IRONWOOD PIG SANCTUARY Issue 100
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Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
This Bookshelf: 2020 Books Links to All Steve Hopkins' Bookshelves
This Bookshelf: 2020 Books Links to All Steve Hopkins’ Bookshelves Web Page PDF/epub/Searchable Link to Latest Book Reviews: Book Reviews Blog Links to Current Bookshelf: Pending and Read 2020 Books 2020 Books Links to 549 Books Read or Skipped in 2020 2020 Bookshelf 2020 Bookshelf Links to All Books from 1999 All Books Authors A through All Books Authors A through through 2020 Authors A-G G G Links to All Books from 1999 through 2020 Authors H-M All Books Authors H All Books Authors H through M through M Links to All Books from 1999 All Books Authors N through All Books Authors N through through 2020 Authors N-Z Z Z Book of Books: An ebook of Book of Books books read, reviewed or skipped from 1999 through 2020 This web page lists all 360 books reviewed by Steve Hopkins at http://bkrev.blogspot.com during 2020 as well as 189 books relegated to the Shelf of Ennui. You can click on the title of a book or on the picture of any jacket cover to jump to amazon.com where you can purchase a copy of any book on this shelf. Key to Ratings: I love it ***** I like it **** It’s OK *** I don’t like it ** I hate it * Click on Title (Click on Link Blog Picture to to purchase at Author(s) Rating Comments Date Purchase at amazon.com) amazon.com Endless. For an immersive mediation on war, read Salar Abdoh’s novel titled, Out of Mesopotamia. From the perspective of protagonist Saleh, a journalist, we struggle to make sense of those who are engaged in what Out of seems like endless war. -
Films of Yvonne Rainer
The Films of Yvonne Rainer THEORIES OF REPRESENTATION AND DIFFERENCE General Editor: Teresa de Lauretis The Films of Yvonne Rainer Yvonne Rainer with contributions by B. Ruby Rich Bérénice Reynaud Mitchell Rosenbaum Patricia White INDIANA UNIVERSITY PRESS BLOOMINGTON AND INDIANAPOLIS © 1989 by Indiana University Press All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Catalogingin Publication Data Rainer, Yvonne The films of Yvonne Rainer / Yvonne Rainer with contributions by B. Ruby Rich … [et al.]. p. cm. — (Theories of representation and difference) Bibliography: p. Filmography: p. ISBN 0253349060. — ISBN 0253205425 (pbk.) 1. Rainer, Yvonne—Criticism and interpretation. 2. Experimental films—History and criticism. 3. Feminist motion pictures—History and criticism. I. Title. II. Series. PN1998.3.R35A25 1989 791.43'0233'0924—dc19 8846035 CIP 1 2 3 4 5 93 92 91 90 89 Contents Foreword vii by Teresa de Lauretis Yvonne Rainer: An Introduction 1 by B. Ruby Rich Impossible Projections by Bérénice Reynaud 24 Interview with Yvonne Rainer 36 by Mitchell Rosenbaum Illustrations 46 Film Scripts Lives of Performers 59 Film About a Woman Who … 77 Kristina Talking Pictures 98 Journeys from Berlin/1971 133 The Man Who Envied Women 173 Filmography 219 Bibliography 221 compiled by Patricia White Page vii Foreword The films of Yvonne Rainer are a distinguished exemplar of contemporary American art. -
The Body Marks the Soul
BETWEEN THE COVERS COMPILED BY J. L. HERRERA BETWEEN THE COVERS To the Memory of TONY BAULD With Special Thanks to Madge Portwin, Rose Brown, Brenda Dudkowiak, Cheryl Perriman, Marie Cameron, Hobart Toastmasters Club, Ken Clarke, Patrick Herrera, Margaret Clarke INTRODUCTION Another Writer’s Calendar type book? Just one more? It is a bit like being tempted by chocolate cake or asparagus puffs. We-e-ll, just one more. Just a wee bit. Just a taste. And so here it is. I justified it to myself using much the same argument I use when there’s a little bit of something nice left on a plate. It doesn’t seem worth putting away. Also I had a few little bits and pieces, ideas, things I thought I would like to follow up, still sitting around. Of course this is a specious argument. Give me a few months and I will have collected piles of new things to add to my leftovers. And although I sometimes feel I am wasting time, all those wonderful things I could be doing and am not, I am increasingly inclined to think that, like family history, ‘writers’ calendars’ constantly press out the boundaries of my life and knowledge and imagination. I won’t claim that they make me a better person, there is absolutely no evidence for that, but they make me a more ‘satisfied’ person and in a curious way I think that is valuable. The world is full of dissatisfied people, I don’t mean dissatisfied with the political and social status of a suffering world, but dissatisfied with what they’ve got, they want a bigger share, something different, someone else’s life (all those programs asking people who they would like to be) … but just give me a good book and enough light to read by and I ‘wudn’t call the quane me cousin’. -
