Complete Catalogue of Zonophone Records 1924
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Xylo Archive Index
XYLOPHONE ARCHIVE BY ARCHIVE NUMBER / LABEL / ARTIST PAGE 1 Archive No. Record label Artist Catalog No. Song Title ca. Date Notes NORTH AMERICAN '78-RPM DISC LABELS Actuelle (see Pathe Actuelle) Aeolian (see Vocalion) 1 American Xylophone Solo #031208 A Bit O' Blarney 1905 prob. Charles P. Lowe-xylo 2 Apex All American Five 4219B Pretty Miss Virginia 3 Apex Dixie Marimba Players 8800B Rosette 4 Apex Eckstein (Willie) Trio 583A Lovely Lucerne 1923 unknown xylo 5 Apex Eckstein (Willie) Trio 583B Just a Memory of You 1923 unknown xylo 6 Apex Green Bros. Novelty Band 4255A My Mammy book pg.129 (Okeh) 7 Apex Green Bros. Novelty Band 4281A Wyoming book pg.129 (Okeh) 8 Apex Green Bros. Novelty Band 4330A My Man (Mon Homme) 1921 book pg.129 (Okeh) 9 Apex Green Bros. Novelty Band 4398A All By Myself 1921 book pg. 130 (Okeh) 10 Apex Green Bros. Novelty Band 4398B Peggy O'Neil 1921 book pg. 130 (Okeh) 11 Apex Green Bros. Novelty Band 4440B Glow Little Lantern of Love 1921 book pg.130 (Okeh) 12 Apex Green Bros. Novelty Band 4442A Mississippi Cradle 1921 book pg. 130 (Okeh) 13 Apex Green Bros. Novelty Band 4442B Stand Up and Sing For Your Father 1921 book pg. 130 (Okeh) 14 Apex Green Bros. Novelty Band 4467B Monastery Bells 1921 book pg. 130 (Okeh) 15 Apex Green Brothers Trio 413A Last Night On The Back Porch G.H Green or Joe Green- xylo 16 Banner Dubin's Dandies 0557B Stay In the Sunshine and Smile 1929-30 prob. G.H Green- xylo 17 Banner Lopez (Vincent ) and his Orchestre 0557A Look for the Silver Lining 1929-30 Vibes, pg. -
Brian Baldauff Treatise 11.9
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 The Percussion Music of Michael W. Udow: Composer Portrait and Performance Analysis of Selected Works Brian C. (Brian Christopher) Baldauff Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE PERCUSSION MUSIC OF MICHAEL W. UDOW: COMPOSER PORTRAIT AND PERFORMANCE ANALYSIS OF SELECTED WORKS By BRIAN C. BALDAUFF A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music 2017 Brian C. Baldauff defended this treatise on November 2, 2017. The members of the supervisory committee were: John W. Parks IV Professor Directing Treatise Frank Gunderson University Representative Christopher Moore Committee Member Patrick Dunnigan Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To Shirley. iii ACKNOWLEDGMENTS This document and degree would not have been possible without the support, guidance, and patience of numerous extraordinary individuals. My wife, Caitlin for her unwavering encouragement. Dr. John W. Parks IV, my major professor, Dr. Patrick Dunnigan, Dr. Christopher Moore, and Dr. Frank Gunderson for serving on my committee. All my friends and colleagues from The Florida State University, the University of Central Florida, the University of Michigan, West Liberty University, and the University of Wisconsin- Stevens Point for their advice and friendship. My parents Sharon and Joe, and all my family members for their love. -
Sousa Cover the ONE.Qxd 24/7/08 2:38 Pm Page 1
Sousa cover THE ONE.qxd 24/7/08 2:38 pm Page 1 Chan 4535 CHANDOS BRASS FROM MAINE TO OREGON THE WILLIAMS FAIREY BAND PLAYS SOUSA MARCHES CONDUCTED BY MAJOR PETER PARKES CHAN 4535 BOOK.qxd 24/7/08 2:41 pm Page 2 Sousa Marches 1 Semper Fidelis arr. C.W. Hewitt 2:55 2 The Crusader arr. Peter Parkes 3:36 3 El Capitan March 2:33 4 The Invincible Eagle arr. Peter Parkes 3:47 5 King Cotton 2:58 6 Hands across the Sea arr. Peter Parkes 2:57 7 Manhattan Beach arr. C.W. Hewitt 2:25 8 Our Flirtations arr. James Howe 2:43 9 The Picadore arr. Peter Parkes 2:58 10 The Gladiator March 2:58 11 The Free Lance arr. Norman Richardson 4:33 12 The Washington Post