Psalms Execution

Music Composed by Kingdom Ministry to the exact verses in the Official Catholic Bible Note :

The Psalm MP3 recordings along with this are music composition tracks — done for tune composition purpose only. A professional recording of these is yet to be made.

The recording quality of the present tracks is such it should be played only with the EQ settings preset on the player, and listened on headsets/ earphones to which the EQ is matched. These tracks should not be played on open speakers — for, the reproduction quality would be very poor.

These Psalms are composed without any textual changes from the original Word Of God. Hence, instead of ‘listening’ to them as we do with songs in general, these Psalms should be ‘read’ as text while we hear them on the headset. Towards this, a Malayalam Psalm print as booklet is given along with this. 2

Dear Manoj and friends at the JesusYouth,

This is on the subject of Malayalam language Psalms Music Composing Project which during the years 1999 to 2008 I had completed for The Kingdom Ministry. Your JesusYouth members had also contributed in this.

How it happened.

In the summer of 1999 my Pappa - Navodaya Appachan, sponsored for Brother Thomas Paul a spiritual music cassette “SANGEERTHANANGAL” — eight Malayalam psalms selected from the KCBC Bible. The tunes were composed by the Kingdom Ministry members after Thomas Paul for these eight Psalms did some ‘inspired editing and rephrasing’ of the text in the KCBC Malayalam Bible.

I brought in our Music Director Sharreth who along with his wife attended a few of Thomas Paul’s retreat sessions at Chittoor, before sequencing the tracks and music interludes for the said album. It was Sharreth, Sreenivasan (playback singer) and Kingdom Ministry’s own keyboardist Babu who sang the songs. Voice recordings were done at Kochi Dioscecse’s Santa Cicilia Studio at Palluruthy; Live Instruments overdubs and ﬁnal mix at Chennai.

At the Kingdom Ministry, Palarivattom (opposite to POC) oneway we were listening to the ‘ﬁrst release album’. We, meaning members of their Ministry — Shaji (son of Mr. P. P. George, Kombara), Sister Maria Kannampuzha, singers Jessy & Jain, Thomas Paul — and myself.

Then, Thomas Paul made an announcement that he has received a new ‘message’ to compose and record all of the 150 Psalms (Malayalam)! Yet, without even changing one single word, comma or fullstop. - Exactly as The Word Of God is printed in the Ofﬁcial Catholic Bible!

I laughed.

Why did I laugh? Just take a look at the Psalm passages printed in Malayalam Bible. At a ﬁrst glance itself, most of them lack poetic structure — metre, rhyme … even phrasing by word-lengths, from one line to the next. 3

There is no symmetry or alignment in the Malayalam text printed in the Bible itself. Biblical Psalms have originally been written (actually, as per Jewish tradition, orally rendered — since Hebrew text came into existence only a few centuries before Jesus’ time) by King David, Koreh sons, …… etc., on some sort of archaic musical metres of those time — metres specific to ancient Hebrew phonetics. But what would have been written to a metre would have been completely lost in translations once the Bible came to us through Greek manuscripts, their English versions … and finally, direct translations to Malayalam from original parchments of Nag Hammadi and Qumran Cave Scrolls. We can surely surmise that the translators, how much ever gifted they were in the vernacular language — (in this case, Malayalam), would have had their priorities set in capturing the original meaning of the words and phrases. Not the poetry. No wonder the lines look asymmetric and asynchronous in many of the Malayalam Psalms. Yet, I should admit that the meaning has been captured with absolute passion by those experts who did the Malayalam. This is in comparison with the corresponding English lines in the NAB. (But there are also lines that are deficient. For example, Psalm 110 - a most important Messianic Psalm. Psalm 87 in Malayalam doesn’t measure up with the NAB. Psalm 45’s ‘skilful scribe’ has been translated into Malayalam un- poetically as X¿mdmbncn¡p¶ Fgp¯pImc³).

I said to Brother Thomas Paul “Look Brother, in the Sangeerthanam 90 which you did just now, you had to change the ﬁrst line

IÀ¯mth, A§p Xeapd Xeapdbmbn R§fpsS B{ibambncp¶p. into Xeapd Xeapdbmbn, (2 bars) IÀ¯mth, (2 bars) A§p B{ibambncp¶p. (2 bars)

This you had done to conform the line to a metre (4/4) uniform for the entire song”.

“Poetic rendition of the lyrics apart …” I continued to Thomas Paul “As you know Brother, today the trend is to put words into precomposed music … even for spiritual songs. Rhythm is given prominence over melody and poetry. No wonder, the language sounds mutilated. But today’s public like it. They say it sounds ‘young’. So why take a torturous path back to the days when music was scored over pre-written lyrics? 4

Even in those days when music was composed for the poetic lyric, they made sure the lyric was ﬁrst written to a metre — like … say, Aadi Thaalam, Thrupata, 7/8, Kaakali Vrutham …. etc., which comes with beat/ syncopation along with the written words themselves. ….. Your logic, frankly I don’t understand.”

Instead of answering my points, I heard him say something else.

“Jijo, Psalms are very important because many lines are about Jesus … written on Jesus … centuries before He was born. Why, Jesus himself cites this speciﬁcally. Everything must be fulﬁlled that is written about me in the Law of Moses, the Prophets and the Psalms. Luke 24: 44 So, if we can convey the Word Of God … as it is written, as it was intended by The Holy Spirit, without altering the text for the sake of musical propriety, you know what the power of that would be on human hearts! Our creative efforts should be submissive to what is written. We should bend the music norms so that The Word remains unaltered.”

