Chasteen's Takes the Show on the Road

Total Page:16

File Type:pdf, Size:1020Kb

Chasteen's Takes the Show on the Road A3 + PLUS >> Pathways students learn to grow veggies, Story below PREVIEW NASCAR CHS boys Jimmie Johnson basketball to retire next year See Page 1B See Page 1B THURSDAY, NOVEMBER 21, 2019 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $1.00 Lake City Reporter LAKECITYREPORTER.COM 2nd Amendment Suwannee Chasteen’s designates itself a 2A takes the show sanctuary on the road Is second county in state to take a stand for firearms ownership. By CARL MCKINNEY [email protected] Pushing back against the calls for gun control that have inten- sified in recent years, Suwannee County has declared itself a Second Amendment sanctuary, the second coun- ty in Florida to become one. Suwannee County com- missioners on Gamble Tuesday unan- imously approved a resolution pledging to preserve firearm own- ership rights in that community. “The Second Amendment Photos by CARL MCKINNEY/Lake City Reporter is one of the most important amendments,” said the Suwannee County Commission’s chairman, Food truck’s first day a real happening SECOND continued on 2A A downtown fixture is back in business, and Patient customers finally Lake City’s lunch crowd couldn’t be happier. make it to the window to order at the newly By CARL MCKINNEY launched Chasteen’s food ‘Sean of the [email protected] truck (TOP) after a pretty Motivated by the aroma of buffalo chicken bites, good wait in line (ABOVE, South’ show they knew the food would justify the wait. Several LEFT) The original brick- people in line were even willing to burn through and-mortar Chasteen’s is tonight their entire lunch breaks and scarf it down in their closed due to renovations cars. at the Blanche Hotel By MICHAEL PHILIPS TRUCK continued on 3A where it was located. [email protected] Following in the footsteps of Mark Twain, Bill Arp and Flannery O’Connor, Sean Dietrich writes playful vignettes Growing vegetables a valuable about life in the South. Whether lesson for students at Pathways he is describ- ing a Cracker Kids at alternative school greens, kale, lettuce, lemon Barrel waitress give farming a try, like it. thyme, cabbage, basil, oregano, or writing about broccoli, onions and cauliflower. a beloved gui- Pathways Academy is the tar, Dietrich By TONY BRITT county’s alternative school. Adee has an ear for [email protected] Farmer, a Pathways Academy Dietrich paraprofessional, is project direc- dialogue and an Pathways Academy students tor. He said he started the project instinct for a good turn of phrase. are seeing the fruits of their labor back in August after Principal Dietrich writes a 500-word post a now that a fall garden they plant- Makeba Murphy said she wanted day on his blog seandietrich.com, ed at the beginning of the school to introduce the students to more hosts a podcast called “Sean of year is bearing vegetables. hands-on projects. COURTESY The students sowed 12 items SEAN continued on 2A Pathways Academy parapro Adee Farmer checks the greens. in all: collards, turnips, mustard GROW continued on 2A Vol. 145, No. 180 CALL US: TODAY’S WEATHER Obituaries . 3A (386) 752-1293 Opinion . 4A Big weekend ahead SUBSCRIBE TO Sports . 1B THE REPORTER: 71 48 Advice & Comics . 3B Voice: 755-5445 Community calendar, 5A Fax: 752-9400 Sunny Classified . .. 4B-5B 2A THURSDAY, NOVEMBER 21, 2019 LOCAL LAKE CITY REPORTER LCPD QUICK HITS Scripture of the Day Suspects nabbed in car break-ins “O come, let us sing unto the Lord: let us make a joyful noise to the rock of our salvation.” By CARL MCKINNEY arrested after officers Claridy was the first one about eight vehicles, Claridy — Psalm 95:1 (KJV) [email protected] responded to the Phone to be detained and placed told police, including one Shack at 298 W. Duvall in handcuffs. He claimed located near an ambulance. A pair of serial car burglars Street around 2:30 a.m. Baker had sent a text earlier When Baker tried to Thought for Today mixed up their M.O. with Baker in the night break into the Phone Shack, a brick-and-mortar break- and Claridy asking if the alarm went off and they Never fight an inanimate object. in early Tuesday morning, were found he want- both hid, Claridy reportedly — P. J. O’Rourke, born1947, U.S. writer when officers caught the hiding ed to “hit said. duo trying to break into a behind an some licks,” Both men were taken to phone store on Duval Street, air condi- accord- Columbia County jail with- according to the Lake City tioner at ing to the out incident, according to Winning Lottery Numbers Police Department. Baker a nearby Claridy report. the report. Pharaoh Elijah Baker, liquor store, Claridy Baker was booked on Pick 3: (Tuesday