Alison Riva Production Designer

Total Page:16

File Type:pdf, Size:1020Kb

Alison Riva Production Designer Alison Riva Production Designer Agents Alice Dunne Assistant +44 (0) 20 3214 0949 Flora Line [email protected] Credits Film Production Company Notes BORN A KING Celtic Films Dir: Agusti Villaronga 2019 Prod: Stuart Sutherland FLYING BLIND Ignition Films Dir: Katarzyna Klimkiewicz 2012 Prod: Alison Sterling (with Helen McCrory) A THOUSAND KISSES Veil of Maya Productions Ltd Dir: Dana Lustig DEEP Prod: Christopher Granier-Deferre 2011 (with Dougray Scott, Emilia Fox, Jodie Whitaker) MARATHON Dir: Tim Sullivan 2006 Producers: Anita Overland and Roger Michell SEPARATE LIES Celador Films Dir: Julian Fellowes 2005 Prod: Steve Clark Hall (with Tom Wilkinson, Emily Watson) ROCKET POST Ultimate Pictures Dir: Stephen Whittaker 2004 Prod: Mark Shorrock United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes GLOBAL HERESY Ultimate Pictures Dir: Sidney J Furie 2000 Prod: Mark Shorrock (with Peter O’Toole, Joan Plowright, Martin Clunes, Alicia Silverstone) LONG TIME DEAD Working Title 2 Dir: Marcus Adams 2000 Films/Universal Prods: James Gay-Rees (with Alec Newman, Joe Absolom, Lukas Haas, James Hillier) COTTON MARY Merchant Ivory Dirs: Ismail Merchant, James Ivory 1999 Prod: Ismail Merchant (with Greta Scacchi, James Wilby, Madhur Jaffrey) TRUE BLUE Film & General/Film Four Dir: Ferdinand Fairfax 1996 Prod: Clive Parsons (with Dominic West, Johna Leysen, Josh Lucas, Geraldine Sommerville) THE ENGLISH WIFE Hartswood Films/ITV Dir: Simon Shore 1994 Prod: Beryl Vertue (with Zoe Wanamaker, Geraldine O’Rawe, Jean Louis Tribes) Television Production Company Notes THE CAPTURE 2 BBC/Peacock Dir: Ben Chanan Prod: Derek Ritchie & 2022 David Higginson WAR OF THE WORLDS Urban Myth Films / BBC Prod: Adam Knopf, Johnny Capps, Julian Series 2 Murphy, and Howard Overma 2021 (with Daisy Edgar-Jones, Gabriel Byrne, Elizabeth McGovern) LETHAL WHITE BBC One/HBO Dir:Sue Tully 2020 Prod: Neil Blair, Ruth Kenley-Letts, Elizabeth Kilgarriff (with Holliday Grainger and Tom Burke) BAPTISTE Two Brothers Pictures Dir: Borkur Sigthorsson and Jan Matthys 2019 Prod: John Griffin SAFE HOUSE series 2 Eleventh Hour Films Dir: Marc Evans 2017 Prod: Andrew Benson HARRY PRICE: GHOST Bentley/ ITV Dir: Alex Pillai HUNTER Prod: Denise Paul 2015 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes PETER AND WENDY Headline Pictures/ITV Dir: Diarmuid Lawrence 2015 Prod: Christian Baute (with Stanley Tucci) ATLANTIS 2 Urban Myth Films Prod. Sara Hamill 2014 THE PARADISE II BBC Dir: David Drury 2013 Prod: Simon Lewis (with Emun Elliot, Elaine Cassidy) THE OTHER WIFE Gate Television Productions Dir. Giles Foster 2012 Prod. Ron Purdie (with Rupert Everett, John Hannah) AFFINITY BOX TV Dir: Tim Fywell 2008 Prod: Adrian Bates (with Zoe Tapper, Amanda Plummer) EMPIRE Touchstone TV/ABC Dirs: Greg Yaitanes, Kim Manners, John 2005 Gray Prods: Neil Meron, Craig Zadan, Tony Jonas (with Jonathan Cake, Santiago Cabrera, Emily Blunt, Michael Maloney) HEAVEN ON EARTH BBC TV Dir: Stuart