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AXS TV Schedule for Mon. April 17, 2017 to Sun. April 23, 2017 Monday
AXS TV Schedule for Mon. April 17, 2017 to Sun. April 23, 2017 Monday April 17, 2017 6:30 PM ET / 3:30 PM PT 8:00 AM ET / 5:00 AM PT Rock Legends Rock Legends Foo Fighters - With a career of over two decades and album sales over 11 million, Foo Fighters KISS - Well known for its members’ face paint and stage outfits, KISS rose to prominence in are giants in the world of contemporary rock. Featuring archive material, music videos “Best Of the mid-to-late 1970s with their elaborate live performances. Interviews, news archives and You” and “Monkey Wrench” including exclusive insights from media critics. performances reveal the story of this iconic band. 7:00 PM ET / 4:00 PM PT 8:50 AM ET / 5:50 AM PT Nothing But Trailers Rock Legends Sometimes the best part of the movie is the preview! So AXS TV presents Nothing But Trailers. Santana - Leading music critics tell the story of Santana, the San Francisco-based Latin rock See the best trailers, old and new, in AXS TV’s collection. band that exploded onto the music scene with their breakthrough performance at 1969’s Woodstock music festival. Premiere 9:00 PM ET / 6:00 PM PT 9:20 AM ET / 6:20 AM PT 9 to 5 Nothing But Trailers Three female employees live out their fantasies of getting even with their chauvinistic, egotisti- Sometimes the best part of the movie is the preview! So AXS TV presents Nothing But Trailers. cal male boss. Starring Jane Fonda, Lily Tomlin, and Dolly Parton. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Influential Women
Spring Break! the forest March 27 - April 3 B����� Issue 5 Forest Lake Area Senior High School March 17, 2006 Influential women Jump, Jive March is National Womens’ History Month and Wail! The NHS held a swing dance on by Tash Thompson March 3, complete with lessons for Womens’ History Month began in 1978 serve as nurses on the Civil War battlefront. the students wishing to break away as “Womens’ History Week” in response to Ella Fitzgerald from more modern dancing styles. the Womens’ Movement. In 1987, Congress One may hear Ella Fitzgerald referred Several students showed up in their expanded the celebration and declared March to as the First Lady of Jazz. She became Sunday best to jump, jive and wail to as Womens’ History Month. When many people revered by fans and fellow artists by singing the tunes of the FLHS Jazz Band. think about Womens’ History Month, they think her fine art. Through her career, she won 13 The NHS raised money for the local about Rosa Parks, Amelia Earhart, Helen Keller, Grammy awards and innumerable honors. LifeLinks Care Center. Harriet Tubman, and Susan B. Anthony. Some Billie Holiday photos by Katie Walker of the lesser-known , but equally important Billie Holiday women who are often pushed to the sidelines. was another fine Joan of Arc jazz singer. From Joan of Arc was one of the first women to 1933 to 1943 Billie die for religious recorded over 200 nationalism. She led sides and never a 12 thousand strong made a penny in army across enemy royalties. -
Benjamin Davis Wilson Collection
http://oac.cdlib.org/findaid/ark:/13030/kt6m3nf6s2 No online items Benjamin Davis Wilson Collection Finding aid prepared by Katrina Denman. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2011 The Huntington Library. All rights reserved. Benjamin Davis Wilson Collection mssWN 1-2419 1 Descriptive Summary Title: Benjamin Davis Wilson Collection Dates: 1836-1941 Bulk Dates: 1847-1894 Collection Number: mssWN 1-2419 Creator: Wilson, Benjamin Davis, 1811-1878 Extent: 2,394 items in 41 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: Collected business and personal correspondence relating to Southern California landowner Benjamin Davis Wilson (1811-1878) and his family. The collection also includes account books, diaries (kept by Wilson's wife Margaret and their daughters Annie and Ruth), and assorted ephemera. The Shorb and Patton families are also heavily represented in the correspondence. Language of Material: The records are in English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
Body As Evidence