Quiz List—Reading Practice Page 1 Printed Thursday, May 19, 2016 9:46:04 AM School: Saint Thomas More High School
Quiz List—Reading Practice Page 1 Printed Thursday, May 19, 2016 9:46:04 AM School: Saint Thomas More High School Reading Practice Quizzes Quiz Word Number Lang. Title Author IL ATOS BL Points Count F/NF 8458 EN Compost Critters Lavies, Bianca U 6.9 0.5 2,503 NF 14807 EN Dragon's Pearl, The Lawson, Julie LG 4.4 0.5 1,790 F 8469 EN Great Art Adventure, The Knox, Bob U 7.1 0.5 795 NF 7047 EN Judy Scuppernong Seabrooke, Brenda U 4.9 0.5 3,270 F 87332 EN Pendragon: The Guide to the MacHale, D.J. U 6.4 0.5 2,704 F Territories of Halla 8489 EN Shadows of Night Bash, Barbara UG 5.8 0.5 1,267 NF 66080 EN After the Death of Anna Gonzales Fields, Terri U 3.9 1.0 6,869 F 145213 EN Bad Island TenNapel, Doug U 2.3 1.0 5,624 F 127517 EN Blizzard! Nobleman, Mark Tyler U 3.1 1.0 4,942 F 59113 EN Carver: A Life in Poems Nelson, Marilyn U 5.9 1.0 9,377 NF 164617 EN Coaltown Jesus Koertge, Ron UG 3.1 1.0 10,394 F 8460 EN Digging up Tyrannosaurus Rex Horner, John U 6.1 1.0 3,753 NF 8465 EN Elephants Calling Payne, Katharine U 5.2 1.0 3,379 NF 32206 EN Frenchtown Summer Cormier, Robert U 6.4 1.0 8,031 F 62557 EN Girl Coming in for a Landing: A Wayland, April Halprin U 4.2 1.0 7,880 F Novel in Poems 104774 EN Hard Hit Turner, Ann U 5.1 1.0 4,885 F 127818 EN In Odd We Trust Chan, Queenie U 2.8 1.0 8,114 F 152673 EN Lies, Knives and Girls in Red Koertge, Ron UG 4.3 1.0 6,859 F Dresses 140486 EN Lightning Thief: The Graphic Venditti, Robert U 3.1 1.0 10,290 F Novel, The 8477 EN Monarchs Lasky, Kathryn U 6.8 1.0 6,558 NF 8483 EN On the Brink of Extinction Arnold, -
Quizzes Selected
Quizzes Selected Sunnyslope High School, 04/28/2009 Guided Book Reading Reading Book Author Lexile Level Level Points Laika Nick Abadzis 5.4 5 Summer Boys Hailey Abbott 800 4.8NR 13 Next Summer (Summer Boys) Hailey Abbott 800 4.8NR 13 Postcard, The Tony Abbott 630 3.5 17 Down the Rabbit Hole Peter Abrahams 680 5.8W 16 Defining Dulcie Paul Acampora 650 3.5R 9 Things Fall Apart Chinua Achebe 890 5.9 11 Band, The Carmen Adams 860 5.2 8 Dirk Gently's Holistic... Douglas Adams 1,030 7.8 18 Hitchhiker's Guide To The... Douglas Adams 1,000 8.3 13 Life, The Universe, And... Douglas Adams 1,080 8.6 13 Mostly Harmless Douglas Adams 970 8.5 14 Restaurant At The End-Universe Douglas Adams 970 8.1 12 Watership Down Richard Adams 880 7.4 30 Born Free Joy Adamson 1,180 7.8 13 Storm Without Rain, A Jan Adkins 870 5.6 8 Up Close: Frank Lloyd Wright Jan Adkins 1,030 8.6 13 We Remember The Holocaust David A. Adler 830 7.1 5 Tuesdays With Morrie Mitch Albom 830 5.9 8 Five People You Meet in Mitch Albom 780 5.9NR 11 Jo's Boys Louisa M. Alcott 1,210 7.1 26 Little Women Louisa May Alcott 1,300 7.9 39 Endurance, The Caroline Alexander 1,180 10.0NR 14 Arkadians, The Lloyd Alexander 780 6.5 14 Beggar Queen Lloyd Alexander 670 6.9 14 Black Cauldron, The Lloyd Alexander 760 5.9NR 12 Book Of Three, The Lloyd Alexander 770 5.5 12 Castle Of Llyr, The Lloyd Alexander 790 6.5 9 High King, The Lloyd Alexander 900 6.5 14 Taran Wanderer Lloyd Alexander 870 6.6NR 12 Westmark Lloyd Alexander 690 5.9 11 Lone Ranger & Tonto Fistfight. -
The Story of Jack the Ripper a Paradox
The Story of Jack the Ripper A Paradox 12/9/2012 1 The Story of Jack the Ripper - a Paradox is © copyright protected to the Author 2012. No part thereof may be copied, stored, or transmitted either electronically or mechanically without the prior written permission of the author. Mr Richard.A.Patterson. Emails can be sent to the author at, [email protected]. Further resources can be found at the author’s homepage at, http://www.richard-a-patterson.com/ Readers are welcome to view other texts by the author at, http://richardapatterson17.blogspot.com/ ISBN 0-9578625-7-1 CONTENTS Preface. A Ghost Story. Introduction. Murders in the Sanctuary. Chapter One Francis Thompson Poet of Sacrifice. Chapter Two Mary Ann Nichols - Innocent in Death. Chapter Three Annie Chapman a Remedy of Steel. Chapter Four Elizabeth Stride & Catherine Eddowes; ‘My Two Ladies.’ Chapter Five Mary Kelly and the Secret in Her Eyes. Chapter Six Francis Thompson, Confessions at Midnight. Chapter Seven The Demon Haunted World. Appendix. Bibliography. Printed in A4 size with Times New Roman, and Lucida Calligraphy fonts. Of about 125 thousand words. Please Read: Although fiction, much of this text is a reconstruction of events and often only rests on witness testimonies or newspaper reports. Much of the evidence has long since been destroyed by the forces of history. For sake of expediency, when there are conflicting witnesses the author has chosen to include material namely from city and metropolitan police. For aesthetic, this book does not fully cite its sources though the author hopes little within is made up and only veritable versions are included. -