p.m.) 3-3-1 19, of Northwest Jefferson according to an LCPD report. indicated he was the lookout property damage and bur- Pick 4: (Tuesday p.m.) 5-3-1-6 Street, and Bernard Lamar They continued trying to man, while Baker was the one glary charges. Fantasy 5: (Tuesday) 4-7-15-16-18 Claridy, 18, of Northwest hide, even after officers told breaking into cars. Claridy was booked on Redding Avenue, were them to surrender, police say. They had broken into burglary charges. See an error? The Lake City Reporter corrects errors of fact in news items. If you have a concern, question, or suggestion, please call the editor. Corrections and clarifications will Pathways kids learn to grow veggies run in this space. Thanks for reading. “It was good,” she said. Submissions GROW “We learned a lot of stuff in The Lake City Reporter accepts photographs and caption Continued From 1A it. I learned how to grow information to run at the discretion of the editor. If you would vegetables, plant them and like to see your organization in the newspaper, send the picture “The kids were very how to pick them.” and information to Robert Bridges: rbridges@lakecityreporter. excited,” Farmer said. “We Murphy said the stu- com. had kids out there who dents took pride in their had never even been on garden and the work they a farm. They didn’t even put in. Lake City Reporter know where greens come “They definitely enjoyed planting the seeds and HOW TO REACH US BUSINESS ........... 754-0419 from.” Main number ....... (386) 752-1293 Farmer helped the watching the garden grow CIRCULATION and picking vegetables. Fax number ............ 752-9400 students make the rows, Circulation............. 755-5445 And today they had an Home delivery of the Lake City Reporter plant the seeds, lay down Online .... www.lakecityreporter.com should be completed by 6:30 a.m. opportunity to sample the The Lake City Reporter, an affiliate Tuesday through Friday, and by 7:30 fertilizer and irrigate the a.m. on Sunday. plants. And earlier this greens that are coming out of Community Newspapers Inc., is of the garden,” she said, published Tuesday through Friday and Please call 386-755-5445 to report any week, he taught them the Sunday at 180 E. Duval St., Lake City, problems with your delivery service. speaking about an after- FL 32055. Periodical postage paid at proper way to harvest the Lake City, FL, Member Audit Bureau of In Columbia County, customers should vegetables. school luncheon. “It was a learning process for them, Circulation and The Associated Press. call before 10:30 a.m. to report a “It gave the kids some- service error for same day re-delivery. but it was a fun learning All material herein is property of the thing different,” he said. Lake City Reporter. Reproduction in After 10:30 a.m., next day re-delivery or service related credits will be issued. “It was something they process. So they know food whole or in part is forbidden without just doesn’t appear, you the permission of the publisher. In all other counties where home delivery had never been exposed U.S. Postal Service No. 310-880. actually have to plant some is available, next day re-delivery or to and it was something POSTMASTER: Send address changes service related credits will be issued. Mrs. Murphy wanted to seeds.” to Lake City Reporter, P.O. Box 1709, Murphy said the proj- Lake City, FL 32056. Circulation............. 755-5445 do. We wanted to expose ([email protected]) ect helped students learn Publisher Todd Wilson ... 754-0418 the kids to something COURTESY about the entire process, ([email protected]) Home delivery rates different besides being in Pathways students plant and water vegetables for the (Tuesday–Friday and Sunday) from sowing to reaping. NEWS the classroom working on school’s fall garden. The students planted collards, tur- 4 Weeks . $10.70 computers.” “First of all it’s hands-on Editor Robert Bridges ... 754-0428 12 Weeks . $31.67 nips, mustard greens, kale, lettuce, lemon thyme, cab- and many of our kids defi- ([email protected]) 24 Weeks . .$54.14 The school has about 70 bage, basil, oregano, broccoli, onions and cauliflower. 52 Weeks . .$88.81 students and a number of nitely learn best by actually ADVERTISING seeing,” she said. “It’s a Rates include 7% sales tax. them volunteered for the watering and getting my they were being harvested. Ad. Dir. Chris Ratliff ..... 754-0417 science project that they’re ([email protected]) Mail rates project. hands dirty,” he said, not- Jameria Thomas, 16, a 12 Weeks . $41.40 Jaedyn Washington, 14, a able to touch themselves. ing he helped dig holes 10th-grader, also said she They actually take pride CLASSIFIED 24 Weeks . .$82.80 ninth-grader, was one. To place a classified ad ..
