R. Moore Mr. and Mrs. Albert S. Hatcher King, III Mr. and Mrs. Arnold C. Moore Mr. and Mrs. Henry M. Mr. William B. King Mr. and Mrs. Virlyn B. Hatcher, Jr. Mr. and Mrs. William L. Kinzer Moore, Jr. Mr. and Mrs. Harold V. Hawes Dr. and Mrs. William H. Kiser Mr. and Mrs. Charlie J. Mr. and Mrs. Ross C. Hawkins Mrs. R. Klaus Moreland Mr. and Mrs. Jack D. Haynes Mrs. C. B. Kline Mr. and Mrs. Robert Moret Mrs. B. H. Hazlehurst Mrs. Thomas M. Knight Dr. and Mrs. James W. Morgan Mrs. Robert Hecht Mrs. J. Knott Mr. Michael Morgan Miss Susan B. Hecker Mr. and Mrs. Stanley E. Kreimer Mr. and Mrs. William F. Morgan Dr. and Mrs. David E. Hein Mr. Frederick W. Kubelka Mrs. D. M. Morris Mrs. A. H. Henderson John L. Kunzelman Mrs. Virginia R. Morris Mr. and Mrs. Jacob R. Mr. and Mrs. Fred W. Mr. and Mrs. Harry H. Morrison Hendesron Lagerquist, Jr. Mr. and Mrs. George E. Motz Mr. and Mrs. James R. Mrs. Arthur W. Lagrone Mr. and Mrs. Simon Henderson Mr. and Mrs. T. A. Lamar, Jr. Moughamian, Jr. Mr. and Mrs. Nathan V. Mrs. Frank Lamons Miss Frances M. Muse Hendricks, III Mr. and Mrs. R. D. Landers Mr. and Mrs. Richard F. Muske Mrs. Frank J. Henry Miss Linda H. Lane Mr. and Mrs. Robert Myers Miss Fleda B. Hensley Mrs. Ray C. Lang Mr. and Mrs. Hubert H. Nall, Jr. Mr. and Mrs. John M. Mr. and Mrs. David S. Lashner Mrs. D. W. Nance Henson, Jr. Mr. and Mrs. Richard A. Laub Ms. Ella Cook Nease Mr. Jennings M. Hertz Miss Sara A. Lawrence Mrs. H. R. Neathery Miss Katerine Hertzka Mr. and Mrs. Stephen P. Lawson Mr. and Mrs. Paul W. Neff, Jr. Miss Ruth Hertzka Mr. and Mrs. Robert Earl Lee Miss Aline M. 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Joel Miss Cynthia Mallory Mr. and Mrs. Sidney Parks Mr. and Mrs. Aaron J. Mr. and Mrs. William F. Wallace D. Pate Johnson, Jr. Manry, III Mr. and Mrs. William M. Pate Mrs. Ashley Sheppard Mr. and Mrs. Thomas C. Mrs. Elizabeth M. Patterson Johnson, Jr. Manton, Jr. Mrs. Ray Patterson Mr. Ben F. Johnson, III Rev. and Mrs. Meeler Markham Mr. and Mrs. A. E. Patton Dr. and Mrs. Charles G. Dr. and Mrs. Ronald L. Mr. and Mrs. E. Earl Johnson Markette Patton, Jr. Mr. and Mrs. D. R. Johnson Mrs. Chester E. Martin Mrs. Carl Paul Dr. Donald E. Johnson Miss Elizabeth C. Martin Mr. and Mrs. James R. Dr. Douglas Johnson Mr. and Mrs. Albert Marx Paulk, Jr. Mrs. E. Raymond Johnson Mr. D. Lurton Massee, Jr. Mrs. Morgan Q. Payne G. Donald Johnson Mr. and Mrs. Sam Massell Mr. and Mrs. A. Dwight Peck Dr. James M. Johnson Mr. and Mrs. Kent B. Massie Mr. and Mrs. Ambrose Mrs. Ralph Johnson Mrs. Thomas Masterson Pendergrast Dr. Richard H. Johnson Dr. and Mrs. Frank Matthews Dr. and Mrs. W. J. 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Pfiffner Mr. and Mrs. Fleming Keefe Mr. and Mrs. William L. Miss Elise T. Phillips Mrs. Ann C. Keieffer Monroe, Jr. Mrs. Eugene L. Phillips Dr. John L. Keller Ms. Sally A. Monsour Mrs. J. Carlisle Phillips Dine at an Atlanta landmark. CONNOISSEURS CALL IT A MASTERPIECE . . . Anthony's is a re­ stored 18th Century plantation mansion with elegant dining facilities throughout. Make your next dining occasion a memo­ rable one at Anthony's

i Yes, the Ellman's catalog is like music to the ears. Our low catalog prices are the reasons why so many people say over and over again, "You can afford something better at Ellman's." ellman's