Said Thomas Paul in conviction.

I was about to say “Maybe, … but then, would that sound like a good song to ordinary beholders? … leave alone trained musicians!”

I didn’t say that. Because I was all along being aware that Jessy & Jain — the 16/18 year old sisters from Idukki who gave singing support for Kingdom Ministry programs, had besides us started composing and singing

Psalm #2 IÀ¯mhns³d A`njnIvX³ (a Messianic Psalm) and Psalm #4 ssZh¯nÂ B\\vZhpw kpcIvjnXXzhpw.

The music was traditional. But it was also melodious and original. I was surprised the way Jessy was able to ‘ﬁt’ words of Psalm #2 in a 4/4 metre. And then in Psalm #4, she — while holding tempo, effortlessly moved between beat 3/4 for the pallavi to beat 4/4 for the charanam — without even realising that there was a musical acrobatics that was happening! I have seen only trained musicians like Sharret do that. These two sisters here were unschooled in music.

******* 5

Back at my room in Navodaya, sitting at my table I was thinking about the conversation at Kingdom Ministry when suddenly I found ‘The One who listens to all conversations and follows every thought’ standing across my table.

“What do you make of this” HE asked. “Quite remarkable!” I answered “Obviously, …YOU have a musical metre incorporated in those lines … kept hidden from the wise and the learned, it is revealed to children” “Would you like to try the same?” HE asked. “Oh, that would be interesting … would YOU give me the metre?” “O.K. … Look down” HE said.

I looked down and saw the Bible kept open in front of me (The Malayalam, besides the NAB) and saw the opening lines of Psalm 39

a\pjy³ \ngÂam{Xw 1 Rm³ ]dªp: \mhpsImW vSp ]m]w sN¿mXncn¡m³ Rm³ Fs³d hgnIÄ {iZv[n¡pw; Fs³d ap³]nÂ ZpjvSÀ DÅnSt¯mfw Imew \mhn\p Rm³ ISnªmWnSpw.

As I followed the words, I could find it was falling into rhythm 6/8. I caught a melody in hindustani raaga Brindavani Saaranga coming to my mind (actually, the raaga itself, I had no understanding …. only the knowledge that the famous tune Kajra Mohabbat Wala is composed in the said raaga). I started singing … and it worked! I completed the first 4 verses there itself. Not just that. As the first stanza (4 lines) sank in, I could fully understand the meaning behind the Word Of God. It was about the control of one’s feelings … if feelings gets processed as thoughts within one’s mind, these thoughts eventually would emerge as words on one’s tongue. 1 to 4 lines of Psalm 39 is the foundation of the famous statement series Watch your feelings, for they become thoughts. Watch your thoughts, for they become words. Watch your words, for words denote attitude. Watch your attitude, for it dictates your behaviour. Watch your behaviour, for behaviour defines character. Watch your character, for thats your destiny.

*******

Next morning at Kingdom Palarivattom I was entering wondering what my role in this would constitute to … when I found Rex Band musician Alphonse there. He was brought by Shaji as per Thomas Paul’s request … and had 6 already started notating music score and arranging piano chords for Psalm #9 aÀZnXs³d {]Xymi ------— which Jessy and Jane had just composed that morning.

Confusion reigned.

Alphonse was at loss because Jessy hadn’t phrased the words properly into the 4/4 metre in which she had composed the song. Words were getting spilled over from 4 bars to 4 1/2 bars … 5 and even 6 bars at random! Shaji and myself looked at each other … understanding the problem well.

After seeing off Alphonse with apologies for having called him before the lines got fully structured, Shaji spent the next few days tutoring Jessy and Jain on musical beats and bar counts. He taught them thaalavattom — 4 bar counts in which each line has to conﬁne itself to. He demonstrated the difference between 2/4 and 4/4 — even though both amounts to the same melodically, the rhythm syncopation intermits.

Fortiﬁed with such basics in music, Jessy & Jain started on the next Psalms.

Meanwhile, Thomas Paul and Shaji were planning the construction of a mini audio recording studio at Kingdom premises for the explicit purpose of recording these Malayalam Psalms.

I was considering some methodology to complete the huge task — if it ever could be completed! 150 Psalms is a very ambitious target. And most of the Psalms are 2 to 3 times the length of an ordinary song. I noticed Jessy & Jain rely heavily on traditional Malayalam Catholic melodies (Paattu Qurbana songs and Latin rite hymns) in their compositions. Even some latest charismatic renewal song (paavanathmave) tunes inﬂuenced them. Yet, devoid of knowledge on any ﬁlm songs, their core source was Kerala folk melodies [’Thiruvaathira’, ‘Kummi’ etc.] which found abundant usage in our Syro-Malabar liturgy such as ’Sarwaadhipanaam Karthave’, and in our Latin liturgy such as ’Daivathe Vazhthiduvin’, ’Thaalathil Vellameduthu’ etc. Bother Thomas Paul said “These traditional songs have been infused by the Holy Spirit and hence has stood the test of time”.

I have heard similar moving traditional Tamil hymns at Kodambakkom Fathima Church which had a century old patronage by ﬁlm musicians and music directors (Shyam — Samuel Joseph, Joseph Gunasingh — ﬂautist and music director for my Padayottam). The rich Carnatic spirit in their hymns is as strong as the presence of the Holy Spirit. I have never seen elsewhere 7

whole congregation - men, women and children - respond to spontaneous rapturous singing as it happens at Fathima Church Kodambakkom. A few Latin dioceses in Kerala maybe of exemption.

