Bibliography

BIBLIOGRAPHY

2021 ''Chess Game: Massimo De Carlo presents an exhibition dedicated to Carl Andre and Alighiero Boetti'', Artdaily, January 2021.

2020 Rose, Barbara. ''Carl Andre interview'', Interview Magazine, 2020. Campanini, Cristiana. ''Boetti e Andre, la partita a regola d'arte'', la Repubblica - Milano, December 4, 2020.

2019 Green, Vivien e Nancy Spector. Guggenheim Museum Collection, A to Z. New York, Te Guggenheim Museum, 2019. Biesenbach, Klaus e Bettina Funcke. MoMA PS1: A History. New York, Te , 2019. Cooper, Jeremy. Te World Exists To Be Put On A Postcard: Artists’ postcards from 1960 to now. , Tames and Hudson, 2019, 30, 72. Local Histories. Berlin, Hamburger Bahnof, National Gallery, 2019, 60-61, 71. ''Step into the ‘Tird Dimension’ at new Brant Foundation show in East Village'', Te Villager, November 18, 2019. Cotter, Holland. ''Vietnam, Trough the Eyes of Artists'', Te New York Times, April 4, 2019. Brady, Anna. ''Collector’s Eye: Hubert Bonnet'', Te Art Newspaper, June 13, 2019.

2018 : Space. Light. Object, exhibition catalogue, National Gallery of Singapore, 2018. Dillon, Noah. ''Weirdo Arts and Pensive Abstraction: a New York Gallery Crawl'', Elephant Magazine, April 16, 2018. Cohen, Alina. ''What Makes a Minimalist Sculpture Good?'', Artsy, April 12, 2018. Rea, Naomi. ''In Paris for FIAC? Here Are 11 Must-See Shows on View Tis Week in the French Capital,” '', Artnet News, October 16, 2018. Westall, Mark. ''Metal, a group exhibition of sculptures in metal produced between 1968 and 1990'', FAD Magazine, December 16, 2018. Neutres, Jerome. ''Monumental Minimal’ at Taddaeus Ropac Gallery, Pantin'', Blouin ArtInfo, December 18, 2018.

2017 Bovier, Lionel e David Lemaire.MAMCO Genève: 1994-2016, exhibition catalogue, MAMCA, Genève2017, 282-283. Yoshitake, Mika.Yayoi Kusama : infnity mirrors, exhibition catalogue, Hirshhorn Museum and Sculpture Garden and DelMonico Books/Prestel, 2017, 123. Goldman, Edward. ''Getty, Gehry, & Carl Andre'', Te Hufngton Post, April 4 2017. Kennedy, Randy. ''Calmer New York Living Trough Minimalist Art'', Te New York Times, February 16 2017.

2016 Brehmer, Debra. ''Carl Andre, Museum Ettiquette, and Me'', Hyperallergic, May 31 2016. De Aenlle, Conrad. ''Fringe Art Tests the Mainstream'', Te New York Times, April 28 2016. Wagley, Catherine. ''Dansaekhwa and Minimalism'', LA Weekly, February 2016. Creahan, D. Review. ''Dansaekhwa & Minimalism'', ArtObserved, February 26 2016. Goldman, Edward. ''Minimalism, Maximalism, and a Severed Head'', Hufngton Post, February 23 2016. Hegert, Natalie. ''Te Rise of Dansaekwha'', MutualArt, January 20 2016. Sharp, Rob. ''A Surging Auction Market Points to Korean Minimalism as the Next Gutai'', Artsy, 2016. Miranda, Carolina A.. ''Datebook: Ceramic installations, Korean and American Minimalism, punk-inspired pieces'', Los Angeles Times, January 15 2016.