HOURS: Monday-Saturday 6:00-11:00 P.M. Closed Sunday 2489 Cheshire Bridge Road, N.E. RESERVATIONS RECOMMENDED AND HONORED 31(W PIEDMONT RD.. N E CALL 233-7129 Free Parking 2595 Candler Road 2750 S. Four Lane Highway

Capital Automobile Company 796 West Peachtree Street, N. W.

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H. STOCKTON - ATLANTA INC. 80 Forsyth Street, N.W. Lenox Square CONTRIBUTING MEMBER (Continued) Mr. and Mrs. Barry E. Pickett Sigma Alpha lota Mr. and Mrs. R. F. Tuve Mr. and Mrs. George A. Pindar Mr. and Mrs. John M. Sikes Dr. and Mrs. Carl W. Tyler Mrs. Little Pitts Mrs. Leon F. Silver Dr. E. R. Uehling Dr. and Mrs. William Plauth Dr. John D. Slade Mr. and Mrs. Raymond Mrs. William L. Plummer Mr. Warren H. Small, Jr. Utterback Mr. G. E. Plunkett, III Mr. and Mrs. Ray W. Smathers Mr. and Mrs. Edward K. Mr. and Mrs. George J. Mr. and Mrs. A. G. Smith Van Winkle Polatty Dr. and Mrs. Carter Smith, Jr. Mr. and Mrs. Alexander Vasso Mr. and Mrs. Peter C. Pomeroy Mrs. Clifford R. Smith Mr. W. Edward Vaught Miss Clarissa H. Poteat Mr. Hugh R. Smith Mr. and Mrs. G. G. Voith Mr. and Mrs. Leslie Y. Pounds Mr. and Mrs. J. E. Smith Dr. and Mrs. H. M. Wadsworth Mr. and Mrs. Robert E. Powell Mr. Kendric Smith Mr. and Mrs. Sylvan Wagner Mr. Dean W. Power, Jr. Mrs. L. Walter Smith Dr. and Mrs. Charles A. Mr. and Mrs. Robert A. Pratt Mr. and Mrs. Moreland G. Waldron Mrs. W. R. Prendergast Smith Mrs. Gladys B. Wallace Pretz Construction Ms. Pauline G. Smith Mr. James M. Walters Company, Inc. Dr. Richard A. Smith Mr. Joseph E. Walthall Mrs. W. R. Probst Mr. and Mrs. Robert Milburn Dr. Clinton Warner Dr. Martha M. Pruce Smith Dr. and Mrs. Green D. Warren Mrs. Elmore M. Putney Mrs. Ruth N. Smith Mrs. J. B. Warren Mrs. Michael K. Ragsdale Miss Sara E. Smith Mr. and Mrs. Richard Wasser Dr. and Mrs. Joseph C. Read Mr. and Mrs. Walter A. Smith Mrs. Allan Watkins Mr. Joseph Ream Dr. G. J. Scracco Mr. and Mrs. Walter C. Wattles Mr. and Mrs. S. J. Reed, IV Mr. and Mrs. William E. Speaks Mr. and Mrs. Homer S. Weber Mr. and Mrs. Jack F. Reeves Dr. and Mrs. W. M. Spicer Mr. and Mrs. John Wesley Mrs. A. Warren Rhodes Mr. Howard S. Starks Weekes Mrs. Frank S. Rice Mrs. C. P. Stephens Dr. Daniel Weiner Dr. and Mrs. M. Hobson Rice Mrs. Charles R. Stephens Dr. and Mrs. Evan Weisman Mr. and Mrs. A. H. Richardson Mr. and Mrs. Mason Stephenson Mr. Emil Weiss Dr. and Mrs. Harry V. Mrs. Parks C. Stewart Mrs. J. Bruce Welch Richardson Mr. Fred Stillwell Mr. and Mrs. Nathaniel Welch Mr. and Mrs. Herbert A. Ringel Dr. and Mrs. Dan Stinson Dr. and Mrs. J. Herbert West Mr. Lawrence W. Robert, Jr. Mrs. R. Stockhausen Mr. John Ross West Miss Sarah B. Robert Mr. and Mrs. Marion Stoker Mrs. Leslie C. White Frank B. Roberts and Adm. and Mrs. Phillip G. Stokes Dr. and Mrs. Perry M. White Associates Dr. and Mrs. Charles F. Mr. and Mrs. W. Tate Whitman Mr. Sol Roberts Stone, Jr. Dr. and Mrs. T. E. Mr. and Mrs. Walter M. Mrs. John H. Stone Whitesides, Jr. Rodgers Mrs. V. W. Stone Mr. and Mrs. W. M. Whitmire Mrs. A. C. Rogers Mrs. C. W. Strickler, Jr. Dr. H. Jordan Whyte Mr. John P. Rogers Miss Carolyn Strozier Mr. and Mrs. John F. Wieland Dr. and Mrs. I. C. Rolader Dr. and Mrs. William H. Stuart Mr. and Mrs. Wayne Wilhelm Mrs. Elizabeth Roper Dr. Ann D. Stuckey Mr. John B. Wilkerson Mrs. Charles Rose Dr. and Mrs. Edward F. Dr. and Mrs. Sam A. Mr. and Mrs. Ward F. Rosebush Sugarman Wilkins, Jr. Mr. and Mrs. Robert L. Mrs. Roy M. Sullivan Mr. A. Mims Wilkinson, Jr. Rothberg Mr. and Mrs. Jack Summers Mr. and Mrs. James R. Dr. and Mrs. Marvin Dr. and Mrs. Roland S. Wilkinson Rothenberg Summers The Rev. and Mrs. Allison F. Mrs. George W. Rowbotham Dr. and Mrs. J. W. Swann Williams Mr. and Mrs. Ernest Rubin Mr. and Mrs. H. Eugene Ms. Marymal B. Williams Mr. and Mrs. Monte F. Rubin Talmadge, Jr. Miss Sue Williams Mr. Isadore Ruden