Recommended publications
  • University of California, Irvine an Exploration Into
    UNIVERSITY OF CALIFORNIA, IRVINE AN EXPLORATION INTO DIGITAL TECHNOLOGY AND APPLICATIONS FOR THE ADVANCEMENT OF DANCE EDUCATION THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF FINE ARTS In Dance by Carl D. Sanders, Jr. Thesis Committee: Professor Lisa Naugle, PhD, Chair Professor Mary Corey Professor Alan Terricciano 2021 ©2021 Carl D. Sanders, Jr. DEDICATION To My supportive wife Mariana Sanders My loyal alebrijes Koda-Bella-Zen My loving mother Faye and father Carl Sanders My encouraging sister Shawana Sanders-Swain My spiritual brothers Dr. Ras Mikey C., Marc Spaulding, and Marshall King Those who have contributed to my life experiences, shaping my artistry. ii TABLE OF CONTENTS Pages ACKNOWLEDGEMENTS iv ABSTRACT OF THE THESIS v INTRODUCTION 1 CHAPTER 1: Review of Literature Digital Literacy in Dance 5 CHAPTER 2: Methods Dance Education and Autonomous Exploration 15 CHAPTER 3: Findings Robotics for Dancers 23 CONCLUSION 29 BIBLIOGRAPHY 31 APPENDIX: Project Video-Link Archive 36 Robot Engineering Info. Project Equipment List iii ACKNOWLEDGMENTS I would like to express my deepest gratitude to my Master of Fine Arts in Dance Thesis Committee Chair Lisa Naugle for her guidance, inspiration, compassion, intellect, enthusiasm, and trust to take on this research by following my instincts as an artist and guiding me as an emerging scholar. I also thank the committee members Professor Mary Corey and Professor Alan Terricciano for their support, encouragement, and advice throughout my research and academic journey. Thank you to the Claire Trevor School of the Arts Dance Department faculty, without your support this thesis would not have been possible;.
    [Show full text]
  • The Horror Film Series
    Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors.
    [Show full text]
  • Fotp18 Mad Science Cinema Film Series Flyer
    Mad Science Cinema Friday, September 14 · 12:30 p.m. One Book, Frankenstein One Community 2018 This is the original full‐length feature film adaptation of Mary Shelley’s novel, and the one that gave us the visual image of the Monster that we all Film Series recognize. Colin Clive stars as Dr. Frankenstein, with Boris Karloff as his Creature. People all over the world are reading 1931 / 70 min. / Not rated / © Universal Frankenstein this year in celebration of Friday, September 28 · 12:30 p.m. the 200th anniversary of its publication, and The Bride of Frankenstein Fayette County is getting Clive and Karloff return in this sequel in which the scientist builds his in on the fun! Creature a mate. Elsa Lanchester plays dual roles, appearing both as the The Fayette County Public Bride and as author Mary Shelley, in a story‐within‐a‐story format. Library, in partnership with 1935 / 75 min. / Not rated / © Universal the Friends of the Fayette County Public Library, presents a series of Saturday, September 29 · CREATURE TRIPLE FEATURE free community activities Frankenstein: 10:00 a.m. focusing on Repeat Screenings! Frankenstein The Bride of Frankenstein: 12:00 noon by Mary Shelley. A.I. Artificial Intelligence: 3:00 p.m. The Fayette on the Page 2018 Film Series Friday, October 5 · 12:30 p.m. offers a collection of cinematic stories A.I. Artificial Intelligence influenced by Shelley’s tale Frankenstein has influenced numerous stories of the ramifications of of Victor Frankenstein and his unfortunate Creature. manmade creatures. Here is one that will definitely make you think.
