Tomoko Sawada Born 1977
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Museum of Garden History, St Mary's Church, 5 Lambeth Palace Road
SECTION 1 – SITE LOCATION MAP Museum of Garden History, St Mary’s Church, 5 Lambeth Site address Palace Road, London, SE1 7LB Ward Bishops Restoration, internal and external alterations (including partial Proposal demolition and provision of additional mezzanine display floorspace) to the existing church abuilding, construction of single storey extensions within rear garden to provide a café and educational facilities, alterations to the rear churchyard including landscaping and relocation of tombs, removal and reconstruction of existing boundary treatment. Application type Full Planning Application Listed Building Consent 14/01448/FUL Application ref(s) 14/01450/LB 27 March 2014 (14/01448/FUL) Validation date 27 March 2014 (14/01450/LB) Name: Nicholas Linford Case officer details Tel: 020 7926 4069 Email: [email protected] Mr. Christopher Woodward Applicant Agent Ms Anna Cullum Kennington Cross Neighbourhood Association Considerations/constraints South Bank Employers Group Conservation Area Environment Agency Flood Zone Listed Building Sites of Borough Nature Conservation Importance London Plan Thames Policy Area Tree Preservation Order Historic Parks and Gardens on English Heritage Register Protected Vistas Ex010; Ex050; Ex100; Ex110; Ex120; Ex130; Ex200; Ex210; Approved plans Ex220; Ex230; Ex301; Ex302; Ex303; Ex305; Ex306; Ex309; Dm100; Dm301; Dm302; Dm303; Dm305; Dm306; Dm309; PA/001; PA/010; PA/100; PA/101; PA/102; PA/110; PA/120; PA/130; PA/200; PA/210; PA/300; PA/301; PA/302; PA/303; PA/304; PA/305; PA/306; PA/307; PA/308; -
Museum Futures, Creating Entry Level Press Images: Routes Into the Sector
Press release Final group of museums announced for Museum Futures, creating entry level Press images: https://bit.ly/3fbPxvY routes into the sector A British Museum initiative to invest in a diverse generation of museum professionals has announced the third and final cohort of partner museums for 2021 across the UK. Museum Futures, a three-year programme supported by The National Lottery Heritage Fund and managed by the British Museum, gives 18–24-year olds from a range of backgrounds the opportunity to receive year-long paid training. This training enables applicants without degrees or prior museum experience to pursue a career in the museum and heritage sector that might have otherwise been unattainable. Focusing on digital skills, trainees receive on-the-job training at UK partner museums, and also work towards a Level 3 diploma in Cultural Heritage to boost their learning throughout the year. Trainees further benefit from support of a trained mentor working within the sector, monthly training sessions at the partner museums and experience working on digital skills-based projects related to museum collections. Partner museums participating in Museum Futures 2021 are: Museum of East Anglian Life, South West Heritage Trust, Fitzwilliam Museum: University of Cambridge Museums, National Football Museum, The Atkinson, Museum of Cardiff, Culture Perth and Kinross and the British Museum. Currently in its second year of a three-year programme, Museum Futures will benefit a total of 25 trainees by its end in 2021. Successful projects from 2019 ranged from 3D imaging and projections at York Museums Trust, editing the official podcast at the British Museum to launching a new software to help digitally preserve archives in Somerset. -
Garden Museum
Garden Museum Lambeth Palace Road, SE1 Rooff are delighted to have been appointed preferred contractor on the prestigious Garden Museum Extension Project in Lambeth, adjacent to Lambeth Palace. This is a great appointment for Rooff and very typical of the type of work that we secure due to our sig- nificant track record of similar projects for high profile clients. The extension of the Garden Museum and internal alterations of the existing museum building located in a former Grade II* listed church. The new build extension consists of three single storey pavilions located in the garden connected by a winter-garden, which will provide café, education and community facilities; and a new office wing. Works within the existing museum building include the introduction of a mezzanine floor by extending the existing cross laminated timber (CLT) structure to access exhibition space. External works include landscaping and the repair of the boundary walls. Client: Garden Museum Architect: Dow Jones Architects Employers Agent: Gardiner and Theobald LLP Quantity Surveying: Pierce Hill Contract value: £3.4M Form of Contract: JCT Standard Building Contract With Quantities Remains of five 'lost' Archbishops of Canterbury found—BBC News 16th April 2017 Site Managers Karl Patten and Craig Dick “The remains of five Archbishops of Canterbury have been found beneath a medieval parish church next to Lambeth Palace, the Archbishop of Canterbury's official London residence. Builders renovating the Garden Museum, housed at the deconsecrated church of St Mary-at-Lambeth, found a hidden crypt containing 30 lead coffins. Site manager Karl Patten said: "We discovered numer- ous coffins - and one of them had a gold crown on top of it". -