Mrs. J. C. Tanksley Ms. Inda Elizabeth Williamson Dr. and Mrs. Daniel Rudman Miss Anne Tarrant Mr. and Mrs. Richard F. Dr. and Mrs. Theadore H. Mr. and Mrs. Charles T. Taylor Willingham Runyon Dr. and Mrs. Nathan T. Teague Dr. and Mrs. Frank L. Ruralist Press, Inc. Ms. Suzanne R. Tebor Wilson, Jr. Mrs. Sidney H. Ruskin Mr. and Mrs. H. W. Teichert Mrs. H. Grady Wilson, Jr. Mrs. James M. Russell Mr. and Mrs. Ernest S. Tharpe Mrs. Travis Wilson Mr. and Mrs. Clinton L. Mr. and Mrs. William B. Mrs. Bolling S. Winborne Sanders Thatcher Mr. and Mrs. William L. Mr. and Mrs. Robert Saparow Mr. and Mrs. Kenneth E. Wingate, Jr. Dr. and Mrs. I. E. Saporta Thomas Mr. and Mrs. J. D. Mr. and Mrs. T. Carlyle Scales Dr. W. Kevin Thomas Wingfield, Jr. Mrs. G. Lloyd Schoen, Sr. Mr. and Mrs. Harold B. Mr. Sheldon R. Wittner Mrs. R. W. Schorbo Thompson Mr. and Mrs. Howard Wixson Mrs. Robert F. Schorr Mr. and Mrs. John V. Thompson Mrs. D. Lawrence Wollner Mrs. Sidney Schwartz Mr. and Mrs. L. C. Mr. and Mrs. Thomas H. Mr. Tom Schwartz Thompson, Jr. Woolen Mr. and Mrs. W. B. Schwartz Mr. Robert D. Thompson Mrs. Owen R. Worley Dr. John W. Scott Mr. and Mrs. Michael Miss Bettye Sue Wright Mrs. Thomas P. Scott, Jr. Thompson Mr. and Mrs. Hugh Emmett Dr. and Mrs. R. Mitchel Sealey Mr. and Mrs. Harry B. Wright Dr. Walter F. Selby Thornbury Mrs. J. L. Yaden Dr. and Mrs. Thomas F. Mrs. Albert E. Thornton Dr and Mrs. Charles P. Sellers, Jr. Dr. and Mrs. Lloyd F. Yarn, Jr. Mr. and Mrs. John O. Selvage Timberlake Mrs. Ella Gaines Yates Mrs. L. Semonsky Mr. and Mrs. R. Neal Mr. and Mrs. C. Michael York Mrs. Katie Green Settle Timberlake Mr. and Mrs. P. L. York Mr. and Mrs. John R. Seydel Tops Personnel Service, Inc. Mr. Earle B. Young W. Griggs Shaefer,, Jr. Mr. and Mrs. Robert M. Torras Mrs. Henry L. Young Mrs. M. L. Shatzen Mr. and Mrs. John K. Train Mr. Hillyer M. D. Young Ms. Mary V. Shaw Miss Mary F. Trembath Mr. and Mrs. Robert C. Young Thomas C. Shelton Mrs. H. B. Trimble Mr. and Mrs. Lawson S. Yow Mr. and Mrs. Dan P. Shepherd Dr. and Mrs. John F. Trotter Miss Lucy K. Yundt Dr. and Mrs. James H. Sherard Mr. and Mrs. Michael H. Mr. and Mrs. John B. Zellars Mrs. C. A. Shillinglaw Trotter Mr. and Mrs. Bernard Mr. and Mrs. Marvin H. Shoob Mr. John H. Tucker Zuckerman Dr. Marian C. Shropshire Mr. and Mrs. Rutledge Tufts Mr. Samuel J. Zusmann, Jr. Gerald B. Shulmister Mr. and Mrs. Jack P. Turner Mr. and Mrs, Stanley B. Siegel Mr. Raymond Turpin, Sr. ------— mHERHODHB ijTifflni st, FOCUS (°r everyone in Underground Atlanta. Just strolling along gaslit streets amid an 1890's atmosphere is an experience not quickly forgotten. This is where Atlanta was born, and Underground Atlanta fairly echoes with the drama of history made here. In some places you can actually see firelines left by General Sherman's monumental bonfire. Underground Atlanta is the past —and much more. It's a vibrant and fun place to visit, where the mystique of yesterday combines with the excitement of today. WINDOWS Take the food. A visitor can tickle the palate with delights that run the gamut from exotic foreign fare to fresh homemade soft pretzels. & DOORS Entertainment is just as varied. Choose from the soft music of an intimate lounge, a folk combo, solid rock, a Dixieland jam session, or maybe an hour of nostalgia at an old time penny arcade You'll soon discover the importance of exploring each and every doorway and passageway in Underground Atlanta. Because they always lead to something new like specialty shops with unique merchandise imported from all over the world, and CUSTOM DESIGNED special attractions enjoyed by kids of all ages. Discover Underground Atlanta for yourself. Visit "The Historic City TIEand CRAFTEDGLASS YOKES by Beneath the Streets" for a delightful experience you'll 891 South Main Street treasure for a long time to come. ^STOhfE ^MOUNTAIN GEORGIA. 30083