    [Show full text]
  • Torrance Herald
    THURSDAY, FEBRUARY 11, 1932 TOftRANCE HERALD. Torrance, Calif. PAGE 3-B 1 BABY NEEDS NEW .SHOES What's On Next Week In Nearby Theatres WE5JC OF THURSDAY FRIDAY SATURDAY SUNDAY WON DAV TUESDAY WEDNESDAY Fab. 11 to, Feb. 17 FEBRUARY 11 FEBRUARY 12 FEBRUARY 13 FEBRUARY 14 FEBRU IkRY 15 FEBRUARY 16 FEBRUARY 17 ^^^^H "THE LEO CARRILLO XV It 41 DOUGLAS V**^. v A | JHIH^HH Bros. SECRET -THE GUILTY *| 1**,^*% "'T^ fi.ai-i.rfcf 8AN PEDRO j WITNESS" GENERATION" VxIIlUll itoVioiBu. J^CLJVJl Him VT*Aiiiukswr CONSTANCE CUMMINGS JLV FOX i O 99 —2 FEATURE PICTURES eje^e^e^ H^en^H. 'The Guardsman' s^f ^E° " S K Y D E V 1 1i iJ % RUTH CHATTERTON in GRANADA 1 IlC VlUai UdillalK ,.THE-*^NET with an ALL STAR CAJ3T "Tomorrow and Tomorrow" WILMWGTON with ALFRED LUNT, PATROL" Monday Night Only- ALSO H^^PHn General or Any ROLAND YOUNG Admission bwCTime and JZASU PITTS with ^^n"°^ AUCTION NITE - G IFTS "X Marks The Spot" «at fox redondo i''ox Chain Under a t.warner.•'.'' ',• ' 1_bros, . the-, . srr«cnfoui. attraction.(tays, playln!? H is lhrouBhbooked K<t><jgister Now Death Valley Gets New Management fian nedrO Wednesday. DouKlas Fairbanks, For Election Phone Connections 'Shanghai Express" and oan pt-u^iu Jr is thp stai. ana the ona,.mlng Five hundred theaters of the Held April 11 "Emma" Coming N«xt Joan Blondell plays opposite him. Death Valley, enshrouded for ^^MBT' ^^ Week ^-cst coast and middle west are T I pierce l today by telephone lent February 15 when Skouras Booked at San Pedro favorites have been cast together, eonling municipal election on April voices Friday'and Saturday at the Fox f for 1 Iros., chain theater operators ot ShOW House "Union Depot" la a rare combl- 11 must register before midnight le first time.
    [Show full text]
  • English 2333: an Abbreviated Frankenstein Filmography Dr
    English 2333: An Abbreviated Frankenstein Filmography Dr. Monica Smith [Before this class meeting, students watch the Edison Frankenstein for homework and answer three questions, and we begin class by reviewing these questions: 1) What version of the Creature does this film present: the Creature as monster, the creature as human, or something in between? 2) What aspects of Shelley’s story (characterization, plot detail, setting, imagery) have the filmmakers kept? What has been deleted? To what effect? 3) What role does music play in this film?] Frankenstein (usually called The 1910 Edison Frankenstein) Director J. Searle Dawley. Starring Charles Ogle. Edison, 1910. Silent film. Approximately 13 minutes. This is the earliest known film version of Frankenstein. Regrettably, the only surviving copy was held by a private collector who refused to let film students and scholars study or even view it. Now the film fortunately has passed into the public domain and is available via Google video. Frankenstein Director James Whale. Starring Boris Karloff, Colin Clive, and Mae Clarke. Produced by Carl Laemmle, Jr. Adaptation by Robert Florey and John L. Balderston. Screenplay by Garrett Fort, Robert Florey, and Francis Edward Faragoh. Based on the play by Peggy Webling. Universal, 1931. 71 minutes. This version makes substantive changes to both plot and character, renaming our protagonist, for one example, “Dr. Henry Frankenstein,” and calling his friend “Victor.” This film gives us many of the stock elements of the twentieth-century Frankenstein myth: the mad scientist in a castle on a mountaintop who cries “It’s alive! It’s alive!” when his reanimation is successful, the scientist’s hunchbacked assistant, and the robot-like, inarticulate creature with bolts in his neck.