2015 Carl Andre in His Time, exhibition catalogue, Mnuchin Gallery, New York2015, pp. 62-63. Society for Contemporary Art, 1940 – 2015. Chicago, Te Art Institute of Chicago, 2015, p. 83. Towards Visibility: Exhibiting Contemporary Drawing, 1964 – 80, exhibition catalogue, Musée Jenisch, Vevey2015, pp. 92, 131. Morris, Frances. . London, Publishing, 2015, 28, 239. Hart, Katherin.Collecting and Sharing: Trevor Fairbrother, John T. Kirk, and the Hood Museum of Art, exhibition catalogue, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire2015, p. 69. Miller, Dana e Adam D. Weinberg. Whitney Museum of American Art: Handbook of the Collection. New York, Whitney Museum of American Art, 2015, p. 41. Mayer, Rus. ''A Retrospective of Carl Andre’s Revolutionary Sculptures'', Architectural Digest, August 18, 2015. Indrisek, Scott. ''September’s Most Exciting New York Openings'', Blouin Artinfo, August 7, 2015. Saltz, Jerry. ''Te New New Museum – Te New Whitney a Post Museum Museum'', New York Magazine, April 20-May 3 2015, p.42. Andre, Carl. ''Yucatan (1972)'', Mousse Magazine, December – January 2015, p. 179. Neuendorf, Henri. ''Carl Andre and Paula Cooper Honored with France’s Highest Cultural Distinction'', Artnet News, December 4 2015. Smith, Roberta. ''Carl Andre in His Time'', Te New York Times, November 27 2015, p. C30. ''Review, ‘Carl Andre in His Time''', Te New Yorker, November 2, 2015, p. 17. Alfred Mac., Adam. ''Carl Andre in His Time'', Artnews, November 2015. Morgan, Tiernan. ''7 Artists, 25 Pages Each, 1 Half-Century Later: Revisiting the Xerox Book'', Hyperallergic, October 22 2015. ''Te Xerox Book, Review'', Te New Yorker, October 12, 2015, p. 22. ''In Perspective: Flat Afect'', Art & Antiques, October 2015, p. 27. Andre, Carl. ''Interview: Carl Andre'', Blau, October 2015, pp. 42-53. ''“In the Frame: goes from copy shop to Paula Cooper'', Te Art Newspaper, September 16 2015. Palmer, Lauren. ''7 Tings to Do in New York Tis Week'', Artnet News, September 5 2015. ''2015 Fall Art Preview: Te 28 New York Exhibitions Everyone Should See'', Artnet News, August 28, 2015. ''50 Must-See Fall Exhibitions'', Artsy, August, 25, 2015.

2014 Stout, Katharine. Contemporary Drawing: from the 1960s to Now. London, Tate Publishing, 2014, p. 55. Art Lovers: Stories of Art in the Pinault Collection, exhibition catalogue, Grimaldi Forum, Monaco. Paris, Lienart editions, 2014, pp. 50, 66-67. Raymond, Yasmil e Philippe Vergne. Carl Andre: Sculpture as Place, 1958-2010. New Haven, Yale University Press, 2014. Delahunty, Gavin e Lynn Kost. Carl Andre: Poems. Zurich, JRP, 2014. Weiner, Lawrence. ''Te Artists’ Artists: Best of 2014 '', Artforum, December 2014. Mayer, James. ''Carl Andre, DIA:BEACON'', Artforum, September 2014, pp. 365-366. Mack, Joshua. ''Carl Andre Sculpture as Place, 1958 – 2010'', Art Review, October 2014, p. 141. Esplund, Lance. ''A Confict of Minimalist Interests'', Te Wall Street Journal, September 16, 2014. Rose, Barbara. ''Te Nature of Carl Andre'', Te Brooklyn Rail, July 15, 2014. Rinn, Natalie. ''Scale Mail'', Hamptons Magazine, June 27 – July 3, 2014. Michel, Karen e Carl Andre. ''With Blocks And Bricks, A Minimalist Returns To Te Gallery'', NPR, June 22, 2014. Budick, Ariella. ''Carl Andre: Sculpture as Place, 1958-2010, Dia:Beacon, New York – review'', Financial Times, June 18, 2014. Cotter, Holland. ''A Stonehenge for the Modern Age'', Te New York Times, May 30, 2014, p. C21, C27. Pollack, Marika. ''Carl Andre: Sculpture as Place, 1958-2010’ at Dia:Beacon'', Galleristny.com, May 8, 2014. Kennedy, Randy. ''Minimalist Retrospective Gets a Master’s Touch'', Te New York Times, May 5, 2014, p. C1 and C5. Asfour, Nana. ''A Rare Retrospective for Carl Andre Opens at Dia:Beacon'', Vogue.com, May 2 2014. Mayer, James. ''Carl Andre: Sculpture as Place, 1958-2010'', Artforum, May 2014, p. 184. ''Andre at Dia'', Art in America, May 2014, p. 28. Yablonsky, Linda. ''Carl Andre: brick by brick'', Te Art Newspaper, May 2014, p. 31. Kitnick, Alex. ''Brand Minimalism'', Art In America, April 2014, pp. 86-90.

