ARTS entertainment from the importance placed on the invalid in traditional texts, such as mechanical: the supernatural and the lived ex­ perience of women, are presented by I am memory akve Bambara in a straightforward not just a name manner. Likewise, traditionally but an intricate part valid concepts, such as plot, time of this web o f motion élément and the political validity of meaning: earth, shy, stars men, are questioned, and circling „ ¿ultimately¿¡deconstructed- Bam­ .' my heart/ centrifugal. bara’s talent is spent on developing Characters and ideological stance, v- Hagedorn’s diversity shines in rather than on logical progression Dangerous Music. The book consists and representation of “ reality.” primarily, but not exclusively, of Cervantes is the author of Em- poetry, varying in form and in- plumada, a collection of poems ;tensity. Through her writing, reflecting the struggle to find one’s Hagedorn explores the conflict voice. She addresses racial and between traditional values and those sexual conflicts, and the threat of the popular culture, based on her posed by the expansion of white experiences in the Philippines and culture. While she believes in the the United States. Her poems, such poet’s role as a celebrator of life, she as “ Song for my Father,” em­ stresses the need to confront the phasize the danger behind the ac­ politics of oppression in any society. ceptance of cultural myths that I am a poet/ who yearns to perpetuate spiritual and physical dance on rooftops,/ to whisper oppression — mainly of women: delicate lines about joy/ and the blessings o f human understanding./ i am trapped I try. I go to my land, my tower by overripe mangoes o f words and/ bolt the door, but the i am trapped typewriter doesn't fade out/ the by the beautiful sadness of women sounds of blasting and muffled i am trapped outrage./ My own days bring me by priests and nuns slaps on the face./ Every day I am Jessica Hagedorn whispering my name , deluged with reminders/ that this is in confession boxes not/ my land i am trapped and this is my land. by antiques and the music Cervantes’ poetry is essentially and Four Women on Womanism of the future fiercely political, especially regarding issues of race. Yet, like Like Harjo, Hagedorn stresses the the others, she promotes survival. omanist 1. A black expand the range of feminist theory Perhaps the most important value of the spirit, and the emptiness She often evokes images of beauty, feminist or feminist of to encompass race, gender and class' element of womanism is the of traditional values that stifle this in life and nature, but never allows W color.... Usually refering to issues. In much the same spirit of establishment of a voice. Not a new spirit. this to overshadow the importance outrageous, audacious, courageous wholeness through creativity, four voice, but a reworking of the old. Bambara’s works include Tales and urgency of confronting op­ or willful behavior. 2. A woman women writers of various ethnic Each writer, with style, content, or and Short Stories for Black Folk, pression. who loves other women, sexually backgrounds will participate in a, both, challenges the valorised Gorilla, My Love, and The Black The works of these women are not and/or nonsexually.... Committed to UCen Pavilion seminar Saturday, literary traditions of the dominant Woman. While she is mostly known a complete exploration of survival and wholeness of entire May3,2-5p.m. culture that act to stifle marginal for her short stories, she received womanism, but they do make for a people, male and female. groups. The emphasis here is not on critical acclaim for her book The good introduction. In some way, Joy Harjo, Jessica Tarahata confrontation, but survival — sur­ Salt Eaters, which most closely they form a whole — which is what In this preface to her book of Hagedorn, Toni Cade Bambara, vival of a death called silence. resembles the modern novel. womanism is all about. More im­ essays called In Search of Our Lorna Dee Cervantes: each a The poetry of Joy Harjo explores Bambara’s tale of a voodoo healer, portant, however, is the opportunity Mothers’ Gardens, Alice Walker woman of vision — creative, feelings of deracination and however, differs from the standard to see and hear them in person, attempts the possibly impossible diverse, and ultimately, political. loneliness not only, in terms of novel in several ways. She because, as Harjo says, “ we/ exist task of unifying the various factions Each is a commentator of the culture, but also of - life in a world so ! -restructures ’the' traditional -form, 'riot ift Words,"but in the motion/ set of feminist scholarship. politics of their society/“ and 'a removed'from ■■ nature.’ Fur Harjo.ra - Which- many consider a limited, off by them," by/ the simple flight of In creating a legitimate definition proponent of the politics of Creek Indian, survival is a matter of bourgeois institution. Subjects crow/ and by us/ in our loving.” of “ womanism,” Walker seeks to womanism. cultural memory, which suffers which would appear distorted or — Terrence Ireland Seeing Things Simply