Grinding out the Grindhouse
Grinding out the Grindhouse: Exploitation, myth and memory Introduction Grindhouses once existed, but grindhouse cinema and grindhouse films, as they are imagined today, never did. To put it less starkly, the term grindhouse has been used in the United States at least since the 1930s, but its transnational cultist aura is of fresher vintage, and for that we may have to thank or blame Quentin Tarantino, the most prominent propagator of grindhouse mystique. The cultification of grindhouse took a while. In the 1980s, the foundational texts of exploitation film fandom in the United States conferred no special value on the label. Michael Weldon’s foreword to his Psychotronic Encyclopedia of Film noted that the cinemas of New York’s 42nd Street specialised in exploitation films1, but the term grindhouse was practically absent from the book. One of the key early sites for popularising mainly North American exploitation films as cult treasures was the 1986 volume Incredibly Strange Films, a compendium of interviews and subgenre overviews edited by Jim Morton. The term ‘grindhouse’ is a scarce signifier in Morton’s book: the filmmaker Frank Henenlotter, for example, reminisces about the drive-in cinemas and “sleaze theaters” 2 of the 1960s and 1970s, but of grindhouses he makes no mention. Even as the ‘paracinema’ cult solidified in the 1990s, the grindhouse myth was barely nascent. The 1995 catalogue for Something Weird Video – a key company in the shaping of current definitions of cult American exploitation film - advertised myriad low-budget movies on tape across a variety of genres, but it only labelled striptease and burlesque films specifically as grindhouse, as part of a series of compilations titled Grindhouse Follies. -
Psychoanalytic Theory in Times of Terror
Journal of Analytical Psychology, 2003, 48, 407–431 Psychoanalytic theory in times of terror Angela Connolly, Rome Abstract: Recent events have underlined in the most tragic and dramatic way the need for depth psychology to turn its attention to the psychology of terror. The present paper attempts to distinguish between the psychological modes of horror and terror and explores the different theoretical approaches of Burke, Freud, Kristeva and Jung to this problem in order to cast light on the individual and collective functions that horror and terror play. While all these authors stress that terror and horror play a role in structuring the sense of identity and in strengthening community bonds, Freud and Kristeva believe that the experience of horror works to increase the exclusion of other- ness through mechanisms of repression or foreclosure while Burke and Jung see in the encounter with the Negative Sublime or with the Shadow the possibility of widening the boundaries of ego consciousness and of integration of ‘otherness’. The paper then uses the analysis of two horror movies and of a particular socio-cultural context to illustrate these different functions of horror and terror and to delineate possible solu- tions to the problems facing society. Key words: abjection, horror films, Jung, shadow, the Sublime, terror, the uncanny. Living in times of terror is no easy matter as we can see from the words of Nadezhda Mandelstam, wife of the poet Osip Mandelstam who died in one of Stalin’s gulags: When I used to read about the French Revolution as a child, I often wondered whether it was possible to survive during a reign of terror. -
Books That Draw a Crowd