List of Films Set in Berlin
LisListt of ffilmsilms sesett in Berlin From Wikipedia, the free encyclopedia This is a list of films whose setting is Berlin, Germany. Contents 1 1920s 2 1930s 3 1940s 4 1950s 5 1960s 6 1970s The world city Berlin is setting and filming location of 7 1980s numerous movies since the beginnings of the silent film 8 1990s era. 9 2000s 10 2010s 11 See also 1920s 1922 Dr. Mabuse the Gambler ( ( Dr Dr.. Mabuse, dederr SpielSpieler er ), 1922 - first (silent) film about the character Doctor Mabuse from the novels of Norbert Jacques, by Fritz Lang. 1924 The Last Laugh ( ( Der Letzte Mann), 1924 - The aging doorman at a Berlin hotel is demoted to washroom attendant but gets the last laugh, by F.W. Murnau. 1925 Varieté ( (Variety), 1925 - Circus melodrama set in Berlin, with the circus scenes in the Berlin Wintergarten, by EwEwalaldd AnAndrédré DDuupontpont.. Slums of Berlin ( ( Di Diee Verrufenen), 1925 - an engineer in Berlin is released from prison, but his father throws him out, his fiancée left him and there is no chance to find work. Directed by Gerhard Lamprecht. 1926 Di Diee letzte DrDroschkeoschke vvonon BeBerlirlinn, 1926 - showing the life of an old coachman in Berlin still driving the droshky during the time when the automobile arises. Directed by Carl Boese. 1927 Ber Berlin:lin: Symphony of a GGreatreat City ( ( Ber Berlin:lin: DiDiee Sinfonie der GroßsGroßstadt tadt ), 1927 - Expressionist documentary film of 1920s Berlin by Walter Ruttmann. Metropolis, 1927 - Berlin-inspired futuristic classic by Fritz Lang. 1928 Refuge ( ( Zuflucht ), 1928 - a lonely and tired man comes home after several years abroad, lives with a market-woman in Berlin and starts working for the Berlin U-Bahn. -
With the London Pass Entry Fee Entry Fee TOP ATTRACTIONS Tower of London + Fast Track Entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00
London Pass Prices correct at 01.04.15 Attraction Entrance Prices FREE ENTRY to the following attractions Normal Adult Normal Child with the London Pass Entry fee Entry fee TOP ATTRACTIONS Tower of London + Fast track entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00 NEW 1 Day Hop on Hop off Bus tour (From 1st October 2015) £22.00 £10.00 Windsor Castle + Fast track entrance £19.20 £11.30 Kensington Palace and The Orangery + Fast track entrance £15.90 FREE Hampton Court Palace + Fast track entrance £17.50 £8.75 17.10 ZSL London Zoo + Fast track entrance £24.30 Under 3 FREE Shakespeare's Globe Theatre Tour & Exhibition £13.50 £8.00 Churchill War Rooms £16.35 £8.15 London Bridge Experience and London Tombs + Fast track entrance £24.00 £18.00 Thames River Cruise £18.00 £9.00 HISTORIC BUILDINGS Tower Bridge Exhibition £9.00 £3.90 Royal Mews £9.00 £5.40 Royal Albert Hall - guided tour £12.25 £5.25 Royal Observatory £7.70 £3.60 Monument £4.00 £2.00 Banqueting House £6.00 FREE Jewel Tower £4.20 £2.50 Wellington Arch £4.30 £2.60 Apsley House £8.30 £5.00 Benjamin Franklin House £7.00 FREE Eltham Palace £13.00 £7.80 The Wernher Collection at Ranger's house £7.20 £4.30 MUSEUMS Imperial War Museum £5.00 £5.00 The London Transport Museum £16.00 FREE Household Cavalry Museum £7.00 £5.00 Charles Dickens Museum £8.00 £4.00 London Motor Museum £30.00 £20.00 Guards Museum £6.00 FREE Cartoon Museum £7.00 FREE Foundling Museum £7.50 FREE Science Museum - IMAX Theatre £11.00 £9.00 Handel House Museum £6.50 £2.00 London Canal Museum £4.00 £2.00 Royal Air -
The Garden Museum Education Fund the Garden Museum Is Britain’S Only Museum Dedicated to the Art, History and Design of Gardens
The Garden Museum Education Fund The Garden Museum is Britain’s only museum dedicated to the art, history and design of gardens. ‘Helping Father’, artist unknown, poster, c.1930 The Museum preserves what we value in gardens; whether it is the secret Edens of childhood and family, or the green public spaces which are so vital to life in the modern city. Situated in the medieval St-Mary-at-Lambeth church, we offer an educational experience unlike any other in the centre of London. The City is rich in history and community but its residents face all the pressures of modern city life; for many children a visit to the Museum is the first time they have seen a worm, or dug their hands in the soil. We need your help to educate and inspire the next generation of gardeners. Redevelopment The Garden Museum reopened in 2017 after an eighteen month redevelopment which saw the building of two new education spaces: the Clore Learning Space and the Learning Studio. These new spaces allow us to work with more schools, families and neighbours than ever before. We need your to help to bring these spaces to life by supporting the activities within them. Members of our local community making sweet treats with fresh ingredients A nutrition and cooking session for families in our new Our Clore Learning Space will be equipped for botanical Learning Studio kitchen science lessons for primary, GCSE and A-level students The Garden Museum is the burial ground of 17th-century plant hunter and Britain’s first gardener, John Tradescant. -