Hence I roped in our Assistant Director Rajesh Abraham (who frequented Kodambakkom Fathima church) and Tony Adriel (junior keyboardist at Fathima church, who as a VISCOM student at Loyola College was apprenticing with our Navodaya Film Post Production Unit at Mahalingapuram, Chennai). Both of them together consulted the choir at Fathima and selected their best 20 Tamil hymns. I am sure all the songs were more than half a century old. The melodies remind me of the initial 1960s Tamil ﬁlm hits by Mahadevan, M S Viswanathan, Ramamurthy, etc. The Kodambakkom Tamil choir members were called to our Mahalingapuram Studio facility and made to sing and record these selected 20. Tony played the keyboard. These tracks (which could also serve as minus tracks — without voice, as in karaoke) were made available to Jessy & Jain at Kingdom Palarivattom.

By now it was year 2003.

Jeevan TV stint of two years over, I went to help my brother Jos complete his ﬁlm Magic Magic 3D in NY. Returned, by fall 2002, I along with Shaji helped build Kingdom Home Studio at Palarivattom. Meanwhile Psalms were being selected (at random) by Jessy & Jain to match a tune that seemed proper. This was done everyday after prayer sessions led by Maria Sister. Progress was slow. Thomas Paul was occasionally in and out of India from and to Germany and Austria.

To speedup matters, I devised one another method with Jomon JY. Jomon was an engineering batchmate of my brother-in-law Johny and a resident for 2 years at Johny’s home at Kombara. One day when Jomon came to see me at Kingdom Ministry from JesusYouth’s own ofﬁces at nearby Palarivattom, we drafted a letter addressed to all JesusYouth ‘full timers’ coming from and going to North Indian states. It was well known that the North-Eastern states (Assam, Meghalaya, Nagaland, etc.) had a rich music culture and christian tradition. . The letter was something like below …

Dear Elder/s of the Diocese, Praise The Lord and greetings from South India.

For the purpose of composing Psalms as musical passages, we are collecting traditional hymns from the earliest of churches in India. 8

Can you select the best 4 to 6 hymns of your area for us? Please note that they have to be in your own native tongue and not tune adaptation from English, Hindi, Bengala, etc. The songs should be at least 40 years old in existence and sung around your locality. However catchy the tune may be, you should not consider church songs in recently produced cassette/ CD/ spiritual audio albums. If you have existing recordings of the selected, please send them. If not, we are providing a MP3 recorder and basic expenses for you to organise a rough recording in your church. Kindly select the hymns that would most aptly represent your native culture. May The Spirit of The Lord guide you.

But for me and my people at Navodaya Mahalingapuram, the whole of 2003 was spent on developing Digital 3D Imaging which was a pioneering effort then anywhere in the world. The reward for the research and development came in the form of an invitation from Chinese State Film Corporation to come and popularise 3D Cinema on Chinese Mainland. Their Chairman — a young Chinese American, under recommendation from my 3D guru — Chris Condon of Stereovision, Burbank, LA., personally invited 4 of my group to come over to tour China’s massive theatre network. He requested to bring our ﬁlms (Kuttichathan, Magic Magic) with our new Digital 3D System and equipments — that too, all expenses being paid by them. For, I had offered all our demonstration services free. This was a clear six years before ﬁlm AVATAR created a 3D Digital revolution all over the world.

Including myself, 3D Technician Naveen Kothadia, Senior business organiser N. G. John, we were three. For a fourth member, who needed to be a person with Engineering background, The Lord said “Call Manoj Sunny” When informed of the situation, that was when Manoj told me of JesusYouth’s decades-old unrealised plan to enter Mainland China. Visas issued by Chinese Embassy in Delhi for the four of us, in the last week of departure, my Pappa (Navodaya Appachan) suddenly stepped out of his dominion in Kishkinta and announced that Pappa and my brother Jos shall lead the planned trip to Beijing. Rather than defy Pappa, all four of us cancelled our program.

During the aftermath of the failed Chinese Expedition, in 2004, I was mostly located in Navodaya, Mahalingapuram, Chennai. The response from the North-East JY full timers was coming in. Jomon and Sheena were now located in Chennai. Along with Mrs. and Mr. Jose Kurian, Shobith and Simi, they helped me coordinate with JY prayer group members assembling at St. 9

Theressa’s Church, Nungambakkom. Rajesh Abraham also was an active participant there.

Psalm composing was now divided between Kingdom Home Studio at Palarivattom — where Shaji supervised, and under Maria Sister Jessy & Jain functioned, and myself — at Navodaya Recording Studio at Numgabakkom. I asked my Tech Chief —Gopal Balaji (under whom Tony Adriel apprenticed), to suggest a system-chain by which Psalms could be completed at the earliest.

Navodaya Audio Studio, Nungambakkom.