2013 Costello, Eileen. Phaidon Focus: Brice Marden. New York, Phaidon Press Inc., 2013, p.57. Zask, Joelle. Outdoor Art: La Sculpture et Ses Lieux. Paris, Éditions La Découverte, 2013, p.68. Trough the Eyes of Texas: Masterworks from Alumni Collections. Austin, Blanton Museum of Art, 2013, p. 92. 55th International Art Exhibition II Palazzo Enciclopedico. Venezia, Fondazione la Biennale di Venezia, 2013, pp. 86-89. Davant l’horitzo, exhibition catalogue, Fundacio Joan Miro, Barcelona2013, pp. 78-79. Xerography. Manchester, Firstsite, 2013. Documents of Contemporary Art: Te Market. Cambridge and London, Te MIT Press and , 2013, p.153. POESIA: Werke aus der Sammlung Reinking. Delmenhorst, Stadtische Galerie Delmenhorst, 2013, p. 23. Graham, Dan. Nuggets. Zurich, JRP Ringier, 2013, p. 23. Kalu, Joy Kristin. Ästhetik der Wiederholung: Die US-amerikanische Neo Avantgarde und ihre Performances. Biefeld, transcript Verlag, 2013, p. 276. Drawing Time Reading Time / Marking Language, exhibition catalogue, Te Drawing Center, London2013, pp. 30-45. Smith, Roberta. ''Specifc Objects’ at Susan Inglett Gallery'', Te New York Times, July 5, 2013, p. C23. ''Postscript: Writing Afer Contemporary Art; Museum of Contemporary Art Denver” “Andre’s Hometown”'', Art in America, December 2013, p. 23. Vogel, Carol. ''Inside Art: A gif of 250 Works From a Storied Dealer'', Te New York Times, September 27, 2013, p. C26. Crow, Tomas. ''Head Trip'', Artforum, September 2013, p. 322. Rose, Barbara. ''Carl Andre'', Interview, June / July 2013, pp. 96-103. ''To Do: Carl Andre'', New York Magazine, June 17, 2013, p. 71. MacAdam, Barbara A.. ''Te Tat Judd Built'', ARTnews, June 2013, p. 24. Delahunty, Gavin. ''Carl Andre: Poems'', Artforum, Summer 2013, cover & pp. 284-293. ''New York Artists Now'', Te New York Observer, February 20, 2013. ''New Museum Spaces and an Artist’s Home'', Art in America, June / July 2013, p. 26. Wilk, Deborah. ''Work to Live'', Art + Auction, June 2013, p. 57. Smith, Roberta. ''Repetition II'', Te New Tork Times, March 15, 2013, p. C18. Sooke, Alastair. ''Carl Andre: Mass & Matter, Turner Contemporary, Margate'', Te Telegraph, January 28, 2013. Belcove, Julie. ''My work doesn’t mean a damn thing’'', Te Financial Times, January 26 2013.

2012 Rosenthal, Mark, et al. Regarding Warhol: Sixty Artists, Fify Years. New York, Metropolitan Museum of Art, 2012, 145-146, 165. Paper. Nice, Musée d’Art modern et d’Art contemporain, 2012, pp. 20-23. Te Art Book. London, Phaidon Press Limited, 2012, p. 16. Jorge Daniel Veneciano (curated by). Te Geometric Unconscious: A Century of Abstraction,. Lincoln, University of Nebraska Press, 2012. Bulletins of the Serving Library #3 (Catalogue for Ecstatic Alphabets/Heaps of Language at MoMA). Sternberg Press, 2012. Chaillou, Timothée.Seuls quelques fragments de nous toucheront quelques fragments d’autrui (Only Parts of us Will Ever Touch Parts of Others), exhibition catalogue, . Paris/Salzburg, Galerie Taddaeus Ropac, 2012. Ends of the Earth: to 1974, exhibition catalogue, Museum of Contemporary Art, Los Angeles2012, p. 186. Rider, Alistair. ''Carl Andre’s poetry and the mapping of media'', Word & Image, n. Vol. 28, No. 4, October- December 2012, pp. 397-408. ''Galleries-Chelsea: Carl Andre'', Te New Yorker, November 26, 2012, p. 12. Gerber Klein, Michèle e Phong Bui. ''Carl Andre with Michèle Gerber Klein and PhongBui'', Te Brooklyn Rail, February 2012.