VOLUME 1, NUMBER 2 • DECEMBER 2008 jlgmonthly Books that Draw a Crowd When I was a member of the Storytelling Center of New York, I told stories in parks and other public spaces around New York City. It was deeply satisfying to draw a crowd of passersby and keep their attention. Th at’s how it often went—but Susan Marston, not always. Once, a colleague who was usually a gifted JLG Editorial Director storyteller was telling “Jack and the Beanstalk.” As Jack went up the very tall beanstalk, my colleague acted out the exhausting climb, repeating, “and he climbed and he climbed and he climbed. .” One little girl stood up, stomped her foot, declared, “Th ere’s too much climbing in this story,” and walked away in a huff . My own children have expressed their lack of interest in particular stories and books in slightly less dramatic ways—by playing with a toy, closing the book, or talking while I read. When we select books for JLG, we try to weed out those that readers will stomp away from, close without fi nishing, or talk over, in favor of riveting stories and engaging nonfi ction. During a recent weekend with my family, I took out one of our December selections, Dinosaur vs. Bedtime. My four-year-old son, who had seen it before, demanded that I read it to him again. As I did, my nine-year-old nephews drew close, along with my seven-year-old son and niece, and my fourteen-year-old niece. Each turn of the page was met with enthusiasm, even glee. -
RIGHTS CATALOG 2021 Table of Contents Table of Contents
JABberwocky Literary Agency, Inc. Est. 1994 RIGHTS CATALOG 2021 Table of Contents Table of Contents Author/Section Genre Page # Author/Section Genre Page # Tim Akers ....................... Fantasy..........................................................................30 Dan Moren ..................... Science Fiction.............................................................34 Robert Asprin ................. Fantasy..........................................................................71 Silvia Moreno-Garcia ..... Thriller...........................................................................8 Stephen Blackmoore ...... Fantasy..........................................................................33 Ryan O’Nan.................... Science Fiction.............................................................88 Michael Blake ................. Literary Fiction.............................................................52 Adam Oyebanji .............. Science Fiction.............................................................92 Desirina Boskovich ........ Nonfiction....................................................................11 Stuart Palmer .................. Mystery.........................................................................71 K.F. Breene ..................... Fantasy..........................................................................32 Suzanne Palmer .............. Science Fiction.............................................................19 Marie Brennan ............... Fantasy......................................................................13-14 -
Alfred Hitchcock: the Master of Adaptation a Thesis Submitted For
Alfred Hitchcock: The Master of Adaptation A thesis submitted for the degree of Doctor of Philosophy by Thomas William Bass School of Arts Brunel University August 2015 2 Table of Contents Abstract 4 Acknowledgments 5 Chapter 1: Introduction 7 1.1 Adapting Hitchcock 7 1.2 Auteur Theory and Hitchcock Studies 15 1.3 Auteur-structuralism 22 1.4 Adaptation Theory 24 1.5 Problems & Differences 25 1.6 A ‘Successful Adaptation’ 29 1.7 Classifying Adaptation and Adapting the Narrative 30 1.8 Historical Adaptation and the ‘Meta-Text’ 35 1.9 Cultural Adaptation 39 1.10 Adaptation: What has been gained? 41 1.11 Outside Factors and Hitchcock Adapted 43 Chapter 2: Theatrical Adaptation: Part 1 – The British Plays 46 2.1 Silent Cinema and Early Hitchcock 46 2.2 Easy Virtue – The Play 54 2.3 Easy Virtue – The Film 58 2.4 The Farmer’s Wife – The Play 79 2.5 The Farmer’s Wife – The Film 84 2.6 The Talkies 98 2.7 The Lasting Success of Blackmail 100 2.8 Juno and the Paycock – The Play 103 2.9 Juno and the Paycock – The Film 107 2.10 The Skin Game – The Play 114 2.11 The Skin Game – The Film 119 3 Chapter 3: Theatrical Adaptation: Part 2 - Hitchcock’s American Theatre 133 3.1 The Evolution of Rope 133 3.2 Looking for the Theatrical in Dial M for Murder 156 Chapter 4: The Adaptation of an Author 174 4.1 Du Maurier and Hitchcock 174 4.2 The Texts 180 4.3 Adaptation of the Blind Space 184 4.4 Make Way For Pengallen 189 4.5 East Wind, Don’t Look Now and the Psychosexual Narrative 195 4.6 Powerless Protagonists 200 4.7 Psychoanalytical Theories at War Within The Birds 203 4.8 The Absence and Presence of Sound Within the Du Maurier Adaptations 211 4.9 Unresolved Complexes, Possession and The Camera Within Rebecca 214 Chapter 5: The ‘Psycho-Meta-Text’ 225 5.1 What to do with Psycho? 225 5.2 Les Diaboliques and the Psycho Narrative 229 5.3 Use of Camera and Sound, The Infamous Shower Scene and B.