After two days of mulled search and research Balaji said “Sir, you have to tryout Garangeband … a music software with which even persons untrained in music can compose music. Like AVID does for the Film Editor, it manages all your tempo, beat, scale, tracks for the Music Composer.” A bit reluctant to complicate the present process chain, I asked “Where do you get this Balaji?” “It is already there on our studio recording system … Powermac G3”. Answered Balaji “ In fact, its basic version comes free with all Macs.” 10

Upon Balaji’s continued insistence, with a MIDI keyboard, very reluctantly I rehearsed on the GarageBand in our studio G3 System and said “OK Fine … But Balaji, this doesn’t work on PC. So how to work with Kingdom Home Studio?” Balaji — “The cheapest Mac is an eMac. Costs about 32 thousand rupees. We shall buy one here in Chennai, configure the system and GarageBand on the eMac exactly as that in our Studio G3 here. We shall bring Kingdom personnel here and give a two days training on how it is done. Ship the eMac to Palarivattom and install it at Kingdom Home Studio. You can work from here on G3; they can work from there on eMac. You both can share files on the same GB song project”. (‘Sharing files’ meant pressing data CDs of the song project/s and overnight couriering. The Internet was still in its infancy)

Accordingly, Shaji, Jessy, Jain and Maria came for two days to train on the new ‘Psalm Composition Method’. My Ammachi from Kishkinta came to Navodaya Mahalingapuram guest house to organise their boarding and lodging.

After the training, Balaji, Jainul and myself brought the eMac system to Kingdom Home Studio, Palarivattom and set it up. We set it up in such a way that, a single music composer — either Jessy or Jain, or anybody for that matter — could sit at the studio computer (eMac) desk and without any extra assistance could voice- record themselves. The Bible text and microphone were placed before the operator in such a way the person, while reading the text and singing, could simultaneously operate the GarageBand Music tracks.

It was while test recording/ composing Psalm 149 Glorify Lord with Song & Sword, in one of the earliest trials (during late 2004) Shaji came up with a brilliant inspiration to add other WOG passages as vocals to the Psalms’ musical lines. It could be (contextually) from the Old, New Testaments or Epistles. It would emphatically connect diverse sections of the Bible to the Psalms — very much like the ﬁrst & second readings preceding the Gospel reading in a Holy Mass. With this, we also started giving importance to ‘responsorial lines’ in many Psalms as their Pallavi (opening) line.

Including WOG passages along with Psalm verses came as a blessing, because I was concerned that many Psalm passages sung close together 11 was getting crowded. We were following a policy of ‘minimal music interludes’ (2 to 6 bar-counts) since Brother Thomas Paul insisted that the importance should be for The Word.

Hence interlacing songs with Bible reading was one way to provide relief. The other, was to include sound effects — wind, thunder, waves, etc.

For the members of Kingdom Ministry, it was a breeze to ﬁnd Biblical quotes that referred directly to the Psalm verses. They had been assisting in retreats where their minute-by-minute job was to ﬁnd cross references as Thomas Paul gave his talk. Any additional WOG reference was given by Maria Sister who, just outside the studio, was leading the intercession prayers in support of the ‘Psalm Music Composition’.

eMac Desktop for Jessy & Jain

Brother Thomas Paul used to come and listen to the initial compositions (during fall 2004) when he was there at Kingdom. [He also came once or twice to Mahalingapuram Studio during fall 2005 when I was composing Psalm 119/ 22 parts in Chennai]. The only correction I remember Thomas Paul make was for Psalm 89 Fulﬁlment of God's promise to David. In the 20 minutes long song of 52 verses, Brother noted that the verses 19 to 25 — where God makes HIS proclamation, was not grand enough. Brother sat about an hour explaining the signiﬁcance of the Words, which sounded like a discourse itself. I attempted correcting the music. It was composed by Jessy 12

& Jain based on a Mylapore Diocese melody. After 3 or 4 attempts, I laid a set of trumpet, bassoon, cello and trombone overlays from GB stock library. I asked Jessy to score ‘melody over the instrument tracks’. She did it overnight, which Thomas Paul was delighted with. Brother said that Psalm 89 alone could be the subject of a week-long spiritual retreat!

Kingdom Home Studio, Palarivattom.

The most of 2005 was spent with myself at Mahalingapuram and Jessy & Jain at Kingdom Studio composing. GB ﬁles were transferred between Mahalingapuram and Kingdom systems with data CDs. After the scratch- tracks were replaced by Jessy & Jain singing (overdubs) properly, once in a while at Mahalingapuram Tony Adriel would listen to the tracks and add piano/ guitar chords to the main melody. This Tony used to do with a midi keyboard attached to GB library or musician Sharreth’s Korg Synthesiser Keyboard which he had parked at my studio. I always felt Tony’s treatment of music accompaniments was dynamically different.

By mid 2006, most among the 150 Psalms were completed. But it so happened that Jessy, Jain, Maria and Shaji had shifted from Kingdom Palarivattom to Chittoor Retreat Centre for prayer and intercessions. 13

Hence they were not in access to the recording facility. Many of the ﬁnal voice overdubs to be done by Jessy & Jain remained incomplete for two years. In mid 2008, when I had difﬁculty with my child Aarcha come to stay with me at Mahalingapuram, on a distractive effort I took up all the Psalms and compiled them into 150 (plus the 22 parts of Psalm 119). The voice tracks which Jessy & Jain left incomplete, I myself sang. (Hence in some Psalms you hear my voice popping in and out without warning!). My mother-in-law Tessy Paul who came to Mahalingapuram to help me with Aarcha did the Word Of God voice- overs in these Psalms. In June 2008, Psalm 81 was the very last to be done. I compiled the whole as MP3 CDs and distributed among Kingdom members. You are now hearing extracts from that … 91 of them selected out of 150, which are reasonably good for quality listening.

