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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
Master Thesis Betekenis Van Gender in De TV Serie Revenge
Master Thesis Betekenis van gender in de TV serie Revenge Naam: Nadia Benhaddou Studentnummer: 384488 Begeleider: Jacco van Sterkenburg Tweede lezer: Bernadette Kester Master Media Studies: Media en Cultuur Erasmus School of History, Culture and Communication Erasmus Universiteit Rotterdam Rotterdam, 9 Juli 2015 Voorwoord Toen ik een onderwerp moest bedenken voor mijn Master Thesis, wist ik meteen al dat ik iets met boeken of TV series wilde doen. Ik ben ook meteen afgegaan op de begeleiders die daar iets mee wilden doen. Helaas kon ik niet terecht bij mijn top 3 begeleiders met deze onderwerpen. Maar de grote optimist die ik ben, had ik er het volste vertrouwen in dat ik nog op tijd een begeleider zou krijgen, wat na een gesprek met Erik Hitters ook is gebeurd. Helaas kreeg ik drie dagen voor mijn eerste afspraak met mijn nieuwe begeleider te horen dat het niet meer zou lukken om mij te begeleiden, omdat hij onverwachts niet meer werkzaam was op de universiteit. Na weer een gesprek met Erik Hitters, had ik er nog steeds het volste vertrouwen in dat het goed zou komen. Helaas kwam de kerstvakantie steeds dichterbij en begon ik me toch enigszins zorgen te maken. En net in de week voor de vakantie had Erik Hitters een begeleider voor me gevonden; Jacco van Sterkenburg. Vanaf dat moment ging alles heel snel en moest ik meteen met een plan van aanpak komen. Daar heb ik heel mijn kerstvakantie aan besteed en het ergste dat je als student kan gebeuren overkomt me; mijn usb gaat kapot met daarop mijn gehele plan van aanpak. -
The Pathologising Effect of TV Revengendas
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2015 The bitter taste of payback: the pathologising effect of TV revengendas Cassandra E. Sharp University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Sharp, Cassandra E., "The bitter taste of payback: the pathologising effect of TV revengendas" (2015). Faculty of Law, Humanities and the Arts - Papers. 2422. https://ro.uow.edu.au/lhapapers/2422 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The bitter taste of payback: the pathologising effect of TV revengendas Abstract The thirst for vengeance is a timeless subject in popular entertainment. One need only think of Old Testament scripture; Shakespeare's Hamlet; Quentin Tarantino's Kill Bill or the TV series Revenge, and we immediately conjure up images of a protagonist striving to seek justice to avenge a heinous wrong committed against them. These texts, and others like it, speak to that which is ingrained in our human spirit about not only holding others responsible for their actions, but also about retaliation as payback. This article seeks to problematise the way the popular revenge narrative effectively constructs the vendetta as a guilty pleasure through which the audience can vicariously gain satisfaction, while at the same time perpetuates law's rhetoric that personal desires for vengeance are to be repressed and denied. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
MA Thesis Ceremonials FINAL
ABSTRACT CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg Rituals have been used throughout history as a way to process change and emotion. In the modern day, people are beginning to turn away from organized religion and to take on more personalized rituals and spirituality. As such, identifying as a witch is a growing phenomenon that serves to empower many personally, politically, and spiritually. This creative thesis takes an autobiographical approach to explore how ritual and the identity of the witch can be used as tools of empowerment, tracing the artist’s own journey from Catholicism to a more fluid spiritual life. On February 22nd, 2019, Ceremonials: A Ritual Play opened as part of Miami University’s Independent Artist Series. The play was devised with a student ensemble over a period of five months and stands as the culmination of a series of performance projects that sought to combine ritual and theatre. This portfolio spans the breadth of that practice-based research and includes examples from performance experiments and the devising process, as well as reflections on how ritual and devised theatre can