1 Harry Rose 6 - 7 Kimberley Sanders 8 Olivia Richardson 9 Stephanie Franklin 10 - 11 Oliver Norcott 12 Katie Lionheart 13 Jake Gardiner 14 - 15 Amy Hewett 16 Laura Goss 17 Elian Williams 20 Matthew Cooper 21 Alessandro Polledri 22 Louise Parker 23 Rosanna Blatchford 24 - 25 Alexandra Roberts 26 - 27 reFrame: Art projects inspired by Pontypool BA(Hons)Photographic Art. Newport. 2013 Lottie Morris 28 James Bristow 29 This publication was produced to accompany the exhibition ‘reFrame’ situated in various locations within Pontypool town centre. Natalie Hodson & Ashley Williams 30 14th March - 21st March 2013 Zoe Howard 31 Edited by: Matt Simmons, Peter Bobby & Matt White Kirstie Adam 32 Publication Design: Oliver Norcott Publication Team: Kimmi Allsopp, Elizabeth Hewson, Jamie Love 33 Louise Parker, Harry Rose, Paige Smith Bethany Woolf 34 Published by: University of Wales, Newport Caerleon Campus Suzanne Sadler 35 Lodge Road Caerleon Newport Roxanne Willson 36 - 37 South Wales NP19 3QT Kimmi Allsopp 38 Jacon Sanders 38 Lauren Fowler 39 Sara Dove 40 - 41 Paige Smith 42 Zoe Goodall 43 For their support and creativity in making this publication possible, we would like to thank the following: Anni Kruus 44 - 45 Graham Middleton. Clare Baker. Cath Tarling. Mary Mahabir. Peter Sweeting. Matt Simmons. Alexia Mellor. Sean Edwards. Pontypool Museum. Torfaen County Borough Council. Sion Jones. Josephine Sowden. Maia Conran. Paul Cabuts. Matt Giuseppina Ardolino 46 White. Peter Bobby. Paul Cabuts. Magali Nougarede. Eileen Little. The Bread of Heaven Cafe. Premier Properties. Elizabeth Hewson 47 2 3 who were part of the town, its culture and its success. and Fowlers to name just a few. Some businesses closed when their This spirit and pride was most evident during Amgueddfa Pontypool Framing Pontypool buildings were demolished in the push for redevelopment. Others Museum’s recent Townscape Project. Local residents were asked to I would challenge anyone who holds the belief that Pontypool is boring ceased trading as the population took their money to seemingly green- provide evidence such as photographs, artefacts and documents to take a walk around the town and really look at what is there now. er pastures. Streets were re-configured and railway tracks ripped up. relating to their lives in the area. It is the history of where they or their Look beyond the grubby and broken facades; look up above your Pontypool was re-designed; a planners dream or a residents’ night- ancestors lived, worked, went to school, worshipped and socialized. head and see the original shop-fronts, the carved details and Victorian mare? Was this a nod towards progress or an ensuing mistake? Great Hundreds of people took part in the project. Thousands of photos and architecture. Visit the chapel in Crane Street and marvel at its etched swathes of the town were lost never to return. The roads that replaced documents were brought in to the museum to be scanned into a new Pontypool is one of the earliest recorded industrial towns in Wales, glass ceiling. See the curved glass in the first floor bay window of what the railways lured business away from the town. The cult of the super- digital archive, which will tell the very personal histories of Pontypool’s world-famous for its Japanware, and home of a legendary rugby was the Crown Hotel but is now the Iceland store. And whilst you’re market moved in and the shops moved out. Established industries, if townscape. team. It was a prosperous town, built around the iron, coal and steel looking upwards, think about the hotel’s cellars beneath your feet, still not already gone, were in the process of closing. All of these changes industries with a market at its heart, but is now shunned by many in in their original state with stone shelves lining the walls. contributing to the perception of a town quietly in decline. However, Pontypool is not dull. It is full of surprises, but you have to look for them. favour of newer towns and shopping malls. Pontypool is easy to miss. Pontypool continues to fight its corner as a market town. The covered I encourage you to look at it with fresh eyes and a knowledge that Drive along the infamous bypass or alight at Pontypool and New Inn Take a walk up Crane Street and celebrate the alleyways from two market, about to undergo a re-development, is a great place to shop combines history, imagination and optimism. So, next time you go for a railway station and you’d be hard-pushed to find the real Pontypool. hundred years ago hidden beneath your feet. Enter a shop and find for fresh produce or a lunchtime snack. Go to town on a Wednesday drink in Wetherspoons think about the Victorian roller skating rink just a Buses