The next step would be to professionally record all the 150 — based on the compositions. It may require dozens of Music Sequencing personnel working on their samplers. We may have to divide the 150 between them based on their abilities.

Once the Psalms are ready and can be posted on a portal, I propose to make 2 to 3 minutes dramatic short-videos each speciﬁcally connected to each of the Psalms. This I shall do after developing scripts with good-meaning professionals in our Malayalam Film Industry. The idea of the video-shorts is to serve as ‘primers’ for the Psalms. Let us hope the videos would go viral. We may have to discuss this in a larger group involving Shelton, Dileesh Pothen, P. F. Mathews, and such talents.

Brother Thomas Paul intents to prepare retreat discourses on every one of the Psalms (a la St. Augustine) and along with the songs proposes to make all 150 available on Youtube.

I hope JesusYouth has some role to play in these plans. May the Spirit of The Lord lead.

Jijo. 14 Size 5 MB 9 MB 5 MB 8 MB 15 MB 11 MB 9.7 MB 6.6 MB 3.3 MB 5.4 MB 6.1 MB 7.5 MB 6.1 MB 8.8 MB 3.6 MB 8.4 MB 6.5 MB 4.2 MB 7.9 MB 8.5 MB 6.8 MB 5.5 MB 5.1 MB 6.2 MB 7.1 MB 4.7 MB 5.5 MB 4.3 MB 15.2 MB 17.4 MB 13.2 MB 5:387:26 6.5 MB 8.6 MB 8:25 4:21 5:42 2:52 4:39 2:555:18 7:47 3.4 MB 6:30 5:435:18 6.6 MB 7:41 8:46 10.1 MB 3:05 7:15 4:17 5:40 3:35 6:146:53 7:23 6:27 7.2 MB 5:55 4:45 4:26 7.4 MB 5:23 9:33 6:59 7:179:006:09 8.5 MB 10.4 MB 4:06 4:44 3:43 Time 10:10 11.8 MB 12:41 14.6 MB 13:16 13:03 15:10 11:28 "GOD SAVE THE KING" (kR) Amrithavarshini (hR) Kedar & Desh 25-28@4/4, 29&30@3/4 (kR) Abheri (hR) Brindavanisaranga mountain melody Bhajan & Arabic fusion Litrgy Alleppey dioscese vs 18-24 as classical Thiruvathira folk Onam Thumbithullal folk Kummi folk (kR) Hindolam (kR) Kaapi 96 to 128bpm shifts (kR) Bhoopalam "with wind instruments" "srtinged instruments" Genre UK Anthem 4/4

3/4 &

, tempo 130bpm commontime C# 4/4 98bpm C 4/4 6/8 3/4 2/2 2/2 3/4 6/8 2/2 4/4 4/4 130bpm E 6/8 140bpm D 7/8 120bpm 4/4 common time 2/4 82bpm common time 6/8 150bpm 4/4 104bpm 112bpm 4/4 4/4 130bpm 4/4 128bpm F# 4/4 92bpm E common time D 6/8 135bpm F 6/8 128bpm F 6/8 adlib 3/4 150bpm F 4/4 100bpm E scale 4/4 82.95 4/4 140bpm 3/4 142bpm 3/4 & 4/4 3/4 92bpm 3/4 97bpm 4/4 130bpm 4/4 128bpm 3/4 154bpm 3/4 Siby .

NOT INCLUDED IN PLAYER . . Binoy & Shaji Jain Jain adlib & tempo Jessy Jessy Jessy Jessy Jessy Jessy Jessy Jessy Jessy Jessy Jessy Jain vs18-24 Mohanam Jain Jain Jessy Siby Kuruvila Sharret. Bible TVserial Shaji Jessy Jain Jessy, Jain, Jijo, Shaji Jessy . Shaji . Jain Jessy, Jain, Jijo, Shaji Jessy, Jain, Jijo, Shaji Jessy, Jain, Jijo, Shaji Kuruvila Siby Kuruvila Mylapore doiscese songs Jain Jijo Joseph Gunasingh Jessy Jijo Composer Binoy & Shaji Jessy Jessy Jessy icted Sinner ! 150 Psalms Compositions Ps 041 Thanksgiving after Sickness Ps 042 Desire for God and His Temple Ps 039 The Brevity and Vanity of Life Ps 040 Tarry not O God! Ps 033 Lord's Power and Providence Name Ps 001 True Happiness Ps 002 The Universal reign of the Messiah Ps 003 Trust God in Danger Ps 004 Joyful Conﬁdence in God Ps 005 Morning Prayer for Divine Help Ps 006 Prayer in Distress Ps 007 An Appeal to the Divine Judge Ps 008 God's Majesty & Man's Dignity Ps 009 Gratitude for Overthrow of Nations Ps 010 Prayer - Help against Oppressors Ps 011 Unshaken Conﬁdence in God Ps 012 Prayer against Evil Tounges Ps 013 Prayer of One in Sorrow Ps 014 Lament on Widespread Corruption Ps 015 The Guest of God Ps 016 God the Supreme Good Ps 017 Prayer against Persecutors Ps 018 Thanksgiving for Help and Victory Ps 019 God's Glory in His Law Ps 020 Prayer for the King in time of War Ps 021 Thanksgiving from the King Ps 022 Passion & Triumph of the Messiah Ps 023 The Lord is my Shepherd Ps 024 The Lord's Solemn Entry into Zion Ps 025 Prayer for Guidance & Help Ps 026 Prayer of an Innocent Man Ps 027 Trust in God Ps 028 Petition and Thanksgiving Ps 029 God's Majesty in the Storm Ps 030 Thanksgiving for Deliverance Ps 031 Prayer in Distress for Escape Ps 032 Remission of Sin Ps 034 God, the Protector Ps 035 Prayer against Unjust Enemies Ps 036 Divine Providence Ps 037 Reward for Sinners and the Just Ps 038 Prayer of an A 15 Size 6 MB 8 MB 11 MB 10 MB 10 MB 6.7 MB 7.6 MB 4.2 MB 4.4 MB 8.3 MB 6.4 MB 5.5 MB 2.8 MB 6.8 MB 7.2 MB 4.6 MB 8.3 MB 5.1 MB 5.4 MB 5.2 MB 8.1 MB 9.6 MB 2.1 MB 9.1 MB 6.7 MB 5.3 MB 7.1 MB 7.7 MB 7.2 MB 14.8 MB 11.3 MB 27.5 MB 16.3 MB 14.8 MB 12.9 MB 198.6 KB 5:50 6:30 8:42 3:35 3:42 7:15 5:33 4:45 2:23 5:56 6:10 2:279:229:43 2.9 MB 10.8 MB 11.2 MB 6:16 0:10 4:417:424:30 5.4 MB 8.9 MB 5.2 MB 4:00 7:13 4:22 4:38 4:32 8:56 10.4 MB 9:47 5:11 7:00 8:18 1:47 7:49 9:27 5:46 4:33 6:43 6:57 6:15 8:41 Time 13:38 15.6 MB 12:55 14:11 12:56 24:00 11:11 # 67. The only ecumenical Psalm in the psalter (hR) Bahaar, Khamaaj Assamese Symphonic variation of Psalm 40 Manipuri folk 4/4 112bpm F Raaga Sivaranjini major/minor chords Kerala harvest melody Punjabi Bhangra Bagesri, Sriranjini Genre Mass Entrance Hymn variation of Psalm 14 Nepali folk F D