help to empower the individual and the artist. CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Rachel Lynn Brandenburg Miami University Oxford, Ohio 2019 Advisor: Saffron Henke Reader: Julia Guichard Reader: Christiana Molldrem Harkulich ©2019 Rachel Lynn Brandenburg This Thesis titled CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg has been approved for publication by The College of Creative Arts and Department of Theatre ____________________________________________________ Saffron Henke, MFA ______________________________________________________ Julia Guichard, MFA _______________________________________________________ Christiana Molldrem Harkulich, PhD Table of Contents 1. -
Jastics Delays' Rsveüge
Jastics Delays’ Rsveüge- . ■ C il 1X1 a i - . : . "Г / с;. Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition A Thesis Submitted to the Faculty of Letters and the Institute of Economics and Social Sciences of Bilkent University in Partial Fulfilment of the Requirements for the Degree of Master of Arts in English Language and Literature ta «4^^ by Erhan Kukner September, 1991 PR. Л.65'4 ' S63 è- 3079 We certify that we have read this thesis and that in our combined opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts. Asst.Prof.Dr. Hamit Çalışkan (A d v i s o r ) L y ■'· Prof.Dr. Bülent Bozkurt (Committee Member) ' ^ 1 Dr. Laurence A. Raw Approved for the Institute of Economics and Social Sciences 1 1 Abstract Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition Erhan Kükner M.A. In English Literature Advisor: Asst.Prof-Dr. Hamit Çalışkan September, 1991 The Spanish Tragedv. one of the best examples of English Renaissance drama, contributed towards the establishment of the revenge tragedy genre, which gained popularity in the years to come. Kyd in this play not only indicates that when the law is unjust, man will resort to revenge; but also demonstrates that a citizen should obey the ruler and regard revenge as a revolt against the state. Tl-is play tells the story of Hieronimo, who expects the murderer^ of his son to be punished. However, Hieronimo gradually discovers that the institutions of justice are useless and therefore takes revenge. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
The Understandings of Revenge Through Discussions with University Students
The understandings of revenge through discussions with University students Elise McKenna Honours Thesis in Legal Studies Murdoch University, 2016 Declaration: “I declare this thesis is my own account of my research and contains as its main content work which has not been previously submitted for a degree at any tertiary education institution” (Elise May McKenna) Abstract: The goal of this study was to examine how revenge is understood by a sample of university students using a grounded theory approach. Desires and acts of revenge were found to be more prevalent in interpersonal relationships than stranger to stranger. Revenge was also shown to be a behaviour made through a costs benefit analysis to the victim rather than an act of irrationality. In addition to this, the understanding and concepts of revenge by the students were at times to be influenced by how the media had portrayed it to them. Lastly, it was shown that acts of revenge were used in all different groups of victims and types of harms through indirect and direct behaviours. Acknowledgments: This research was initially supported by Dr Courtney Field and I would like to thank him for initiating my interest in the topic of revenge and providing me with his insight. I would also, however, like to express my sincere gratitude to my Supervisor- Associate Professor Guy Hall. Supervision for this thesis has been complicated and when I needed someone to step in he did not hesitate to take on this role. I am very grateful for the time, effort and encouragement Guy has provided me over this year and previous years. -
Revenge Season 4 Episode 3 Recap