It iathe motion of the heart has written five. The Invasion (1932) described the That draws the slender lips apart, coming of white settlers to the Old Northwest Territory Delight at life, the new-perceived, in the late 18th and early 19th century. The Wife of The radiant, the many-leaved, Martin Guerre (1941) is her best-known Work, a moving The poplar bough, its plumes unbanding, historical account of a young French woman abandoned The hummingbird in thin air standing— by her husband, who accepts an imposter, and pays Motion and quiet reconciled. dearly for the mistake. Against a Darkening Sky (1943) O smile again, sweet child! followed, Lewis’ favorite among her books and her only All too soon these lips will be contemporary work. There were two more historical With Hero’s in eternity. novels: The Trial ofSoren Quist (1947) and The Ghost of MonsieurScarron (1959); n this age of big programs, big government, and big When not writing historically, she draws from .budgets it is refreshing to take a bit of time to gaze knowledge of the pueblos of Santa Fe a sense of natural I at 'sop^et^E^ more. intimate. Janet Lewis, due beauty in woods and wildlife. The richness of the Insensitive public space... to visit campus nekt week, is a poet and a novelist with American Southwest is one of Lewis’ warmest and most an almost childlike gift of examining the little things. sensitive contributions to literature. When she visits She instills oak trees, snails in a wet garden, and Indian UCSB, she will discuss her knowledge of the Southwest Architectural Equality dances with a quiet, nearly magical sensuality. in a talk, “ Changing Portraits of the American Indian in She does not ignore the large things, however. Her Fiction.’) elores Hayden is at war. She is Homes, Neighbors and Cities, and, themes are universal. Two of the most important, nature Lewis admires the fierce individualism which has battling what she sees as “ the most recently, Redesigning the and “ haunting time” underline Lewis’ strong sense of Darchitecture of gender.” American Dream: The Future of history and the past. The themes recur, and her American architecture has always Housing, Work and Family Life. collection Poems Old and New, 1918—1978 has a reflected male ideology and Basing her arguments on historical remarkable sense of cohesiveness, as well as a kind of traditional status-quo. Cities have background, Hayden gives new comfortable ease. always been the man’s domain (ie: insight to the current problems of A careful observer, Lewis (born in 1899) has much to alleys and streets dangerously unlit, housing. She offers possible say. She has been writing for at least 63 years. She grew traditionally unsafe for women). solutions for the merging of up in Chicago, spent some time in New Mexico, and Hayden’s argument is that ar­ traditional domesticity and moved to Palo Alto in 1927 with her husband, writer Yvor chitecture helps maintain ideological egalitarianism. Winters. She has won awards for her writing, among inequality. Though the traditional Professor Hayden also explores the them the Guggenheim Fellowship in 1950-51 and the Los nuclear family no longer exists as notion of creating a non-sexist public Angeles Times Book Review’s Robert Kirsch Award last the norm, urban planning does not environment in which women might year. reflect this nor does it take into finally feel safe to walk alone, Her poetry is divided into several periods. The earliest account the increasing need for unexposed to suggestive or por­ is mainly about the American Indian, a theme she comes single parent and two-worker nographic bill-boards and un­ back to later. These are crisp images, almost haiku in families, child care, transportation, compromised by unsafe surroun­ their brevity: and aging. It’s time for architecture dings. Women came in silks, in cerise, to reflect the temperament and Hayden will offer a free public In white boots like the earth ideology of current humanity. No lecture in the UCen Pavillion on To watch them./ longer is the Cape Cod house with a Tuesday, May 6 at 8 p.m. Her lecture A deer turned his head white pickett fence a suitable focus. is co-sponsored by Arts and Lec­ Stiffly. Hayden, who is on faculty at tures, the Department of Sociology, His horns were tipped with down. UCLA’s Graduate School of A r­ the Women’s Center, the Women’s She is a profoundly sympathetic poet. Later poetry is a chitecture, has authored three Community Building, American bit more formal, with a sense of not only rhyme, but books: Seven American Utopias: Institute of Architects, the Ar­ rhythm. Much is strongly suggestive of song, which is The Architecture of Communitarian chitecture Foundation, and A.S. not accidental, as Lewis has set a few poems to music, Socialism, 1790-1975, The Grand Commission on the Status of and has written opera librettos. Domestic Revolution: A History of Women. Her novels also move with a smooth, poetic ease. She Janet Lewis Feminist Designs for American — Susanne Van Cleave 2 A Thursday, May 1,1986 Daily Nexui For that special They WereSimply Under Done evening • • • was left with a muddled feeling of disappointment after spending last Wednesday evening at the I Event Center. Something just wasn’t clicking . V. 1 ^ àÎ ' ^ s P ° t c o > 1iV; d v n ^ from the instant the show began. The Call took the stage Oot a' and cranked out a short set of some admirably smooth tunes. Yet their music lacked originality, and there was ^ dt^eS lnS^ete no semblance of an act whatsoever. A group of guys x\ c playing instruments. Big deal. Potential may be there, but they’ll need to push it. I was soon ready to move onto bigger and better things. Bigger was all I got. 3 When the Simple Minds bounced out, the crowd Dinner seemed only half as excited as it should have been. A lot Lunch Sundays & Weekdays of this had to do with the fact that we were condemned to Monday-Friday 5:30-9:30 stand among rows of chairs. In the gymnasium setting, 11:00-2:00 pm Friday-Saturday all I could think about was my high school graduation. 5 :3 0 -1 1 :0 0 This seating idea was certainly a farce. The problem was compounded when vocalist Jim Kerr voiced his discontent with the large aisle facing him, saying he felt like “ fucking Moses,” and invited.the audience to fill in