bpm F

130bpm 110bpm scale, tempo 2/4 120bpm C 2/4 92bpm C 4/4 4/4 4/4 130bpm D common time C 4/4 112bpm D 4/4 126bpm E 3/4 90bpm D 3/4 154bpm 3/4 150bpm C 4/4 95bpm D 6/8 145bpm F 4/4 135bpm F 3/4 150 common time C 4/4 90bpm F 4/4 86bpm D 7/8 100bpm E 4/4 106bpm F# 3/4 160bpm F 6/8 100bpm F 4/4 110bpm D 4/4 3/4 160bpm F common time 4/4 100bpm D 4/4 98bpm C 4/4 95bpm E 4/4 95bpm 7/8 102bpm C 4/4 131bpm E 4/4 112bpm F 4/4 72bpm C 4/4 110bpm A# 4/4 112bpm D# 6/8 150bpm common time E 5/4 240bpm C 4/4 118bpm C 3/4 150bpm F 7/8 100bpm E

A song Church song C hristian song doiscese Christian song NOT INCLUDED IN PLAYER Jain Jessy Syrian Qurbana song Mylapore doiscese song Mylapore doiscese song Jessy & Jain Jijo Jijo adlib90 tempo100 Mass in B minor Mylapore doiscese songs Joseph Gunasingh Mylapore doiscese song Gandhi Bhajan A Manipuri Sharret. Bible TVserial Jessy Mylapore doiscese song Mylapore doiscese song Bhajan Mylapore doiscese song Jijo Tamil 6/8 Dabbaamkuthi A Sangma Christian song Jijo Mylapore Malayalam Malayalam Church song Composer Jessy, Jain, Jijo, Shaji Jijo Tamil Magniﬁcat Jain Alleppey dioscese song Jessy Jain Mylapore doiscese song Mylapore doiscese songs Mylapore doiscese song Jessy Sharret Jain A Kingdom Ministry song Jain Mylapore doiscese song A Saadri

