LUDWIG VAN BEETHOVEN Complete Piano Pieces 3 Cds
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1785-1998 September 1998
THE EVOLUTION OF THE BROADWOOD GRAND PIANO 1785-1998 by Alastair Laurence DPhil. University of York Department of Music September 1998 Broadwood Grand Piano of 1801 (Finchcocks Collection, Goudhurst, Kent) Abstract: The Evolution of the Broadwood Grand Piano, 1785-1998 This dissertation describes the way in which one company's product - the grand piano - evolved over a period of two hundred and thirteen years. The account begins by tracing the origins of the English grand, then proceeds with a description of the earliest surviving models by Broadwood, dating from the late eighteenth century. Next follows an examination of John Broadwood and Sons' piano production methods in London during the early nineteenth century, and the transition from small-scale workshop to large factory is noted. The dissertation then proceeds to record in detail the many small changes to grand design which took place as the nineteenth century progressed, ranging from the extension of the keyboard compass, to the introduction of novel technical features such as the famous Broadwood barless steel frame. The dissertation concludes by charting the survival of the Broadwood grand piano since 1914, and records the numerous difficulties which have faced the long-established company during the present century. The unique feature of this dissertation is the way in which much of the information it contains has been collected as a result of the writer's own practical involvement in piano making, tuning and restoring over a period of thirty years; he has had the opportunity to examine many different kinds of Broadwood grand from a variety of historical periods. -
The Double Keyboard Concertos of Carl Philipp Emanuel Bach
The double keyboard concertos of Carl Philipp Emanuel Bach Item Type text; Thesis-Reproduction (electronic) Authors Waterman, Muriel Moore, 1923- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 18:28:06 Link to Item http://hdl.handle.net/10150/318085 THE DOUBLE KEYBOARD CONCERTOS OF CARL PHILIPP EMANUEL BACH by Muriel Moore Waterman A Thesis Submitted to the Faculty of the DEPARTMENT OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 0 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of re quirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judg ment the proposed use of the material is in the interests of scholar ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: JAMES R. -
NOVEMBER 2020 COMPLIMENTARY GUIDE Catskillregionguide.Com
Catskill Mountain Region NOVEMBER 2020 COMPLIMENTARY GUIDE catskillregionguide.com WELCOME HOME TO THE CATSKILL MOUNTAINS! With a Special Section: Visit Woodstock November 2020 • GUIDE 1 2 • www.catskillregionguide.com IN THIS ISSUE www.catskillregionguide.com VOLUME 35, NUMBER 11 November 2020 PUBLISHERS Peter Finn, Chairman, Catskill Mountain Foundation Sarah Finn, President, Catskill Mountain Foundation EDITORIAL DIRECTOR, CATSKILL MOUNTAIN FOUNDATION Sarah Taft ADVERTISING SALES Barbara Cobb Steve Friedman CONTRIBUTING WRITERS & ARTISTS Benedetta Barbaro, Darla Bjork, Rita Gentile, Liz Innvar, Joan Oldknow, Jeff Senterman, Sarah Taft, Margaret Donsbach Tomlinson & Robert Tomlinson ADMINISTRATION & FINANCE Candy McKee On the cover: The Ashokan Reservoir. Photo by Fran Driscoll, francisxdriscoll.com Justin McGowan & Emily Morse PRINTING Catskill Mountain Printing Services 4 A CATSKILLS WELCOME TO THE GRAF PIANO DISTRIBUTION By Joan Oldknow & Sarah Taft Catskill Mountain Foundation 12 ART & POETRY BY RITA GENTILE EDITORIAL DEADLINE FOR NEXT ISSUE: November 10 The Catskill Mountain Region Guide is published 12 times a year 13 TODAY BUILDS TOMORROW: by the Catskill Mountain Foundation, Inc., Main