Episode Guide Episodes 001–009
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1 Cultural Daily Independent Voices, New Perspectives The Cake Rises, Partway Sylvie Drake · Wednesday, August 2nd, 2017 Sometimes you get lucky. This happens when events beyond your control unexpectedly slide into your orbit with an altogether wondrous effect. Which is pretty much what happened when playwright Bekah Brunstetter got an idea for a play about a bake shop whose deeply religious owner is asked to bake a wedding cake for a gay couple — at a time when the politics of the day were buzzing with cases of similar real-life situations. But Brunstetter, a successful TV producer and writer (NBC’sThis Is Us and Starz’s American Gods), went a step further in her play,The Cake. Della, the baker, has known and cherished the young woman who’s about to be married since she was a baby. So imagine her consternation when she discovers that this beautiful child she so adores is about to marry… a woman. That’s the situation, a little complicated and very perplexing. Cultural Daily - 1 / 6 - 07.08.2021 2 Debra Jo Rupp in The Cake. In a New York Times interview, Brunstetter said she had been working on the idea for this piece since 2015. It gained traction when the U.S. Supreme Court agreed to hear the case of Masterpiece Cakeshop v. Colorado Civil Rights Commission — a 2012 case involving a baker who refused to make a wedding cake for a gay couple. Brunstetter, who grew up in a devout and happy Southern Baptist family in Winston-Salem, makes no bones about feeling caught in the middle — with an enduring appreciation for the warm Christian embrace she knew as a child and still enjoys, and the gay perspective that she has grown to appreciate as a straight adult. -
PRODUCTION NOTES for Additional Publicity Materials and Artwork, Please Visit
PRODUCTION NOTES For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity Run Time: 158 minutes U.S. Release Date: March 22, 2019 (In Theaters and On Demand) For more information, please contact: Liz Berger Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3092 E: [email protected] DRAGGED ACROSS CONCRETE SUMMIT ENTERTAINMENT Publicity Materials: http://lionsgatepublicity.com/theatrical/draggedacrossconcrete/ Hashtag: #DraggedAcrossConcrete Genre: Action Thriller Rating: Rated R for strong violence, grisly images, language, and some sexuality/nudity U.S. Release Date: March 22, 2019 (In Theaters and On Demand) Run Time: 158 minutes Cast: Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, with Thomas Kretschmann, and Don Johnson Written and Directed by: S. Craig Zahler Produced by: Keith Kjarval, p.g.a., Dallas Sonnier, p.g.a., Jack Heller, Tyler Jackson, Sefton Fincham SYNOPSIS: DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. With little money and no options, the embittered policemen descend into the criminal underworld and find more than they wanted waiting in the shadows. Summit Entertainment presents, a Unified Pictures production, a Cinestate production, in association with Look to the Sky Films and The Fyzz Facility, in association with Realmbuilder Productions. Synopsis DRAGGED ACROSS CONCRETE follows two police detectives who find themselves suspended when a video of their strong-arm tactics is leaked to the media. -
Sight Sound Motion
Sight Sound Motion Applied Media Aesthetics EIGHTH EDITION Herbert Zettl Sight Sound Motion FROM THE CENGAGE SERIES IN COMMUNICATION ARTS General Mass Communication Belmas/Overbeck, Major Principles of Media Law, 2016 Edition Biagi, Media/Impact: An Introduction to Mass Media, Twelfth Edition Fellow, American Media History, Third Edition Lester, Visual Communication: Images with Messages, Sixth Edition Straubhaar/LaRose/Davenport, Media Now: Understanding Media, Culture, and Technology, Ninth Edition Zelezny, Cases in Communications Law, Sixth Edition Zelezny, Communications Law: Liberties, Restraints, and the Modern Media, Sixth Edition Journalism Bowles/Borden, Creative Editing, Sixth Edition Davis/Davis, Cengage Advantage Books: Think Like an Editor: 50 Strategies for the Print and Digital World, Second Edition Hilliard, Writing for Television, Radio, and New Media, Eleventh Edition Kessler/McDonald, When Words Collide: A Media Writer’s Guide to Grammar and Style, Ninth Edition Rich, Writing and Reporting News: A Coaching Method, Eighth Edition Public Relations and Advertising Diggs-Brown, The PR Styleguide: Formats for Public Relations Practice, Third Edition Drewniany/Jewler, Creative Strategy in Advertising, Eleventh Edition Hendrix/Hayes, Public Relations Cases, Ninth Edition Newsom/Haynes, Public Relations Writing: Strategies and Structures, Eleventh Edition Newsom/Turk/Kruckeberg, Cengage Advantage Books: This is PR: The Realities of Public Relations, Eleventh Edition Radio, Television, and Film Albarran, Management of Electronic -