    [Show full text]
  • Frankenstein (1931) Director: James Whale
    Frankenstein (1931) Director: James Whale Grave-robbing scene occurs near the Bavarian mountain village of Goldstadt, Transylvania. Crouched in the background from behind the cemetery fence, medical scientist Dr. Henry Frankenstein (Colin Clive) and his hunchbacked assistant Fritz (Dwight Frye) eagerly watch the proceedings. Frankenstein: "He's just resting - waiting for a new life to come." Fritz reluctantly climbs up a post and cuts down an executed criminal hanging from a gallows' rope. "The neck's broken; the brain is useless. We must find another brain," laments Frankenstein. Needing only a brain, Dr. Frankenstein sends his dwarfish assistant to his old, nearby medical school (Goldstadt Medical College) to steal one. College Professor Waldman (Edward van Sloan), in front of floodlights, teaches about the differences between a normal brain ("one of the most perfect specimens of the human brain") and the degenerate murderer's brain ("the abnormal brain of the typical criminal"). The Professor delineates the degenerative characteristics of the criminal brain - "the scarcity of convolutions on the frontal lobe...and the distinct degeneration of the middle frontal lobe." Fritz has an accident and takes the second choice. Dr. Frankenstein’s history at the University. Dr. Henry Frankenstein’s creation is revealed. “This storm will be magnificent. All the electrical secrets of Heaven. And this time we're ready, eh Fritz?” From under the blanket covering the corpse, a blackened, scarred arm protrudes outward. Henry calms Fritz's jittery nerves as he caresses the arm of the inanimate corpse: “There's nothing to fear. Look. No blood, no decay. Just a few stitches.
    [Show full text]
  • For Immediate Release Enzian Theater Announces Universal Classic Monsters Week and Ella Fitzgerald Documentary June 26 – July
    Media Contact: Valerie Cisneros [email protected] 407-629-1088 x302 FOR IMMEDIATE RELEASE ENZIAN THEATER ANNOUNCES UNIVERSAL CLASSIC MONSTERS WEEK AND ELLA FITZGERALD DOCUMENTARY JUNE 26 – JULY 2 Orlando, FL – (June 23, 2020) – Perhaps the most influential cycle of films in cinema history, the Universal Classic Monsters of the ‘30s, ‘40s, and early ‘50s have proven to be immortal—dreamlike, macabre, horrific, atmospheric, haunting, and among the most wonderfully crafted films of all time. Spawning hundreds of knock-offs, sequels, models, comic books, magazines, books, toys, t-shirts, lunch boxes and more, these iconic film masterpieces have had a profound effect on the art and culture of multiple generations of movie fans. Based on the works of famed authors such as Bram Stoker, Mary Shelley, H.G. Wells and Gaston Leroux—and featuring the filmmaking talents of celebrated directors such as Tod Browning, James Whale, and Jack Arnold, along with legendary actors like Bela Lugosi, Boris Karloff, Claude Rains, Elsa Lanchester, and Lon Chaney, Jr.—these 8 classics are where it all started for genre lovers (and you know who you are!) For the first time in Enzian’s history, all of them can be seen in the same week. Amazing! In addition to Universal Classic Monsters Week, we are thrilled to bring in Ella Fitzgerald: Just One of Those Things, a documentary that traces the story of Ella Fitzgerald’s life and explores how her music became a soundtrack for a tumultuous century. Enzian is also excited to be able to reschedule special programming that was postponed due to the pandemic.