cphoqe: 469 -1452 UNDERGROUND ATLANTA Hunter Street and Central Ave. Phone 522-4801 YOU ARE CORDIALLY INVITED TO VISIT OUR I STUDIO & WORKSHOPS

American Express is your Cruise Headquarters For Just About Any Cruise You Can Dream Of. Stop By And Talk It Over With The Experts.

100 Colony Square, 1175 Peachtree St., N.E. 30309 (892-8175) Lenox Square Shopping Center, 3393 Peachtree Rd., N.E. 30326 (262-7561)

Cruise Headquarters American Express Co. Twentieth Century Gallery—2289 Peachtree Rd., N.E. 355-0275. Original art, graphics, old prints. Widens Art Galleries—349 Peachtree Hills Ave., IN AND AROUND TOWN N.E., 237-2991. Original oils (contemporary & antique).

This information is offered as a community service by the Members Guild of the High Museum. Or­ ganizations should send copy 6 weeks prior to Exhibitions & Events publication date (the first of each month) to: Mrs. Young T. Sheffield, Jr., 687 Longwood Dr., N.W., Atlanta, 30305. (351-4870) Georgia Museum of Art—University of Georgia, Athens. Exhibit of 52 works on paper and 56 black and white drawings by Hans Hoffman, Jan. 12 thru Feb. 16. Galleries Callanwolde Arts Center. 980 Briarcliff Rd., N.E., 872-5338. New classes in visual and performing arts beginning 1 /6. Call for more information.

