South Central Chapter Executive Board
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Draft Schedule Revised
ICMSN/SurreyMAC 2017 Provisional Schedule at 16 June 2017 Monday 11 September 1330–1500 Session 1A Post-tonal form Robert Baker, ‘Progressive Forms: Pitch, Notation, and Time in Two Works by Henri Dutilleux’. Anabel Maler, ‘Hearing Function in Post-Tonal Context’. Cecilia Taher, ‘J.C. Paz’s Concreción: A three-dimensional dynamic form’. Session 1B Following Wagner Charlotte Armstrong, ‘Max Nordau and the diagnosis of musical degeneracy: “unhealthy” music in the operas of Richard Wagner and Franz Schreker’. Peter Atkinson, ‘Dancing Wagnerism: Rutland Boughton’s “Dancing Scenery” and the English Reinvention of the Gesamtkunstwerk’. Malcolm Miller, ‘Wood’s “Wagner – Dreams”: New light on Henry Wood’s orchestration of Träume for violin and orchestra’. 1500–1630 Session 2A China David Ho-Yi Chan, ‘Lingustic Parameters in Contemporary Choral Music’. Cheong Wai-Ling and Hong Ding, ‘Reception of twelve-note music in China — foes turned friends?’ Na Li, ‘Masculinity without men? The multiple gendered images presented by female performers of Northwest Wind’. Session 2B Electronics Nino Auricchio and Paul Borg, ‘New modular instruments and approaches to music generation’. Jo Langton, ‘Musical Analysis of Glass Art Sculptures: The Baschet Brothers’ Sculptures Sonores in the electroacoustic composition of Beatriz Ferreyra’. Laurence Willis, ‘Approaches to Electronics in Haas’s String Quartets No. 4 and No. 7’. 1630–1700 Tea/coffee 1700–1800 Session 3A Schubert Mark Hutchinson, ‘Wandering through history: distorted temporalities in Zender’s Schubert’. Anne Hyland, ‘Rehabilitating Schubert’s Early Sonata Forms: the Overture for String Quintet in C minor, D. 8 and Romantic Form’. Session 3B Feminist perspectives Anna Terzaroli, ‘Teresa Rampazzi, a woman in the Electronic Music’. -
AMERICAN ACADEMY in ROME PRESENTS the SCHAROUN ENSEMBLE CONCERT SERIES 14-16 JANUARY 2011 at VILLA AURELIA Exclusive Concert
FOR IMMEDIATE RELEASE January 11, 2011 AMERICAN ACADEMY IN ROME PRESENTS THE SCHAROUN ENSEMBLE CONCERT SERIES 14-16 JANUARY 2011 AT VILLA AURELIA Exclusive Concert Dates in Italy for the Scharoun Ensemble Berlin Courtesy of the Scharoun Ensemble Berlin Rome – The American Academy in Rome is pleased to present a series of three concerts by one of Germany’s most distinguished chamber music ensembles, the Scharoun Ensemble Berlin. Comprised of members of the Berlin Philharmonic Orchestra, the Scharoun Ensemble Berlin specializes in a repertoire of Classical, Romantic, 20th century Modernist, and contemporary music. 2011 marks the third year of collaboration between the Ensemble and the American Academy in Rome, which includes performances of work by current Academy Fellows in Musical Composition Huck Hodge and Paul Rudy, as well as 2009 Academy Fellow Keeril Makan. Featuring soprano Rinnat Moriah, the Ensemble will also perform music by Ludwig van Beethoven, John Dowland, Antonin Dvořák, Sofia Gubaidulina, Heinz Holliger, Luca Mosca, and Stefan Wolpe. The concerts are free to the public and will take place at the Academy’s Villa Aurelia from 14-16 January 2011. Event: Scharoun Ensemble Berlin (preliminary program*) 14 January at 9pm – Ludwig van Beethoven, John Dowland, Huck Hodge, and Stefan Wolpe 15 January at 9pm – Sofia Gubaidulina, Huck Hodge, Heinz Holliger and Keeril Makan 16 January at 11am – Antonin Dvořák, Luca Mosca, and Paul Rudy *subject to change Location: Villa Aurelia, American Academy in Rome Largo di Porta San Pancrazio, 1 Scharoun Ensemble Berlin The Scharoun Ensemble Berlin was founded in 1983 by members of the Berlin Philharmonic Orchestra. -
Hie-Yon Choi Piano ______