Dance & Museums Working Together Symposium Report
Dance & Museums Working Together Symposium Symposium Report - Content, Analysis & Recommendations January 2015 Author: Emma McFarland, Consultant, eMc arts E: [email protected] arts eMc TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE Contents Section 1 : About the Symposium 4 Introduction 4 1. Overview 5 Section 2 : Symposium Content 7 2. Presentations & Case Studies 7 3. Feedback from Discussion Groups 14 4. Enquiry Groups 4.1 Topic 1 – Schools & the Curriculum 14 4.2 Topic 2 – Responding Creatively to Objects 16 4.3 Topic 3 – Audience Engagement and Response 20 4.4 Topic 4 – Dance as Object – Live Curation and Archiving 23 5. Panel Q & A 25 Section 3 : Rationale for Dance and Museums Working Together 28 6. Opportunities and Benefits of Museum – Dance Collaboration 6.1 New and innovative ways of interpreting objects / artefacts, collections 28 and exhibitions 6.2 Developing new audiences / visitors 28 6.3 Collaboration as a way of informing the development of dance performance 29 6.4 Providing rich, new artistic stimuli 29 6.5 Encouraging reflections on dance’s own history 30 6.6 Offers new approaches to museum learning and participatory work 30 6.7 Organisational benefits 30 Section 4 : Considerations around Museums – Dance Collaboration 31 7. Potential Issues and Challenges of Museums – Dance Collaboration 7.1 Need for deeply rooted partnerships 31 7.2 The need for trust....and risk 31 7.3 The role of the artist 32 7.4 Purpose, priorities and planning 33 7.5 Audiences and visitors 33 7.6 Practical considerations 34 7.7 Evaluation of ‘pop-up’ dance activity in museums 34 Section 5 : Where Next? 36 8. -
Unsigned Payment Mandate
ARCHITECTURAL COMPETITION BRIEF: A PAVILION FOR LAMBETH GREEN June 2021 5 Lambeth Palace Road, London SE1 7LB Architectural Competition Brief: A Pavilion for Lambeth Green Table of Contents 1. Introduction ......................................................................................................... 3 2. Background ......................................................................................................... 3 3. Vision .................................................................................................................... 4 3.1 A Garden Junction ............................................................................. 4 3.2 The Vision for Lambeth Green ........................................................... 5 4. Historic Context and Heritage Designations ............................................. 6 5. Location ................................................................................................................ 8 6. Function ................................................................................................................ 8 7. Partnership Context .......................................................................................... 9 7.1 Lambeth Council ............................................................................... 9 7.2 Transport for London ........................................................................ 9 8. Competition Process ....................................................................................... 10 8.1 Eligibility ........................................................................................ -
Itp Evaluation Report to the British Museum
ITP EVALUATION REPORT TO THE BRITISH MUSEUM SEPTEMBER 2016 Annabel Jackson Associates Ltd Evaluators The Priory 54 Lyncombe Hill Bath BA2 4PJ Somerset Tel: 01225-446614 Email: [email protected] Website: www.AnnabelJacksonAssociates.com 2 BM INTERNATIONAL TRAINING PROGRAMME EVALUATION 2016 Contents INTRODUCTION ......................................................................................................... 3 Background on the programme ................................................................................................................... 3 Methodology ............................................................................................................................................... 4 ANALYSIS OF PARTICIPANT FEEDBACK AFTER THE BM PROGRAMME .... 5 Introduction ................................................................................................................................................. 5 Preparation .................................................................................................................................................. 5 Group sessions and seminars ...................................................................................................................... 6 Day trips to other museums ........................................................................................................................ 8 Departmental programme in the BM .......................................................................................................... 9 The course book -