Revenge season 4 episode 3 recap After three seasons of sudsy buildup, the highly anticipated reunion of "Emily Thorne" and David Clarke went down on Revenge this Sunday. Tonight on ABC Revenge returns with an all new Sunday October 12, season 4 episode 3 called "Ashes." On this evening's. And now, Revenge Season 4, Episode 3: “Ashes” The Stowaway burns in Montauk. Jack rushes inside and finds Emily. He gets her out as. type: TV Show; Current Status: In Season; seasons: 4; run date: 09/21/11 In last week's episode, Charlotte tried to burn her sister alive, and in. Abe seeks revenge, but Simcoe will be waiting. genre: Drama; run date: 04/06/14; broadcaster: AMC; seasons: 4; Current Status: In Season. Another day, another pearl- clutching episode of 'Revenge' in which we ate our emotions in the form of lobster rolls. But before we get into. Revenge season 4, episode 3, "Ashes," just finished airing. Read our recap to see what happened with our South Hampton residents this week. Revenge season 4, episode 3 recap: 'Ashes.' David tries to kill Emily, Victoria needs money, Charlotte runs scared, Daniel can't get a job. Season chronology. ← Previous Season 3 · List of Revenge episodes. The fourth and final season of the ABC American television drama series Revenge premiered .. Finally abandoning her persona of Emily, Amanda looks to her future, with this episode looking back over her relationships with those around her, her. Watch Revenge Season 4 Episode 3 Online Recap. Jack arrives at the Stowaway to see it in flames. -
'Duncanville' Is A
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Plays by Women on Female Writers and Literary Characters a Thesis Submitted to the Graduate School of So
MYTHMAKING IN PROGRESS: PLAYS BY WOMEN ON FEMALE WRITERS AND LITERARY CHARACTERS A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY PÜRNUR UÇAR-ÖZB İRİNC İ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE OCTOBER, 2007 Approval of the Graduate School of Social Sciences ____________________________ Prof. Dr. Sencer Ayata Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. ____________________________ Prof. Dr. Wolf König Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Prof. Dr. Nursel İçöz Prof. Dr. Meral Çileli Co-Supervisor Supervisor Examining Committee Members Prof. Dr. Ay şegül Yüksel (Ankara Uni.) Assoc. Prof. Dr. Ünal Norman (METU) Asst. Prof. Dr. Nurten Birlik (METU) Dr. Rüçhan Kayalar (Bilkent Uni.) ii I hereby declare that all information in this document has been presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name: Pürnur Uçar-Özbirinci Signature: iii ABSTRACT MYTHMAKING IN PROGRESS: PLAYS BY WOMEN ON FEMALE WRITERS AND LITERARY CHARACTERS Uçar-Özbirinci, Pürnur Ph.D., English Literature Supervisor: Prof. Dr. Meral Çileli Co-Supervisor: Prof. Dr. Nursel İçöz October 2007, 247 pages This thesis analyzes the process of women’s mythmaking in the plays written by female playwrights. -
La Triste Realidad
Image not found or type unknown www.juventudrebelde.cu Image not found or type unknown The Resident Autor: Tomado de Internet Publicado: 30/03/2020 | 09:20 pm La triste realidad Se dice que la nómina de médicos brillantes la inauguró el recordado personaje Hawkeye en el clásico nombrado Mash, que estuvo en pantalla en Estados Unidos entre 1972 y 1983 Publicado: Lunes 30 marzo 2020 | 09:45:56 pm. Publicado por: José Luis Estrada Betancourt Para ser su primer día en el Chastain Park Memorial Hospital, de Atlanta, peor no le podía haber ido al joven doctor hindú Devon Pravesh (Manish Dayal), graduado de la Harvard Medical School, a pesar de que llegó con los deseos de comerse el mundo, vestido implacablemente con su corbata cara y el reloj de oro que le regalara su novia. Sus ilusiones pronto se las echará a perder quien tendrá la tarea de convertirse en su tutor, el prestigioso pero «insoportable» doctor Conrad Hawkins (Matt Czuchry), el cual se encargará de bajarlo de las nubes y darle la bienvenida al «mundo real», porque ya es tiempo, le dice, de olvidar «el cuento» que le hicieron en la universidad. Desde el principio, la superenfermera Nicolette Nevin (Emily VanCamp), antigua (y enseguida entenderemos que presente y hasta futura) amante de Hawkins le sugerirá al inexperto Pravesh que intente no quedarse con una primera y errónea impresión y empezar a odiar a su mentor, pues aunque este le haya dejado claro que: «Nunca me equivoco. Haz lo que sea que te diga, sin hacer preguntas», lo más importante siempre será que ese tipo de rasgos risueños (que tanto le favorecen) con apariencia de «maleducado, despectivo y arrogante, aprieta un tornillo, arregla el ruido, te cobra cinco pavos y problema resuelto».