SONG LIST (Revised 2.26.19) Bad Moon Rising
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Lhlght•/ Juana
Page 4 Allston-Brighton TAB Friday, I ·cbruary 21, 2003 www.townonline.com/allstonbrighton ~~-'--~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~--'::_~ PU BLI C SAFE TY '.--«'.{ According to a police report, pool, sauna and shower, he spoke flu 1 officers executed a search war ent Engli h. Officers told Vaclavik to rant on 815 Jette Court at 11 a.m. on vacate the premi es and never come Wednesday, Feb. 12, and seized back or he would be arrested. drugs from the premises. Police confiscated cell phones, an According to a police report, electronic scale, three plastic bags 3 officers arre ted Melvin containing small cotton balls, a plane Adam , 28, of Dorchester, and ticket in the name of Walberto Parril Ronald Hurtado, 33 of Ashford, after la, a UMass Medical Center bill, mis the pair allegedly exchanged drugs cellaneous bills, plastic bags, a box of for money in a Brooks Pharmacy needles and syringes and a silver cap parking Jot. with white drug residue. Officers also Officers were conducting a drug seized a white phone and answering inve tigation at 177 Linden St. when machine, on which the found a mes Adams drove up to the house, parked sage indicating an order for illegal illegally in front of a fire hydrant, drugs. walked to the door and made an ex The premises was secured and left change at the door. /\/, 8e St in the control of the suspect, Marisol Adam then got back into his vehi aeo Acevedo, 32, of Brighton. cle and drove to the pharmacy lot, where he exited hi own vehicle and Officers responded to a call to entered a Nissan Pathfinder, occupied 2 the 400 Soldiers Field Road by Hurtado. -
An Analysis of Deixis in Students‟ Writing of Recount Text of the Eighth B Grade of Smp N 1 Jeparain the Academic Year 2012/2013
REFERENCES Anggraini, F. (2013). An Analysis Of Deixis In Students‟ Writing Of Recount Text Of The Eighth B Grade Of Smp N 1 Jeparain The Academic Year 2012/2013. Thesis. Kudus: Universitas Muira Kudus Arikunto, S. (2002). Prosedur Penelitian. Jakarta: Rineke, Cipta, Croker, R. A. (2009). An Introduction to Qualitative Research. In Juanita. H. and Robert A. C. (Ed), Qualitative Research in Applied Linguistics: A Practical Introduction. (pp. 3-24). New York: Palgrave Macmillan. Cruse, A. (2000). Meaning in Language: An Introduction to Semantics and Pragmatics. Oxford: Oxford University Press ________. (2006). A Glossary of Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Griffiths, L. (2006). An Introduction to English Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Grundy, P. (2000). Doing Pragmatic. New York: Oxford University press, Horn, L. R. & Gregory W. (2006). The Handbook of Pragmatic. United Kingdom: Blackwell Publishing. Jamjuri. (2015). Social Deixis in Elizabeth the Golden Age Movie Script. Thesis. Yogyakarta: Universitas Islam Negri Sunan Kalijaga Kreidler, C. W. (1998). Introducing English semantics. New York: Routeledge. Kurniyati, L. (2011). Deixis Used in the Readers‟ Forum of the Jakarta Post Newspaper. Thesis. Tulungagung: The State College For Islamic Studies (STAIN) Levinson, S. C. (1983). Pragmatics. London: Cambridge University Press, Mayer, C. F. (2009). Introducing English Linguistics. New York: Oxford University Press, Movie Script of “Doctor Strange”. (n.d). Retrieved from https://transcripts.fandom.com/wiki/Doctor_Strange Noviyanti, E. D. (2013). Deixis Types in President Barac Obama‟s Speech in Universitas Indonesia. Thesis. Tulungagung: IAIN Tulungagung. Saeed, J.I. (2003). Semantics 2nd edition. United Kingdom: Blackwell Publishing. 57 Yule, G. -