Annual Report 2018−2019
ROYAL COLLECTION TRUST ANNUAL REPORT REPORT COLLECTION TRUST ANNUAL ROYAL 2018−2019 www.rct.uk ANNUAL REPORT 2018−2019 ROYA L COLLECTION TRUST ANNUAL REPORT FOR THE YEAR ENDED 31 MARCH 2019 www.rct.uk AIMS OF THE ROYAL COLLECTION TRUST CONTENTS In fulfilling The Trust’s objectives, the Trustees’ aims are to ensure that: ~ the Royal Collection (being the works of art ~ the Royal Collection is presented and CHAIRMAN’S FOREWORD 5 held by The Queen in right of the Crown interpreted so as to enhance public DIRECTOR’S INTRODUCTION 7 and held in trust for her successors and for the appreciation and understanding; nation) is subject to proper custodial control PRESENTATION AND PARTICIPATION 9 and that the works of art remain available ~ access to the Royal Collection is broadened Visiting the Palaces 9 to future generations; and increased (subject to capacity constraints) ~ Buckingham Palace 9 to ensure that as many people as possible are ~ The Royal Mews 11 ~ the Royal Collection is maintained and able to view the Collection; ~ Windsor Castle 12 conserved to the highest possible standards ~ Clarence House 12 and that visitors can view the Collection ~ appropriate acquisitions are made when ~ Palace of Holyroodhouse 16 in the best possible condition; resources become available, to enhance Exhibitions 21 the Collection and displays of exhibits Historic Royal Palaces & Loans 33 ~ as much of the Royal Collection as possible for the public. INTERPRETATION 37 can be seen by members of the public; Learning 37 Publishing 39 When reviewing future plans, the Trustees ensure that these aims continue to be met and are CARE OF THE COLLECTION 43 in line with the Charity Commission’s general guidance on public benefit. -
Research Report 2013
IWM RESEARCH REPORT 2013 Contents 1. Introduction 3 2. Fellowships, Collaborative Doctoral Awards and PhDs, successful research funding bids and other research initiatives 5 2.1. Fellowships 5 2.2. Collaborative Doctoral Partnership/Awards, IWM supported PhDs and commissioned research 5 2.3. Successful research funding bids 7 2.4 Other research initiatives 8 3. Publications, advice and representation 9 3.1. Books 9 3.2. Articles and chapters 10 3.3. Prefaces, forewords and editorials 11 3.4. Reviews and obituaries 11 3.5. Radio and television 12 3.6. Representation on advisory groups 15 3.7. Advice to publishers and authors 16 4. Exhibitions 17 5. Conferences, lectures and talks 18 5.1 Seminars and conferences 18 5.2 Individual representation 18 1. INTRODUCTION Roderick Suddaby, 1946–2013 Colleagues throughout IWM were deeply saddened by the death in June 2013 of Roderick Suddaby, who had worked as a Research Associate in the department since his retirement as Keeper of IWM’s Department of Documents. Rod had been a particularly supportive colleague during the Research Department’s early years, drawing on his long and extensive knowledge and experience to advise on how best to shape the new facility we were creating. Rod continued to supervise his Collaborative Doctoral Award student Lizzie Oliver and to invigilate the Reading Room until close to the end of his life. An obituary was published in The Times on 1 July 2013, and the many tributes paid on websites and in other publications bore witness to the enormous respect and great affection felt for Rod by the research community. -
1 Newsletter of the IBE European
EPI-Focus Newsletter of the IBE European Regional Executive Committee (EREC) Issue 11 1 Message from the Chair Dear Friends Welcome to the new issue of EPI-Focus: IBE’s newsletter dedi- other activities are taking place to help improve the quality of cated specifically to its European chapters. This is also my first life of people with epilepsy throughout the whole of Europe. EPI-Focus as Vice-President Europe and Chair of the European EPI-Focus is here for you to tell us, and each other, about the Regional Executive Committee (EREC) and I am delighted that fantastic work you are doing. Tell us about your achievements, so many of you have shared information about your activities but also if things didn’t work out the way you had planned. We for this issue. can use this forum to share our experiences and to connect I would like to draw your attention to the short introductions with our fellow European members to offer advice and assis- that the new EREC members have written on their specific ar- tance. Happy reading! eas of focus on the committee. There is also a message from I would like to take this opportunity to wish you and your families the IBE President, Martin Brodie, about IBE’s EpilepsyNext a happy, peaceful and healthy 2018. May the stars shine bright for programme. A new strategic direction for IBE and one in which us all, and for people with epilepsy who need us to be their voice. we hope to connect with the next generation of young epilepsy leaders.