the gap. It seemed pretty cool, but in the long run it YURI MAKiNO/Nexus proved to be rather naive, as chairs were broken and fans got pushy, causing the concert to be momentarily disrupted until everyone could be coaxed to step back. Well I must admit we did get a show: a lot of glitter 962-3131 and some flashy energy. A long-winded set and a three- song encore which included the lead singer of the Call Downtown oft Chapala between De la Guerra & Canon Perdido and Kerr’s American betrothed, the Pretenders’ Chrissie Hynde. An elaborate light scheme and a sound Bassist John Giblin — ethereal. system that caught me off-guard (I was expecting poor comprised of songs from their latest vinyl release. They acoustical quality, given the location). Yet, the band played the whole damn thing, save one. When they went didn’t seem in touch with the audience. With all the back as far as 1982 to play excellent tunes from New energy that Kerr displayed with his stage theatrics, he Gold Dream, they ruined it. It came out disjointed and just came off as a Bono-prototype, and didn’t succeed in tinged with the grandiose flair of their recent material. transferring any spirit to the crowd. What did come across well were songs from Glittering The music was the highlight of the evening, and even Prize, but these were unfortunately only at the very that didn’t escape the manipulation of over-production. I beginning of the set. It may have been a show worth thought it was a little loud, for one, although the fire seeing, but certainly not worth paying for. marshall was there with his sound meter, making sure it These Scottish lads do deserve praise for touring in the didn’t pass lOOdcb. Look, I like their music, and I en­ name of Amnesty International, a worldwide joyed listening to it, and the rest of the crowd seemed organization which fights for the abolition of torture and even more into it than I. Still, I appreciate the earlier the release of “ prisoners of conscience” — those im­ Simple Minds material more than their newer, sappier prisoned merely for their beliefs, color, ethnic origin or style. religion. The organization won the Nobel Peace Prize in My main criticism of the show, therefore, is that they 1977. I urge you to drop in on a meeting of the campus didn’t play anything from their older repertoire. I chapter: Tuesdays at 6 p.m. at Espresso Roma. They wonder how many people realize that they’ve released are currently working on a special South African project about eight albums. I thought it odd that Kerr had to and would welcome your support. name every song they sang when half of their set was — Karl Irving Please see next week’s Arts & En­ tertainment section for an in-depth interview with Simple Minds' lead singer Jim Kerr by Maureen Fan. C U T S . ET C