Street, PO Box How to Build the Future We Want: The Fear Factor 924, Hunter, NY 12442. If you have events or programs that you would like to have covered, please send them by e-mail to tafts@ By Robert Tomlinson catskillmtn.org. Please be sure to furnish a contact name and in- clude your address, telephone, fax, and e-mail information on all correspondence. For editorial and photo submission guidelines 14 VISIT WOODSTOCK send a request via e-mail to [email protected]. The liability of the publisher for any error for which it may be held legally responsible will not exceed the cost of space ordered WELCOME HOME TO THE CATSKILL MOUNTAINS! or occupied by the error. -
The Keyboad Sonatas of Domenico Scalatti and Eighteenth-Centuy Musical Style
THE KEYBOAD SONATAS OF DOMENICO SCALATTI AND EIGHTEENTH-CENTUY MUSICAL STYLE W. DEAN SUTCLIFFE St Catharine’sCollege, Cambridge published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge CB2 1RP, United Kingdom cambridge university press The Edinburgh Building, Cambridge, CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2003 Thisbook isin copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Bembo 11/13 pt. System LATEX2ε [TB] A catalogue record for this book is available from the British Library ISBN 0 521 48140 6 hardback CONTENTS Preface page vii 1 Scarlatti the Interesting Historical Figure 1 2 Panorama 26 Place and treatment in history 26 The dearth of hard facts29 Creative environment 32 Real-life personality 34 The panorama tradition 36 Analysis of sonatas 38 Improvisation 40 Pedagogy 41 Chronology 43 Organology 45 Style classification 49 Style sources 54 Influence 55 Nationalism I 57 Nationalism II 61 Evidence old and new 68 3 Heteroglossia 78 An open invitation to the ear: topic and genre 78 A love-hate relationship? -
Roland Axis-1 Manual
Roland Axis-1 Manual Keyboard Controller. AX-1 Electronic Keyboard pdf manual download. Electronic Keyboard Roland AXIS-1 Owner's Manual. Midi keaboard (36 pages). Vintage-Roland-AXIS-1-Keytar- Keyboard-MIDI-Controller Copy of the original Owner's manual. Guaranteed NO DOA – Bid With Confidence. Flat shipping. BT-1 Bar Trigger Pad CDX-1 DiscLab FR-1 V-Accordion GLC-1 Lab Conferencing System · GR-1 Guitar Synthesizer. 3 posts • Page 1 of 1 The machine appears to move fine in the XY axis, whether using the buttons on the machine or via the software. The manual Z axis down control will not work without the plastic safety cover being. if this is unusable. A-110 Owner's Manual ADA-8024 Owner's Manual · AF-70 Owner's Manual · AP-700 Owner's Manual AXIS-1 Owner's Manual. picked up a Roland HS-10 (Alpha Juno 1) for a good price. All. Manual - Get a copy of the Alpha Juno-1 manual here in PDF format. SysEx Basics - Helpful. Roland Axis-1 Manual Read/Download Roland AXIS-1 Service Notes (10 Pages). Roland AX-Synth Owners Manual (46 Pages). Roland BA-55 Owners Manual (176 Pages). Roland BC-13 Owners. 1 List of keytars, 2 Custom/rare keytars. 2.1 Rare keytar products 1795, Orphica, acoustic piano, –, a portable miniature piano in horizontal harp form. 1985, Roland AXIS, controller, MIDI Dynacord Rhythm Stick MIDI - operating manual. The Global website of Roland Corporation, a leading manufacturer and distributor The JD-Xi Dance Collection Volume 1 includes 16 new Programs using. -
Politzer 100 – Beethoven 250 – Raffael 500 Narrenturm, Wien, 16