Chapter 1 Pop Goes Democracy Mediating Race, Gender, and Nation on American Idol Parallels between presidential elections and the hit TV series are not hard to make. Indeed, they had become punch lines in comedyAmerican routines: Idol from Comedy Central’s Stephen Colbert complaining that it took too long to determine the next American Idol (in a gag that had audiences assuming he was referring to the next U.S. president) to ABC’s Jimmy Kimmel quipping that, after watching the vice presidential debate during the U.S. presidential campaign in 2008, he “voted four times for Sarah Palin and six times for David Archuleta,” in reference to the popular Republican vice presidential candidate and frontrunner contestant that year. Interestingly, movie critic RogerAmerican Ebert Idol’s mounted criticism against Palin for being “the American Idol candidate,” in which he argued the following: I think I might be able to explain some of Sarah Palin’s appeal. She’s the “American Idol” candidate. Consider. What defines an “American Idol” finalist? They’re good‑looking, work well on television, have a sunny personality, are fierce competitors, and so talented, why, they’re darned near the real thing. There’s a reason “American Idol” gets such high ratings. People identify with the contestants. They think, Hey, that could be me up there on that show! . My problem is, I don’t want to be up there. I don’t want a vice president who is darned near good enough. I want a vice president who is better, wiser, well‑traveled, has met world leaders, who three months ago had an opinion on Iraq. -
Sixty Years in Southern California, 1853-1913, Containing the Reminiscences of Harris Newmark
Sixty years in Southern California, 1853-1913, containing the reminiscences of Harris Newmark. Edited by Maurice H. Newmark; Marco R. Newmark HARRIS NEWMARK AET. LXXIX SIXTY YEARS IN SOUTHERN CALIFORNIA 1853-1913 CONTAINING THE REMINISCENCES OF HARRIS NEWMARK EDITED BY MAURICE H. NEWMARK MARCO R. NEWMARK Every generation enjoys the use of a vast hoard bequeathed to it by antiquity, and transmits that hoard, augmented by fresh acquisitions, to future ages. In these pursuits, therefore, the first speculators lie under great disadvantages, and, even when they fail, are entitled to praise.— MACAULAY. WITH 150 ILLUSTRATIONS Sixty years in Southern California, 1853-1913, containing the reminiscences of Harris Newmark. Edited by Maurice H. Newmark; Marco R. Newmark http://www.loc.gov/resource/calbk.023 NEW YORK THE KNICKERBOCKER PRESS 1916 Copyright, 1916 BY M. H. and M. R. NEWMARK v TO THE MEMORY OF MY WIFE v In Memoriam At the hour of high twelve on April the fourth, 1916, the sun shone into a room where lay the temporal abode, for eighty-one years and more, of the spirit of Harris Newmark. On his face still lingered that look of peace which betokens a life worthily used and gently relinquished. Many were the duties allotted him in his pilgrimage splendidly did he accomplish them! Providence permitted him the completion of his final task—a labor of love—but denied him the privilege of seeing it given to the community of his adoption. To him and to her, by whose side he sleeps, may it be both monument and epitaph. Thy will be done! M. -
How California Was Won: Race, Citizenship, and the Colonial Roots of California, 1846 – 1879
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 How California Was Won: Race, Citizenship, And The Colonial Roots Of California, 1846 – 1879 Camille Alexandrite Suárez University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons Recommended Citation Suárez, Camille Alexandrite, "How California Was Won: Race, Citizenship, And The Colonial Roots Of California, 1846 – 1879" (2019). Publicly Accessible Penn Dissertations. 3491. https://repository.upenn.edu/edissertations/3491 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3491 For more information, please contact [email protected]. How California Was Won: Race, Citizenship, And The Colonial Roots Of California, 1846 – 1879 Abstract The construction of California as an American state was a colonial project premised upon Indigenous removal, state-supported land dispossession, the perpetuation of unfree labor systems and legal, race- based discrimination alongside successful Anglo-American settlement. This dissertation, entitled “How the West was Won: Race, Citizenship, and the Colonial Roots of California, 1849 - 1879” argues that the incorporation of California and its diverse peoples into the U.S. depended on processes of colonization that produced and justified an adaptable acialr hierarchy that protected white privilege and supported a racially-exclusive conception of citizenship. In the first section, I trace how the California Constitution and federal and state legislation violated the Treaty of Guadalupe Hidalgo. This legal system empowered Anglo-American migrants seeking territorial, political, and economic control of the region by allowing for the dispossession of Californio and Indigenous communities and legal discrimination against Californio, Indigenous, Black, and Chinese persons. -