4 Tur» tad 72,006 Haircuts Lattr PrauRt*., ARTS EDITOR: > ..THE PACKAGE- -Cellophane- -Penn Susanne VanC/eave Shampoo Special Conditioner Package SR Special- I ASST. ARTS EDITOR Haircut 11/7 Sabrina Wenrick Piccadilly Square El Paseo Blow Dry r / 3 7 ” CONTRIBUTORS: 813 State St. 816 State St. KMS c Andito! Professional * * J Karl Irving 966-5997 W* Hair Care N€$US PRULMTTCHELL SEBASTIAN I 965-8686 Products Terrence Ireland Open 7 Days A Week — Piccadilly Square Yuri Makino 965-1177/962-4321 30% OFF ALL CORD JACKETS 30% OFF LONG SLEEVE T-SHIRTS AND SWEATSHIRTS EMPLOYMENT 20% OFF ALL SWIM SHORTS The A.S. Notetaking Service is now accepting applications for notetaking positions for the 1986-87 academic year. You must be a graduate student or senior with an excellent GPA. If you would like to supplement your income and feel you are qualified as a notetaker, please pick up an application at the A.S. Notetaking Service located in UCen Room 2228. CLASS HOURS PER WEEK: 3 HOURS/WEEK PAY RANGE PER HOUR: $15—S20/LEC HR.

Associated Students Notetaking Service University Center Room 2228 U.C. Santa Barbara Santa Barbara, California 93106 (805)961-4471

Associated Students N otetak in g Typing I Seau ice OFFER GOOD THRU MAY 11 i < ■¿SQBlT5g=i exus Thursday, May 1,1986 3 A

