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German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Rediscovering Me and Juliet and Pipe Dream , the Forgotten Musicals of Rodgers and Hammerstein
ABSTRACT Title of Thesis: “WHO EXPECTS A MIRACLE TO HAPPEN EVERY DAY?”: REDISCOVERING ME AND JULIET AND PIPE DREAM , THE FORGOTTEN MUSICALS OF RODGERS AND HAMMERSTEIN Bradley Clayton Mariska, Master of Arts, 2004 Thesis directed by: Assistant Professor Jennifer DeLapp Department of Musicology Me and Juliet (1953) and Pipe Dream (1955) diverged considerably from Rodgers and Hammerstein’s influential and commercially successful 1940s musical plays. Me and Juliet was the team’s first musical comedy and had an original book by Hammerstein. Pipe Dream was based on a John Steinbeck novel and featured bums and prostitutes. This paper documents the history of Me and Juliet and Pipe Dream , using correspondence, early drafts of scripts, interviews with cast members, and secondary sources. I analyze the effectiveness of plot, music, and lyrics, while considering factors in each show’s production that may have led to their respective failures. To better understand reception, emphasis is placed upon each show’s relationship to the political and cultural landscape of 1950s America. Re-examining these musicals helps document the complete history of the Rodgers and Hammerstein collaboration and provides valuable insights regarding the duo’s social values and personal philosophies of musical theatre. “WHO EXPECTS A MIRACLE TO HAPPEN EVERY DAY?”: REDISCOVERING ME AND JULIET AND PIPE DREAM , THE FORGOTTEN MUSICALS OF RODGERS AND HAMMERSTEIN by Bradley Clayton Mariska Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirement for the degree of Master of Arts 2004 Advisory Committee: Professor Jennifer DeLapp, Chair Professor Barbara Haggh-Huglo Professor Richard King © Copyright by Bradley Clayton Mariska 2004 To Grandma Bonnie, for The Sound of Music To my parents, for Joseph ii ACKNOWLEDGEMENTS I am indebted to many individuals who have helped in the completion of this document. -
China and the West: Music, Representation, and Reception
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. -
The Edinburgh Gazette, July 17, 1931. 831
THE EDINBURGH GAZETTE, JULY 17, 1931. 831 DISSOLUTION OF PARTNERSHIP. NOTICE OF DISSOLUTION. mHE Firm of JONES & RANKIN, of which the HE Copartnery of J. M. MARTIN & CO., Millers JL Subscribers were the sole Partners, carrying on T and Grain Merchants, Pacernuir Mills, Kilma- business as Quarrymasters at Linhouse Quarries, Avon- colm, of which the Subscribers John Martin, William bridge, has been DISSOLVED as at 30th June 1931, Barr Martin, and John M'Intyre Martin were sole by mutual consent, by the retiral therefrom of the Partners, was of mutual consent DISSOLVED as at Subscriber Thomas Rankin, one of the Partners. 30th June 1931, by the retiral therefrom of the said The Business will continue to be carried on by the William Barr Martin. Subscribers John Jones and Andrew Rankin, and The Business will continue to be carried on under under the same Firm name of JONES & RANKIN. The the same Firm name and at the same address by the said Jones & Rankin are authorised to uplift all the Subscribers John Martin and John M'Intyre Martin, debts due to, and discharge the whole debts and who will discharge all liabilities and collect all out- liabilities of, the Firm. standing debts due to the dissolved Firm. Dated at Avonbridge, this first day of July nineteen Dated at Glasgow, 6th July 1931. hundred and thirty-one. JOHN JONES. JOHN MARTIN. ANDREW RANKIN. J. M. MARTIN. THOMAS RANKIN. W. I. THOMSON, 157 West George Street, Glasgow, Solicitor, Witnesses to the Signatures of John ALEXANDER SCOTT, 157 West George Jones, Andrew Rankin, and Street. -
Notes from the Underground Station Reference Acton
Notes from the Underground Station Reference Acton Town The Who were from Acton Aldgate No. 30 St Mary Axe – ‘affectionately known as The Gherkin’ Aldgate East Whitechapel Art Gallery Alperton Costume from Diwali celebrations Amersham Market Hall Angel Raphael angel Archway Vanished Banksy graffito Arnos Grove Arnos Grove station designed by Charles Holden Arsenal Arsenal Football Club icon Baker Street Sherlock Holmes Balham Book shop ‘My Back Pages’ named after Bob Dylan song Bank Bank of England as designed by Sir John Soanes Barbican Violin as the Barbican is the home of the London Symphony Orchestra Barking Dog barking Barkingside Fulwell Cross Library Barons Court Artist’s studio on the Talgarth Road Bayswater Marconi invents the wireless radio Becontree Home of the Becontree Brass Band Belsize Park Raleigh bike from Les Bicyclettes de Belsize Bermondsey Tank from corner of Mandela Way and Pages Walk Bethnal Green ‘Muffin the Mule’ from the Museum of Childhood Blackfriars Statue from the Blackfriars pub Blackhorse Road Tile motif from Tube Station Bond Street Prada handbag Borough Cezanne’s pears from Borough Market Boston Manor Boston Manor House Bounds Green Rock group ‘UFO’ was formed in Bounds Green Bow Road Mahatma Ghandi stayed in Kingsley Hall in Bow in 1931 Brent Cross Trolley from the country’s first shopping mall Brixton David Bowie was born in Brixton Bromley-by-bow St Leonard’s Priory Buckhurst Hill Welcome to Buckhurst Hill sign Burnt Oak DJ and journalist Robert Elms was born in Burnt Oak Caledonian Road Housmans Radical -