arr. C.W. Hewitt 2:46 13 The Beau Ideal arr. Peter Parkes 3:36 14 The High School Cadets arr. John Hartmann 2:45 15 The Fairest of the Fair arr. Norman Richardson 3:50 16 The Thunderer arr. Harry Mortimer 2:57 17 The Occidental arr. Peter Parkes 2:55 18 The Liberty Bell arr. J. Ord Hume 3:49 19 The Corcoran Cadets arr. Peter Parkes 3:15 John Philip Sousa (1854–1932) 20 National Fencibles March arr. Norman Richardson 3:36 Royal College of Music 21 The Black Horse Troop arr. Peter Parkes 3:34 22 The Gridiron Club March arr. James Howe 3:38 23 The Directorate arr. Norman Richardson 2:38 24 The Belle of Chicago arr. -
Concert Band Performance Literature
74 CONCERT BAND PERFORMANCE LITERATURE ALPHABETICAL LISTING Air and March America (Purcell / Kinyon) (1) (MS) (arr. Feldstein) (1.5) (CS) ...................................... $40.00 00-1847 _____ ...................................... $35.00 00-3259 _____ A Air and Peasant Dance America on Parade (Feldstein & O’Reilly) (1) (BB) (arr. Cacavas) (3) (CB) ..$65.00 00-20550 _____ ...................................... $35.00 00-2667 _____ 007—A James Bond Medley America Takes Note! (Gold) (IV) (PSB) ........ $75.00 00-CB9903 _____ NEW! Air and Variations (Feldstein) (4) (CB) ... $35.00 00-3192 _____ (Kreines) (2) (YS) ....... $50.00 00-24686 _____ n 1812 Overture n America the Beautiful (Tchaikovsky / Williams) (3) (GB) NEW! Albemarle Fantasy (arr. Dragon) .............. $60.00 00-FXB123 _____ ...................................... $65.00 00-17116 _____ (Williams) (2) (CH) .......$TBA 00-26801 _____ America the Beautiful erformance Literature n NEW! Abaco Overture Albion (arr. Mulholland) (Band Parts) (4) P (Lopez) (Concert Band & CD) (II 1/2) (BE2) (Akey) (3) (GB) .......... $55.00 00-11212 _____ ...................................... $35.00 00-3695 _____ ...................................... $55.00 00-BDM05043 _____ n and Alder Creek Tribute America the Beautiful B n Academic Festival Overture (Hodges) (2) (YS)....... $48.00 00-16555 _____ (arr. Smith) (II) (BYB) ..$50.00 00-BD9944 ____ (Brahms / Akey) (1) (DS) NEW! Algorhythms n America, the Beautiful ...................................... $40.00 00-20709 _____ (Fagan) (2.5) (YS) ..... $52.00 00-26819 _____ (arr. Kinyon) (with Opt. SA Chorus) (1) (MS) oncert Academic Festival Overture n All Is Calm (based on Silent Night) ...................................... $40.00 00-905 _____ C (Brahms / Ployhar) (Concert Band & CD) (III) (BCB) (Traditional / arr. Smith) (Concert Band & CD) (II) (BYB) n America, the Beautiful ..................................... -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Features Riving from the Cornish for ‘Eve of the Westward Ho! Musing on Mathematics and Mechanics Alan Champneys Cmath FIMA, University of Bristol
Westward Ho! Musing on Mathematics and Mechanics Westward Ho!Alan Musing Champneys onCMath Mathematics FIMA, University of Bristol and Mechanics Alan Champneys CMath FIMA, University of Bristol Inspired by the village pageants that take dancing from 7.30 in the morning until the Inspiredplace across by the the villagecounty ofpageants Cornwall that to takeher- dancingearly evening. from 7.30 Led in bythe the morning Helston until town the placeald the across coming the of county spring, of this Cornwall issue consid- to her- earlyband, evening. revellers Led dance by along the Helston the streets, town alders the comingdynamics of ofspring, mass this synchronous issue consid- ac- band,through revellers gardens dance and in along out of the houses streets, in erstivity. the New dynamics theories of havemass emerged synchronous overac- the throughvarious costumes gardens and at different in out of times houses of the in tivity.last few New decades theories of have how