The Cult — Alarmingly Flashy TASTY THURSDAY here was me, that is Alex, and my three droogs, that tured by his voice and movements. is Pete, Georgie and Dim, Dim being really dim, The performance was much too short, but sweet just the T and we sat in the Korova milkbar making up our same. Those familiar with the more gothic style of Ast­ rasoodocks what to do with the evening... bury’s previous outfit, the Southern Death Cult, were to be SPEEDY’S FREE The fog had completely permeated the air, a heavy mist disappointed, as the set contained only material from the SPEEDY barely perceptible in the darkness. Suddenly a series of Cult’s two albums and a couple of new songs that in­ PIZZA small beams of light pierced through from the stage to dicated continued success in the future. The ninety- ■ DELIVERY dance about our heads as the ominous intro to A Clock­ minute set had other imperfections, such as a faulty mike. work Orange filled the theater. The crowd stood This caused Astbury some exasperation, since his voice 968-1858 mesmerized, suddenly aware that what’s to come will not had slipped a few times already, and provoked a look of be as embarassing as the Divinyl’s attempt (as the disbelief on his part. These interruptions were few, DELIVERY HOURS: opening band) to liven up the only half-filled Arlington on however, and the Arlington lived up to its reputation of SUN-THURS 11 AM -1 AM Monday night. Expectations were riding high as vague offering optimum sound. FRI & SAT 11 AM -2 AM silhouettes could be discerned moving about the stage The ethereal lighting, the dark and frilly costumes and before us. the special taste of the music gave the show a magical For the most part these expectations were met with an quality reserved for the psychedelic era, although the alarming sense of precision and flashy style by the Cult. band’s penchant for paisley was played down,. The songs, This quartet (the drummer was unknown to me) plays a written by Astbury/Duffy, are an innovative melding of straightforward show with a thrilling kick that never late sixties pop and acid rock, early Zeppelin and the 82 OFF PIZZA steps out of bounds. They came onstage ready to do a modern underground. One daring critic managed to dub show, dammit, small audience or not. Guitarist William them as the psychedelic Joy Division, but I think that’s GOOD THURSDAY ONLY • One Coupon Per Pizza Duffy, the source of the music, was a combination of cool going a little too far. 6551 HUGO • I.V. suaveness and grim determination to evoke the most from I thoroughly enjoyed what I saw. I was annoyed by the his strings, achieving a lot of power and variety while false second encore (and thus the end of a very brief keeping low on the feedback. The bassist Jamie Stewart show), but the return of the Clockwork Orange soundtrack was all smiles as he frantically tried to keep pace with the set things straight again. The last of the recent streak of relentless energy of such songs as “ Nirvana” . At center concerts was finally over, midterms looming before me, stage, Ian Astbury was the focus. An interesting sight to that curious ringing in my ears now something that I have behold indeed, with his long black hair and heavy eye to contend with on a permanent basis. The Cult was a fine makeup, decked out in an Air Force cap, his jacket open to finale. The major gripe I have concerns a scuffle with a MUSICAL OFFERING expose his chest and a large belt buckle reading vagrant Jujubee or whatever it was my shoe kept sticking Saturday, May 10/8 PM “ PE AC E ” . He takes control onstage, emptying his lungs on, but I won’t go into detail on that one. See you all at the UCSB Campbell Hall into his mike while deftly swinging the stand about. The Extravaganza! BIG ART One of the nation's preeminent Baroque brilliant richness of “ Rain” and other songs were cap­ — Karl Irving ensembles, Musical Offering features familiar soloists Allan Vogel (oboe) and Kenneth Munday (bassoon) of the Los Angeles Chamber Orchestra. The A Storytelling Tradition ensemble will play works by Telemann. Corelli and C. P. E. Bach. Poet and novelist N. Scott Other Poems; his autobiographical Russia and West Germany. He is In residence May 9-10 Momaday will give the 23rd annual work is entitled The Names: A currently working on a study of Edwin and Jean Corle Memorial Memoir. storytellers in the American Indian Reserved Seats: $10.00 / $8.00 / $6.00 Lecture on Monday, May 5 at 4 p.m. Momaday is an American Indian oral tradition. UCSB Students: $8.001 $6.00 / $4.00 in the UCen Pavilion. His free lec­ of Kiowa origin. But as literary The lecture is presented by the Presented by UCSB Arts & Lectures 1986. ture is titled “ The Falling Stars: critic Matthias Schubnell writes, UCSB Library and Arts & Lectures. American Indian Oral Tradition.” “ Literary critics have directed their For more information call Arts & In 1969, Momaday won a Pulitzer attention largely to his American Lectures at 961-3535. Prize for his novel House Made of Indian background and the ethnic Dawn. Later he published The Way elements in his work. This narrow to Rainy Mountain, a book of stories critical perspective has failed to Tickets/Charge By Phone: taken from the Kiowa oral tradition reveal more complex literary and 961-3535 with additional biographical, an­ cultural influences which have thropological and historical shaped his writing.” background to these stories. His Momaday is a professor of English poems are collected in The Gourd at the University of Arizona. He has Dancer and Angle of Geese and taught at Stanford, UCSB, and in Lewis... (Continued from front page) A .S. BIKE SHOP ensured the survival of the Indian tribes in America, particularly the self- reliant spirit evident in the last few decades. “ More and more I think they ICUSTOM WHEEL SALE! have taken charge of their own affairs,” she said in a Los Angeles Times WHEELS FOR M C IIK , TOURING, M W ITM N BIKES interview last fall “ I ’m thinking partly of the Navajo (who are) really an independent nation within a nation.” Lewis uses Indian artifacts to remind us of a certain universal kinship: 10 % OFF PARTS & LABOR Time stays, the canyon stays; Their houses stay, split rock RIMS: ARAYA, SATURAE, RIGIDA, MAVIC, WOLBER Mortared with clay, and small. HUBS: CAMPAGNOLO, SPECIALIZED, SUNTOUR, And the shards, grey, plain, or painted, SHIMANO, PHIL WOOD In the pale roseate dust reveal, conceal The patterns of their days, Speak of the pure form of the shattered pot. We do not recreate, we rediscover The immortal form , that, once created, Stands unchanged SALE ENDS MAY 31 In Time’s unchanging room. TRAILER 324 The past does not represent dead history, but is a reminder of our mor­ tality. This links us to our ancestors, and makes the present vital. It is the Mon-Fri 10-5 “ pulse beneath the skin,” a quality of irrepressable observation, which SatIM continues so alive in Lewis’ writings. Her free lecture will be given Wed­ 961-3610 nesday, May 7 at 8 p.m. in the UCen Pavilion. For more information, call Arts & Lectures, 961-3535. _ s.M. Wenrick

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Products available: Nexxus • Paul Mitchell • KMS • |oico • Sebastian • Aveda • Masty • Focus 21 • Redken 9 5 5 -C Embarcadero del Mar, IV -COUPON------Created and Directed by May 6 - 9 8:00 PM JAMES DONLON May 10 2:00 PM & 8:00 PM CELLOPHANES $15 General $5.00 UCSB Student $4.00 Regularly $25 UCSB MAIN THEATRE Tickets 961-3535 Limit one per customer • Not Valid w/other coupons Expires 5/25/86 Daily Nexus JX^ 1

