Shooting Landscapes 1357-Ch04 1/28/06 8:02 PM Page 54
1357-ch04 1/28/06 8:02 PM Page 53 4 Shooting Landscapes 1357-ch04 1/28/06 8:02 PM Page 54 Digital Nature Photography and Adobe Photoshop h, the feeling of looking miles in any direction, not a soul in sight, awestruck by the natural beauty Aaround you. When you get there, you’ll know it—an epiphany, as nature photographers often get. It’s those moments that make it worthwhile. Getting the shot helps, too—something that causes you to beat your chest like a gorilla after you review it on your LCD. Don’t forget, getting there is half the fun—the other half is shooting the scene with your camera (using good techniques, of course!), and then getting home to fin- ish the images off in Photoshop. The memories don’t end there, either; when reviewing my nature photos and all the landscapes I’ve visited, I’m instantly reminded of the moments and the people I’ve traveled with in those special locations. This chapter is all about shooting grand (and maybe some “little” grand) landscapes. It will cover getting there, knowing the light, composing the shot, and fiddling with all those settings on your digital camera. Remember, getting there is half the battle and half the fun, like climbing a mile and a half of rough, rocky terrain to get to Delicate Arch, shown in Figure 4.1. Figure 4.1 Delicate Arch is within Arches National Park, Utah, but getting to this “Holy Grail” of western outdoor photographers is another story. The hike is not for the faint of heart, consist- ing of a mile and a half of steep ascent in rocky terrain, but it is well worth the shot if you get there at the right time.
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