2011 Of the Wall. Porto, Museu de Arte Contemporânea de Serralves, 2011, pp. 32, 80. Rider, Alistair. Carl Andre. Tings In Teir Elements. Phaidon, 2011. Modern Art, 1870-2000. Taschen, 2011, pp. 517-528, 538-539. Edited by Dana Miller; Foreword by Adam D. Weinberg and Essay by Donna De Salvo (curated by). Legacy: Te Emily Fisher Landau Collection. Whitney Museum of American Art, 2011. Davidson, Margaret. Contemporary Drawing: Key Concepts and Techniques Watson. New York, Guptill Publications, 2011, p. 76. Dander, Patrizia e Ulrich Wilmes. A Bit of Matter and a Little Bit More. Cologne, Verlag der Buchhandlung Walther Konig, 2011, pp. 85-89. Weatherspoon Art Museum: 70 Years of Collecting. Greensboro, Weatherspoon Art Museum, 2011, p. 140. Stocchi, Francesco.AGMA #4, exhibition catalogue, Agma Magazine, 2011, p. 105. Tomkins, Calvin. ''Te Materialist: Carl Andre’s eminent obscurity'', Te New Yorker, December 5, 2011, pp.64-73. Kennedy, Randy. ''For Carl Andre, Less is Still Less'', Te New York Times, July 14 2011. ''Exhibition: Carl Andre: Cuts into space'', AGMA, n. Issue #4, 2011, pp. 8-13. ''“What matters to the reclusive artist, Carl Andre'', Phaidon Agenda, May 23, 2011. Sivasathan, Nalinin. ''How to build controversy from a pile of bricks'', Te Independent, May 1 2011. Lindquist, Greg. ''Reviews: Legacy: Te Emily Fisher Landau Collection'', ARTnews, May 2011, p. 117. Bailey, Martin. ''Revealed: secrets of the Tate bricks'', Te Art Newspaper, May 2011, p. 7. Pascucci, Marisa. ''Profles: 24 Artists: Carl Andre'', Te Art Economist, March 2011, p. 40. Luke, Ben. ''What’s On: Ping-pong between objects'', Te Art Newspaper, January 2011, p. 71. Weiss, Jefrey. ''Carl Andre: Chinati Foundation, Marfa, Texas'', Artforum, February 2011, pp. 216-217.

2010 Gioni, Massimiliano e Judi Ditner.10,000 Lives: Gwangju Biennale 2010, exhibition catalogue, Gwangju Biennale Foundation, Gwangju2010, pp. 230-231. ANTI ICON, exhibition catalogue, Eaton Fine Art, Inc, West Palm Beach2010, pp. 20-23. Arnason, H.H. e Elizabeth C. Mansfeld. History of Modern Art. Upper Saddle River, Sixth Edition, Pearson Education, Inc., Prentice Hall, 2010, pp. 548-549. Museum Brandhorst: Selected Works. Munich, Bayerische Staatsgemaldesammlungen, Prestel, 2010, 162-165. ''A homecoming for Carl Andre'', Te Art Newspaper, December 17, 2010, p. 5. ''Art in Residence'', WSJ Magazine, October/ November 2010, pp. 80-85. ''“Roswitha Hafmann – Preis an Carl Andre'', NZZ Online, August 25, 2010. Gritz, Anna. ''Vertically Integrated Manufacturing'', Frieze, April 2010, p. 127. Sjostrom, Jan. ''Anti-Icon’ aims to reclaim serious side of art'', Palm Beach daily News, February 17, 2010, p. A4. Troeller, Jordan. ''Critics’ Picks: Vertically Integrated Manufacturing '', Artforum, January 27, 2010.

2009 Cotter, Holland. ''Te Year of Tumult'', Te New York Times, October 30, 2009, pp. 21, 27. Falconer, Morgan. ''Carl Andre'', ART WORLD, n. Issue 11, June/July 2009, pp. 34-39. Goodman, Jonathan. ''Carl Andre: '', Sculpture, n. Vol. 28 No. 5, June 2009, pp. 66-68. Lodermeyer, Peter, Karlyn de Jongh e Sarah Gold. Personal Structures: Time, Space, Existence. Cologne, DuMont Buchverlag Gmbh & Co. KG, 2009, pp. 226-229. Rattemeyer, Christian. Te Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné. New York, Te Museum of Modern Art, 2009, p. 80. Archer, Michael. ''It’s Like Tis'' inMartin Creed. Hiroshima City Museum of Contemporary Art, 2009, p. 43. Lütticken, Sven.Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle, 2009, p. 213. Kellein, Tomas.Die Grobe Unschuld, exhibition catalogue, exhibition catalogue, Kunsthalle Bielefeld, DuMont Buchverlag2009. Biesenbach, Klaus.Political/Minimal, exhibition catalogue, KW Institute for Contemporary Art, Berlin. Hrsg. Ed., 2009. Eichorn, Maria. Te artist’s contract. Interviews with Carl Andre, Daniel Buren, , Jenny Holzer, Adrian Piper, Robert Projansky, , Seth Siegelaub, John Weber, , Jackie Winsor. Köln, Gerti Fietzek, 2009. Goodman, Jonathan. ''Carl Andre: Paula Cooper Gallery'', Sculpture, n. Vol. 28 No. 5, June, 2009, pp.66-68; illus. Archer, Michael.“It’s Like Tis” Essay in , exhibition catalogue, Hiroshima City Museum of Contemporary Art, Japan2009, pg. 43. Lütticken, Sven. Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle. Berlin, Sternberg Press, 2009, pg. 213. Kellein, Tomas.1968. Die Grobe Unschul, exhibition catalogue, Kunsthalle Bielefeld, Germany2009, pp. 38, 89, 107-11, 275, 279-281, 284, 317, 548-549, 552. Biesenbach, Klaus.Political/Minimal, exhibition catalogue, KW Institute for Contemporary Art, Berlin2009. Eichorn, Maria. Te artist’s contract. Interviews with Carl Andre, Daniel Buren, Hans Haacke, Jenny Holzer, Adrian Piper, Robert Projansky, Robert Ryman, Seth Siegelaub, John Weber, Lawrence Weiner, Jackie Winsor. Köln, Gerti Fietzek, 2009. Ishikawa, Chiyo.A Community pf Collectors: 75th Anniversary Gifs to the Seattle Art Museum, exhibition catalogue, Seattle Art Museum, Seattle2009, p. 97.