Orme (2 x 90mins) Prod: Julia Ouston 1998 (with Neil Pearson, Geraldine Somerville) HOSPITAL Tiger Aspect/Channel 5 Dir: John Henderson 1997 Prod: Sue Vertue (with Greg Wise, Celia Imrie, Martin Clunes) FAMILY MONEY Whistling Gypsy Dir: Renny Rye 1996 Prods/Channel 4 Prod: Rosemary Whitman (with Claire Bloom, June Whitfield, James Farrell) THE SCULPTRESS Red Rooster/BBC Dir: Stuarte Orme 1995 Prods: Linda James, Julia Ouston (with Pauline Quirke, Caroline Goodall, Chris Fulford) GO BACK OUT BBC Dir: Mike Barker 1995 Prod: Richard Fell (with Anita Dobson, Andrew Lance) THE QUEEN OF CLUBS Santana Films Dir: Paul Street (30mins) Prods: Sarah Buckley, Simon McCleave 1994 (with Steven Hartley, Sophie Heyman, Jason Rebello) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Commercials Production Company Notes YORKSHIRE TEA 'CRICKET' Another Film Dir: Sam 2012 Company Washington BBC3 Promo Red Bee Media Dir: Andy Margetson HALIFAX Epoch Films Dir: Jeppe Ronde TOSHIBA VIRAL Epoch Films Dir: Matt Lenski GREGG'S BAKERY Tomboy Films Dir: Mark Mylod SIX NATIONS BBC Broadcast Dir: Mark Mylod RADIO 4 COMEDY PROMO BBC Broadcast Dir: Mark Mylod CEREAL PARTNERS Notorious Dir: Terence O Connor T & T Stark Films Dir: Dominic Savage HOME CHOICE Channel X Dir: Mark Mylod HELMANS Channel X Dir: Mark Mylod ASDA 2AM Dir: Gus Filgate Helping Hand, Home Help, Pizza, Indian & Lovers FULLERS Channel X Dir: Mark Mylod (x4) READERS DIGEST Channel X Dir: Mark Mylod BENECOL YOGHURT Artists Co Dir: Mandy Fletcher KELLOGGS CORNFLAKES Artists Co Dir: Mandy Fletcher Trout, Lollipop, Shower, Keys & Door DAZ Artists Co Dir: Mandy Fletcher Beach & Friskies NSPCC Union Commercials Dir: Gideon Koppel PEDIGREE CHUM Slimpix Dir: Willie Patterson MARS Academy Dir: The Brothers Celebration Quay DREHER BEER Strawberry Films Dir: Willie Patterson PRINGLES CRISPS BFCS Dir: Willie Patterson Missing the Match, Uncle Harry’s, New Boy, Whenever you Pop, New Boy Pop Box, Hand Jive PHILADELPHIA CHEESE SJBC Dir: Mel Smith Stake Out, Brief Encounter LEVIS Saville Prods, USA Dir: Gavin Bowden The Mystic STELLA ARTOIS Channel 4 Dir: Elliott Naftalin United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes OPEN ROAD SARAJEVO The Artists Co. Dir: Steve Ramser Other Production Company Notes ANGELS AND INSECTS United Artists Dir: Philip Haas (feature) Prod: Joyce Herlihy Art Director (with Kristin Scott Thomas, Patsy Kensit & Mark Rylance) SON OF THE PINK United Artists Dir: Blake Edwards PANTHER Prod: Tony Adams (feature) Designer: Peter Mullins assistant Art Director (with Roberto Begnini, Herbert Lom, Claudia Cardinale) LITTLE BUDDHA Recorded Picture Co Dir: Bernardo Bertolucci (4 X 50MINS) Prod: Jeremy Thomas Designer: James Acheson assistant Art Director (with Keanu Reeves) THE WITCHES Dir: Nick Roeg assistant Art Department FOR QUEEN AND COUNTRY Dir: Martin Stellman assistant Art Department MICHAEL COLLINS Dir: Michael Cimino assistant Art Department PRICK UP YOUR EARS Dir: Stephen Frears assistant Art Department United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].
