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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Record-Business-1982
INSIDE Singles chart, 6-7; Album chart, 17; New Singles, 18; New Albums 9; Airplay guide, 14-15; Independent Labels, 8; Country Music Focus,12-13. April 5, 1982 VOLUME FIVENumber 2 65p 56 staff given Record wholesalers' notice at EMI's video success story World Records IN STARK contrast to their retailing area of business. "It will never take mail order co. counterparts record wholesalers areover the record side and we wouldn't leading the move into video and mostwant it to but it is a valuable line," said WORLD RECORDS, EMI'smail are well placed to take advantage of theBrian Yershon, video marketing man- order arm, will be sold or merged with expected boom. ager. another direct mail company within the While the video -only wholesalers "In 1982 we are primarily a record next few months. eye the horizon with some trepidationwholesaler but we seefiveyears The company, which began 25 years the record/video outfits, particularlygrowth in the video industry. We are ago, was moved out of its Richmond the big four - Wynd-Up, Terry Blood,seeing growth on both sides and I think offices last year and re -settled at the S. Gold & Sons and Warrens - arethat records and videos are natural main EMI factory complex at Uxbridge looking for growth. bedfellows," said Colin Reilly, Wynd- Road, Hayes. The 56 staff were told last All these companies plus LightningUp chief executive. As a main board week that talks were taking place with (whose recent name change to Light-director of NSS he is also sure that other companies interested in either ning Records & Video indicates itsvideo is a promising retail growth area. -
East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
293202846.Pdf
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Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
Songs by Title
Karaoke Box London www.karaokebox.co.uk 020 7329 9991 Song Title Artist 22 Taylor Swift 1234 Feist 1901 Birdy 1959 Lee Kernaghan 1973 James Blunt 1973 James Blunt 1983 Neon Trees 1985 Bowling For Soup 1999 Prince If U Got It Chris Malinchak Strong One Direction XO Beyonce (Baby Ive Got You) On My Mind Powderfinger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Cant Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Everybody's Gotta Learn Sometime) I Need Your Loving Baby D (Everything I Do) I Do It For You Bryan Adams (Hey Wont You Play) Another Somebody… B. J. Thomas (How Does It Feel To Be) On Top Of The World England United (I Am Not A) Robot Marina And The Diamonds (I Love You) For Sentinmental Reasons Nat King Cole (If Paradise Is) Half As Nice Amen Corner (Ill Never Be) Maria Magdalena Sandra (I've Had) The Time Of My Life Bill Medley and Jennifer Warnes (Just Like) Romeo And Juliet The Reflections (Just Like) Starting Over John Lennon (Keep Feeling) Fascination The Human League (Maries The Name) Of His Latest Flame Elvis Presley (Meet) The Flintstones B-52S (Mucho Mambo) Sway Shaft (Now and Then) There's A Fool Such As I Elvis Presley (Sittin On) The Dock Of The Bay Otis Redding (The Man Who Shot) Liberty Valance Gene Pitney (They Long To Be) Close To You Carpenters (We Want) The Same Thing Belinda Carlisle (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears 1 2 3 4 (Sumpin New) Coolio 1 Thing Amerie 1+1 (One Plus One) Beyonce 1000 Miles Away Hoodoo Gurus -
TRONDHEIM, MARINEN 21.-22. AUGUST Årets Nykommer 2008 Norsk Rockforbund
- FESTIVALAVIS-FESTIVALAVIS-FESTIVALAVIS-FESTIVALAVIS-FES TRONDHEIM, MARINEN 21.-22. AUGUST Årets nykommer 2008 Norsk Rockforbund 24 band på 3 scener i 2 dager. Tenk deg om 2 ganger før du finner på noe annet. RÖYKSOPP, MOTORPSYCHO, ANE BRUN, ULVER, THÅSTRÖM(SE) CALEXICO(US), LATE OF THE PIER(UK), PRIMAL SCREAM(UK) GANG OF FOUR(UK), JAGA JAZZIST, RUPHUS, SKAMBANKT, HARRYS GYM, BLACK DEBBATH, SLAGSMÅLSKLUBBEN(SE), FILTHY DUKES(UK) MARINA AND THE DIAMONDS (UK), I WAS A KING, KIM HIORTHØY, STINA STJERN, 22, AMISH 82, THE SCHOOL, FJORDEN BABY! Blåsvart er aktivitet og mat FESTIVALINFO FESTIVALINFO Blått er scener Grønt er servering og bong Rødt er toaletter Orange er inngang Lilla er kino Pstereo no igjæn? Greit å vite FESTIVALSMARTS I sine tre første leveår Marinen Vi ber publikum være forsiktig med elvebredden og Vi gadd ikke å forfatte egne regler for festivalvett så vi har Pstereo opplevd Marinen er Trondheims mest idylliske friluftsområde. kanten ved kanonoppstillingen. Om vaktene ber deg flytte tjuvlånte de som allerede er nedskrevet av Norsk Rockfor- en bratt oppadgående Området ligger helt nede ved Nidelvens bredder, og har deg fra kanten eller elvebredden så er det kult om du hører bund. De kan for øvrig også oppsummeres slik; Man skal formkurve. Festivalen Nidarosdomen som nærmeste nabo. Når du kommer etter. Ingen ønsker skader under festivalen. ikke plage andre, man skal være grei og snill, og for øvrig har altså kommet for å inn på festivalområdet, så ønsker vi at du skal ta hensyn kan man gjøre hva man vil. bli. Tre ganger gjen- til områdets verdighet. -
Psychotherapy in Pop Song Lyrics
