Snap Inc. 2021 Investor Day Transcript
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
DSA Partnership Award Submission
DSA Partnership Award Submission Multibrain Network, Inc. | 11022 Santa Monica Blvd, Suite 330 | Los Angeles, CA 90025 | [email protected] | (855) 34 BRAIN | www.multibrain.net HELLO MULTIBRAIN In 2012, Chief Brain and CEO of Multibrain Scott Kramer met a table full of legends in Direct Selling during a DSA luncheon. From there, the entertainment and media pioneer, dedicated his company (Multibrain) to building the tools and training much needed to take the Direct Selling industry to the next level in technology, and a mission of defining Social Selling in the digital arena. Over the last (7) years, the team at Multibrain has given total focus to training, supporting and providing the tools for Direct Selling consultants to build their business, via social media and establishing their own communities/networks. Today, Multibrain provides solutions for the four core aspects of what they define as Social Selling, beginning with Training the field on the ever-changing world of Social Media. Multibrain has evolved in step with technology and developed a business focused on four pillars for enterprise corporate success, termed “controlled empowerment,” with an approach of “bottom up” beginning at the field level. To date, the Multibrain platform has been successfully implemented by top Direct Selling companies and over 280,000 individual consultants who have generated over 10 million new prospects (connections) in a funnel approach to generating new sales and recruits. Multibrain thrives in its ability to “find new people to talk to” for its users, and a platform as easy to use with a single click. Multibrain Network, Inc. -
Holmen Highlights
HOLMEN HIGHLIGHTS FEBRUARY, 2020 Hello Students and Families, INSIDE THIS ISSUE: Term 3 is off to a great start! Many students have started new courses and we continue to work and grow in our Professional Learning Communities (PLCs). In our PLCs our teach- ers talk about continuous improvement with a focus on three major areas: student learn- ing, collaboration, and results. Our staff is striving to answer four key questions: what do we want all students to know and be able to do, how will we know if they have learned it, how will we respond when some students do not learn, and how will we extend the learn- ing for students who are already proficient? Our teachers are working to implement a guaranteed and viable curriculum unit by unit: selecting priority standards and learning targets, developing common formative assessments, developing common summative assessments, and using data to improve instruction. We have course level teams in vari- ous places of this process and we are committed to learn and grow as we continuously improve in the focus area of student learning. Junior class and Sophomore class Advisors have started to work through our 2020 ACT Test Prep. In December we shared the Parent/Student Method Test Prep Video. The 11th Grade ACT Test, March 3rd, along with our 10th and 9th grade Aspire Test, April 22nd and 23rd, play an important part of our School Report Card. We use this data to determine where we have gaps in our curriculum or instruction. Please encourage your 11th and 10th grade son/daughter to take full advantage of the free Method Test Prep. -
How to Market Music to Gen-Z: Current Tips & Future Trends PAGE 2 2020 WHAT a YEAR, HUH?