! icted Helpless 150 Psalms Compositions Ps 076 God the Vindicator Ps 077 Lament & Comfort in Distress Ps 078 God's Goodness to Israel Ps 079 Destruction of the Temple Ps 080 Restoration of Lord's Vineyard Ps 081 Festive Song with Admonition Ps 082 Judgment against Wicked Judges Ps 083 Prayer against Hostile Alliance Ps 084 Desire for the Sanctuary Ps 085 Prayer for Complete Restoration Ps 086 Prayer of the A Ps 051 The Miserere Ps 052 The Deceitful Tounge Ps 053 Lament on Widespread Corruption Ps 054 Confident Prayer in Great Peril Ps 055 Prayer against Disloyal Companion Ps 056 God, the Helper in Need Ps 057 Confidence in God's Deliverance Ps 058 Against Unjust Judges Ps 059 Against Bloodthirsty Enemies Ps 060 Prayer after Defeat in Battle Ps 061 Prayer of King in Exile Ps 062 Trust in God Alone Ps 063 Ardent Longing for God Ps 064 Against the Treacherous Ps 065 Thanksgiving for Bountiful Harvest Ps 066 Praise Israel's Deliverer Ps 067 Prayer that All Peoples Worship God Ps 068 God's Triumphal Procession Ps 069 Cry of Deep Anguish Ps 070 Tarry not O Lord! Ps 071 Old Age Prayer Ps 072 The Kingdom of the Messiah Ps 073 The False Happiness of Wicked Ps 074 Prayer in National Calamity Ps 075 God the Just Judge of Wicked Name Ps 043 Prayer for God's Light & Truth Ps 044 Israel's Past Glory & Present Plight Ps 045 Nuptial Ode to Messianic King Ps 046 God the Refuge Ps 047 Lord, the King of All Nations Ps 048 Thanksgiving for Jerusalem Ps 049 The Vanity of Wordly Riches Ps 050 The Acceptable Sacrifice 16 Size 5 MB 3 MB 2 MB 9.4 MB 4.6 MB 3.7 MB 3.6 MB 2:53 3.4 MB 8:11 9:236:043:24 10.8 MB 7:254:33 7 MB 5:18 3.9 MB 9:31 8.5 MB 5:26 5.3 MB 4:19 6.1 MB 10.9 MB 4:237:41 6.3 MB 8:27 5.1 MB 9:37 8.8 MB 2:32 9.7 MB 11.1 MB 4:078:58 4.8 MB 10.3 MB 4:207:47 5 MB 9 MB 1:40 3:58 4:364:132:424:40 5.3 MB 5:33 4.9 MB 3:09 3.1 MB 4:59 5.4 MB 2:43 6.4 MB 3:08 5.8 MB 3.2 MB 5:217:375:173:48 6.2 MB 3:56 8.8 MB 7:05 6.1 MB 4.4 MB 2:02 4.5 MB 8:17 8.2 MB 2.4 MB 9.5 MB Time 13:48 15.8 MB 19:21 22.2 MB 19:21 22.2 MB 13:55 16 MB 10:44 12.3 MB Tamil folk Malayalam funeral hymn Rajasthani & Kerala folk Genre (kR) Amrithavarshini (kR) Aarabhi Wild West melody (kR) Brindavani Jesus vrs @ Hameer gazl (kR) Brindavani Assamese Arabic scale (hR) Darbari, Bhimpalasi Assamese Tankhul folk Raaga Punnakavarali Assamese folk Kathakali padham in 22 (h)Raagas exactly Bengali folk Jewish festive song Nepali folk Nepali folk scale, tempo common time E 3/4 154bpm D 4/4 100bpm C# 4/4 95bpm F 4/4 90bpm E common time E 5/4 240bpm E commontime A# common time D 3/4 135bpm E 7/8 124bpm F# common time 4/4 126 E 4/4 140bpm 4/4 87bpm D 4/4 95bpm D 4/4 90bpm E 4/4 140bpm E 4/4 86bpm B 4/4 100bpm D 5/4 240bpm 4/4 110bpm D 4/4 85bpm G 4/4 100bpm A common time F common time C 3/4 150bpm E 7/8 108bpm C 4/4 130bpm C common time F 4/4 90bpm D 2/4 87.01 3/4 146bpm G 4/4 100bpm D 6/8 150bpm 4/4 86bpm D 11/8 240 F 4/4 100bpm E 4/4 110bpm F 6/8 178bpm E 3/4 120bpm E NOT INCLUDED IN PLAYER A Saadri Christian song Jijo Jijo Mylapore doiscese song A Boro Christian song A Naga Christian song Mylapore doiscese song Snake charmer melody Jijo Jijo Sharret. Bible TVserial A mal charismatic song Jijo Jain A Kingdom Ministry song Jijo Vipin A Tamil christian song Jijo Jijo Hava Nagila Mylapore doiscese song Jijo Shaji A Boro Christian song A SaadriChristian song Composer Mylapore doiscese song Jijo Jessy, Jain, Jijo, Shaji Jessy, Jain, Jijo, Shaji Mylapore doiscese songs Mylapore doiscese song Mal Charismatic songs Jijo Tamil Dabbamkoothi Jain Mylapore doiscese song Jijo A Mal Christian song Mylapore doiscese song Mylapore doiscese songs A Kingdom Ministry song theme Far Hills Pentecostal songs medley