    [Show full text]
  • Learnaboutmovieposters.Com April 2017 Aston's Film & Music
    LearnAboutMoviePosters.com April 2017 Aston’s Film & Music Memorabilia & Comic Book Auction Tuesday, May 2nd Aston’s Auctioneers & Valuers will present its Film & Music Memorabilia & Comic Book Auction on Tuesday, May 2nd beginning at 11am UTC. Viewing Monday 1st May 12pm to 4pm UTC and 9am to 11am UTC on auction day. Buyer's premium 20% +VAT Star lots include: 44 - "Thunderbirds Are Go" (1966) British Quad film poster first release. Estimate £300 - £500 51 - "Carry on Spying" (1964) British Quad film poster first release. Estimate £400 - £600 97 - "Star Wars" (1977) 1st release US one sheet film poster. Estimate £500 - £800 236 - "Return of the Jedi" Star Wars (1983) teaser British Quad film poster. Estimate £300 - £500 252 - "Goldfinger" (1964) Rare 1st release British Quad film poster. Estimate £1000 - £2000 253 - "Thunderball" (1965) 1st release original British Quad film poster. Estimate £800 - £1200 Download the auction catalogue below. 2 Reserve tickets and hotel before May 1st Reserve now! Registration form is online - pay by mail or online. The Cinevent Hotel room block is only open until May 1st with limited availability remaining for some nights.* *If you try to book your room and are told you cannot do so, call us at 866-785-7687 or email [email protected] with details about what nights you are trying to reserve and what type of room (King or 2 Queens). We will do our best to assist you but cannot guarantee you will get a reduced rate for all nights. For details on alternative lodging options and other common questions, visit our Frequently Asked Questions page.
    [Show full text]
  • THE GREAT WAR: a CINEMATIC LEGACY OPENS at Moma on the CENTENARY of the START of WORLD WAR I
    THE GREAT WAR: A CINEMATIC LEGACY OPENS AT MoMA ON THE CENTENARY OF THE START OF WORLD WAR I The Great War: A Cinematic Legacy August 4—September 21, 2014 The Roy and Niuta Titus Theaters NEW YORK, July 8, 2014–Opening on the 100th anniversary of the day World War I began, The Museum of Modern Art’s The Great War: A Cinematic Legacy runs from August 4 through September 21, 2014, highlighting 60 feature-length films and thematic programs that attempt to provide a comprehensive view of the war as portrayed in film. The various films focus on prewar activities; espionage; the battlefields in the trenches, in the air, and on and beneath the sea; actualités; and the various homefronts before, during, and after the war. Familiar films, such as A Farewell to Arms (1932) and Lawrence of Arabia (1962), along with several lesser-known works from as far away as New Zealand—including Chunuk Bair (1992)—reflect the universality of a war that reshaped the prevailing values of what passed for civilization. In August, the program is predominately drawn from the early years, either during the war or in the succeeding decades, and includes several silent films. The program in September will concentrate mainly on later, more contemporary films up to, and including, Steven Spielberg’s War Horse (2011). The Great War is organized by Charles Silver, Curator, with Dave Kehr, Adjunct Curator, Department of Film, The Museum of Modern Art. Many of the films in the series deal with the entrenched stalemate in France, including Verdun, Vision d’Histoire (Verdun, Vision of History) (1928) directed by Leon Poirier.
    [Show full text]
  • Looking at Hollywood with Ed Sullivan Scenes That Live in Memory
    Paje E~t Looking at Hollywood with Ed Sullivan Scenes That Live in Memory . Freddie Bartholomew's plea, "Pray, don't beat me, Mr. Murdstone," in ••David Copper- field." Fred Astaire's machine gun tap dance in ••Top Hat." . Edward G. Rcbln- son kicking Margaret Llvtng- ston in the rear end in II Smart Money.". The unrorget- table chariot race In ••Ben Hur," with Roman Novarro lashing his thoroughbreds. Charlie Chaplin, in "City Lights," swal- Claudette Colbert in the hitc:h·hike .c:elle of ••It Hczppelled ODe Night." lOWinga whistle and then giving of! strange noises until it was Greta Garbo'. lCell. iI .tolell by Marie Drelller ill ••Anna Chriati.:' sonal mementoes, dating a pe- Sand." ... John Barrymore removed. Lilian Gish in riod in their lives as a popular In ••The Sea Beast," wincing as ••Broken Blossoms." . Doug one by one to convince the at- scene at Tia Juana when the two Sir Guy Standing, in ••Annap song dates an event for you. In the severed stump of his leg Is Fairbanks Sr. pricking a "Z" tacking Arabs that the man champagne glasses break to lis Farewell," rowing out to his their asides the fans commented cauterized by a red-hot branding on his dueling victims in ••The power of the defenders is not pieces on the bar, and the star- old ship and in his delirium call that they remembered this scene iron.. Marie Dressler's Mark of Zorro." exhausted. Helen Hayes tled bartender says, ••What was ing orders to a ghostly ere or that scene because. they saw mimicry of the drunk in "Anna and Gary Cooper in ••Farewell that? " that existed only in his memory.
