Detroit’s maritime techno underground. On the relationship between the 18th century pirates movement and concepts of social utopias, ideology, and cultural production in Detroit techno. A proseminar-paper for PS Cultural and Media Studies, course title: Pirates in (US-)American Culture, conducted by Mag.a Dr.in Alexandra Ganser, WS 2014/2015, by Christian Hessle, matriculation number: 9450392, e-mail:
[email protected] due to 1 March 2015, 3676 words. 2 Table of Contents 1. Introduction...................................................................................................................3 2. Double consciousness....................................................................................................3 3. The black Atlantic..........................................................................................................4 4. The ancestors of Detroit techno: Funk, Fusion Jazz, and Afrofuturism........................5 5. The Belleville Three......................................................................................................6 6. The factory: from the ship to the city............................................................................6 7. Underground Resistance................................................................................................7 8. Drexciya.......................................................................................................................10 9. Conclusion...................................................................................................................12