Allison Art Gallery and School of Art—3940 N. Martin Luther King, Jr. Benefit. 1 /5. The Omni. Peachtree Rd., Chamblee. 457-3080. Mixed media by Jean Allison, Candace Allison; art classes. Fernbank Science Center. 156 Heaton Park Dr., N.E., 378-4311. Yearly exhibits: 1. Apollo 6 Space Aronson Gallery—3136 Habersham Rd., N.W. 262- Capsule used in NASA’s last unmanned space 7331. By appointment only. Paintings, sculpture, flight; 2. Collection of 21 paintings of space sub­ graphics of 19th and 20th century. jects (mostly executed in the ’50s) by Chesley Bonestall; 3. “The Sights & Sounds of the Oke- fenokee Swamp.’’ Barclay Gallery—3500 Peachtree Rd., Phipps Plaza. 233-8712. Continuing group show of major Ameri­ can and European printmakers; also featuring watercolorist Malcolm Brown, AWS. Concerts Sarah Brown Studio Gallery—3108 Roswell Rd., N.W. 233-1800, 261-2575. Drawings, paintings, art classes. Charles Duncan, classical guitar. Emory Univer­ Donald J. Brundage—4079 Peachtree Rd., N.E. sity, Tull Auditorium, 1 /10 at 8:15. 237-8628. Hand antiqued Georgia historical prints and Civil War Prints. Ferrante and Teicher, duo-pianists, 1/11 at 8:00, Civic Center. Famous Artists. Katherine Burke Studio-Workshop—2291 N. Druid Hills Rd., N.E., Toco Hills Shopping Center. 636- Emory String Quartet. Emo y University, Tull Audi­ 9911. Art classes in painting and drawing; 4 torium. 1 /12 at 4:00 10-week sessions. Georgia State University Faculty Concert, 1 /13 at Dalton Galleries—Dana Fine Arts Bldg., Agnes 8:15. Recital Hall. Scott College, Decatur. 377-1200. Students show. Flora Glenn Candler Concert Series. Moscow Chamber Orchestra. Emory University, Glenn Decatur Art Center—113 Trinity Place, Decatur. Memorial Auditorium. 1 /19 at 8:15. 378-6441. Paintings by Doris Hancock, Walt Dougherty, Willoweise and others. Georgia State University Faculty Concert. 1 /20 at 8:15. Recital Hall. Elson’s Sight and Sound Bookstore—3393 Peach­ tree Rd., N.E. Lenox Square. 261-2781. Changing Jethro Tull. 1/20. The Omni. exhibits of paintings, prints, sculpture. Liberace, 1 /25 and 1 /26. 8:00. Civic Center. Famous Artists. Gallery V—3110 Maple Dr., N.E., 237-4922. Thru January, featuring works by Kathy Butler. Club Cabaret: Salute to the 30’s. Emory University, Alumni Memorial University Center. Emory Wom­ Galerie lllien—123 14th St., N.E. 892-2696 Thru en’s Chorale and Emory Glee Club. 1 /24 and early Jan., new paintings and drawings by Vin- 1/25 at 8:15. cencia Blount; sculpture and drawings by David Heany; thru early Jan., African, pre-Columbian and Georgia State University Faculty Concert. 1 / 27 at Oceanic objects, Navajo rugs, ceramic sculpture, 8:15, Recital Hall. weaving, pottery, silk wall hangings and jewelry. Opening 1 /15 thru February, new paintings and Emory Bach Ensemble. Emory University, Tull drawings by Katherine Mitchell. Auditorium. 1 /26 at 4:00.

Haber’s Art Gallery—3493 Northside Pkwy., N.W., Virgil Fox Heavy Organ. 1 /31 at 8:00. Civic Cen­ ter. Famous Artists. W. Paces Ferry Plaza. 261-9691. Lithographs, drawings and watercolors by Jon Haber. Beverly Gilbert, piano. Emory University, Glenn Memorial Auditorium. 1 /31 at 8:15. Ray Ketcham Gallery—3232 Roswell Rd., N.W. 237-0770. 19th and early 20th century paintings, American and European.

Swan Coach House Gallery—3130 Slaton Dr., N.W. Opera 261-0224. Continuous show featuring works of 19 outstanding Georgia artists; open to public. Sunday Excursion, Opera, Inc. 1 /8, Mercer Uni­ Targa Fine Arts—2218 Peachtree Rd., N.W., 351- versity in Atlanta, 7:45. 1 /17, Rock Springs Pres­ 9229. Works by gallery and internationally recog­ byterian Church Fellowship Hall. 8:30. $1.50 nized artists. donation. Srfutti&ndic and ctudne Handling quality cookware Dinner for the serious cook. Mon. — Sat. 6 — Midnight BAS C AND ADVANCED FRENCH COOKING Lessons Beginning in January Rue de Paris 3140 E. SHADOW! AWN AVE. N.E. 'faartcaw’ BUCKHEAD 60-B Kenney's Alley • Underground Atlanta • 523-6251 233-1144 315 E. Paces Ferry Rd., N.E. • Buckhead • 261-9600

We invite you to our own Art Cen­ For sound ter: the art of interior design which advice takes its place with music, litera­ ture, painting as expressions of to help taste and continuing beauty. you realize From the magnificence of antique treasures to skillful variations of your the contemporary style and the charm of imported accent pieces, personal ours is the outstanding center for furniture and furnishings as art goals forms.