Sandy's Songbook
Sandy's Songbook This songbook was generated at www.guitarparty.com This songbook was generated at www.guitarparty.com Bls. 2 Table of contents 25 Minutes To Go . 3 I Got The Blues . 4 Let it be . 5 Make You Feel My Love . 7 Ob-La-Di Ob-La-Da . 8 Play With Fire . 9 Ticket to ride . 10 Waiting on a friend . 11 What A Wonderful World . 12 Wild horses . 13 You are my sunshine . 14 This songbook was generated at www.guitarparty.com Bls. 3 25 Minutes To Go Song by: Shel Silverstein Lyrics by: Shel Silverstein ArtistsJohnny Cash G Well they're building a gallows outside my cell But this ain't the movies so forget about me D7 G I've got 25 minutes to go Got 8 more minutes to go And the whole town's waiting just to hear me yell G With my feet on the trap and my head in the noose I got 24 minutes to go D7 5 more minutes to go Well they gave me some beans for my last meal Won't somebody come and cut me loose D7 G I got 23 minutes to go Got 4 more minutes to go But nobody ask me how I feel G I can see the mountains I can see the sky I got 22 minutes to go D7 3 more minutes to go Well I sent for the governor and the whole darn bunch And it's too darn pretty for a man to wanna die D7 G With 21 minutes to go I got 2 more minutes to go And I called up the mayor but he's out to lunch G I can see the buzzards I can hear the crows I got 20 more minutes to go D7 1 more minute to go Then the sheriff said boy I'm gonna watch you die And now I'm swinging D7 With 19 minutes to go And here I go-o-o-o So I laughed in his face and I spit in his eye G With 18 minutes to go Now here comes the preacher for to save my soul D7 With 13 minutes to go And he's talking bout burning but I'm so cold G And I got 12 more minutes to go Now they're testing the trap and it chills my spine D7 With 11 more minutes to go And the trap and the rope oh they work just fine G Got 10 more minutes to go Well I'm waiting for the pardon that'll set me free D7 With 9 more minutes to go This songbook was generated at www.guitarparty.com Bls. -
Countrybreakout Chart Bring Your Music to Life!
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, November 15, 2018 NEWS CHART ACTION CMA Awards 2018: Keith Urban, Chris Stapleton, New On The Chart —Debuting This Week song/artist/label—Chart Position Kacey Musgraves Top Award Winners A Little On The Redneck Side/Smith & Wesley/Dream Walkin' Records — 74 My Side Of The Story/Troy Anderson/SSM Entertainment — 76 Fine By Me/Marty Heddin/Nightlife Entertainment/Dreamlined, LLC — 77 Remember These Words/Michael Tyler/Reviver Records — 78 RocKin' All NiGht LonG/Adam Hambrick/Capitol/Buena Vista Records — 80 Greatest Spin Increase song/artist/label—Spin Increase What Makes You Country/Luke Bryan/Capitol — 349 Sixteen/Thomas Rhett/Valory — 219 This Is It/Scotty McCreery/Triple Tigers Records — 184 Make It Sweet/Old Dominion/RCA Nashville — 178 TalK You Out Of It/Florida Georgia Line/BMLG — 175 Miss Me More/Kelsea Ballerini/Black River Entertainment — 145 Millionaire/Chris Stapleton/Mercury Nashville — 143 Most Added song/artist/label—No. of Adds Almost An Angel/Richard Schroder/Ampliier Records — 12 Miss Me More/Kelsea Ballerini/Black River Entertainment — 11 Keith Urban took home his second CMA Entertainer of the Year honor TalK You Out Of It/Florida Georgia Line/BMLG — 10 Wednesday evening (Nov. 14); Urban previously earned this award in Make It Sweet/Old Dominion/RCA Nashville — 9 2005. BucKed Off/Brad Paisley/Arista Nashville — 8 What Makes You Country/Luke Bryan/Capitol — 7 Chris Stapleton earned three honors. Stapleton and Mike Henderson took One That Got Away/Michael Ray/Atlantic Records/WMN/WEA — 6 home the irst televised award of the evening, as “Broken Halos” took home Song of the Year. -
Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (Guest Post)*
“Their Greatest Hits (1971-1975)”—The Eagles (1976) Added to the Registry: 2016 Essay by Marc Eliot (guest post)* The Eagles In 1971, the arrival of The Eagles signaled a major shift in popular musical tastes in America. If Woodstock was the funeral for both the music and the culture of a decade of drugged out, hippie, free love and cultish idealism, the Seventies was the decade of blatant decadence, political cynicism, sexual distrust, and rampant narcissism. No band represented both the rejection of the Sixties and the celebration of the Seventies more than its crown princes, the Eagles. Songs like “Lyin’ Eyes,” “Witchy Woman,” “One of These Nights,” and “Already Gone,” filled with spirited playing, close harmonies and an overlay of the Eagles’ war between the sexes, comprise four of the ten selections included in the initial compilation of Eagles’ hit songs from their first four albums, “Their Greatest Hits (1971-1975).” Ironically, although the Eagles’ laid-back sound was bright and natural as Southern California sunshine, none of the original four members were Golden State natives (Don Henley, vocalist, lyricist, drummer, was from Texas, bred on bluegrass and country music; Glenn Frey, vocalist, lyricist, rhythm guitar, pianist, came from the streets of Detroit, influenced by the music of Motown and mentored by Bob Seger; Randy Meisner, on bass, was a veteran bar band night sider out of Nebraska; Bernie Leadon, guitar, mandolin, banjo, was a Minnesotan who loved and loved to play classic country). Each migrated separately to Los Angeles, like lemmings, to The Troubadour, the musical and cultural ground zero club on Santa Monica Boulevard, owned and operated by Doug Weston, who favored putting on his stage country-rock bands and female vocalists. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Dropkick Murphys Blackout Mp3, Flac, Wma
Dropkick Murphys Blackout mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Blackout Country: Japan Released: 2003 Style: Punk MP3 version RAR size: 1815 mb FLAC version RAR size: 1892 mb WMA version RAR size: 1597 mb Rating: 4.3 Votes: 669 Other Formats: VOC DMF TTA MPC VOX MIDI WMA Tracklist Hide Credits A1 Walk Away Worker's Song A2 Written-By – Ed Pickford A3 The Outcast Black Velvet Band A4 Arranged By – Dropkick MurphysWritten-By – Traditional Gonna Be A Blackout Tonight A5 Words By – Woody Guthrie A6 World Full Of Hate A7 Buried Alive The Dirty Glass A8 Vocals [Additional] – Stephanie Dougherty Fields Of Athenry B1 Written-By – Pete St. John B2 Bastards On Parade B3 As One B4 This Is Your Life B5 Time To Go B6 Kiss Me I'm Shitfaced Companies, etc. Exclusive Retailer – Hot Topic Credits Bagpipes – Joe Delaney Design, Layout – Giant Beer Engineer, Mixed By – Jim Siegel Mastered By – Howie Weinberg Mastered By [Pre-mastering] – Fredrik Sarhagen Performer – Al Barr, James Lynch, Ken Casey, Marc Orrell, Matt Kelly , Ryan Foltz Photography – Alex Dow, Tricia O'Neill Producer – Ken Casey Written-By – Dropkick Murphys (tracks: A1, A3, A6 to A8, B2 to B6) Notes Hot Topic exclusive 2015 repress. Originally released 2003. Recorded at The Outpost, Stoughton MA. Mastered at Masterdisk, New York NY. Acoustic Guitars for recording supplied by Ian Wilkins Guitars. Guitar amps for recording supplied by Demetri. Equipment hire for recording supplied by Bergstein Music. Dropkick Murphys managed by Blue Murder. Album published by Boston Scally Punk (ASCAP), except where indicated. -