Pilot Season
Portland State University PDXScholar University Honors Theses University Honors College Spring 2014 Pilot Season Kelly Cousineau Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Cousineau, Kelly, "Pilot Season" (2014). University Honors Theses. Paper 43. https://doi.org/10.15760/honors.77 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pilot Season by Kelly Cousineau An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Film Thesis Adviser William Tate Portland State University 2014 Abstract In the 1930s, two historical figures pioneered the cinematic movement into color technology and theory: Technicolor CEO Herbert Kalmus and Color Director Natalie Kalmus. Through strict licensing policies and creative branding, the husband-and-wife duo led Technicolor in the aesthetic revolution of colorizing Hollywood. However, Technicolor's enormous success, beginning in 1938 with The Wizard of Oz, followed decades of duress on the company. Studios had been reluctant to adopt color due to its high costs and Natalie's commanding presence on set represented a threat to those within the industry who demanded creative license. The discrimination that Natalie faced, while undoubtedly linked to her gender, was more systemically linked to her symbolic representation of Technicolor itself and its transformation of the industry from one based on black-and-white photography to a highly sanctioned world of color photography. -
Essentials of 3D Digitizing
Copyright © 2007 by Timothy W. Frost, All Rights Reserved No part of this book may be reproduced or transmitted in any form or by any means either electronic or mechanical, including but not limited to, photocopying, recording, scanning, or otherwise, or through the use of any information storage and retrieval system except as permitted under sections 107 or 108 of the 1976 United States Copyright Act without the express, written permission from the author, Timothy W. Frost. Husqvarna and Viking are registered trademarks. Products of this Corporation mentioned in this book are: 4D Embroidery 4D Embroidery Extra 4D Stitch Editor 4D Sketch 4D Design Creator 4D Design Aligner 4D Organizer 4D Configure 4D Disk Manager 4D Reader/Writer USB 4D d-Card Reader/Writer 4D Vision 4D Disk Manager USB All screen shots are from one or more of the above products and are used with permission from Viking Sewing Machines, Incorporated, Westlake, Ohio. Windows is a registered trademark of Microsoft, Incorporated. Products of this Corporation mentioned within this book are the following: Microsoft Paint Microsoft Windows XP Microsoft Windows Explorer Microsoft Windows Vista Other products mentioned in this book may be trademarks or registered trademarks of their respective companies or corporations and are hereby acknowledged. All of the projects and information presented in this book were completed using version 8.0 of the 4D Embroidery System and stitched out on a Husqvarna Viking Designer SE sewing machine. However, no warranty is given nor results guaranteed. Questions, comments, and inquiries are welcomed by the author who may be contacted via email at his web site: www.mrpatience.com 1 www.mrpatience.com That is the address of my web site. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Southwest Gas Corporation A+ Total Care Canyon Construction
Hours of Operation: Monday – Friday, 8:00 am – 4:00 pm Board of Directors MISSION STATEMENT: To provide nutritious meals, socialization, Jennifer Back health screening, and education. We act as a catalyst for access, Chair opportunity, health and independence for older adults. Cindy Hyslop Vice Chair Thank you to everyone who helped spread the word and to those who came to play games, dine with us, and volunteer hours. We Catherine Vosburg Member couldn’t do this without your support and encouragement. Katrinka Russell Member Vicki Salazar Member Center Staff Charnice Gustafson Interim Director Please join me as we publicly recognize the sponsors who generously