Recommended publications
  • Download Alisons Full PDF Resume
    Alison Riva Production Designer Agents Alice Dunne Assistant +44 (0) 20 3214 0949 Flora Line [email protected] Credits In Development Production Company Notes LETHAL WHITE BBC One/HBO Dir:Sue Tully 2019 Prod: Neil Blair, Ruth Kenley-Letts, Elizabeth Kilgarriff (with Holliday Grainger and Tom Burke) Film Production Company Notes BORN A KING Celtic Films Dir: Agusti Villaronga 2019 Prod: Stuart Sutherland FLYING BLIND Ignition Films Dir: Katarzyna Klimkiewicz 2012 Prod: Alison Sterling (with Helen McCrory) A THOUSAND KISSES Veil of Maya Productions Ltd Dir: Dana Lustig DEEP Prod: Christopher Granier-Deferre 2011 (with Dougray Scott, Emilia Fox, Jodie Whitaker) United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MARATHON Dir: Tim Sullivan 2006 Producers: Anita Overland and Roger Michell SEPARATE LIES Celador Films Dir: Julian Fellowes 2005 Prod: Steve Clark Hall (with Tom Wilkinson, Emily Watson) ROCKET POST Ultimate Pictures Dir: Stephen Whittaker 2004 Prod: Mark Shorrock GLOBAL HERESY Ultimate Pictures Dir: Sidney J Furie 2000 Prod: Mark Shorrock (with Peter O’Toole, Joan Plowright, Martin Clunes, Alicia Silverstone) LONG TIME DEAD Working Title 2 Dir: Marcus Adams 2000 Films/Universal Prods: James Gay-Rees (with Alec Newman, Joe Absolom, Lukas Haas, James Hillier) COTTON MARY Merchant Ivory Dirs: Ismail Merchant, James Ivory 1999 Prod: Ismail Merchant (with Greta Scacchi, James Wilby, Madhur Jaffrey) TRUE BLUE Film & General/Film
    [Show full text]
  • ED024693.Pdf
    DO CUMEN T R UM? ED 024 693 24 TE 001 061 By-Bogard. Travis. Ed. International Conference on Theatre Education and Development: A Report on the Conference Sponsored by AETA (State Department. Washington. D.C.. June 14-18. 1967). Spons Agency- American Educational Theatre Association. Washington. D.C.;Office of Education (DHEW). Washington. D.C. Bureau of Research. Bureau No- BR- 7-0783 Pub Date Aug 68 Grant- OEG- 1- 7-070783-1713 Note- I28p. Available from- AETA Executive Office. John F. Kennedy Center for the Performing Arts. 726 Jackson Place. N.V. Washington. D.C. (HC-$2.00). Journal Cit- Educational Theatre Journal; v20 n2A Aug 1968 Special Issue EDRS Price MF-$0.75 HC Not Available from EDRS. Descriptors-Acoustical Environment. Acting. Audiences. Auditoriums. Creative Dramatics. Drama. Dramatic Play. Dramatics. Education. Facilities. Fine Arts. Playwriting, Production Techniques. Speech. Speech Education. Theater Arts. Theaters The conference reported here was attended by educators and theater professionals from 24 countries, grouped into five discussion sections. Summaries of the proceedings of the discussion groups. each followed by postscripts by individual participants who wished to amplify portions of the summary. are presented. The discussion groups and the editors of their discussions are:"Training Theatre Personnel,Ralph Allen;"Theatre and Its Developing Audience," Francis Hodge; "Developing and Improving Artistic Leadership." Brooks McNamara; "Theatre in the Education Process." 0. G. Brockett; and "Improving Design for the Technical Function. Scenography. Structure and Function," Richard Schechner. A final section, "Soliloquies and Passages-at-Arms." containsselectedtranscriptions from audio tapes of portions of the conference. (JS) Educational Theatrejourna 1.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Mckinney Macartney Management Ltd