Indiana University Summer Music 2014 EDWARD AUER PIANO WORKSHOP FACULTY RECITAL Hie-Yon Choi Piano _______________________ Sonata in C Minor, Op. 10 No. 1 ......................... Ludwig van Beethoven Allegro molto e con brio (1770-1827) Adagio molto Finale: Prestissimo From Monogramme (1998-2003) ..................................... York Höller Entrée (for Bernd Alois Zimmermann) (born 1944) Artikulation (for György Ligeti) Elegia giocosa (for Hans Werner Henze) Fluktation (for Elena Bashikirova) Intermission Sonata No. 3 (2010-11) ............................................... York Höller Sonata in C Minor, Op. 111 .............................. Ludwig van Beethoven Maestoso – Allegro con brio ed appassionato Arietta: Adagio molto semplice e cantabile _________________ Auer Concert Hall Friday Evening June Thirteenth Eight O’Clock IU Jacobs School of Music Fifth Program of the 2014-15 Season Indiana University Summer Music 2014 Hie-Yon Choi is established as one of the most sought-after pianists in Korea and is a rising presence in many of the world’s music festivals and concert houses. Since her first public appearance at the age of six with the Incheon Symphony, her solo and concerto performances have encompassed all the major halls and orchestras in Korea, as well as appearances with the National Symphony Orchestra in the Kennedy Center in Washington, D.C., and halls throughout the United States and the world. She has been a regular guest at the Seoul Spring Chamber Music Festival since 2010, as well as at the Musik Sommer in Ost Friesland (Germany) since 2007. She was the inaugural artist-in-residence at the Tong-Yeong International Music Festival in 2009. She participated as faculty in 2011 and 2012 at the CCM Prague International Piano Institute. -
Richard Green
Richard Green Representerar Australien (AUS) Född Status Proffs Huvudtour SGT-spelare Nej Aktuellt Ranking 2021 Richard Green har inte startat säsongen. Karriären Totala prispengar 1997-2021 Richard Green har följande facit så här långt i karriären: (officiella prispengar på SGT och världstourerna) Summa Största Snitt per 4 segrar på 495 tävlingar. För att vinna dessa 4 tävlingar har det krävts en snittscore om 67,56 kronor prischeck tävling slag, eller totalt -67 mot par. I snitt per vunnen tävling gick Richard Green -16,75 i förhållande År Tävl mot par. Segrarna har varit värda 8 046 690 kr. 1997 22 2 448 923 1 417 419 111 315 Härutöver har det också blivit: 1998 25 329 398 92 732 13 176 - 10 andraplatser. - 7 tredjeplatser. 1999 26 967 469 290 787 37 210 - 43 övriga topp-10-placeringar 2000 29 2 987 188 800 062 103 006 - 66 placeringar inom 11-20 2001 26 3 646 535 509 198 140 251 - 192 övriga placeringar på rätt sida kvalgränsen - 173 missade kval 2002 26 4 152 319 1 053 731 159 705 Med 322 klarade kval på 495 starter är kvalprocenten sålunda 65. 2003 28 2 350 004 318 157 83 929 Sammantaget har Richard Green en snittscore om 71,46 slag, eller totalt -352 mot par. 2004 28 10 643 266 2 397 198 380 117 2005 24 6 001 588 1 109 295 250 066 2006 22 8 484 013 1 633 706 385 637 2007 17 9 002 098 2 709 000 529 535 2008 23 8 430 204 1 961 136 366 531 2009 20 4 600 763 1 207 176 230 038 2010 24 10 561 977 4 610 000 440 082 2011 20 4 175 715 1 514 939 208 786 2012 22 2 882 107 580 836 131 005 2013 20 1 892 512 848 250 94 626 2014 20 3 774 319 1 -
2013 CIMB Classic Pre-Tournament Notes-1
On-site PGA TOUR media contact: Chris Reimer, Director of Communications, PGA TOUR (904) 806-6614 [email protected] Chuah Choo Chiang, Director, Communications, Asian Tour +6012 217 2123 [email protected] Nizam Arop, Assistant Vice President, Brand and Group Marketing & Communications - CIMB +6017 333 6329 [email protected] 2013 CIMB Classic pre-tournament notes Dates: October 21-27, 2013 Where: Kuala Lumpur Golf & Country Club, Kuala Lumpur, Malaysia Par/Yards: 36-36—72/6,967 yards Field: 78 players Eligibility: Eligible players for the 78-player field are: • The top 60 available players from the 2013 final FedExCup Points list. • The top 10 available money leaders from the Asian Tour Order of Merit as of October 7, 2013. • Eight sponsor exemptions: One designated for the defending champion, if needed, and five restricted to players who are PGA TOUR members. Two (2) Malaysians will qualify – one (1) via the SapuraKencana National Qualifier held August 26 – 28, 2013 at Kuala Lumpur Golf & Country Club and one (1) via the Official World Golf Ranking to the highest ranking Malaysian. • If necessary to fill the field to 78 players, additional players from 2013 final FedExCup Points list in order of their final position. 