Psychotherapy in pop song lyrics Running head: Psychotherapy in pop song lyrics ‘That boy needs therapy’: Constructions of psychotherapy in popular song lyrics Miltiades Hadjiosif1 and Adrian Coyle2 1Department of Health & Social Sciences, University of the West of England, Bristol, UK, and Scholar of the Alexander S. Onassis Public Benefit Foundation 2Department of Psychology, Kingston University London, UK Corresponding author: Dr Miltiades Hadjiosif, Department of Health & Social Sciences, University of the West of England, Frenchay Campus, Bristol BS16 1QY, UK. Email: [email protected] Miltiades Hadjiosif is a Chartered Counselling Psychologist and a Scholar of the Alexander S Onassis Public Benefit Foundation. He is Senior Lecturer in Counselling Psychology at the University of the West of England and sits on the Committee of the British Psychological Society's Community Psychology Section. His research focuses on discursive dimensions of psychotherapeutic constructs. Adrian Coyle is Professor of Social Psychology at Kingston University London. His areas of research expertise concern identity, psychology and religion, loss and bereavement, and qualitative research methods. With Evanthia Lyons, he was co-editor of Analysing Qualitative Data in Psychology (SAGE, 2016). Acknowledgements We would like to thank three anonymous reviewers for their helpful comments on an earlier version of this paper. Our heartfelt appreciation goes to our key informants for their time and enduring interest in our work. Special thanks to Giannis Papazachos for sound mixing an audio clip to play at conferences where we have presented a version of this paper. Word count: 6729 (excluding references and Appendix) 1 Psychotherapy in pop song lyrics ‘That boy needs therapy’: Constructions of psychotherapy in popular song lyrics Abstract Despite a plethora of academic and clinical descriptions of psychotherapy, less research attention has been focused on the ways in which psychotherapy is talked about and represented in popular culture. -
1 This Isn't Paradise, This Is Hell: Discourse, Performance and Identity in the Hawai'i Metal Scene a Dissertation Submitte
1 THIS ISN’T PARADISE, THIS IS HELL: DISCOURSE, PERFORMANCE AND IDENTITY IN THE HAWAI‘I METAL SCENE A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES DECEMBER 2012 By Benjamin Hedge Olson Dissertation Committee: Kathleen Sands, Chairperson David E. Stannard Vernadette Gonzalez Roderick Labrador Helen J. Baroni Keywords: metal, popular music, popular culture, religion, subculture, Hawai‘i 2 Abstract The island of Oahu is home to probably the most ethnically diverse metal scene in the United States. Contemporary Hawai`i prides itself on being a “model of multiculturalism” free of the racism and ethnic strife that is endemic to the continent; however, beneath this superficial openness and tolerance exist deeply felt class, ethnic, and racial tensions. The metal scene in Hawai`i experiences these conflicting impulses towards inclusion and exclusion as profoundly as any other aspect of contemporary Hawaiian culture, but there is a persistent hope within the metal scene that subcultural identity can triumph over such tensions. Complicating this process is the presence of white military personnel, primarily born and raised on the continental United States, whose cultural attitudes, performances of masculinity, and conception of metal culture differ greatly from that of local metalheads. The misunderstandings, hostilities, bids for subcultural capital, and attempted bridge-building that take place between metalheads in Hawai‘i constitute a subculturally specific attempt to address anxieties concerning the presence of the military, the history of race and racism in Hawai`i, and the complicated, often conflicting desires for both openness and exclusivity that exist within local culture. -
Justice Dans Hep Taxi !
JUSTICE dans le taxi de Jérôme Colin Jérôme : Bonjour. Dites-moi, vous allez où ? Gaspard Augé : On voulait voir la plus grande croix de Belgique. On a entendu parler de ça mais on ne sait pas vraiment où c’est. Jérôme : C’est vrai. Je vois où c’est. Basilique de Koekelberg. Gaspard : De Koekelberg. Jérôme : C’est bien. C’est vrai que c’est un peu votre truc, les croix du coup. Xavier de Rosnay : Actor Studio là non ? Jérôme : Pas mal hein ! Xavier : Qu’est-ce que t’en penses ? Jérôme : Pas mauvais jusqu’ici. Je m’appelle Jérôme. Bonjour. Xavier : Salut Jérôme. Jérôme : Enchanté. Gaspard : Gaspard. Les interviews d’Hep Taxi ! Jérôme Colin au volant, le portrait en mouvement de Justice Xavier : Y’a pas de ceinture au milieu, on fera bien attention. J’ai très peur en voiture. Jérôme : C’est vrai. Je vais essayer, promis. Jérôme : Vous connaissez bien Bruxelles ? Gaspard : Un petit peu. J’aime vraiment beaucoup Bruxelles. Jérôme : Ah oui ? Gaspard : Oui. Jérôme : Pour quelles raisons ? Gaspard : Principalement parce que c’est moins rigoureux que Paris en terme d’architecture. Ça n’a pas été complètement uniformisé comme Paris. J’aime beaucoup tous les trucs art déco et art nouveau. C’est un peu le fief. La Croix Jérôme : C’est parti, on va voir la croix. Vous allez voir, elle est belle. Xavier : Il paraît. Jérôme : J’ai découvert il n’y a pas longtemps une ville qui s’appelle Ostuni en Italie, dans les Pouilles, c’est une ville sur une colline comme ça, énorme, une ville blanche sur la mer et le soir c’est hallucinant, sur pratiquement la hauteur de la colline il y a une croix qui doit faire 35m de haut. -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music.