Southeast Wholesale Furniture Co.

Through designers 1065 Williams Street, Atlanta 30309 TOM FLOURNOY, III Open 9:30 a.m. to 6:00 p.m., C.L.U. Monday through Friday 2 Peachtree Street / Atlanta Atlanta Symphony Tiny Tots Concerts, 9:30 and 10:45 a.m. Alan Balter conducting. 1/14, Decatur Recreational Center; 1 /15, Southwest Christian Theatre Church.

Vagabond Marionettes. Opening 1 /4, thru Jan., Barn Dinner Theatre—1690 Terrell Mill Rd., S.E., “Aesop’s Fables.’’ Memorial Arts Center, Studio Marietta, 436-6262. 12/27-2/1, Star-Spangled Girl. Theatre. Mon.-Thurs., 10:00 & 11:30 a.m.; Fri. 10:00, 11:30 & 8:00 p.m.; Sat. 11:00, 1:00 & 3:00 Academy Theatre—3213 Roswell Rd., The Birthday p.m. Call 524-2095 for info. Party, 1/10-2/15. Every Fri. and Sat. at 8:30. Academy Children’s Theater. “Something in a Box” DeKalb Little Theatre. Tryouts for casting of for 5th thru 10th graders. Call 261-8550 for info. Becket, 1/12 (3-6) and 1/13 (7-10). St. Lukes Episcopal Church. Fernbank Science Center. 156 Heaton Park Dr., N.E., 378-4311. 1. Observatory in Fernbank Forest Noel Coward In Two Keys. Winter Play Season. open year round. 2. “Here, There, and Every­ Peachtree Playhouse. 1/14-1/19. where,” Sats, throughout the year. 3. Autumn walk thru Fernbank Forest daily. See Saw with John Rait. 1 /17. 8:00. Civic Center. Atlanta Public Library. Call your local branch for information concerning films, lectures, etc.

Cator Woolford Memorial Garden. Wildflower trail Children and greenhouses. 1815 Ponce de Leon. Sponsored by Fernbank Science Center. Call 378-4311 for info.

The City. High Museum. Junior Gallery. New Tullie Smith House Restoration. 3136 Slaton Dr, Exhibit for children showing Atlanta as a place N.W. Call 262-1067 for info. composed of the elements of design. 3:00-5:00, weekdays; 12-5:00, weekends. Children, 25c; Stone Mountain Memorial Park. Open year ’round. adults, 50c. Call 469-9831 for info.

Atlanta Children’s Theatre. Sat. 1 /25 at 2:30, Kennesaw Memorial Park. Open year ’round. 10-5. “Treasure Island.” 428-0502.

SEASON SUBSCRIPTIONS NOW ON SALE at the Box Office To The Alliance Theatre Company’s I975 SEASON SIX GREAT PLAYS - JANUARY THROUGH MAY For as little as $20.

"The Boy Friend" — January 16 — February 1 "When You Cornin' Back, Red Ryder?" — February 6 — February 22 "Harvey" — February 27 — March 15 "The Crucible" — March 20 — April 5 "Sherlock Holmes" — April 10 — April 26 "A Midsummer Night's Dream" — May 2 — 3, 9 — 10, 16 — 17 For information call the Box Office — 892-2414 or the Alliance Theatre Company's Office — 892-2797 Atlanta Symphony, for the final judging on April 19. Additional information about the competition may be obtained by writing Atlanta Young Artist’s Competition, John Schneider, Director, c/o Atlanta Symphony Orchestra, 1280 Peachtree St., NE, Atlanta, Ga. 30309.

In Historic Roswell Square For The Gift That Will Become A Keepsake Many Unique Gift Ideas

Pianist, Jerome Lowenthal, appears with guest conductor, Hiroyuki Iwaki, for concerts on Feb. 13, 14, and 15.