    McKinney Macartney Management Ltd MICK COULTER BSC - Director of Photography NASTY WOMEN (Feature Film) Director: Chris Addison. Producer: Roger Birnbaum and Rebel Wilson. Starring: Anne Hathaway and Rebel Wilson. Metro-Goldwyn-Mayer. SHETLAND (Series 4) Director: Rebecca Gatward. Producer: Eric Coulter. Starring: Douglas Henshall, Stephen Robertson and Alison O’Donnell. BBC Scotland. THE ESCAPE Director: Paul J. Franklin. Producers: Jessica Malik and Jessica Parker. Starring: Art Malik, Ben Miller and Olivia Williams. Parri Passu Films. BITCH aka SUKA Director: Krzysztof Lang. Producers: Wojciech Pałys and Mariusz Łukomski. Starring: Olga Bołądź, Piotr Adamczyk, Marieta Żukowska, Marcin Korcz Katarzyna Figura, Piotr Głowacki and Marian Dziędziel. Monolith Films. MALEFICENT (UK shoot) Director: Robert Stromberg. Producer: Don Hahn, Scott Michael Murray and Joe Roth. Starring: Angelina Jolie, Elle Fanning, Juno Temple, Sharito Copley and Imelda Staunton. Moving Picture Company / Walt Disney Pictures. SINGULARITY (UK shoot) Director: Roland Joffé. Producer: Paul Breuls, Guy Louthan and Ajey Jhankar. Starring Josh Hartnett, Bipasha Basu, Claire van der Boom, Billie Brown and James Mackay. Corsan NV. THE BANK JOB Director: Roger Donaldson. Producers: Steven Chasman and Charles Rosen. Starring: Jason Statham, Saffron Burrows, Stephen Campbell Moore and David Suchet. Skyline Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 MICK COULTER Contd … 2 LOVE ACTUALLY Director: Richard Curtis. Producers: Duncan Kenworthy, Tim Bevan and Eric Fellner. Starring: Alan Rickman, Hugh Grant, Liam Neeson, Bill Nighy, Colin Firth Emma Thompson, Laura Linney, Martine McCutcheon and Rowan Atkinson.
    [Show full text]
  • Rupert Everett ~ 36 Screen Credits
    Rupert Everett ~ 36 Screen Credits Look at that lip. Hauteur, condescension, disdain writ large. "I am a very limited actor. There's a certain amount I can do and that's it," said Everett in 2014. Maybe so, but - see My Best Friend's Wedding, An Ideal Husband, Separate Lies or Unconditional Love - how well he does it. Born in Burnham Deepdale, Norfolk on 29 May 1959 the second son of parents Anthony and Sara, RUPERT JAMES HECTOR EVERETT is of English, Scottish, Irish and more distant German and Dutch ancestry. His father, who died in 2009, was a Major in the British Army who later worked in business. When he was six, Rupert was taken into Braintree for his first trip to a cinema. There was a long queue, the child was typically fretful and the grown-ups thought about leaving, but finally decided not to: And so my mother bought the fateful tickets and unknowingly guided me through a pair of swing doors into the rest of my life ... ... Those huge curtains silently swished open and Mary Poppins sprang across the footlights and into my heart. After preliminary instruction from a governess, Everett was educated at Far- leigh House School, Andover from seven to thirteen then at Ampleforth College, Yorkshire from thirteen to sixteen, at which point he absconded to London to become an actor. After two years of living the bohemian life to the full (if not excess), he won a coveted place at the Central School of Speech and Drama, but after attending for two tempestuous and more or less unrewarding years was told not to return for a third.
    [Show full text]
  • Theatre Archive Project Archive
    University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no.