Medical Humanities Politzer 100 – Beethoven 250 – Raffael 500 Narrenturm, Wien, 16. Oktober 2020 (Streaming) LUDWIG VAN BEETHOVEN ADAM POLITZER RAFFAEL Joseph Mähler 1815 Carl Probst 1887 Selbstportrait 1506 Lavotta, Prochaska 200 – Hammerschlag 150 – Weichselbaum, Messerklinger 100 JÁNOS ANTON VICTOR WALTER LAVOTTA WEICHSELBAUM HAMMERSCHLAG MESSERKLINGER 1764 – 1820 1845 – 1920 1870 – 1943 1920 – 2001 Musik Bakteriologie Ohrenheilkunde NNH-Chirurgie Organisation: Naturhistorisches Museum, Wiener Gesundheitsverbund, AG Medical Humanities ÖAW Herwig Swoboda, Eduard Winter, Felicitas Seebacher 2020 beinhaltet Jubiläen der Ohrenheilkunde, der Musik und der bildenden Kunst. Vor 150 Jahren wurde die HNO-Heilkunde ein akademisches Fach. Entstanden war sie in der „Generation Beethoven“ um Jean Itard (1774-1838), der auch die Kinderpsychiatrie begründete, aus sensualistischer Welterfahrung wie auch Wiener Klassik und Klassizismus. 3 DFP-Punkte angesucht – Links für Webminar 13-15h, Streaming 15:30-18h 13h https://us02web.zoom.us/webinar/register/WN_KESDQ-BfSM270MF4-57G9A 15:30h https://www.youtube.com/watch?v=tXfsx4JRtQ0 Prim. Univ.-Doz. Dr. Herwig Swoboda Tel.: +43 1 80110 2312, HNO Hietzing/Ottakring E-Mail (Anmeldung für Samstag) [email protected] 1 Freitag, 16. Oktober, 13.00‒19.00 h Moderation: Bernhard Schwabel 13.00‒13.20 Herwig Swoboda Adam Politzer (1835-1920) und sein Schüler Viktor Hammerschlag (1870-1943) 13.20‒13.40 Michael Pretterklieber Joseph Hyrtl und Karl Langer 13.40‒14.00 Ruth Koblizek Anton Elfinger – Arzt und -
Tobias Koch Pianist
TOBIAS KOCH PIANIST TERMINE 2013 13.-15. Januar 2013 BAYREUTH 17. Januar 2013 BR Klassik Radiosendung 15.05-16 Uhr Einstündige Sendung in der Reihe "Pour le Piano - Tastenspiele" mit Tobias Koch. Werke von Ferdinand Hiller, Franz Liszt, Mendelssohn, Schumann und Mozart. 17.-23. Januar 2013 MÜNCHEN BR-Produktion mit Werken von Richard Wagner: Klaviersonaten, Lieder und Faust-Gesänge. Koproduktion mit cpo. 19. Januar 2013 MÜNCHEN BR Studio 1 im Funkhaus, 20 Uhr "Der frühe Wagner". Extra-Konzert im BR mit Klaviermusik und Liedern. Mit u.a. Magdalena Hinterdobler (Sopran), Mauro Peter (Tenor), Peter Schöne (Bass), Madrigalchor der Hochschule für Musik und Theater München und Falk Häfner (Moderation). Tobias Koch spielt auf einem Flügel von Eduard Steingraeber (Bayreuth 1852, Opus 1). Das Konzert wird für Radio und TV aufgezeichnet und zu einem späteren Zeitpunkt gesendet. 28. Januar 2013 COTTBUS 29. Januar 2013 HANNOVER NDR Landesstudio, Funkhaus 01. Februar 2013 GREIFENBERG (Oberbayern) Greifenberger Institut für Musikinstrumentenkunde, 20 Uhr Franz Schubert: "Die schöne Müllerin", mit Markus Schäfer. Hammerflügel Louis Dulcken, München 1820 aus der Sammlung der Greifenberger Werkstatt für historische Tasteninstrumente. 02. Februar 2013 BAD NAUHEIM Waldorfschule, 17 Uhr Ludwig Berger: "Die schöne Müllerin" und Franz Schubert: "Die schöne Müllerin". Mit Markus Schäfer, Tenor 04.-07. Februar 2013 WEIMAR Stadtschloss Aufnahme von Schuberts "Schöne Müllerin" mit Markus Schäfer (Tenor) für DLR Kultur. Fortepiano Johann Fritz (Wien um 1830) aus der Sammlung von Prof. Ulrich Beetz. 15. Februar 2013 Preis der Deutschen Schallplattenkritik / Bestenliste 1/2013 für die Aufnahme von Kammermusikwerken August Klughardts (s. CDs) 22. Februar 2013 FREIBURG im Breisgau 02./03. -
Piano History
ABOUT THE PIANO A SHORT HISTORY OF THE PIANO If you have ever played a harpsichord or a clavichord, you know they feel dif- ferent from a piano. In a piano, a hammer is thrown at the strings when you press a key on the keyboard. The hammer quickly rebounds so the string can vi- brate for as long as you hold the key down (or even longer if you use the damper pedal). The harpsichord is different because the strings are plucked by a plectrum (originally the pointed end of a feather, now made of plastic or other synthetic material). Because the harpsichord plucks the string (as opposed to a hammer striking the string), you are very conscious of the moment the plucking takes place. The clavichord strikes the string with a metal tangent. Unlike the piano’s ham- mer that rebounds right away, the tangent stays in contact with the string. So the clavichord, too, has