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Coast to Coast Ushers Needed In keeping with the title of their gulf coast state of Texas. This is the EXPERIENCED USHERS please call the Program debut album, ‘Coast to Coast’ , on first leg of a scheduled U.S. tour that Board office today 961-3536. Your help is needed Stonegarden Records, The Stingrays should find The Stingrays on the east have embarked on a southwestern coast by mid-summer. for many events coming up in May. tour that takes them as far as the

v u’r e j u s t ¥eah" ^ a.^s\[ne-

The Stingrays will be in the Pub tonight.

AFRICAN FILM SERIES begins Wednesday, May 7 in the I.V. Theater sponsored with Environmental Hall and Student Lobby.

•'"'d : Experience the Culture Around Us Cinco de Mayo Week Asian Culture Week

Beginning the week of April 28 and May 6 through May 9 is Asian Culture Week. To increase awareness and continuing through May 5, the U.C. appreciation for the Asian culture numerous activities, lectures and Santa Barbara Chicano Cultural programs are planned. Arts Committee of El Congreso will Beginning on Tuesday in Storke Plaza at noon an introduction will be sponsor a series of presentations, given by Charmette Bondua from the Pilipino Student Union followed by exhibits and outdoor events com­ the PSU dancers and guest speaker Jack Ong. Jack Ong is a professional memorating the now famous Cinco actor currently working on a movie called “ Big Trouble in Little China” in de Mayo battle of 1862, when the association with 20th Century Fox. There will be a mini-conference held at the Faculty Club from 4-6 p.m. on Mexican resistance defeated a crack Rodolfo “Corky” Gonzales invasion troop of France. The Cinco Tuesday. Guest speaker will be J. D. Hokoyama, director of Asian de Mayo festivities will include community since 1966. His writings American Services at USC. Mr. Hokoyama, Asian American activist and community leader will discuss, Asian American leadership potential. He panel discussions, cultural fine arts, and poetry have become in­ as well as guest speakers. ternationally known and have will also conduct an informal workshop-discussion to answer questions and The Chicano Cultural Arts com­ mainly dealt with the issue of consider ways in which Asian Americans can most effectively promote mittee has announced that Rodolfo political and cultural consciousness. their leadership ability. Refreshments will be served. “ Corky” Gonzales of the Crusade for His now famous epic poem “ Yo Soy TUESDAY Justice Organization of Denver is to Joaquin/I am Joaquin” has become Noon — Storke Plaza — Opening be this year’s Cinco de Mayo the cornerstone of the Chicano The Pilipino Student Union Dance Troupe will perform two dances: keynote speaker. The founder and movement. Tiniling (The National Dance of the Philippines) and Moro Dance. president of the Crusade for Justice, Speaking on the topic of An invited guest, Jack Ong, will give a talk after the performance. “ Corky” Gonzales gained worldwide “ Education for Critical Con­ 4-6 p.m. — Faculty Club — Mini Conference recognition when he led the first sciousness” , “ Corky” Gonzales is Entitled “ Asian-Americans: Getting Ahead,” this conference/workshop Chicano delegation to the Poor scheduled to speak on May 1 in will be headed by Dr. J. D. Hokoyama, director of Asian Pacific American People’s Campaign in Washington Storke Plaza at noon. Services at USC. D.C. in 1968. In 1970, Rodolfo Food, food y mas food a cinco de “ Corky” Gonzales started the first mayo food fair will be held Monday WEDNESDAY Chicano Liberation School in May 5 from 11 a.m.-2 p.m. in the El 3-5 p.m. — UCen Room 2 — Slide Show Colorado. Having been a National Centro Building 406. Music is The slide show will include scenes of the Philippines as seen by Agelio AAU Boxing Champion, a provided by the Santa Paula Duet. Batle, a Filipino-American UCSB student, during his trip to the Philippines professional boxer, farmworker, This program is presented by El last summer. lumberjack, businessman and Congreso subcommittees. politican, “Corky” Gonzales has For further information on Discussion will follow the show. remained one of the principle schedule of events call the Cultural This page written and edited by Janeil Pekkain. — leaders of the National Chicano Arts Committee Office at 961-2320.