    [Show full text]
  • Magazine Media
    FEBRUARY 2010: THE FANTASY ISSUE M M MediaMagazine edia agazine Menglish and media centre issue 31 | februaryM 2010 Superheroes Dexter Vampires english and media centre Aliens Dystopia Apocalypses | issue 31 | february 2010 MM MM MediaMagazine is published by the English and Media Centre, a non-profit making organisation. editorial The Centre publishes a wide range of classroom materials and runs courses for teachers. If you’re studying English at A Level, look out e thought our last issue, on Reality, was one of our best yet, for emagazine, also published by Wbut this Fantasy-themed edition is just as inspired. Perhaps the Centre. our curiosity about the real and our fascination with fantasy are two sides of the same coin … The English and Media Centre 18 Compton Terrace By way of context, Annette Hill explores the factors behind London N1 2UN our current passion for the afterlife and the paranormal, while Telephone: 020 7359 8080 Chris Bruce suggests ways of investigating fantasy across media Fax: 020 7354 0133 platforms from an examiner’s perspective and Jerome Monahan provides an Email for subscription enquiries: illustrated history of fantasy at the movies via Jung, the Gothic and the ghost story. [email protected] We have a volley of vampires from Buffy to True Blood’s Bill, by way of Let The Right One In, and some persuasive and chilling accounts of how they represent real world Managing Editor: Michael Simons prejudices and fears. In a cluster of superhero articles, Matt Freeman explores the Editor: Jenny Grahame cultural significance of Superman, while Steph Hendry unpicks the ideologies of Editorial assistant/admin: superheroes and their relevance in a post-9/11 world – and identifies the world’s Rebecca Scambler first superheroic serial-killer.
    [Show full text]
  • SHARON HOWARD-FIELD 1 Casting Director
    SHARON HOWARD-FIELD 1 Casting Director EMPLOYMENT HISTORY: • Howard-Field Casting, (Los Angeles, London & Europe) 1993-2014 • Director of Feature Casting, Warner Bros. Studios, Los Angeles 1989-1993 • Howard-Field Casting ( London & Europe) 1983-1989 • Casting & Project Consultant RKO, London operations 1983-1985 • Associate Casting Director Royal Shakespeare Company, London 1977-1983 • Production Assistant to director/producer Martin Campbell, London 1975-1977 • Assistant to writer, Tudor Gates, Drumbeat Productions, London 1975-1977 FILMS CURRENTLY IN DEVELOPMENT FOR 2014/15: AMOK – Director: Kasia Adamik. Screenplay: Richard Karpala. Executive producer: Agnieszka Holland. Producers: Beata Pisula, Debbie Stasson - in development for spring 2015 WALKING TO PARIS – Director: Peter Greenaway, Producer: Kees Kasander and Julia Ton. Scheduled to commence pp February 2015 in Romania, Switzerland and France. THE WORLD AT NIGHT – Director: TBC. Screenplay: William Nicholson. Producer: Vanessa van Zuylen, (VVZ Presse, Paris, France), Matthias Ehrenberg, Jose Levy, (Cuatro Films Plus) Ibon Cormenzana, (Arcadia Motion Pictures), – in development to shoot Argentina and France Spring 2015. Daniel Bruhl attached. RACE – In association with Suzanne Smith Casting. Director: Stephen Hopkins. Filming Berlin and Canada, September 2014. Casting a selection of cameo roles from the UK AMERICAN MASSACRE – Director: TBC Producer: Emjay Rechsteiner (Staccato Films); Executive Producer: Harris Tulchin - in development for Spring 2015, shooting New Zealand and Canary Islands LITTLE SECRET (Pequeno Segredo) – Director: David Schurmann; Writer: Marcos Bernstein; Producers: Matthias Ehrenberg (Cuatro Films Plus), Joao, Roni (Ocean Films, Brazil), Emma Slade (Fire Fly Films, NZ), Barrie Osborn – in development to shoot Brazil, October 2014. Finnoula Flanagan attached THE BAY OF SILENCE: - Director: Mark Pellington; Screenwriter & Producer: Caroline Goodall, Executive Producer: Peter Garde.