589 Atlanta St., Roswell, Ga. / 993-6502

1117 Alpharetta Street Roswell

o° o Soprano, Lorna Haywood, will be one of four o' effyl soloists singing with the Atlanta Symphony Chorus on Feb. 20, 21, and 23 in performances Picture x of Janacek's “Slavonic Mass” and Barber’s “The Frames „ Lovers.” \ r' c* Of FroO""* Women's Association "Kicks Off" Residential Funds Drive 993-8106 The residential fund raising drive, sponsored by the Women’s Association of the Atlanta Symphony Orchestra, will be kicked off January 27 with a The Snappy Turtle goal of $95,000. The residential section, a division of A Certain Look For the Orchestra's Individual Gifts Cam­ People With Distinctive paign, is under the direction of Mrs. Dan M. Mackey and Mrs. L. Neil Taste... Williams, Jr. Paul A. Ebbs, Jr. is chair­ LILLY PULITZER,'etc man of the Advance Section of the fund drive, which has a goal of $130,000 this season. IN CATES CENTER The residential drive will take more 1 10 E. ANDREWS DR., N.W. than 500 volunteers into virtually every community in the Atlanta area to raise support for the Orchestra. Last year’s highly successful drive raised $85,500 A better mixed drink from 2,500 persons, a 100 percent in­ employees who give a damn crease over the previous year’s donor's and an atmosphere both list. Although the residential drive is a genuine and relaxed. major project of the Women’s Associa­ tion, a large number of men participate each year as campaign workers. Vice-chairmen for the residential Santes drive will be: Mrs. James S. Briggs, Mrs. William F. Byrnes, Mrs. B. Wood­ fin Cobbs, Mrs. J. Rhodes Haverty, Mrs. Ferdinand K. Levy, Mrs. V. K. Little, Mrs. Michael J. Onofrio, Mrs. Robert Powell, Mrs. Roy P. Sandidge. Persons wishing to make tax-deduct­ ible contributions to the Orchestra should contact the Women's Associa­ tion office, phone 892-3600, ext. 252; or send their donation to “Gifts Cam­ paign,” Atlanta Symphony Orchestra, 1280 Peachtree Street, N.E., Atlanta, Georgia 30309. UNDERGROUND ATLANTA RESERVATIONS 577-1800 ATLANTA COLLEGE OF ART Evening Classes Begin January 13 The Atlanta College of Art Extension Program begins a new semester January 13, offering evening classes for college credit in drawing, painting, printmaking and interior design, among others. All classes meet once a week, Monday through Thursday, for 3 and 4 hours. New this semester will be a Basic Drawing course taught by Bruce Hafley. Mr. Hafley is a well-known local artist who has studied in Europe, and recently exhibited in the High Museum. Photog­ raphy is again being offered, but the course has been redesigned: Basic Pho­ tography is now broken down into 1 and 11, making it possible for students to spend two semesters perfecting Industrial, Warehouse camera technique. For more advanced and students, there is a Photo Techniques Office Development course, which includes cyanotype, gum­ printing, brownprinting, and emulsion on cloth, with special emphasis on the SHAHEEN & COMPANY student’s imagery. 681-1234 Several courses will be taught by in­ structors from the Degree Program continued faculty, among them Watercolor Paint­ ... ing with Keith Rasmussen, and Figure Painting with Fred Gregory. There will also be drawing courses taught by Ben Smith, a painting course with Comer Jennings, and printmaking, with Laura Mitchell. For further information, call 892- 3600, ext. 231.

College Gallery Now Open AND BEAUTIFUL FABRICS • ASK YOUR INTERIOR DESIGNER Gallery 413, the College’s new exhibit space, is now open. Work by Visiting Artists will be on display in conjunction with their visits, while exhibits by both the students and faculty of the College will be shown throughout the year. Gallery 413 is located on the “A” level and is open 11:00-4:00, Monday through Friday.

HIGH MUSEUM OF ART Forward Arts Foundation Presents Gift of Pissarro Painting to Museum An outstanding still life by Impres­ Lunch • Dinner sionist Camille Pissarro (1830-1903), Tues.Thru Sat. Bouquet of Flowers, has been given to Sat. Champagne the High Museum by the Forward Arts Brunch Foundation, one of Atlanta’s leading Sunday Dinner arts-supporting organizations, in honor

Reservations: of its First President, Mrs. Robert W. 266-8858 Chambers. The work was chosen from a number of important paintings ex­ amined by the Foundation’s board,

very special dining experience headed by Mrs. Robert W. Chambers, and the Museum’s Director, Gudmund 3^^^osvvelH