its own feel. A keyboard instrument called a virginal was a small and simple rectangular form of the harpsichord. The spinet was another small harpsichord-type instru- ment. These are some of the earliest keyboard instruments. Even the fortepiano, the name given to the earliest piano to distinguish it from the modern pianoforte, or piano, has its own feel—the depth of the key fall is shallow and it takes much less weight to press the key down. THE CRISTOFORI PIANOFORTE The piano itself was invented in Italy in 1709 by Bartolommeo Cristofori. His was a four-octave instrument (compared to our seven-and-a half-octave modern instrument), with hammers striking the strings just as they do on a modern pi- ano. -
Wolfgang Amadeus Mozart Ludwig Van Beethoven Franz Schubert
Die Frage, wie kommt Riedlingen an zwei so hochkarätige Solisten für die doch kleinen Galeriekonzerte, muss beantwortet werden. Zentrale Stelle ist Prof. Dr. Edward Swen- son (USA), der schon wiederholt in Riedlingen war und mit seinem Vortrag „Conrad Graf und seine Kundschaft in Europa“ die Besucher begeisterte. Begleitet wurde er damals von Stefania Neonato, die sich aus der Zeit bei Malcolm Bilson an der Ithaca Universität kannten. Prof. Malcolm Bilson, der sich auf einer Europareise befindet und. in Wien und Budapest konzertiert, konnte für die Idee gewonnen werden, zusammen mit Stefania Neonato in der Geburtsstadt des Conrad Graf auf einem Original- Instrument zu konzertieren. Die beiden Künstler stellten speziell für Riedlingen und den vorhandenen Hammerflügel ein fulminantes Konzert - Programm für zwei- und vier Hände zusammen. Wolfgang Amadeus Mozart Bei allem Bemühen kann man zwischen Mozart und Riedlingen keine Verbindungen nachweisen. Mozart gehört zu den Pionieren der vierhändigen Klavierkomposition; die Anregung dazu erhielt er zweifellos durch das gemeinsame Musizieren mit seiner Schwester am Cembalo. Bereits als Neunjähriger schreibt Mozart Stücke für sich und seine fünf Jahre ältere Schwester und er gilt weithin als Erfinder dieser Gattung – auch wenn tatsächlich schon Komponisten vor ihm, etwa Johann Christian Bach, sich diesem Genre widmeten. Die B-Dur Sonate KV 358 zählt zu den ersten nachweisbaren echten Werken Mozarts für Klavier vierhändig. (Anja Renczikowski) Ludwig van Beethoven Gegen Ende 1825 hat Conrad Graf Beethoven leihweise einen vierchörigen Flügel zur Verfügung gestellt. Nach Beethovens Tod hat Graf sein Instrument wieder zurückgenommen und später verkauft (heute im Beethovenhaus Bonn). Vielleicht hat Beethoven für die Überlassung seines Flügels Graf insofern gedankt, als er ihm das Autograph seiner Klaviersonate in e-Moll, Op. -
Museum and Digital Beethoven-Haus a Brief Guide
BEETHOVEN’S BIRTHPLACE Beethoven-Haus Bonn museum and digital beethoven-haus a brief guide BEETHOVEN-HAUS BONN BEETHOVEN’S BIRTHPLACE museum Beethoven – oRiginal anD Digital digital beethoven- haus The Beethoven family lived for some years in the yellow house on the lefthand side in the courtyard of the set of buildings which today comprise the Beethoven Haus. Ludwig van Beethoven was born here in Decem ber 1770. Since 1889 the BeethovenHaus Society has maintained a commemorative museum in the birthplace, which today houses the world’s largest Beethoven collection. The exhibition rooms contain a selection of more than 150 original documents from the time Beethoven spent in Bonn and Vienna. The hi storical building adjoining on the right (the white rear building), in which Beethoven’s christening was once celebrated, has since 2004 accommodated the “Digital BeethovenHaus”. Modern methods of presentation lead the visitor on a journey of exploration through Beethoven’s life and work (Studio of Digital Archives). His music is interpreted in a completely new way as audiovisual art and for the first time it is presented virtually (Stage for Musical Visualisation). TOUR You may begin your tour as you wish with: • Beethoven’s Birthplace (museum), the yellow house, entered from the courtyard • the Digital archives studio (multimediabased Beethoven), the white house (ground floor), entered from the Sculptures Courtyard • the stage for Musical visualisation (virtual theatre), performance times available at the ticket office, meeting point -