    [Show full text]
  • Original Writer Title Genre Running Time Year Director/Writer Actor
    Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen,
    [Show full text]
  • Product Guide
    AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver
    [Show full text]
  • SHAKESPEARE in PERFORMANCE Some Screen Productions
    SHAKESPEARE IN PERFORMANCE some screen productions PLAY date production DIRECTOR CAST company As You 2006 BBC Films / Kenneth Branagh Rosalind: Bryce Dallas Howard Like It HBO Films Celia: Romola Gerai Orlando: David Oyelewo Jaques: Kevin Kline Hamlet 1948 Two Cities Laurence Olivier Hamlet: Laurence Olivier 1980 BBC TVI Rodney Bennett Hamlet: Derek Jacobi Time-Life 1991 Warner Franco ~effirelli Hamlet: Mel Gibson 1997 Renaissance Kenneth Branagh Hamlet: Kenneth Branagh 2000 Miramax Michael Almereyda Hamlet: Ethan Hawke 1965 Alpine Films, Orson Welles Falstaff: Orson Welles Intemacional Henry IV: John Gielgud Chimes at Films Hal: Keith Baxter Midni~ht Doll Tearsheet: Jeanne Moreau Henry V 1944 Two Cities Laurence Olivier Henry: Laurence Olivier Chorus: Leslie Banks 1989 Renaissance Kenneth Branagh Henry: Kenneth Branagh Films Chorus: Derek Jacobi Julius 1953 MGM Joseph L Caesar: Louis Calhern Caesar Manluewicz Brutus: James Mason Antony: Marlon Brando ~assiis:John Gielgud 1978 BBC TV I Herbert Wise Caesar: Charles Gray Time-Life Brutus: kchard ~asco Antony: Keith Michell Cassius: David Collings King Lear 1971 Filmways I Peter Brook Lear: Paul Scofield AtheneILatenla Love's 2000 Miramax Kenneth Branagh Berowne: Kenneth Branagh Labour's and others Lost Macbeth 1948 Republic Orson Welles Macbeth: Orson Welles Lady Macbeth: Jeanette Nolan 1971 Playboy / Roman Polanslu Macbe th: Jon Finch Columbia Lady Macbeth: Francesca Annis 1998 Granada TV 1 Michael Bogdanov Macbeth: Sean Pertwee Channel 4 TV Lady Macbeth: Greta Scacchi 2000 RSC/ Gregory
    [Show full text]
  • Theatre Archive Project
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Helen Neale – interview transcript Interviewer: Dominic Shellard 4 September 2006 Actress and theatre-goer. Peggy Ashcroft; As You Like It; Richard Burton; Agatha Christie's plays; critics; Frances Cuka; The Guildhall; John Gielgud; learning parts; Joan Plowright; Terence Rattigan; repertory; rehearsal structure; revue; Roots; Separate Tables; Shakespeare; Stratford; theatre-going; Kenneth Tynan; Peter Ustinov; West Side Story; women. DS: Hello, it’s delightful to be able to meet you. Can I just ask at the beginning of the interview whether we have your permission to place the interview in the National Sound Archive for the British Library so people can quote from it? HN: Yes. DS: Thank you very much indeed. OK, I think we’re going to divide this interview into two sections – we’re going to talk about your theatre going and about your training as an actress and your experience of weekly rep. Shall we start with the theatre going, in the early 1950s? HN: Yes. Well, the first really exciting thing that happened was my parents booked in for us to have a holiday, myself and my sister and them, at Stratford in 1950. And this was very exciting because this was the beginning of the new Stratford, this was Anthony Quayle, Glen Byam Shaw, only five plays being done, which they started in April - you didn’t get the full five in repertory until August, so we went in August. Also, I didn’t realise at the time, but I have read Gielgud’s letters since, and of course it is the beginning of his second stage as an actor, it’s when he takes on the deeply unpleasant part of Angelo in Measure for Measure, plays his first Cassius, which is terrific.
    [Show full text]