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Zaha Hadid Un Planeta En Su Propia E Inimitable Órbita LaPERIÓDICO MENSUAL DE PaneraARTE Y CULTURA I Distribución gratuita. Prohibida su venta. 71 MAYO 2016 ZAHA HADID UN PLANETA EN SU PROPIA E INIMITABLE ÓRBITA Zaha Hadid, «Forest of Towers», Holmes Road Londres NW5, 2006. Foto: Peter Marlow / Magnum/Magnum Photos/Latinstock Av Cultura diferente Rev La Panera 275x36.pdf 1 30-03-16 15:19 C M Y CM MY CY CMY K La Panera ÚNETE A NUESTRA COMUNIDAD: [email protected] Artes Visuales 04 Matilde Marín tiende un puente entre Vietnam y la Patagonia 06 Sebastián Mahaluf reinterpreta el espacio a través del cuerpo 08 A cien años del nacimiento del Dadá en el Café Voltaire de París 10 Rousseau, el néctar naif que nutrió al arte moderno Cine 22 Oraciones filmadas de Roberto Rossellini e Ingrid Bergman Personajes 24 Wim Wenders y la gramática visual de los pensamientos Danza 26 Coreógrafa japonesa busca la esencia de los chilenos Música 30 Isabel Aldunate, mistraliana de pasión y canto Cómic 32 El historietista Martín Cáceres estrena en Chile el formato artbook Miscelánea 34 LSD recuerda sus 50 años de prohibición volviendo al laboratorio Gestión cultural 38 Las 3 T de los países más creativos Literatura 40 A la espera de la tercera entrega de «Wolf Hall», de Hilary Mantel Cristián Abelli recibe premio Marco Bontá Destinos La Academia Chilena de Bellas Artes del Instituto de Chile otorgó el Premio Marco Bontá 2015 al artista 43 La seductora e inefable belleza de los tulipanes visual Cristián Abelli, “por la notable exposición NOCTILUX, presentada en Galería Patricia Ready, que reunió un gran número de obras en formatos diversos”. El pintor y académico Benito Rojo, quien estuvo Observatorio a cargo de presentar esta distinción, agregó: "Nos pareció una exposición muy profunda: allí están 44 La certidumbre de pertenecer a un mundo reflejadas sus habilidades y su sensibilidad con el paisaje. Transmite una mirada íntima en una pintura más amplio que el humano que refleja su investigación". LA PANERA se distribuye en todo Chile y, con el Patrocinio de la Dirección de Asuntos Culturales del Ministerio de Relaciones Exteriores PERIÓDICO MENSUAL DE ARTE Y CULTURA (Dirac), se hace presente en varios puntos del extranjero (embajadas, EDITADO POR LA CORPORACIÓN CULTURAL ARTE+ agregadurías culturales, consulados y otros). A través de la empresa HBbooks llega a las bibliotecas de las Presidenta Patricia Ready Kattan universidades de Harvard, Stanford, Texas (Austin), Minnesota y Toronto, Directora General Susana Ponce de León González y del Ibero-Amerikanisches Institut (Berlín). Además, la Biblioteca Directora de la sección Artes Visuales Patricia Ready Kattan Kandinsky del Centro Pompidou de París la ha incorporado a su catálogo Editora Jefa Susana Ponce de León González oficial. Y también está disponible en las bibliotecas de laNational Gallery Coordinadora Periodística Pilar Entrala Vergara de Londres, de los museos Tamayo de México, Thyssen-Bornemisza y Dirección de arte Rosario Briones Rojas Reina Sofía de Madrid, y de la Internationella Bibliote ket de Estocolmo. Diseño Rosario Briones Rojas Premio Nacional de Revistas MAGs 2013, categoría Mejor Reportaje de Asistente de diseño Simoné Malacchini - Bernardita Espinoza arte, entretenimiento, gastronomía, tiempo libre, espectáculos; y Premio Colaboradores Sandra Accatino - Daniel Canala-Echevarría - Elisa Cárdenas - Pilar Entrala Nacional de Revistas MAGs 2012, categoría Mejor Reportaje de turismo, Evelyn Erlij - Marla Freire-Smith - César Gabler - María Teresa Herreros - Miguel Laborde - Pamela Marfil viajes y fomento a la cultura chilena, otorgados por la Asociación Nacional Andrés Nazarala - Edison Otero - Paola Pino - Nicolás Poblete - María Paz Rodríguez - Marietta Santi de la Prensa. Juan José Santos - Gonzalo Schmeisser - Ignacio Szmulewicz - Nicolás Poblete - Rafael Valle - 20 mil ejemplares de distribución gratuita. David Vera-Meiggs - Antonio Voland Ilustradores Alejandra Acosta - Alfredo Cáceres Corporación Cultural Arte+ Espoz 3125, Vitacura, Santiago de Chile. Fono +(562) 2953-6210 Vea la versión digital de LA PANERA en Representante Legal Rodrigo Palacios Fitz-Henry www.galeriapready.cl Imprenta Gráfica Andes www.lapanera.miracultura.cl Servicios Informativos Agence France-Presse (AFP) dirac.minrel.gov.cl Contacto comercial: Evelyn Vera ([email protected] / T.: +56 9 9318-4534) Suscripciones: Roxana Varas Mora ([email protected]) LAS OPINIONES VERTIDAS EN ESTA EDICIÓN SON DE EXCLUSIVA RESPONSABILIDAD DE QUIEN LAS EMITE. Artes Visuales LA GEOGRAFÍA DEL NO LUGAR Viajera y no turista, cada vez que la argentina Matilde Marín hace las maletas empaca dos cámaras de fotos. Una para el cotidiano y otra para capturar esos hallazgos que siempre le salen al paso. Así construyó las series «Paisajes Alterados» y «Paisajes Horizontales», una trilogía que hoy cierra con sus «Paisajes Indeterminados». «Paisajes Indeterminados I» «La mirada cercana» POR PAOLA PINO A. De ahí en adelante el viaje fue una íntima