globalemerged order over can the variousday. Traditional costumes at ‘Helston-born’ different times dancers of the lastemerge few from decades networks of how of global coupled order (near) can day.wear lilies Traditional of the valley; ‘Helston-born’ gentlemen dancers on the emergeidentical from agents. networks Simulations of coupled using (near) such wearleft, flowers lilies of pointing the valley; upwards, gentlemen ladies on the on identicalrules can agents. replicate Simulations the remarkable using obser- such left,the right flowers and pointing upside down. upwards, The ladies town on is rulesvations can of replicate swarms of the fish remarkable or starlings. obser- Yet, thedecorated right and with upside sycamore down. -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
Music and the Cornish Way of Life Barbara Gardner-Bray
Music and the Cornish way of life Barbara Gardner-Bray. November 2010 Simply put, Cornish music is folk music which uses simple instrumentation. It was and is a statement of the times, not unlike the Celtic music of Ireland, Scotland and Wales. Over the years, music has played an important part in most occasions in Cornwall, be they holidays such as Christmas, festivals and celebrations such as May Day, county fairs or everyday life occurrences, such as marriages, burials, harvest time and so on. HOLIDAYS Christmas In the 19th century, carol or “curl” singing formed a prominent part of the festive season. Choirs would memorize carols as they generally couldn’t read music. They would travel from village to village, singing carols such as the “Seven Joys of Mary”, the “Holy Well”, and the “Holly and the Ivy”. A typical Christmas song of the 19th century went like this: “Welcome Christmas which brings us all good cheer Pies and puddings, roast pork and strong beer” Then the chorus reads “Come let me taste your Christmas beer That is so very strong And I do wish that Christmas time With all its mirth and song Was twenty times so long” As with other Cornish music, carols were introduced wherever the Cornish lived in the new world and old. 1 Richard Jose One Cornish singer of note was Richard Jose. Richard was born on June 5, 1862 in Lanner, Cornwall. He always said that he was born in 1869 so he would appear to be younger. He sounded younger than his years as he was a counter tenor (between a tenor and a soprano) which was very rare. -
10Th-Anniversary-OCB
Our Partners Our Story On behalf of the Board and the Musicians of the Old Crown Brass Band, we enthusiastically acknowledge our Sponsors. The music we are proud to The Old Crown Brass Band was founded in 2007 and has become one of Fort present is 100% a result of the generous donations from our corporate and Wayne, Indiana's premier performing ensembles. The band is a traditional British individual financial partners. brass band and plays all styles of music. The 32-piece brass and percussion ensemble is made up of members of the Fort Wayne Philharmonic, local music * educators and freelance musicians. All members of the band are non- CHUCK and LISA SURACK compensated and share a passion for brass band music. While conforming to the * * model of the traditional British brass band, the band programs all types of Major Corporate and Individual Sponsors music including marches, PARKVIEW HEALTH ● SWEETWATER SOUND ● CHUCK and LISA SURACK jazz arrangements, show RONALD LUTTERBIE ● MYNETT MUSIC ● ARTS UNITED ● SOURCE ONE SOLUTIONS and movie scores, and Cornet Level Donors orchestral transcriptions. ARTS UNITED of GREATER FORT WAYNE ● ROLANDO and DIANE CHILIAN The band also has formed GREG and BARB MYERS ● FORT WAYNE ECONOMIC IMPROVEMENT DISTRICT a separate performing CORT CHILIAN and KATHLEEN ANDERSON ● SAM GNAGEY ● ANONYMOUS GIFTS ensemble known as the OCBB 2007 Alto Horn Level Donors “Black Swamp Ten.” LARRY DOCTOR ● CHRYS KIMPEL ● GAYLE GIVENS ● JANET GARVER ● JAMES LIECHTY The band has received numerous honors including first place in the open section ANONYMOUS GIFTS of the 2014 and 2015 North American Brass Band Association Championships. -