James De Barth Shorb Papers Addenda: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8p55tmb No online items James De Barth Shorb Papers Addenda: Finding Aid Finding aid prepared by Katrina Denman, April 12, 2013. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2013 The Huntington Library. All rights reserved. James De Barth Shorb Papers mssShorb addenda 1 Addenda: Finding Aid Overview of the Collection Title: James De Barth Shorb Papers Addenda Dates (inclusive): Approximately 1821-1957 Collection Number: mssShorb addenda Creator: Shorb, James De Barth. Extent: 5,143 items in 24 boxes, 4 oversize folders, and 1 rolled map. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: This collection consists of personal and business papers primarily related to the family of Southern California land developer James De Barth Shorb (1842-1896) and their business ventures and estate settlements. There is also a substantial amount of material about Benjamin Davis Wilson (1811-1878) and his business dealings in California. Topics covered in the collection include agriculture, land development in southern California, the history of the San Marino area, mining operations, water rights and irrigation, politics, society stories, and wills, court documents, and settlement papers related to the Shorb estate. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. -
Brian Mcknight Evolution of a Man Album Download Better
brian mcknight evolution of a man album download Better. After the release of More Than Words, Brian McKnight established his own label, Brian McKnight Music, through the artist-friendly Kobalt Label Services, and went about making his third proper studio album outside the major-label system. Even more organic than what immediately preceded it, Better is filled with lively songs that are well crafted but don't seem the least bit fussed over. McKnight sounds like he's having as much fun as ever, gleefully flitting from falsetto disco-funk jams to lonesome, modern country-flavored ballads. It's all free and easy and allows for some whimsical moves, like the reggae backing on "Goodbye" and the tricky prog/pop-funk hybrid "Key 2 My Heart," the latter cut being where his love for Swedish trio Dirty Loops is most evident. There are occasional odd quirks, like the winking manner in which he slips "bitch" into the chorus of "Strut," and the way he throws a sharp curve, the tipsy newfound-love rocker "Just Enough," so early in the sequence. Several tracks do keep it simple and heartfelt, the qualities for which McKnight is most known, heard best on the humble title track, "Uh Oh Feeling," and "Like I Do." Mercifully, this material is a lot less erratic than the back cover typography (which displays McKnight's name as "B. McKnight," "B. Mcknight," "brian mcknight," "Brian McKnight," and "BRIAN MCKNIGHT"). Brian mcknight evolution of a man album download. It won't be long now until Brian McKnight unleashes his new album Evolution Of A Man (October 27th). -
Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In
Title Artist Gangnam Style Psy Thunderstruck AC /DC Crazy In Love Beyonce BoomBoom Pow Black Eyed Peas Uptown Funk Bruno Mars Old Time Rock n Roll Bob Seger Forever Chris Brown All I do is win DJ Keo Im shipping up to Boston Dropkick Murphy Now that we found love Heavy D and the Boyz Bang Bang Jessie J, Ariana Grande and Nicki Manaj Let's get loud J Lo Celebration Kool and the gang Turn Down For What Lil Jon I'm Sexy & I Know It LMFAO Party rock anthem LMFAO Sugar Maroon 5 Animals Martin Garrix Stolen Dance Micky Chance Say Hey (I Love You) Michael Franti and Spearhead Lean On Major Lazer & DJ Snake This will be (an everlasting love) Natalie Cole OMI Cheerleader (Felix Jaehn Remix) Usher OMG Good Life One Republic Tonight is the night OUTASIGHT Don't Stop The Party Pitbull & TJR Time of Our Lives Pitbull and Ne-Yo Get The