2008 Ishikawa, Chiyo. A Community pf Collectors: 75th Anniversary Gifs to the Seattle Art Museum. Seattle, Seattle Art Museum, 2008, p. 97. 560 Broadway: A New York Drawing Collection at Work, 1991-2006. New Haven, ed. Amy Eshoo. Yale University Press, 2008. Cohen, Jean-Louis. New York. Paris, Citadelles & Mazenod, 2008, p. 441. ''Carl Andre/'', New York Magazine, September 15, 2008, pg. 106. Gluckman, Neil. ''Gallery Scene Set to Swing'', Te New York Sun, August 25, 2008, pg. 15. Martin, Herbert. ''“Te World as a Stage,” and “A Teatre Without Teatre”'', Artforum, March 2008, pp. 353-355.. Paul, Carey-Kent. ''Cubes'', Art World, n. illus, February/March 2008, pp. 49-51. Adam, Alfred Mac. ''Reviews: New York: Carl Andre, Paula Cooper'', Art News, January 2008, pg. 122. Bryan-Wilson, Julia. ''Sounding the Fury,'', Artforum, January 2008, pp. 95-96. Origins. Peekskill, Hudson Valley Center for Contemporary Art, 2008, p. 8, 35. Heartney, Eleonor. Art & Today. New York, Phaidon Press, 2008, pp. 67, 84. Cohen, Jean-Louis. New York. Paris: Citadelles & Mazenod, 2008, pg. 441. Origins, exhibition catalogue, Hudson Valley Center for Contemporary Art,, Peekskill2008, pp. 8, 35. Mollet-Viéville, Ghislain. ''Art minimal: Étape majeure dans l’histoire de la sculpture'' inQu’est-ce que la sculpture aujourd’hui?. Beaux Arts editions, 2008, pp. 15 – 17. Glenstone: Te Inaugural Exhibition, exhibition catalogue, Glenstone Foundation, Potomac2008, pg.132. Heartney, Eleanor. Art & Today. New York, Phaidon Press, 2008, pp. 67, 84. 560 Broadway: A New York Drawing Collection at Work, 1991-2006. New Haven, Yale University Press, 2008 Texts by Amy Eshoo.