go through the heart of the town but they tend to take people the trapdoor that leads you down into an old Pontypool street, that and witness one of the few street markets left in the area. few yards away from you, situated under a beauty parlour. away rather than bring them in. previous generations would have known well. As you stand on the cor- ner of George Street and despair at an abandoned shoe shop, know But Pontypool is more than just a town; it is its People too. There is a Pontypool is waiting to be explored as Newport’s photographic art In truth, the town is a gem among the South Wales towns with a wealth that it harbours a cellar lined with beautifully painted tiles in hues so great sense of community among many who care deeply about the students have done. I hope these intriguing projects will inspire you to of glorious architecture and a stunning park that celebrates the history bright they could be newly made even though they’re over a hundred town and about each other. This is reflected in several facebook pages look at Pontypool in a different way. of a rich and diverse past. Look around at the buildings; they will tell years old. and websites that celebrate this wonderful townscape. People from all you stories and paint pictures of a prosperous life once lived - if you over the world discuss their experiences of living within the embrace of allow them to. These buildings are worth celebrating, not just for their Many Pontypool icons were slowly lost in the last half of the twentieth the Pontypool community, past and present. Their spirit and enthusiasm wonderful histories or innovative construction, but also for those people century; Crane Street Station, The Settlement, Sandbrook and Dawe, for the town is genuine and strong and comes very much from the heart. Mary Mahabir Project Officer Pontypool Townscape Community Project 2010 – 2012 Amgueddfa Pontypool Museum 4 5 Harry Rose [email protected] There is Nothing in the Desert There is nothing in the desert deals with the process and documentation of time and lingering; having to wait for change to happen, if it ever comes at all. This state of liminality is nowhere more evident within Pon- typool than within the American Gardens where nature has been left un- managed to grow out of its original man made constraints and uniform aesthetics. Roots and vines now twist and lurch across the woodland floor as opposed to being kept back by the instruments and control of man that formed them. Subsequently we are presented with a landscape that bides it’s time, a landscape in anticipation of change. 6 7 Kimberley Sanders Oliva Richardson [email protected] [email protected] We are but Dust and Shadows Desertion presents itself as an initial reading of We are but dust and shadows. Focussing on Pontypool market the work illuminates a principal conflict within the town’s identity; that between a pride in the past, and a desire to move forward and evolve to survive. Once the central hub for trade in Pontypool, the market has since become a victim of today’s economy. By focussing on dust, the project does not seek to portray the market as gone forever, but rather as a relic to be rediscovered, waiting for change to arrive. Original architecture reflecting the town’s rich historical heritage can be seen alongside the introduction of newer features; a visual nod towards the anxiety so often experienced in towns on the cusp of regeneration. The desire to preserve versus the desire to grow. Personatus The town of Pontypool consists of two communities; that of its pool into empty shop fronts, a physical juxtaposition between past industrial past and a new, regenerated community that is yet to and present is created. These interruptions in the everyday posses a arrive. The life of the once thriving market town has now passed, temporal quality, created for the town yet easily removed. As such, a and the shopping district left with the empty units so commonly sense of hope remains for Pontypool; the current climate is temporary, seen in today’s economic landscape. It is on these empty units that and renewal will come with the passing of time. Personatus is focussed. By installing archival images of Ponty- 8 9 Stephanie Franklin [email protected] Open as Usual Open as Usual considers Pontypool as a town desperate to stay alive, fighting against neglect and the passing of time itself. Through the aes- theticization of broken and damaged windows, the work seeks to high- light this pervasive tension within the town. Windows can be seen as portholes; the threshold between interior and exterior life. However, this threshold is a fragile one, and when damaged, the way in which we see the world is altered.