How To Market Music To Gen-Z: Current Tips & Future Trends PAGE 2 2020 WHAT A YEAR, HUH? HERE AT FANBYTES WE'VE BEEN KEEPING AN EYE ON THINGS AND A LOT HAS CHANGED... 2020, the year of coronavirus, the shutting of venues and the cancelling of festivals. It's been an unprecedented time for all of us but particularly trying for us working in music. As we come out of the other side of summer we wanted to share with you some of the biggest trends across social media from over the summer, some of our most recent standout campaigns, a few tips and tricks on how to market to Gen-Z and finally our two cents on some of the coming future trends that you can tap into. PAGE 3 TIPS & TRICKS FOR MARKETING MUSIC TO GEN-Z PAGE 4 TIPS & TRICKS FOR MARKETING MUSIC TO GEN-Z UNDERSTAND YOUR AUDIENCE Gen Z refers to people born between 1995 and 2009. They’re called ‘digital natives’, having grown up with the internet around them. Gen Z’s environment shapes their preferences: 66% of them use more than one internet device at a time, 75% strongly prefer their smartphone to other devices and the average Gen Z’er spends 10 and a half hours online daily. They spend 23 hours a week online watching video content, and prefer short- form content on TikTok or YouTube. Feeling the pressure to be perfect on Instagram, Gen Z are looking for other ways to connect online, leading to younger audiences on networks like TikTok and Snapchat. -
Levelling the Field
16-30 November, 2017 Levelling the field Saudi Arabia’s heir leaves no stone unturned with surprise anti-corruption crackdown p30 Algeria…..…..…........DZD 215 Egypt……............…...... EGP 18 Jordan....….........….......JOD 2 Lebanon..............LBP 4000 Oman…….................…..OMR 1 Saudi Arabia.........…SAR 10 UAE...…....…..…........…AED 10 Bahrain….......................BHD 1 Iraq……...…..…...... IQD 3200 Kuwait….......…......KWD 0.75 Libya…........................LYD 3.5 Qatar……….................…QR 10 Syria............................SYP 200 Yemen…..................YER 600 #BornToDare BLACK BAY S&G 16 November, 2017 1 ELINOR CARUCCI/TRUNK ARCHIVE CARUCCI/TRUNK ELINOR 42 ▲ Botox The most lucrative, poisonous, and secret formula on Earth CONTENTS Bloomberg Businessweek Middle East 16 November, 2017 ◼ IN BRIEF ◼ VIEW 6 ● US in the cold over global warming ● Delhi is even 8 Emmanuel Macron is off smoggier than Beijing ● British retail heads for doldrums to a good start, but he’s running a marathon, not a sprint 1 BUSINESS 2 TECHNOLOGY 3 FINANCE 10 Now it’s Apple’s turn 18 Amazon got one 22 How to profit to try to be Netflix prime deal in Ohio … from human nature: First you have 12 Saudi firms backed by 19 … now the company is to understand billionaires in probe have searching coast to coast $2.1 billion in debt for another bargain your own 14 Emirates’ order helps keep 19 To dig the safest, cheapest 24 Deep supply cuts have Airbus’s A380 programme mine, just wire everything desired effect as Saudi airborne, for now Aramco raises -
Music's Augmented Future
thereport ISSUE 410 | 17 OCTOBER 2017 Music’s augmented future 1 ISSUE 410 17.10.17 COVERAR SPECIAL FEATURE PART 1 AR you experienced? he first thing to understand about Cycle report alongside technologies like Kingston; in the years since there have been particularly around its potential to become augmented reality (AR) technology microblogging, social networking platforms a steady stream of experiments around music truly mainstream. There are several reasons is that while it may be a hot trend of and 3D printing. and AR. You can read about some of them for this, starting with 2016’s big app craze: 2017, it’s certainly not a new trend. 