2012 champion: Nick Watney Purse: $7,000,000/$1,260,000 (winner) FedExCup: 500 points to the winner Format: 72-hole stroke play Twitter: @CIMBClassic A look back at the 2012 CIMB Classic Nick Watney came from four shots back with a final-round 61 to beat 2011 champion Bo Van Pelt and Robert Garrigus by one shot to win in his first appearance at the CIMB Classic. -
The Protean Oboist: an Educational Approach to Learning Oboe Repertoire from 1960-2015
THE PROTEAN OBOIST: AN EDUCATIONAL APPROACH TO LEARNING OBOE REPERTOIRE FROM 1960-2015 by YINCHI CHANG A LECTURE-DOCUMENT PROPOSAL Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts May 2016 Lecture Document Approval Page Yinchi Chang “The Protean Oboist: An Educational Approach to Learning Oboe Repertoire from 1960- 2015,” is a lecture-document proposal prepared by Yinchi Chang in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This lecture-document has been approved and accepted by: Melissa Peña, Chair of the Examining Committee June 2016 Committee in Charge: Melissa Peña, Chair Dr. Steve Vacchi Dr. Rodney Dorsey Accepted by: Dr. Leslie Straka, Associate Dean and Director of Graduate Studies, School of Music and Dance Original approval signatures are on file with the University of Oregon Graduate School ii © 2016 Yinchi Chang iii CURRICULUM VITAE NAME OF AUTHOR: Yinchi Chang PLACE OF BIRTH: Taipei, Taiwan, R.O.C DATE OF BIRTH: April 17, 1983 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon University of Redlands University of California, Los Angeles Pasadena City College AREAS OF INTEREST: Oboe Performance Performing Arts Administration PROFESSIONAL EXPERIENCE: Marketing Assistant, UO World Music Series, Eugene, OR, 2013-2016 Operations Intern, Chamber Music@Beall, Eugene, OR, 2013-2014 Conductor’s Assistant, Astoria Music Festival, Astoria, OR 2013 Second Oboe, Redlands Symphony, Redlands, CA 2010-2012 GRANTS, AWARDS AND HONORS: Scholarship, University of Oregon, 2011-2013 Graduate Assistantship, University of Redlands, 2010-2012 Atwater Kent Full Scholarship, University of California, Los Angeles, 2005-2008 iv TABLE OF CONTENTS Introduction ........................................................................................................................ -
PRINTABLE PROGRAM Bernard Rands
The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Honoring Composer Bernard Rands Tuesday, October 24, 2017 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Coleccion Nocturna David Felder (b. 1953) Adrián Sandí, clarinet Eric Huebner, piano "now again" – fragments from Sappho Bernard Rands (b. 1934) Tiffany Du Mouchelle, mezzo-soprano solo Slee Sinfonietta Matthew Chamberlin, conductor Intermission Linea Luciano Berio (1925 – 2003) Eric Huebner and Christopher Guzman, piano Tom Kolor and Stephen Solook, percussion Folk Songs Bernard Rands I. Missus Murphy’s Chowder II. The Water is Wide III. Mi Hamaca IV. Dafydd Y Garreg Wen V. On Ilkley Moor Baht ‘At VI. I Died for Love VII. Über d’ Alma VIII. Ar Hyd y Nos IX. La Vera Sorrentina Tiffany Du Mouchelle, soprano Slee Sinfonietta Matthew Chamberlin, conductor Slee Sinfonietta Matthew Chamberlin, conductor Emlyn Johnson, flute Erin Lensing, oboe Adrián Sandí, clarinet Michael Tumiel, clarinet Jon Nelson, trumpet Kristen Theriault, harp Eric Huebner, piano Chris Guzman, piano Tom Kolor, percussion Steve Solook, percussion Tiffany Du Mouchelle, soprano (solo) Julia Cordani, soprano Minxin She, alto Hanna Hurwitz, violin Victor Lowrie, viola Katie Weissman, ‘cello About Bernard Rands Through a catalog of more than a hundred published works and many recordings, Bernard Rands is established as a major figure in contemporary music. His work Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the 1984 Pulitzer Prize in Music. His large orchestral suites Le Tambourin, won the 1986 Kennedy Center Friedheim Award. His work Canti d'Amor, recorded by Chanticleer, won a Grammy award in 2000. -