Sheet Music (Unclassified)
SHEET MUSIC (UNCLASSIFIED) A Beautiful Friendship A Touch of the Blues A Certain Smile 'A' Train A Christmas Song A Walkin Miracle A Day in the Life of a Fool A Whistlin' Kettle & a Dancing Cat A Dream is a Wish your Heart Makes A White Sports Coat & a Pink Carnation A Fine Romance A Windmill in Old Amsterdam A Foggy Day A Woman in Love A Garden in the Rain A Wonderful Day like Today A Good Idea Son A Wonderful Guy A Gordon for Me A World of ou Own A Hard Day's Night A You're Adorable A Horse with no Name Abide with Me A Hunting We Will Go Abie my Boy A Kiss in the Dark About a Quarter to Nine A Little bit More AC/DC A Little Bitty Tear Accentuate the Positive A Little Co-operation from you Accordionist A Little Girl from Little Rock Ace of Hearts A Little in Love Across the Alley from the Alamo A Little Kiss Each Morning Across the Alley from the Alamo A Little Love A Little Kiss Across the Great Divide A Little on the Lonely Side Across the Universe A Long & Lasting Love Act Naturally A Loser with nothing to loose Adagio from Sonata Pathetique A Lot of Livin' to Do Addicted to Love A Lovely Way to Spend an Evening Adios A Man & A Woman Adios Amor A Man Chases a Girl Adios Muchachos A Man without Love African Waltz A Marshmallow World After the Ball A Million Miles from Nowhere After the Love has Gone A Night in Tunisia After the Rain A Nightingale Sang in Berkely Square After You've Gone A Paradise for Two Agadoo A Pretty Girl is Like a Melody Again A Rockin' Good Way Agatha Christies Poirot A Root'n Toot'n Santa Claus Ah So Pure A -
“Testimony Through Tunes”
“Testimony Through Tunes” The singing of hymns is one of the best ways to put ourselves in tune with the Spirit of the Lord. I wonder if we are making enough use of this heaven-sent resource in our meetings, in our classes, and in our homes. .Our hymns contain matchless doctrinal sermons, surpassed only by the scriptures in their truth and poetic impact. Dallin H. Oaks, Ensign, Nov. 1994 Uplifting music can be brought into our homes in numerous ways through games, lessons, instruments, sing- a-longs, etc. These ideas can be used to help: Provide family entertainment Strengthen family relationships Develop appreciation for beautiful, wholesome music Learn gospel doctrine from the lyrics Build Testimonies These things all work together to build testimonies. Testimonies of Heavenly Father, Jesus Christ, the Holy Ghost, the prophets, the Scriptures, the Plan of Salvation and many other important Gospel topics can be obtained through teaching Hymns and Primary songs to your family. The lyrics to these wonderful songs will be remembered throughout their lives and will be a source of guidance and comfort especially in difficult times. “If we listen, (the hymns) are teaching the gospel. .the hymns of Restoration are, in fact, a course in doctrine.” Boyd K. Packer, Ensign, Nov. 1991 “Singing our beautiful, worshipful hymns is food for our souls. We become of one heart and one mind when we sing praises to the Lord.” James E. Faust, Ensign, May 1992 The following pages contain online music resources, music game suggestions and instructions for simple-to- make instruments. The whole family will enjoy making, decorating and playing these clever musical instruments which cost almost nothing to construct and can be used in Family Home Evenings, reunions and campouts or whenever. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.