Zukunftsmusik Franz Schubert: Die Letzten Drei Klaviersonaten Tobias Koch · Fortepiano Conrad Graf Zukunftsmusik – Die Letzten Drei Klaviersonaten Von Franz Schubert
MUSIKMUSEUM 45 ZUKUNFTSMUSIK FRANZ SCHUBERT: DIE LETZTEN DREI KLAVIERSONATEN TOBIAS KOCH · FORTEPIANO CONRAD GRAF ZUKUNFTSMUSIK – DIE LETZTEN DREI KLAVIERSONATEN VON FRANZ SCHUBERT Seit Herbst 1828 wohnte Franz Schubert bei Franz von Schober, den er über seinen treuesten Freund und Förderer Joseph von Spaun kennengelernt hatte. Spaun und Schubert kannten einander von ihrer gemeinsamen Schulzeit im Wiener Stadtkonvikt, der gebürtige Oberösterreicher Spaun führte den Komponisten in die Wiener Gesellschaft ein und organisierte die berühmten Schubertiaden. Im Gegensatz zu dem noblen und gutherzigen Spaun war Schober eine durchaus nicht unproblematische Persönlichkeit, ein Egozentriker und Bohemien, aber auch ein großer Kunstfreund und vielseitig gebildeter Mann. Ob Schubert und Schober mehr als eine Freundschaft verband, wurde in den letzten Jahren kontrovers diskutiert; letztlich fehlen entsprechende Belege. Einige Texte Schobers vertonte Schubert, darunter das berühmte, für den Komponisten quasi autobiographische An die Musik („Du holde Kunst“). Schober veranstaltete Leseabende, an denen selbstverständlich auch Schubert teilnahm. In diesem Rahmen bot sich für den Komponisten Gelegenheit, die aktuellste Literatur kennenzulernen, 1828 zum Beispiel Novellen von Kleist, Tiecks Die Gemäldegalerie, Goethes dramatisches Festspiel Pandora und Heines Reisebilder. Auch Schobers eigene Gedichte wurden im Rahmen der Leseabende rezitiert und besprochen. Schubert war ein begeisterter Leser; davon zeugt auch sein letzter Brief, den er vom Krankenbett aus -
(EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli
FAMILY (EN) GROUP (EN) KEYWORD (EN) SYNONYMS, ALTERNATIVE TR Percussion Bells Abanangbweli Wind Accordions Accordion Strings Zithers Accord‐zither Percussion Drums Adufe Strings Musical bows Adungu Strings Zithers Aeolian harp Keyboard Organs Aeolian organ Wind Others Aerophone Percussion Bells Agogo Ogebe ; Ugebe Percussion Drums Agual Agwal Wind Trumpets Agwara Wind Oboes Alboka Albogon ; Albogue Wind Oboes Algaita Wind Flutes Algoja Algoza Wind Trumpets Alphorn Alpenhorn Wind Saxhorns Althorn Wind Saxhorns Alto bugle Wind Clarinets Alto clarinet Wind Oboes Alto crumhorn Wind Bassoons Alto dulcian Wind Bassoons Alto fagotto Wind Flugelhorns Alto flugelhorn Tenor horn Wind Flutes Alto flute Wind Saxhorns Alto horn Wind Bugles Alto keyed bugle Wind Ophicleides Alto ophicleide Wind Oboes Alto rothophone Wind Saxhorns Alto saxhorn Wind Saxophones Alto saxophone Wind Tubas Alto saxotromba Wind Oboes Alto shawm Wind Trombones Alto trombone Wind Trumpets Amakondere Percussion Bells Ambassa Wind Flutes Anata Tarca ; Tarka ; Taruma ; Turum Strings Lutes Angel lute Angelica Percussion Rattles Angklung Mechanical Mechanical Antiphonel Wind Saxhorns Antoniophone Percussion Metallophones / Steeldrums Anvil Percussion Rattles Anzona Percussion Bells Aporo Strings Zithers Appalchian dulcimer Strings Citterns Arch harp‐lute Strings Harps Arched harp Strings Citterns Archcittern Strings Lutes Archlute Strings Harps Ardin Wind Clarinets Arghul Argul ; Arghoul Strings Zithers Armandine Strings Zithers Arpanetta Strings Violoncellos Arpeggione Keyboard