2007 A Teater without Teater, exhibition catalogue, . Lisbon, Museu d’ Art Contemporani de Barcelona, Fundação de Arte Moderna e Contemporãnea, 2007, pp. 236-237. Morris, John. ''Lisson at 40: Fighting Fit'', Art World, December 2007 / January 2008 2007, pp. 13-14. Kuzma, Marta. ''Best of 2007: Marta Kuzma'', Artforum, December 2007, pp. 342-343. Cohen, David. ''Minimal Art, Maximum Message'', Te New York Sun, November 29, 2007, pg. 21. (curated by). Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, exhibition catalogue. Annandale-on-Hudson, New York, Hessel Museum of Art, 2007. Kotz, Liz. Words to Be Looked At: Language in 1960’s Art. London, Te MIT Press, 2007. Talking Art: Inteviews with Artists Since 1976. London, Art Monthly and , ed. Patricia Bickers and Andrew Wilson, 2007. De Corral, Maria e John Lane.Fast Forward; Contemporary Colletions for the Dallas Museum of Art, exhibition catalogue, . New Haven and London, Dallas Museum of Art and Yale University Press, 2007, p. 119. Deitch, Jefrey. ''Who Has the Power,'', Flash Art,, November-December 2007, pp. 97-99. Saitz, Jerry. ''Has Money Ruined Art?'', New York Magazine, October 15, 2007, pp. 36-42. Turvey, Lisa. ''Carl Andre'', Artforum, August 2007, pp. 494-495. Schlaegel, Andreas. ''Ideal City – Invisible Citie'', Flash Art, November-December 2007, pg. 55. Cotter, Holland. ''Experience Matters: Creators in Midcareer and Beyond'', Te New York Times, April 21, 2007, pp. E31, E39. Azimi, Roxanna. ''New Museums: Francois Pinault'', Te Art Newspaper, October 2005 2007, p. 28. Streitfeld, L.P.. ''Silvermine Reinterprets Visionary Architect Louis Kahn'', Te Advocate & Greenwich Time, July 3, 2005 2007, p. D3. Fyfe, Joe. ''Books'', Art on Paper, September/October 2007, p. 80. Vogel, Carol. ''Inside Art'', Te New York Times, September 9 2007, p.E28. Sholis, Brian. ''Paint by Letters'', New York Press, June 29, 2005 2007. Smith, Roberta. ''Wide Open Spaces, Within and Between the Frames'', Te New York Times, September 2 2007, p. E29. A Teater without Teater, exhibition catalogue, Museu d’ Art Contemporani de Barcelona Fundação de Arte Moderna e Contemporãnea, Lisbon2007, pg. 236-237. Matthew Higgs (curated by). Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, exhibition catalogue, Hessel Museum of Art, Annandale-on-Hudson2007. Kotz, Liz. Words to Be Looked At: Language in 1960’s Art. London, Te MIT Press, 2007. Talking Art: Inteviews with Artists Since 1976. London, Patricia Bickers and Andrew Wilson London: Art Monthly and Ridinghouse, 2007, pg. 73-94.. De Corral, Maria e John Lane.Fast Forward; Contemporary Colletions for the Dallas Museum of Art, exhibition catalogue, Dallas Museum of Art and Yale University Press, New Haven and London2007, p.119.

2006 Kahrs, Johannes.Johannes Kahrs: lonely long meaningless way home, exhibition catalogue, . London, Parasol unit foundation for contemporary art, 2006. Ann Temkin (curated by). Against the Grain: Contemporary Art from the Edward R. Broida Collection , exhibition catalogue, Te Museum of Modern Art, New York2006. Nothing and Everything , exhibition catalogue, Fraenkel Gallery, San Francisco2006, pg. 8. Feldman, Paula, Alistair Rider e . About Carl Andre: Critical Texts Since 194. London, Ridinghouse, 2006. Ideal City – Invisible Cities,, exhibition catalogue, Zamosc, Poland, and Potsdam, Germany. Berlin, European Art Projects, 2006, pp. 78-83.

2005 Andre, Carl. Cuts: Texts 1959-2004. , MIT Press, 2005 Texts by James Meyer. Cambridge. Bjelajac, David. American Art: A Cultural History (2nd ed.). London, Laurence King Publishing Ltd., 2005, p. 407. Taylor, Brandon. Art Today. London, Laurence King Publishing Ltd., 2005. 2004 Archer, Michael. ''Milimalism: LA'', Art Monthly, June 2004, p. 1-3. Bois, Yve-Alain. ''Specifc Objections'', Artforum, n. 203&208, summer 2004, p.196. Cohen, David. ''Gallery-Going'', Te New York Sun, April 1 2004, p. 16. ''Galleries-Chelsea: Carl Andre'', Te New Yorker, March 22 2004, p. 17. Drohojowska-Philp, Hunter. ''A Minimal Future? Art as Object 1958-1968'', ARTnews, June 2004, p. 119. Gober, Robert.Artforum, Summer 2004, p. 210. Godfrey, Mark. ''Dimensions variable'', Frieze, June July Augus 2004, p. 116-121. Kimmelman, Michael. ''How Not Much Is a Whole World'', Te New York Times, April 2 2004, p. E31&E33. Masheck, Joseph. ''Milimalism: NY'', Art Monthly, June 2004, p. 5-8. ''New York: our selection A-Z'', Te Art Newspaper, March 2004, p. 3. Rahtz, Dominic. ''Literality and Absence of Self in the Work of Carl Andre'', Oxford Art Journal, January 27 2004, p. 61-78. Roulet, Laura. '' and Carl Andre: Duet of Leaf and Stone'', Art Journal, winter 2004, p. 80-101. Cherix, Christophe. ''Exhibition Guide: Carl Andre – Passport and Poetry – 1960 – 2000'', Exhibition Guide: Carl Andre – Passport and Poetry – 1960 – 2000, December 19 2004. Straub, Drew B. ''Rebirth of a 1970s Project: Cinder blocks avoid banality and convey transendence'', Gay City News, February 26 - March 3 2004, p. 23. Weiss, Jefrey. ''Language in the Vicinity of Art: Artists’ Writings, 1960-1975'', Artforum, Summer 2004, p. 212-217. Ana Mendieta: Earth Body, exhibition catalogue, Hishhorn Museum and Sculpture Garden, Smithonian Institution, Washington DC,2004, p. 108. Andre, Carl.15 Years (1977-1972): Scenes & Variations, exhibition catalogue, Galerie Arnaud Lefebvre, Paris2004. Goldstein, Ann.A Minimal Future?: Art As Object 1958-1968, exhibition catalogue, Te Museum of Comtemporary Art, Los Angeles2004, p. 134-141. Of the Wall: Works from the JPMorgan Chase Collection, exhibition catalogue, Bruce Museum and JPMorgan Chase, New York. New Heaven - London, 2004, p. 25. Perry, Gill e Paul Wood.Temes in Contemporary Art, exhibition catalogue, . New Heaven - London, Yale University Press, 2004. Singular Forms (Sometimes Repeated): Art from 1951 to the Present,, exhibition catalogue, Te Solomon R. Guggenheim Foundation, New York2004, p. 94-96.