FULL ISSUE (56 Pp., 9.8 MB PDF)
Vol. 35, No. 1 January 2011 Mission by the Numbers t the boarding school in Ethiopia where I spent eight Aformative years, personal Bible reading—in the King James Version—was an essential part of the daily regimen. Given On Page my youthful preference for tales of adventure, conflict, and war, 3 Edinburgh 2010: Common Call St. Paul’s epistles vied unsuccessfully with such action-packed 4 Edinburgh 2010 Centennial World Missionary books as Genesis, Joshua, Judges, and 1–2 Samuel. Here I could Conference: A Report escape the everyday banalities of primary education by losing Janet Carroll myself in the richly textured dramas of men and women, tribes 5 Tokyo 2010: Global Mission Consultation and nations, whose stories—replete with love and war, trust and Allen Yeh treachery, bravery and cowardice, success and failure—seemed 7 Report on Cape Town 2010 much more interesting than my own. And there were enigmas, Stanley W. Green too, such as the one in 2 Samuel 24 (kjv): “And again the anger 10 2010Boston: The Changing Contours of World Mission and Christianity Full-Time On-Location)))))) U.S. Workers 1996 to 2008 B<?<<< Norman E. Thomas 12 A Current Snapshot of North American AB?<<< >?>BA Protestant Missions 8?@=< 8?9>A A. Scott Moreau 8?=B> A<?<<< 8?>>: =?<<8 9?A;@ 18 Christianity Is Moving from North to South @?:8B :?B:; :?9>< —So What About the East? >B?<<< Dyron B. Daughrity 23 The Legacy of Hélène de Chappotin ><?<<< >>?<@A >;?9B@ >A?@A@ >>?@8A >A?A=< Mary Motte 28 Christianity 2011: Martyrs and the Resurgence ;B?<<< 899: 899= ;<<8 ;<<B ;<<= of Religion ,-+C$%(5')DAE)F(/57G H&I$%(5')D8)0-)A)F(/57G Todd M. -
LONDON METROPOLITAN ARCHIVES Page 1 SMALL FAMILY COLLECTIONS
LONDON METROPOLITAN ARCHIVES Page 1 SMALL FAMILY COLLECTIONS CLC/521 Reference Description Dates NEWTON, JOHN CLC/521/001 List of items missing from a house in St 16-- Lawrence Pountney Lane (undated) 1 item CLC/521/MS02084 Miscellaneous items relating to Rev. John 1888-1907 Newton, Rector of St Mary Woolnoth. Contents: 1. Copy of inscription on his monument in the church of St Mary Woolnoth, and on his coffin plate.2. Attested copy of inscriptions at St Mary Woolnoth, and on the monument erected to his memory at Olney, Buckinghamshire.3. Elevation drawing of the monument in Olney churchyard.4. Re- internment of John Newton: printed text of a sermon preached in Olney church on Sunday evening, 29 January 1893.5. John Newton of Olney: printed tract by James Macaulay [Short biographies for the people, no. 54, 1888].6. The Newton centenary, 1907: order of services at St Mary Woolnoth, Lombard Street, 22 December 1907.7. Portrait of the Rev. John Newton (Published 1835, printed 1893). 1 envelope containing 7 items Former Reference: MS 02084 CLC/521/MS03638 Three letters sent to members of the Mitchell 1780-1798 family in (?) Kent. 1-2. Two letters from John Newton, rector of St Mary Woolnoth, to Thomas Mitchell, esq., of Chatham, containing references to the writer's incumbency. 11 April 1792 and 17 May 1798. 3. Imperfect letter by an unidentified writer to "Bel" (of the Mitchell family) describing the Gordon riots, dated Grove Street 15 June 1780. 1 envelope containing 3 double sheets Former Reference: MS 03638 TURNER, WILLIAM CLC/521/MS14469 Turner, William (fl.1825-1840): Jobbing or work 1834-1841 day book. -
A Trans-American Dream: Lupe Vélez and the Performance of Transculturation by Kristy A. Rawson a Dissertation Submitted In
A Trans-American Dream: Lupe Vélez and the Performance of Transculturation By Kristy A. Rawson A dissertation submitted in partial fulfillment Of the requirements for a degree of Doctor of Philosophy (Screen Arts and Cultures) in The University of Michigan 2012 Doctoral Committee: Associate Professor Johannes von Moltke, Co-Chair Assistant Professor Amy Sara Carroll, Co-Chair Associate Professor Lawrence La Fountain-Stokes Assistant Professor Colin Gunckel © copyright by Kristy Rawson 2012 Acknowledgements My dissertation is about a real person. This study is entirely predicated on the existence of Lupe Vélez and on the amazing tenacity with which she insisted on occupying a place in the public sphere. I might not have finished this project if not for a certain contract I somehow entered. I selected Lupe Vélez as the protagonist of my dissertation after having seen her impersonations (High Flyers, 1937) on youtube. I resolved that if Lupe would turn out to be the worthy, rewarding subject I believed she might be, I would work to do right by her. Lupe Vélez has held up––no, she has far exceeded––her end of the bargain. I was, and am, continually inspired by her grace, her humor, her intelligence, and her courage. I only hope I have held up my end of the bargain... so far. I know that Lupe and I aren’t finished with each other yet. After Lupe, I mostly just wanted to do right by my two co-advisors who I was so very lucky to have engaged in this project and who have so generously supported, challenged and enriched this work.