Party Started Pink Never Gonna give you up Rick Astley Watch Me Silento We Are Family Sister Sledge Bring Em Out T.I. I gotta feeling The Black Eyed Peas Glad you Came The Wanted Beautiful day U2 Viva la vida Coldplay Friends in low places Garth Brooks One more time Daft Punk We found Love Rihanna Where have you been Rihanna Let's go Calvin Harris ft Ne-yo Shut Up And Dance Walk The Moon Blame Calvin Harris Feat John Newman Rather Be Clean Bandit Feat Jess Glynne All About That Bass Megan Trainor Dear Future Husband Megan Trainor Happy Pharrel Williams Can't Feel My Face The Weeknd Work Rihanna My House Flo-Rida Adventure Of A Lifetime Coldplay Cake By The Ocean DNCE Real Love Clean Bandit & Jess Glynne Be Right There Diplo & Sleepy Tom Where Are You Now Justin Bieber & Jack Ü Walking On A Dream Empire Of The Sun Renegades X Ambassadors Hotline Bling Drake Summer Calvin Harris Feel So Close Calvin Harris Love Never Felt So Good Michael Jackson & Justin Timberlake Counting Stars One Republic Can’t Hold Us Macklemore & Ryan Lewis Ft. -
How American Idol Constructs Celebrity, Collective Identity, and American Discourses
AMERICAN IDEAL: HOW AMERICAN IDOL CONSTRUCTS CELEBRITY, COLLECTIVE IDENTITY, AND AMERICAN DISCOURSES A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Amanda Scheiner McClain May, 2010 i © Copyright 2010 by Amanda Scheiner McClain All Rights Reserved ii ABSTRACT This dissertation is a three-pronged study examining American themes, celebrity, and collective identity associated with the television program American Idol. The study includes discourse analyses of the first seven seasons of the program, of the season seven official American Idol message boards, and of the 2002 and 2008 show press coverage. The American themes included a rags-to-riches narrative, archetypes, and celebrity. The discourse-formed archetypes indicate which archetypes people of varied races may inhabit, who may be sexual, and what kinds of sexuality are permitted. On the show emotional exhibitions, archetypal resonance, and talent create a seemingly authentic celebrity while discourse positioning confirms this celebrity. The show also fostered a complication-free national American collective identity through the show discourse, while the online message boards facilitated the formation of two types of collective identities: a large group of American Idol fans and smaller contestant-affiliated fan groups. Finally, the press coverage study found two overtones present in the 2002 coverage, derision and awe, which were absent in the 2008 coverage. The primary reasons for this absence may be reluctance to criticize an immensely popular show and that the American Idol success was no longer surprising by 2008. By 2008, American Idol was so ingrained within American culture that to deride it was to critique America itself. -
OUR FAMILY TREE and Its Many Branches November 1988
OUR FAMILY TREE and its many branches november 1988 TABLE OF CONTENTS Families: Brown 1 Markel 7 Parker 15 Blaine 42 Meyer 62 Segerstrom 90 McMurray 102 Sutfin 131 Kohlmeier 142 Beale - 151 Hite Family 167 Armstrong - Lyon 193 Mead - Bateson 212 Washington 226 Ord - Cresap families aft 256 Mead - Parker 289 index —j ' BATE MICROF/LMED I ///Vf/ / ITEM *_Z£L PROJECT"?/id G RGi L ?r M-L # FAMILY M'STORY LIBRARY \fL/07<-/4P ^^>«r, 35 NOR •>i WFST TEMPLE r< SALT LAlxE CITY, UTAH 84150 HERITAGE We speak of our forbears in old and worn cliches, As stalwart, silent men whose numbered days Were spent in ceaseless, unremitting toil Eking a living from New England soil. We think of them waiting for the call to arms, Fighting to save their families and farms; We picture the furrow where the dropped plough lies, The women watching them go with quiet eyes. Is it because they died so many springs Ago that we forget the other things They did from day to day? They must have wept, Laughed, talked of the future. I think they kept Their dreams tended as gently as their corn, And planned great things for children yet unborn. And as I watch the spring unfold each year, I think that they held beauty almost as dear As freedom. The battle won, they heeded her command, And planted dogwood in their promised land. DOROTHY JOSLIN ©1976 Introduction Our Family and its Many Branches is genealogy of an entire family, admittedly as yet incomplete. It is the genealogy of the various branches, also incomplete.