2008 was also the year when Apple and later in this issue. Pokémon Go (pictured). TSci-fi author William Gibson was writing Google launched their first app stores for In the years after 2008, many of these While catching virtual beasties in real- about the idea of augmenting humans’ vision smartphones, with startups like Layar and campaigns have, with hindsight (and often world locations also seemed gimmicky at first with digital content in 1994, although arguably Metaio early to experiment with “browser” even at the time) seemed like gimmicks; – the mobile game raced to $500m of revenue head-up displays (HUDs) in aircraft were the apps that overlaid information onto the good for getting a few headlines when they and then $1bn. Even in April 2017, there were first example of AR decades before that. phone’s camera feed. launched, then quickly forgotten with no still 65m active players globally, and for many report AR as we understand it in 2017 has been By 2009, Music Ally was writing about AR obvious impact on sales or fan engagement. -
Social Media: Reaching Your Residents, Staying in Bounds
AUGUST 13, 2021 FLORIDA LEAGUE OF CITIES SOCIAL MEDIA REACHING RESIDENTS & STAYING IN BOUNDS RANDY D. MORA, ESQ., B.C.S. 1001 South Fort Harrison Ave., Ste. 201 Clearwater, Florida 33756 PUBLIC RECORDS LAW • 2003: debuts TECHNOLOGICAL TIMELINE • 2004: debuts to college students • 2005: is founded; launches • 2006: (originally Twttr) debuts; acquires ; profitable • 2007: debuts in marketplace • 2009: debuts Recent Newcomers Fallen from relevance or existence • 2010: debuts Caffeine LiveJournal (1999 - ???) • 2011: debuts; debuts; debuts Clubhouse StumbleUpon (2001 – 2018) Houseparty Friendster (2002 -2015) • 2012: acquires Instagram Reels MySpace (2003 - ???) Parler Digg (2004 – 2012) • 2014: acquires Twitter Spaces Google+ (2011- 2019) Triller • 2015: launches to public Vine (2012 – 2016) Musical.ly (2014 – 2017) Meerkat (2015 – 2016) 2016: launches YikYak (2013-2017) ISSUES CREATED BY SOCIAL MEDIA GENERALLY PUBLIC RECORDS • IS IT A PUBLIC RECORD? WHO IS THE CUSTODIAN? HOW LONG DO YOU KEEP IT? SUNSHINE LAW • ARE YOU HAVING A MEETING? CIVIL LAW EXPOSURE • ACCESS TO GOVERNMENT, FREEDOM OF SPEECH, CONSTITUTIONAL CONCERNS, DEFAMATION Tradition ◆ Values ◆ Service ISSUES CREATED BY SOCIAL MEDIA PUBLIC RECORDS LAW Is it a public record? • “Public records” means all documents . regardless of the physical form- Section 119.011 (12), Fla. Stat. Definitions • As each agency increases its use of and dependence on electronic recordkeeping, each agency must provide reasonable public access to records electronically maintained and must ensure that exempt or confidential records are not disclosed except as otherwise permitted by law. - Section 119.01 (2) (a), Fla. Stat., General State Policy on Public Records “[A]ny material prepared in connection with official agency business which is intended to perpetuate, communicate, or formalize knowledge of some type.” Shevin v. -
Download Book
0111001001101011 01THE00101010100 0111001001101001 010PSYHOLOGY0111 011100OF01011100 010010010011010 0110011SILION011 01VALLEY01101001 ETHICAL THREATS AND EMOTIONAL UNINTELLIGENCE 01001001001110IN THE TECH INDUSTRY 10 0100100100KATY COOK 110110 0110011011100011 The Psychology of Silicon Valley “As someone who has studied the impact of technology since the early 1980s I am appalled at how psychological principles are being used as part of the busi- ness model of many tech companies. More and more often I see behaviorism at work in attempting to lure brains to a site or app and to keep them coming back day after day. This book exposes these practices and offers readers a glimpse behind the “emotional scenes” as tech companies come out psychologically fir- ing at their consumers. Unless these practices are exposed and made public, tech companies will continue to shape our brains and not in a good way.” —Larry D. Rosen, Professor Emeritus of Psychology, author of 7 books including The Distracted Mind: Ancient Brains in a High Tech World “The Psychology of Silicon Valley is a remarkable story of an industry’s shift from idealism to narcissism and even sociopathy. But deep cracks are showing in the Valley’s mantra of ‘we know better than you.’ Katy Cook’s engaging read has a message that needs to be heard now.” —Richard Freed, author of Wired Child “A welcome journey through the mind of the world’s most influential industry at a time when understanding Silicon Valley’s motivations, myths, and ethics are vitally important.” —Scott Galloway, Professor of Marketing, NYU and author of The Algebra of Happiness and The Four Katy Cook The Psychology of Silicon Valley Ethical Threats and Emotional Unintelligence in the Tech Industry Katy Cook Centre for Technology Awareness London, UK ISBN 978-3-030-27363-7 ISBN 978-3-030-27364-4 (eBook) https://doi.org/10.1007/978-3-030-27364-4 © The Editor(s) (if applicable) and The Author(s) 2020 This book is an open access publication. -
Changing Role of INFLUENCERS
SOCIAL LIKEMEDIA NEVER BEFORE: HOW BRANDS CAN NAVIGATE 2021 INTRO “You don’t need us to tell you this year’s been like no other. It will have lasting implications on all our futures, and social media has played a key role. It’s never been more instrumental in keeping us in touch, entertained and able to buy what we need (or want) and as a result of consumer behaviour changes and ultrafast platform developments, the world of social media has exploded. To say it’s a new world is wrong; it’s a new universe; comprising new cultures, new languages, and new players from political activists to gamers. With the wrong pilot you will crash and burn. For brands, this can be daunting, but the temptation to either run blindly away from 2020 or to attempt some version of 2019’s business of usual must be avoided. Social will mean something very different to your target consumers next year, but it’s never been a more important channel with which to reach them.” Danielle Smith, Managing Director, Communicator SOCIAL EVOLUTIONS GAMING: THE NEW SOCIAL MEDIA CONNECTING & DISCONNECTING CHANGING ROLE OF INFLUENCERS ACTION AND INFORMATION RISE OF SOCIAL COMMERCE Social EVOLUTIONS The 87% of FACTS TIKTOK USERS think Instagram Reels is ‘basically the same’ but Social is constantly evolving, which can mean constantly that doesn’t mean it’s enough to make them switch contradicting itself. For example, you could say this has been a big year for sound-on content. Audio drives trends on TikTok, Image source : Clubhouse-social-chat voice notes launched on Twitter and Clubhouse, an audio- based discussion app, lets users spontaneously join voice chat rooms. -
Arxiv:2010.13387V2 [Cs.SI] 10 Jul 2021 a Video Is Recirculated with a Misleading Text Message
Check Mate: Prioritizing User Generated Multi-Media Content for Fact-Checking Tarunima Prabhakar, Anushree Gupta, Kruttika Nadig, Denny George Tattle Civic Technologies [email protected], [email protected], [email protected], [email protected] Abstract Fact-checking has emerged as an important defense mechanism against misinformation. Social media platforms Volume of content and misinformation on social media is rely on third party fact checkers to flag content on them. Fact rapidly increasing. There is a need for systems that can sup- 1 port fact checkers by prioritizing content that needs to be checking groups also run tiplines on WhatsApp through fact checked. Prior research on prioritizing content for fact- which they can source content that requires fact checking. checking has focused on news media articles, predominantly The amount of content received by fact checkers however, in English language. Increasingly, misinformation is found significantly exceeds journalistic resources. Automation can in user-generated content. In this paper we present a novel support fact checkers by flagging content that is of higher dataset that can be used to prioritize check-worthy posts from priority for fact-checking. Extracting claims and assessing multi-media content in Hindi. It is unique in its 1) focus check-worthiness of posts is one way to help prioritise spe- on user generated content, 2) language and 3) accommo- cific content for fact-checking (Arslan et al. 2020). In case dation of multi-modality in social media posts. In addition, of news articles and speeches, these claims appear as factual we also provide metadata for each post such as number of shares and likes of the post on ShareChat, a popular Indian statements made by writers or speakers. -