Jim Furyk, Kevin Chappell, Vijay Singh and Luke Donald Commit to 2016 Travelers Championship
CONTACT: Tara Gerber Travelers Championship 860.502.6815 [email protected] JIM FURYK, KEVIN CHAPPELL, VIJAY SINGH AND LUKE DONALD COMMIT TO 2016 TRAVELERS CHAMPIONSHIP HARTFORD, Conn., July 8, 2016 – The Travelers Championship today announced that Jim Furyk, Kevin Chappell, Vijay Singh and Luke Donald will all play the 2016 Travelers Championship, August 1–7. With these commitments, five players ranked in the top 20 in the Official World Golf Rankings (OWGR) are coming to the tournament. “We are pleased to announce this great group of players as our field continues to take shape,” said Travelers Championship Tournament Director Nathan Grube. “Jim and Kevin are having great seasons on TOUR, and Vijay and Luke, both formerly ranked #1 in the world, are two of the most recognizable players in golf. Our fans will definitely be excited to see all of them in Connecticut.” Jim Furyk will be making his first appearance at the Travelers Championship since 2011. He has been dominant on the PGA TOUR throughout his career, as evidenced by his 17 TOUR victories and his win at the 2003 U.S. Open. Furyk battled an injury earlier this year, but has come back strong, notching a tie for second at the U.S. Open and a top-25 finish at the Quicken Loans National last month. He’s currently No. 19 in the OWGR. Coming to the Travelers Championship for the third time, Kevin Chappell has had a strong season thus far, ranking No. 6 in the FedExCup and No. 32 in the OWGR. He has six top-10 finishes this season, including three second-place finishes in the RSM Classic, the Arnold Palmer Invitational presented by MasterCard and THE PLAYERS Championship. -
John Mackey's Concerto for Soprano Sax and Wind Ensemble
JOHN MACKEY’S CONCERTO FOR SOPRANO SAX AND WIND ENSEMBLE (2007): AN ANALYSIS AND CONDUCTOR’S GUIDE TO PERFORMANCE by JACOB EDWARD WALLACE (Under the Direction of John P. Lynch) ABSTRACT John Mackey is an important young American composer. A student of Pulitzer Prize– winning American composer John Corigliano, Mackey has written works for groups ranging from small chamber ensembles to symphony orchestra. He has become, recently, an important figure in composing new works for wind band. Of these, one of his most significant works is his 2007 composition Concerto for Soprano Sax and Wind Ensemble. This document serves as a comprehensive guide to the conductor for this work. It contains a historical background about John Mackey and the piece itself, an original and comprehensive musical analysis, and pedagogical advice for performing the work from the perspective of a conductor. Its intent is to provide conductors with the necessary tools to perform the work. These include an understanding of its genesis and commissioning and perception of difficulties presented to the ensemble in performance of the work. A comprehensive analysis of the work allows the reader to see the importance of shared motives and quotations from Corigliano’s Clarinet Concerto as well as understand the modern tonal language used regularly by Mackey. Appendices detail conversations between the author of the document and Mackey, extended techniques for the soloist, the composer’s notes on the piece, and a catalogue of the composer’s works for wind band. INDEX WORDS: John -
Other Minds in Association with the Berkeley Art