2003 Buskirk, Martha. Te Contingent of Contemporary Art. Massachusetts, Te MIT Press, 2003, p.2-3, 23, 27-31, 45, 49. Conkelton, Sheryl e Elizabeth Tomas.An International Legacy: Selections from Carnegie Museum of Art,, exhibition catalogue, American Federation of Arts, New York2003. Hayden, Malin Hedlin. Out of Minimalism: Te Referential Cube. Sweden, Uppsala University, 2003, p.6, 40, 78-80, 82, 85-86, 90, 94, 137-141, 143, 160-162, 164, 213.

2002 Boettger, Suzaan. ''Swept Away, Carl Andre`s Grave and Eearly Earthworks'', Sculpture, December 2002, pp. 36-41. Brown, Robert. ''Essential Minimalism'', Christie’s magazine, November 2002, p. 42-46. ''Carl Andre'', Te New Yorker, January 21 2002, p.12. ''Carl Andre at Paula Cooper Gallery'', Time Out New York, January 10-17 2002, p. 65. Dannatt, Adrian. ''Carl Andre'', Te Art Newspaper, 2002, p. 3. Fyfe, Joe. ''Carl Andre: ‘Poems'', Art On Paper, May-June 2002, p. 87. Gioni, Massimiliano. ''New York Cut Up: Art Fragments from the Big Apple'', Flash Art, January-February 2002, p. 61. Huber, Gauthier. ''Interview with Carl Andre'', artpress, February 2002, p. 70-71. ''American Beauty'', Te Art Newspaper, n. 125, May 2002, p. 14. Boettger, Suzaan. Earthworks: Art and the Landscape of the Sixties. Los Angeles, University of California Press, 2002. SmithA.T., Elizabeth, Alison Pearlman e Widholm Rodrigues. Life Death Love Hate Pleasure Pain: Selected works from the Museum of Contemporary Art Chicago Collection. Chicago, MCA, 2002, pp. 110-111. Artists of the Heath Gallery 1965 - 1998, exhibition catalogue, Museum of Contemporary Art of Georgia, Atlanta2002, p. 19. Fineberg, Helfenstein, Josef Fineberg e Jonathan Fineberg.Drawings of Choice from a New York Collection, exhibition catalogue, Krannert Art Museum, Illinois2002, p. 18-21. Passenger: Te Viewer as Participant, exhibition catalogue, Astrp Fearnley Museum of Modern Art,, 2002, p. 34. Works From the DaimlerChrysler Collection and from the Paul Maenz Collection: A Dialogue. Berlin, Impressum, 2002. 2001 Boettger, Suzaan. ''Art in America'', A Found Weekend, 1967: Public Sculpture and Anti-Monuments, January 2001, p. 80-125. Diehl, Carol. ''Carl Andre at Whitechapel Gallery and Paula Cooper'', Art in America, February 2001, p. 151. Johnson, Ken.Te New York Times, August 24 2001, p. E32. American Visionaries: Selection from the Whitney Museum of American Art, exhibition catalogue, Whitney Museum of American Art, New York2001, p. 30. Carl Andre: Works on Land, exhibition catalogue, Middelheimmuseum Antwerpen, Belgium2001. Art Works: Te Marzona Collection Art around 1968, exhibition catalogue, Hatje Cantz Verlag, Germany2001. Texts by , , ed., exhibition catalogue, , , 2001, , illus.. Marzona Villa Manin: a private collection, exhibition catalogue, Hatje Cantz, Germany2001, p. 77, 80-81, 168-169. Meyer, James. Minimalism: Art and Polemics in the Sixties. New Haven and London, Yale University Press, 2001. Noncomposition: Fifeen Case Studies, exhibition catalogue, Wadsworth Atheneum Museum f Art, Hartford2001, p.9. Potts, Alex. Te Sculptural Imagination. New Haven and London, Yale University Press, 2001, p. 233-349, illus.. Poetry Plastique, exhibition catalogue, Marianne Boesky Gallery, New York2001, p. 13. Rorimer, Anne. New Art in the 60s and 70s Redefning Reality. London, Tames & Hudson Ltd, 2001, p. 21, 22,.