CALL Bulletin
Winter 2004 No. 190 CALL Bulletin From the Editors 2 People and Places 12 Gail Hartzell & Gabrielle Lewis President’s Letter 3 Betty Roeske Grant Recipient Report 15 Advanced Cataloging Business Meeting Roundup 4 Denise Glynn Denise Glynn Working Smarter 26 2004-2005 Election Candidates 4 Deborah Rusin CALL Executive Board Minutes 6 Professional Reading 27 Denise Glynn Mike Robins Special Issue KM: GRASSROOTS PROJECTS Illinois CLICKS! 18 Therese A. Clarke L.E.A.D. 19 Elizabeth Quinlan MEMBRAIN 21 Rebecca Corliss Internet Public Library 22 Joanne Kiley Internet Moment 23 Susan M. Boland Try-It! Illinois 24 Joan Ogden Chicago Association of Law Libraries A Chapter of the American Association of Law Libraries 2 CALL Bulletin Winter 2004 FROM THE EDITORS The CALL Bulletin, the official publication of the Chicago Association of Law Libraries (CALL), is published four times a year and is provided to active members as a benefit of membership. CALL does We law librarians are a busy group of people. In not assume any responsibility for the statements addition to working hard every day, we somehow find advanced by the contributors to the CALL Bulletin, the time to take on all sorts of other projects and nor do the views expressed in the CALL Bulletin activities that support our profession. Just take a look necessarily represent the views of CALL or its members. at all the wonderful candidates who are running for the CALL Executive Board next year (p. 4)! Next spring Contributions to the CALL Bulletin are always welcome. Please be advised that contributions you will find the complete biographies of the candi- submitted for publication are subject to editorial dates on the CALL Website in addition to the CALL review. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
(.Tffihauhan) COMPANY SECRETARY & COMPLIANCE OFFICER M.No.: A40003
SEq/BM/SF/ /2020-27 luly 29,202L CORPORATE COMPLIANCE CELL - LISTING BOMBAY STOCK EXCHANGE LIMITED PHEROZA IEEIEEBHOY TOWERS, 25TH FLOOR; DALAL STREET, BOMBAY-I. E-Mait [email protected] Ref: - Scrip Code/ SYMBOL: - 505807 / ROLCOEN Dear Sir/Mam, Sub.: Publication of Board Meeting notice in Newpaper Pursuant to regulation 47 of the Securities and Exchange Board of India (Listing Obligation and Disclosure Requirement) Regulations, 2015, we hereby inform you that notice for Board Meeting of the company held on August 6,2}21has been published in Western Times on July 28,2021". Copies of the sarne are enclosed for your reference. Kindly, take the salne on record. Thanking You, Yours Faithfully, ENGINEERING CO. LTD (.TffiHAUHAN) COMPANY SECRETARY & COMPLIANCE OFFICER M.No.: A40003 Encl.: As above. Regd- Office : CIN : L29259GJ1961 PLC001439, Anand-Sojitra Road, Phone : 02692-2307 661230866, Vallabh Vidyanagar - 388 120, Web:- www.rolconengineering. com ISO:9001:2015@' Anand, Gujarat, lndia. Email:- [email protected] Cerli No. 04 1OO 067292 (Rol-Kobo Transmission Roller Conveyor Chains & Sprocket Wheels) In collaboration with Messrs KOBO GmbH Co. KG, Germany. y{ËkðkË çkwÄðkh, íkk.28 sw÷kE, 2021 28/7/2021 Ahmedabad 7 MktÃkfo{kt ykðLkkhk 8 sux÷k ¾u÷kzeyku ykE‚ku÷uþ™{kt zku. M{]rík Ãkxu÷ yu{.çke.çke.yuMk. yu{.ze. ÃkezeÞkxÙeõMk ÃkezeÞkxÙef LÞwhku÷kuSMx (CMC, VELLORE) nðuÚke ÃkezeÞkxÙef LÞwhku÷kuSMx ykýtË þnuh{kt WÃk÷çÄ Ëh þrLkðkhu þwt ík{kÁ çkk¤f/rfþkuh... - çkuMkðk, [k÷ðk, çkku÷ðk yLku Mk{sðk{kt {kuzw Au ? - ðkhtðkh, ÷ktçke, íkkð MkkÚku /ðøkh ¾U[/ðkELke íkf÷eV ÄhkE hÌkku Au ? - yMk{kLÞ ðíkoýqOf yÚkðk [t[¤íkk ÄhkE hÌkku Au ? - ðkhtðkh çkku÷ððk Aíkk æÞkLk Lk ykÃkðw yLku yuf Lku yuf ðkíkLkwt yLkwfhý fhu Au ? - ðkhtðkh {kÚkkLkk Ëw¾kðkLke íkf÷eV{ktÚke ÃkMkkh ÚkE hÌktwt Au ? - [k÷ðk{kt yMktíkw÷Lk ÄhkE hÌkku Au ? [k÷íkk - [k÷íkk Ãkze òÞ Au ? òu nk íkku ykÃku íkkífkr÷f ÃkezeÞkxÙef LÞwhku÷kuSMxLkku MktÃkfo fhðku òuEyu Lke[u Ëþkoðu÷ hkuøkkuLke Mkkhðkh nðu þõÞ Au ík{khk þnuh{kt..