sesión fotográfica en la que, sin saber mucho cuál sería el destino de esas imágenes, captó res días duró la navegación por la bahía de Halong, Viet- detalles y panorámicas de un paisaje que le parecía cada vez más in- nam. Una travesía que Matilde Marín recuerda como un trigante: “Se produce algo muy fantasmal, en medio de la neblina van espacio sin tiempo, en el que a medida que avanzaba iba apareciendo estas rocas potentes, fuertes, cuanto más te alejas de la T perdiendo toda referencia. El silencio y la neblina ambiente costa (y te alejas mucho), más fuerte son esos hitos naturales”. potenciaron su sensación del “no lugar”, pero también, despertaron “Cuando volví a Buenos Aires comencé a mirar el material y me pa- su mirada y le hicieron recordar al teórico español Javier Maderuelo, reció tan fascinante que quise armar algo con él. Fue entonces cuando quien define el paisaje como “la interpretación de lo que se ve en el nació la idea de un lugar indeterminado, del ‘no lugar’. Cuando tran- país (territorio) cuando éste se contempla con mirada estética”. sitas por la bahía tienes la sensación de estar en un territorio descono- 4 I La Panera «Paisajes Indeterminados III» «Paisajes Indeterminados IV» cido, en el que la única referencia son estos monu- UN GRUPO DE FOTOGRAFÍAS –En sus últimas series ha incursionado en luga- mentos pétreos que salen del mar calmo”. NACIDAS DE UN RECORRIDO POR res remotos, recuerdo la de los Faros, ¿la soledad “Luego tuve que decidir cómo ubicarlos, no me le permite una mayor comunión con el paisaje? interesaba que fueran una postal y pensé en hacer LA BAHÍA DE HALONG, VIETNAM, “En realidad sí, se ha repetido la situación de una línea que uniera Halong y el lugar donde vivo”. QUE HABLA DE UNA GEOGRAFÍA soledad con el objeto a registrar. Quizás la relación Para construir este puente reemplazó los cielos de que se da entre el artista que registra y el objeto Vietnam por los de su querida Patagonia y las Sa- QUE NO EXISTE Y QUE DESDE que es registrado es de mayor complicidad pro- linas Grandes de Jujuy, ya que mientras los del Sur ducto de la gran soledad del entorno, pero es algo EL 9 DE JUNIO EXPONE EN LA se cargan de nubes, los de Asia lo hacen de niebla, muy personal. No en todos los paisajes he sentido generando una suerte de trampa al espectador. El GALERÍA PATRICIA READY. esa situación, y por ello esta serie es muy parti- resultado fueron sutiles collages que revelan la ca- cular. Recuerdo que esas rocas eran imponentes, lidad del trabajo fotográfico analógico de Matilde, uno se sentía pequeño y la contraposición entre pero también su tremendo oficio con los procesos montaje de la muestra, junto a sus fotografías de uno y ellas era muy fuerte. Colaboraba el hecho de digitales con que interviene las imágenes. En ellas grandes dimensiones colocó una pequeña imagen que se trata de una bahía inmensa de aguas muy literalmente funda nuevas geografías, desconocidas que hace foco en algún detalle de los monumentos suaves, por ende, nada alteraba el silencio en el que para el espectador, espacios que sólo existen en su de piedra, haciendo dialogar el paisaje real con el vos te deslizabas”. obra, y que son una metáfora acerca del “íntimo re- inventado y, al mismo tiempo, permitiendo que el corrido que en ciertos momentos de la vida embar- espectador complete la mirada panorámica que le –Otra de sus constantes es la relación con lo ca a todo ser en la reflexión de sí mismo”. ofrece el gran formato: “Es el creador que se enfren- literario, pero al parecer esta vez es una cuestión La Patagonia, además de ser un lugar muy pre- ta al paisaje omnipotente e impone su marca. Como más bien estética… sente en su trabajo, también le permite apelar a la el artista del land art que caminando va dejando se- “Muchas veces me dije qué bárbaro sería encontrar vastedad del espacio: “En Halong uno se siente en ñales en el paisaje, y en este trabajo hay mucho de un paisaje que funcionara para la frase de la poeta un lugar muy lejano, un efecto que también pue- dejar huellas”. Elizabeth Bishop del libro «Geografía», que siempre des experimentar en la estepa patagónica, donde me ha impactado y que dice: ‘Es preciso estar atento hay zonas sin señalización en las que si no eres un –Antes de la fotografía hacía grabado y en su a lo que el paisaje puede decirnos, el paisaje necesita conocedor es fácil perderse. Vives la sensación de obra gráfica las intervenciones y las huellas tam- ser leído, ser atravesado por una mirada delicada que finitud”. bién eran una constante. comprenda toda la vida que hay en él. Todas las cosas “El grabado continúa presente en mi quehacer, tienen un paisaje ideal’. Y esta vez lo encontré”. SEÑALES GEOMÉTRICAS siempre hay un rasgo que apela a la gráfica. Es cier- to que me he vuelto más fotográfica, pero el hecho –Así van apareciendo estos paisajes inventados Crear su propia geografía llevó a Matilde a dise- de haber trabajado con papel (porque la imagen fo- que están muy lejos de la fotografía de viaje..
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