On Born in the U.S.A. by Bruce Springsteen
TR 11 On Born in the U.S.A. by Bruce Springsteen Alina Stefanescu "Born in the U.S.A." He has dark curly hair, a flirt in his laugh, a flag on his mantle, two conservative parents waiting for him back in Atlanta, a family of Limbaugh-lovers and born-again Christians. Bruce Springsteen Born in the U.S.A. Eating it from the inside with their wars and armchair crusades. He is Various the all-American boy I can't stop watching. Born in the U.S.A. "Cover Me" 06/1984 Bombs fall on Baghdad. We kiss like rockets, ready to burn. We are eager to stay free, Columbia running from the last time we lied, the last time we failed. He's not looking for a lover. I'm a single mother 24 years into finding my voice, learning to use it against the war. I'm a wild card, a Romanian-Alabamian. "I'm a shitty girlfriend," I tell him, u"but will y nevero meet a better cover." He shuts the door. "Darlington County" We sit on stools at Jay's and argue about the Iraq war. It's our favorite bar in Arlington, the only place where the owner wears a mullet, offers three-dollar pitchers after work, reminds us of being Southern. The mounted television offers drum-rolls, small-town parades, a diorama of mediated patriotism. He says he can't question the President. Not about war. Not about national security. He was raised a patriot. I relish impugning him, love watching his face fall when I compare him to a missile. -
2018 River Madness Bracket
2018 River Madness Bracket First Round Second Round Swift 16 Entertaining 8 Fab Four Championship Fab Four Entertaining 8 Swift 16 Second Round First Round March 15-16 March 19-20 March 22-23 March 26-27 March 29 March 30 March 29 March 26-27 March 22-23 March 19-20 March 15-16 1 Elvis 70% Aerosmith 85% 1 Elvis 70% Elvis 70% Aerosmith 88% Aerosmith 85% 16 S. Miller Band 30% H. Lewis & News 15% 16 Elvis 58% Aerosmith 83% 8 Metallica 39% Elvis 70% Aerosmith 88% Springsteen 53% 8 Metallica 39% Styx 30% Springsteen 12% Springsteen 53% 9 Styx 61% Rod Stewart 47% 9 Elvis 66% Aerosmith 82% 5 Tom Petty 82% Van Halen 59% 5 Tom Petty 82% Tom Petty 78% Van Halen 61% Van Halen 59% 12 Bryan Adams 18% Elvis 58% Aerosmith 83% Chicago 41% 12 Tom Petty 42% Van Halen 17% 4 Madonna 67% Tom Petty 78% Van Halen 61% David Bowie 78% 4 Madonna 67% Madonna 22% David Bowie 39% David Bowie 78% 13 J. Browne 33% Tournament Of Legends A. Franklin 22% 13 Diamond Region Elvis 55% Aerosmith 45% Gold Region 6 REO 83% Bob Seger 75% 6 REO 83% REO Speedwagon 40% Bob Seger 42% Bob Seger 75% 11 The Police 17% Sheryl Crow 25% 11 Prince 56% Fleetwood Mac 41% 3 Prince 77% REO Speedwagon 40% AJ2F4 Fleet Mac 83% 3 Prince 77% Prince 60% Fleet Mac 58% Fleet Mac 83% 14 S & G 23% Elvis 66% Aerosmith 82% Temptations 17% 14 Prince 34% Guns N Roses 18% 7 Bee Gees 45% GNR 69% 7 Bee Gees 45% Pink Floyd 37% Guns N Roses 60% GNR 69% 10 Pink Floyd 55% Prince 56% Fleetwood Mac 41% Doobie Bros 31% 10 Elton John 44% Guns N Roses 59% 2 Elton John 87% Pink Floyd 37% Elvis 65% Guns N Roses 60% R. -
Waylon Jennings
TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Outlaw Influence 11 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 4: Worksheet 17 Lesson 5: Literary Lyrics 19 “London” by William Blake 20 Complete Tennessee Standards 22 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