! iction 150 Psalms Compositions Name Ps 087 Zion the Home of All Nations Ps 091 Security under God's Protection Ps 092 God's Just Government of Mankind Ps 093 The Glory & Majesty of God Ps 094 Warning to oppressors Ps 095 Call to Praise & Obedience Ps 096 Lord, the King of Universe Ps 097 Divine King, Just Judge of All Ps 100 Processional Hymn Ps 101 Norm for Rulers Ps 102 Prayer in Distress Ps 103 My Soul, Bless the Lord Ps 106 Israel's Confession of Sin Ps 107 God, Savior of Men in Distress Ps 108 Prayer for Victory Ps 109 Prayer of one falsley accused Ps 088 Lament in A Ps 089 Fulﬁllment of God's promise to David Ps 090 God's Eternity and Man's Fraility Ps 098 Lord, the Victorious King Ps 099 Lord, the Holy King Ps 104 Praise God, the Creator Ps 105 God's Fidelity to His Promise Ps 110 Messiah: King, Priest & Conquerer Ps 111 Praise God for His Goodness Ps 112 The Blessings of the Just Man Ps 113 Praise God for Care of the Lowly Ps 114 Lord's Wonders during Exodus Ps 115 The Greatness of God Ps 116 Thanksgiving to God Ps 117 Nations called to Praise Ps 118 Hymn of Thanksgiving Ps 119 GOD'S LAW - introduction Ps 120 Against Treacherous Tounges Ps 121 The Lord Our Guardian Ps 122 Pilgrim's Greetings to Jerusalem Ps 123 Israel's Prayer in Persecution Ps 124 God, the Rescuer Ps 125 Lord, The Protector of Israel Ps 126 Exilees Return to Zion Ps 127 God's Blessings: His Gifts Ps 128 The Happy Home of the Just Man Ps 129 For Overthrow of Israel's Foes Ps 130 Prayer for Pardon & Mercy 17 Size 6.3 MB 4.5 MB 5.4 MB 7:006:54 8.1 MB 7.9 MB 5:28 7:039:139:434:02 8.1 MB 10.6 MB 6:27 11.2 MB 3:575:55 4.7 MB 2:31 7.4 MB 4.6 MB 6.8 MB 2.9 MB 3:53 5:399:319:366:00 6.5 MB 4:39 11 MB 11 MB 6.9 MB 3:247:41 3.9 MB 8.8 MB Time 10:02 11.5 MB Assamese Bengala church song An Israeli song Gujarathi bhajan Benediction Latin rite Genre Welsh song of Nativity Assamese Manipuri folk Manipuri folk Raaga Sivaranjijni 4/4 86bpm G 3/4 130bpm F 4/4 106bpm 6/8 158bpm D 4/4 124bpm C 4/4 126bpm B 3/4 110bpm E common time F 4/4 Comment 3/4 116bpm D 6/8 141bpm A 4/4 110bpm F 4/4 110bpm F 4/4 118bpm D common time E 4/4 86bpm E 4/4 125bpm D common time 5/8 240bpm 3/4 150bpm D# A Boro Christian song A Kingdom Ministry song Jessy Jijo A Kingdom Ministry song A Kingdom Ministry song Sanctum et Tu A Tamil church song Binoy & Shaji Composer Scarbaro Fair A Boro Christian song A Manipuri christian song A Manipuri christian song Jijo Jain Mylapore doiscese song Jain Mylapore doiscese song Jijo Jain NOT INCLUDED IN PLAYER 150 Psalms Compositions Ps 140 Deliverance from the Wicked Snares Ps 143 Prayer of a Penitent in Distress Ps 144 Prayer for Victory and Prosperity Ps 145 The Greatness & Goodness of God Ps 146 Trust in God Alone Ps 147 Zion Praises the Bountiful Lord Ps 148 Hymn to the Almighty Creator Ps 149 Glorify Lord with Song & Sword Ps 150 Final Doxology with Full Orchestra Name Ps 131 Humble Trust in God Ps 132 The Pact between David & the Lord Ps 133 The Beneﬁts of Brotherly Concord Ps 134 Exhotation to the Nightwatch Ps 135 God, Lord and Benefactor Ps 136 Everlasting Kindness of the Lord Ps 137 The Exile's Remembrance of Zion Ps 138 Hymn of a Greatful Heart Ps 139 The All-Knowing & Everpresent God Ps 141 Evening Prayer of the Just man Ps 142 Prayer of a Prisoner in Dire Straights 18 Size 7 MB 8 MB 8 MB 10 MB 10 MB 4.8 MB 7.8 MB 7.3 MB 7.3 MB 6.5 MB 8.1 MB 7.6 MB 8.3 MB 8.2 MB 7.5 MB 6.8 MB 8.3 MB 7.9 MB 268 KB 10.6 MB 10.9 MB 11.6 MB 4:06 0:14 8:40 6:45 6:20 6:22 6:05 5:41 7:03 6:34 7:13 7:01 6:26 5:54 9:12 7:14 8:39 6:55 9:31 6:49 6:59 Time 10:05 , RAAGA Genre (hR) Lalit (hR) Bhairav (hR) Ahirbhairav (hR) Bhairavi (hR) Bilaval (hR) Deskar (hR) Jaunpuri (hR) Bhoop (hR) Sudhsaranga (hR) Malkauns (hR) Darbari (hR) Yaman (hR) Maduvanti (hR) Chndrkauns (hR) Bhimpalasi (hR) Miyan ki Malhar (hR) Hamsadwani (hR) Shyamkalyan (hR) Bilaskhani Todi (hR) Bagesri (hR) Pooriya (hR) Patadeep F time F time F

Comment common common common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time F common time NOT INCLUDED IN PLAYER Jijo Composer 22 songs Psalm 119 in 22 parts Name Ps 119/01 In Praise of God's Law. Aleph Ps 119/02 In Praise of God's Law. Biet Ps 119/03 In Praise of God's Law. Gimel Ps 119/04 In Praise of God's Law. Daled Ps 119/05 In Praise of God's Law. He Ps 119/06 In Praise of God's Law. Waw Ps 119/07 In Praise of God's Law. Zayin Ps 119/08 In Praise of God's Law. Heth Ps 119/09 In Praise of God's Law. Tet Ps 119/10 In Praise of God's Law. Yod Ps 119/11 In Praise of God's Law. Kap Ps 119/12 In Praise of God's Law. Lamed Ps 119/13 In Praise of God's Law. Mem Ps 119/14 In Praise of God's Law. Nun Ps 119/15 In Praise of God's Law. Samek Ps 119/16 In Praise of God's Law. Ayin Ps 119/17 In Praise of God's Law. Peh Ps 119/18 In Praise of God's Law. Sade Ps 119/19 In Praise of God's Law. Qop Ps 119/20 In Praise of God's Law. Resh Ps 119/21 In Praise of God's Law. Shin Ps 119/22 In Praise of God's Law. Taw mer'l6oxDmmBUa

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