2000 Batchelor, David. ''London : Carl Andre, WhiteChapel Art Gallery'', Artforum, May 2000, p. 53. Birnbaum, Daniel. ''Art and the Deal: Daniel Birnbaum on Konrad Fischer/Lueg'', Artforum, February 2000, pp. 17-21. Buck, Louisa. ''Exhibition diary: Carl Andre'', Te World of Interiors, July 2000, p. 112-3. Buck, Louisa. ''Martin Creed: Openings'', Artforum, February 2000, pp. 110-111. Coomer, Martin. ''Back to basics'', TimeOut London, July 19-26 2000. Cork, Richard. ''All in all, he’s rather a brick afer all'', Te London Times, July 12 2000. Cumming, Laura. ''A foored genius'', Te Observer, July 2000. Ebony, David. ''Front Page: Fall Auction Fever'', Art in America, January 2000, pp. 26-27. Everett, Deborah. '', Carl Andre, Louise Bourgeois, , Roni Horn, Bruce Nauman, Robert Grosvenor, Claus Oldenburg, David Smith and @ Paula Cooper,'', NYArts, n. Vol. 5 #1, 2000, p. 83.. Matrin, Gayford. ''Time to Stop the Brickbats'', Te Spectator, July 29 2000, pp.37-38. Grant, Simon. ''Tinking man’s brickie'', Te Independent, July 2 2000. Januszczak, Waldemar. ''Waldemar, “Carl Andre'', Te Sunday Times, July 16 2000. Kopie, Jef. ''Marfa, the Chinati Foundation,'', Issue+4, n. Vol.1 No.4, Winter 2000, p.43. MacRitchie, Lynn. ''Notorious master of the ready-made'', Financial Times, July 11 2000, p. 19. Marsh, Tim. ''Solid ground'', Merto, July 1-7 2000. Morrow, Fiona. ''Carl Andre'', Metro, July 7 2000, p. 18. Musgrave, David. ''Carl Andre'', Art Monthly, September 2000. Potts, Alex. ''London:Carl Andre'', Te Burlington Magazine, 2000. Stoddard, Hugh. ''Another brick on the foor'', Te Independent, July 7 2000, p. 45. ''Tattoo Mike/Oona Stern'', Te New Yorker, June 19-26 2000, p.32. ''Te heart of the matter'', Te Economist, July 22-28 2000. Torres, Ana Maria. ''Carl Andre'', NY Arts Magazine, November 2000, p. 8-9. Tully, Judd. ''Around the Block'', Art & Auction, June 2000. ''Underrated/Overrated'', ARTnews, December 2000, p. 122. Vetrocq, Marcia E. ''Minimalia: A Matter of the Mind'', Art in America, January 2000, pp. 88-95. Vogel, Carol. ''nside Art: Philadelphia Philanthropy'', Te New York Times, January 21 2000, E. 39. Vogel, Carol. ''Once Radical, Now Recherché'', Te New York Times, March 17 2000, p. E 34. Wilner, Millicent. ''Image, Word, Object : Redefning Art'', Sotheby’s Preview, May 2000, pp. 64-65. Kunstmuseum Wolfsburg Gesammelte Werke I: Zeitgenössische Kunst seit 1968, exhibition catalogue, Kunstmuseum Wolfsburg, Wolfsburg2000, pp 18-23,. Vanitas: Meditations on Life and Death in Contemporary Art, exhibition catalogue, Virginia Museum of Fine Arts, Richmond2000. Zabalbeascoa, Anatxu e Marcos Jovier Rodriguez. Minimalisms. Barcelona, Gustavo Gili SA, 2000, p 22 & 29,.