donated to make this event possible: Carissa Cassadore Program Coordinator Southwest Gas Corporation Marjorie Birdsill Lead Cook A+ Total Care Candi Ashby Kitchen Aide / Driver Canyon Construction Josie O’Donnell Highland Estates Kitchen Aide / Driver Pizza Barn Debbi Constable Kitchen Aide / Driver PACE Coalition Jesse Morgan Dishwasher Maggie Creek Ranch Total Eyecare Nevada Bank & Trust Read & Powell Family Dental Care 1 | P a g e The Terrace at Ruby View | 775-738-3030 1795 Ruby View Dr. Elko | www.elkoseniors.org August 2019 August Birthday Celebrations Paris, Rama 1 Vaughan, Johnnie 10 Hauser, Laura 20 Church, Susan 1 Solari, Gloria 11 Johnson, Diana 20 Mayer, Mary 1 Huston, Sally 11 Stanton, Jim 20 Hankins, Helen 2 Shurtliff, Janis 11 Konakis, Stanley 20 Farnsworth, Susanna 2 Patton, Ann 11 Hartley, David 21 Reitmeier, Donald 2 Reynolds, Dea Ann 11 Parman, Thetis 21 Stone, -
A Serious Man (2009)
A Serious Man (2009) “Receive with simplicity everything that happens” --Rashi Major Credits: Directors: Joel and Ethan Coen Script: Joel and Ethan Coean Cinematography: Roger Deakins Editing: Roderick Jaynes (pseudonym for Joel and Ethan Coen) Music: Carter Burwell Cast: Michael Stuhlbarg (Larry Gopnik); Richard Kind (Uncle Arthur); Fred Melamed (Sy Abelman); Sari Lennick (Judith Gopnik); Amy Landecker (Mrs. Samsky) Background: Following the success of No Country for Old Men (2007), the Coen brothers felt free to return to an uncharacteristically personal story that they had been thinking about for many years. Set in 1967 in an upper Midwest suburbia like the one outside Minneapolis in which they were raised, A Serious Man draws upon Joel’s and Ethan’s memories as it re-tells the Biblical tale of Job. Although generally praised by critics (earning a Best Picture nomination from the Academy under its newly expanded system of selecting ten movies instead of five), the film, perhaps not surprisingly, did not generate the same buzz as their multiple Oscar-winning Western. Nevertheless, it remains one of their most skillfully crafted works, one that manages to be both painfully funny and deeply disturbing. Its reputation will almost surely grow. Cinematic Elements: 1. The Yiddish prologue, with its narrowed frame, sepia tone, and focused lighting, evokes both the style of silent movies and the vernacular language and storytelling of the Yiddish theatre. Although the Coens have explicitly denied any relevance to the modern story, the prologue clearly resonates with the themes and tone of the rest of A Serious Man. 2. Music: The Coens again collaborate with their favorite composer, Carter Burwell, and the film’s eclectic score—from the Jefferson Airplane’s “Don’t You Want Somebody to Love” to Sidor Belarsky’s melancholy Yiddish song “The Miller’s Tears”—reinforces the film’s shifts from hallucination and dream to comedy and melodrama. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
The Muppets Take the Mcu
THE MUPPETS TAKE THE MCU by Nathan Alderman 100% unauthorized. Written for fun, not money. Please don't sue. 1. THE MUPPET STUDIOS LOGO A parody of Marvel Studios' intro. As the fanfare -- whistled, as if by Walter -- crescendos, we hear STATLER (V.O.) Well, we can go home now. WALDORF (V.O.) But the movie's just starting! STATLER (V.O.) Yeah, but we've already seen the best part! WALDORF (V.O.) I thought the best part was the end credits! They CHORTLE as the credits FADE TO BLACK A familiar voice -- one we've heard many times before, and will hear again later in the movie... MR. EXCELSIOR (V.O.) And lo, there came a day like no other, when the unlikeliest of heroes united to face a challenge greater than they could possibly imagine... STATLER (V.O.) Being entertaining? WALDORF (V.O.) Keeping us awake? MR. EXCELSIOR (V.O.) Look, do you guys mind? I'm foreshadowing here. Ahem. Greater than they could possibly imagine... CUT TO: 2. THE MUPPET SHOW COMIC BOOK By Roger Langridge. WALTER reads it, whistling the Marvel Studios theme to himself, until KERMIT All right, is everybody ready for the big pitch meeting? INT. MUPPET STUDIOS The shout startles Walter, who tips over backwards in his chair out of frame, revealing KERMIT THE FROG, emerging from his office into the central space of Muppet Studios. The offices are dated, a little shabby, but they've been thoroughly Muppetized into a wacky, cozy, creative space. SCOOTER appears at Kermit's side, and we follow them through the office.