Sweet & Lowdown Repertoire
SWEET & LOWDOWN REPERTOIRE COUNTRY 87 Southbound – Wayne Hancock Johnny Yuma – Johnny Cash Always Late with Your Kisses – Lefty Jolene – Dolly Parton Frizzell Keep on Truckin’ Big River – Johnny Cash Lonesome Town – Ricky Nelson Blistered – Johnny Cash Long Black Veil Blue Eyes Crying in the Rain – E Willie Lost Highway – Hank Williams Nelson Lover's Rock – Johnny Horton Bright Lights and Blonde... – Ray Price Lovesick Blues – Hank Williams Bring It on Down – Bob Wills Mama Tried – Merle Haggard Cannonball Blues – Carter Family Memphis Yodel – Jimmy Rodgers Cannonball Rag – Muleskinner Blues – Jimmie Rodgers Cocaine Blues – Johnny Cash My Bucket's Got a Hole in It – Hank Cowboys Sweetheart – Patsy Montana Williams Crazy – Patsy Cline Nine Pound Hammer – Merle Travis Dark as a Dungeon – Merle Travis One Woman Man – Johnny Horton Delhia – Johnny Cash Orange Blossom Special – Johnny Cash Doin’ My Time – Flatt And Scruggs Pistol Packin Mama – Al Dexter Don't Ever Leave Me Again – Patsy Cline Please Don't Leave Me Again – Patsy Cline Don't Take Your Guns to Town – Johnny Poncho Pony – Patsy Montana Cash Ramblin' Man – Hank Williams Folsom Prison Blues – Johnny Cash Ring of Fire – Johnny Cash Ghost Riders in the Sky – Johnny Cash Sadie Brown – Jimmie Rodgers Hello Darlin – Conway Twitty Setting the Woods on Fire – Hank Williams Hey Good Lookin’ – Hank Williams Sitting on Top of the World Home of the Blues – Johnny Cash Sixteen Tons – Merle Travis Honky Tonk Man – Johnny Horton Steel Guitar Rag Honky Tonkin' – Hank Williams Sunday Morning Coming -
RCA/Legacy Set to Release Elvis Presley - a Boy from Tupelo: the Complete 1953-1955 Recordings on Friday, July 28
RCA/Legacy Set to Release Elvis Presley - A Boy From Tupelo: The Complete 1953-1955 Recordings on Friday, July 28 Most Comprehensive Early Elvis Library Ever Assembled, 3CD (Physical or Digital) Set Includes Every Known Sun Records Master and Outtake, Live Performances, Radio Recordings, Elvis' Self-Financed First Acetates, A Newly Discovered Previously Unreleased Recording and More Deluxe Package Includes 120-page Book Featuring Many Rare Photos & Memorabilia, Detailed Calendar and Essays Tracking Elvis in 1954-1955 A Boy From Tupelo - The Complete 1953-55 Recordings is produced, researched and written by Ernst Mikael Jørgensen. Elvis Presley - A Boy From Tupelo: The Sun Masters To Be Released on 12" Vinyl Single Disc # # # # # Legacy Recordings, the catalog division of Sony Music Entertainment, and RCA Records will release Elvis Presley - A Boy From Tupelo - The Complete 1953-1955 Recordings on Friday, July 28. Available as a 3CD deluxe box set and a digital collection, A Boy From Tupelo - The Complete 1953-1955 Recordings is the most comprehensive collection of early Elvis recordings ever assembled, with many tracks becoming available for the first time as part of this package and one performance--a newly discovered recording of "I Forgot To Remember To Forget" (from the Louisiana Hayride, Shreveport, Louisiana, October 29, 1955)--being officially released for the first time ever. A Boy From Tupelo – The Complete 1953-1955 Recordings includes--for the first time in one collection--every known Elvis Presley Sun Records master and outtake, plus the mythical Memphis Recording Service Acetates--"My Happiness"/"That's When Your Heartaches Begin" (recorded July 1953) and "I'll Never Stand in Your Way"/"It Wouldn't Be the Same (Without You)" (recorded January 4, 1954)--the four songs Elvis paid his own money to record before signing with Sun.