Benny Andrews: The Bicentennial Series Opens at The High Museum on January 18 Among the best-known black artists in America, Benny Andrews is a native of Madison, Georgia, where he was born in 1930, the second of ten children of sharecroppers. He attended Fort Valley State College, spent four years in the Air Force in Korea, and graduated ^Atlanta (ftljitta from the Chicago Art Institute. He has lived in New York since that time, and & Slass (Out kt has taught at the New School for Social Research, at California State College, Hayward, and at Queens, College, New NAME BRAND CHINAS, York. He has been the subject of IRONSTONES AND GIFTS numerous one-man exhibitions since 1960 and is included in major public DISCOUNT ON MOST ITEMS and private collections. 1845 Piedmont Rd. 876-5387 The exhibition saw its beginning in 1971 when Andrews had completed "Symbols,” a monumental work which deals with his background of black Georgia sharecroppers. “Trash” emerg­ CREATIVE LOAFING? ed the following year, “Circle” in 1973, and in 1974, “Sexism.” In addition to If you think you can't afford the four central compositions of the Bi­ it, you're talking to the wrong people! centennial Series, the exhibition will also include 40 to 50 related paintings and drawings. 261-1516 Organized by the High Museum, the exhibition will travel to several other ATLANTA WORLD OF TRAVEL American cities after the initial Atlanta 3355 Lenox Rd., N.E. • Atlanta showing. flemde li.i Atlanta Arts Elegant Dining • Classic Cuisine IlliMonthly magazine of the Atlanta Memorial Arts Center 1280 Peachtree Street, N.E. Atlanta Georgia 30309 1974 HOLIDAY Award-Winning Restaurant JANUARY, 1975 VOLUME VII ISSUE 4 We Honor American Express &■ THE ATLANTA ARTS ALLIANCE Other Major Credit Cards Charles R. Yates 2470 Cheshire Bridge Rd., N.E. • Ph. 633-2633 President James K. Griffeth Controller William D. Shippen Facilities Manager THE ATLANTA SYMPHONY ORCHESTRA Frank Ratka General Manager Richard W. Thompson Assistant Manager THE HIGH MUSEUM OF ART Gudmund Vigtel Director Ms. Paula Hancock Now open Curator of Education THE ATLANTA COLLEGE OF ART in Colony Square. William Voos Dean Hours: 9:30 a.m.-9:00 p.m. Mrs. Guthrie Foster Phone: 892-0403 Assistant Dean THE ALLIANCE THEATRE COMPANY David Bishop Managing Director THE ATLANTA CHILDREN S THEATRE Charles L. Doughty Director PARKING FACILITIES: Center Parking garage with covered parking directly adjacent to Center, en­ trances on Peachtree and Lombardy Way; also com­ mercial parking across from Peachtree entrance to Center, and north of First Presbyterian Church. BOX OFFICE: (404) 892-2414. Hours: Mon. through Fri. 9:30-5:30 (or until curtain); Sat. noon-4:00 (or until curtain); Sun. noon-3:00. The Memorial Center Box Office handles tickets for the Atlanta Symphony, Atlanta Children’s Theatre, Alliance Theatre Company, Atlanta Music Club Membership Series, Famous Artists Series, Theatre Atlanta Off Peachtree; Vagabond Marionettes; Travelogue Film Series; also on night of performance, all tickets for any event scheduled in the Arts Center. TOURS: For information on regular weekday tours or group tour arrangements, call (404) 892-3600. RESTROOMS: Located off the Gallleria Balcony across from both Symphony Hall and the Alliance Theatre. Also located adjacent to the balcony lobbies inside Symphony Hall. OUR COVER—The Boy Friend opens theatre sea­ son on January 16. ATLANTA ARTS Magazine is published for the Atlanta Memorial Arts Center, by The Conger Printing Co., Inc. in Atlanta, Georgia. All rights to Atlanta Arts are reserved by the Atlanta ATLANTA CHILDREN'S THEATRE Memorial Arts Center. Reproduction from the presents magazine in whole or in part without permission is prohibited. Editorial Office, 1619 Chattahoochee "TREASURE ISLAND" Ave., N.W., Atlanta 30318. Phone (404) 352-2039 L. W. CONGER, JR. LIZ GILLIAM Publisher Editor Opening — January 7 NANCY SHEFFIELD ERNEST DeVANE In and Around Town Art Director Sometimes taking people away brings them closer together. Whether it’s the magic of an exotic culture or the exhilaration of a sunny day, sharing beautiful moments with someone you love is very precious. It is because we appreciate the value of these experiences that Eastern has done everything possible to make them affordable. Helping to bring people closer together is one of the things that makes us what we are. EASTERN The Wings of Man.