    [Show full text]
  • FRANKENSTEIN: the Modern Prometheus Is the First I N T H I S S T U D Y G U I D E True Science Fiction Novel
    2018 S T U D Y G U I D E B Y J A M I L A R E D D Y A Study Guide to Aquila Theatre’s Production of FRANKwritten bEy Mary SNhelley STEIN Written two centuries ago in 1818 by Mary Shelley, FRANKENSTEIN: The Modern Prometheus is the first I N T H I S S T U D Y G U I D E true science fiction novel. Years ahead of its time, the story has since become the inspiration for countless film and stage adaptations. Frankenstein is a living, breathing, SUMMARY gruesome outcome of scientific discovery. The piece raises an important universal question about the nature of innovation- just because it can be done, should it be WHO'S WHO IN done?' FRANKENSTEIN Victor Frankenstein is a Swiss scientist with a mission to create an artificial human. Without considering the THE FIRST SCENE consequences of such progress, he succeeds with terrifying results. After wandering the world alone, the monster eventually comes for Frankenstein’s family. SAY WHAT?: Horrific events unfold until the doctor tentatively agrees to create a mate for the creature. Ultimately, the doctor VOCABULARY refuses in an effort to spare humanity but bears the terrible and personal penalties of his decision. Two hundred years later, Frankenstein still poses a myriad of FRANKENSTEIN ON critical ethical questions. Aquila Theatre’s production of FILM this timeless classic is bold and thrilling – while paying homage to the original, frightening writing of Mary Shelley. THINK ABOUT IT! DISCUSSION Q'S. S U M M A R Y Robert Walton writes a series of letters to his sister Margaret Saville and tells the story of how his polar expedition becomes trapped in ice and how one day he sees a 'gigantic figure' in the distance.
    [Show full text]
  • Academy of Motion Picture Arts and Sciences Ruder· Finn 8949 Wilshire Boulevard / Beverly Hills
    From ACADEMY OF MOTION PICTURE ARTS AND SCIENCES RUDER· FINN 8949 WILSHIRE BOULEVARD / BEVERLY HILLS. CALIFORNIA 90211-1972 PUBLIC RELATIONS ,1cadcmy Puhl;r Relations Cowuel LOS ANGELES 314S W ilshire Boulevard 900 10 (213) 385 -5271 CHICAGO 444 N. Michigan Ave . 606 11 (312) 644-8600 NEW YORK 301 E. 57th Street 10022 (212) 593-6400 WASHINGTON. D.C. 1225 19th St.. NW 20038 (202) 466 -7800 Contact: Mary Chervenak/Monika Young Moulin (213) 385-5271 OSCAR OAM PAS IBI FOR IMMEDIATE RELEASE ACADEMY CONTINUES "STANDARD SCREENINGS" SERIES "The Bride of Frankenstein" and "The Phantom of the Opera" to be Screened in State-of-the-Art Goldwyn Theater BEVERLY HILLS, CA, October 10, 1991 -- The Academy of Motion Picture Arts and Sciences and the Academy Foundation will continue the monthly public series, Academy Standard Screenings, on Monday, October 21, at 7:30 p.m., with the presentation of two classic Universal horror films, The Bride of Frankenstein and The Phantom of the Opera. The double bill will be shown at the Academy's Samuel GoJdwyn Theater in Beverly Hills. The Academy Standard Screenings series was inaugurated in June of this year as a showcase for the presentation of high-quality prints of Academy Award-winning and nominated films in the state-of-the-art Goldwyn Theater. The Bride of Frankenstein was recently restored by the Library of Congress. A new 35mm print will be presented at this screening. This 1935 sequel to Frankenstein stars Boris Karloff, Colin Clive, Ernest Thesiger and Elsa Lanchester; James Whale directed and John L. Balderston and William Hurlbut wrote the screenplay.
    [Show full text]