OTHER MINDS IN ASSOCIATION WITH THE BERKELEY ART MUSEUM/ PACIFIC FILM ARCHIVE & THE MISSION DOLORES BASILICA PRESENTS OTHER MINDS FESTIVAL 22 FEBRUARY 18, 19 & MAY 20, 2017 MISSION DOLORES BASILICA, SAN FRANCISCO & BERKELEY ART MUSEUM/PACIFIC FILM ARCHIVE, BERKELEY 2 O WELCOME FESTIVAL TO OTHER MINDS 22 OF NEW MUSIC The 22nd Other Minds Festival is present- 4 Message from the Artistic Director ed by Other Minds in association with the 8 Lou Harrison Berkeley Art Museum/Pacific Film Archive & the Mission Dolores Basilica 9 In the Composer’s Words 10 Isang Yun 11 Isang Yun on Composition 12 Concert 1 15 Featured Artists 23 Film Presentation 24 Concert 2 29 Featured Artists 35 Timeline of the Life of Lou Harrison 38 Other Minds Staff Bios 41 About the Festival 42 Festival Supporters: A Gathering of Other Minds 46 About Other Minds This booklet © 2017 Other Minds, All rights reserved 3 MESSAGE FROM THE EXECUTIVE DIRECTOR WELCOME TO A SPECIAL EDITION OF THE OTHER MINDS FESTIVAL— A TRIBUTE TO ONE OF THE MOST GIFTED AND INSPIRING FIGURES IN THE HISTORY OF AMERICAN CLASSICAL MUSIC, LOU HARRISON. This is Harrison’s centennial year—he was born May 14, 1917—and in addition to our own concerts of his music, we have launched a website detailing all the other Harrison fêtes scheduled in his hon- or. We’re pleased to say that there will be many opportunities to hear his music live this year, and you can find them all at otherminds.org/lou100/. Visit there also to find our curated compendium of Internet links to his work online, photographs, videos, films and recordings. -
Music at the University of Northern Iowa, V23, Fall 2004
University of Northern Iowa UNI ScholarWorks Rhythms: Music at the University of Northern Iowa Magazines Fall 2004 Rhythms: Music at the University of Northern Iowa, v23, Fall 2004 University of Northern Iowa. School of Music. Let us know how access to this document benefits ouy Copyright ©2004 School of Music, University of Northern Iowa; Follow this and additional works at: https://scholarworks.uni.edu/musicnews Part of the Higher Education Commons, and the Music Commons Recommended Citation University of Northern Iowa. School of Music., "Rhythms: Music at the University of Northern Iowa, v23, Fall 2004" (2004). Rhythms: Music at the University of Northern Iowa. 12. https://scholarworks.uni.edu/musicnews/12 This Newsletter is brought to you for free and open access by the Magazines at UNI ScholarWorks. It has been accepted for inclusion in Rhythms: Music at the University of Northern Iowa by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. percussion, voice, theory/ composition, conducting, and keyboards. They have challenged each group to raise reetings from the School of through r ecordings, broadcasts, live the most toward the goal. Currently, G Music. I am pleased to be performances, exchanges and tours. the brass players are winning, writing to you this year with Our research articles are published fo llowed closely by the vocalists. news about our faculty and students. and presented internationally. Our The woodwinds and the keyboards However, it is also a ve1y difficult students and faculty continue to be players are beginning to climb. The time to inform you of the passing of extremely productive and demonstrate conducting majors, percussionists, Robert Byrnes this spring. -
Yun Isang, Media, and the State : Forgetting and Remembering a Dissident Composer in Cold-War South Korea
This is a repository copy of Yun Isang, media, and the state : forgetting and remembering a dissident composer in Cold-War South Korea. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/168294/ Version: Published Version Article: Chang, H.K.H. (2020) Yun Isang, media, and the state : forgetting and remembering a dissident composer in Cold-War South Korea. Asia-Pacific Journal : Japan Focus, 18 (19). 3. ISSN 1557-4660 © 2020 The Author. Reproduced in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Volume 18 | Issue 19 | Number 3 | Article ID 5492 | Oct 01, 2020 The Asia-Pacific Journal | Japan Focus Yun Isang, Media, and the State: Forgetting and Remembering a Dissident Composer in Cold-War South Korea Hyun Kyong Hannah Chang European avant-garde Abstract: Yun Isang (1917-95) was one of Korea’s most prominent composers in the twentieth century.