Embraceable You Full Score
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Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Big Bandy 4 – Glenn Miller Vs. Count Basie 1. I Got Rhythm (George Gershwin)
MUNI 20130325 – big bandy 4 – Glenn Miller vs. Count Basie 1. I Got Rhythm (George Gershwin) 3:03 Glenn Miller and His Orchestra: Charlie Spivak, Manny Klein, Sterling Bose-tp; Glenn Miller-tb, arr; Jesse Ralph, Harry Rodgers-tb; Hal McIntyre-cl, as; George Siravo-as; Jerry Jerome, Carl Biesecker-ts; Howard Smith-p; Dick McDonough-g; Ted Kotsoftis-b; George Simon-dr. New York, June 9, 1937. Brunswick 7915/B 21234-3. [Columbia 471656] 2. Humoresque (Antonín Dvořák) 2:40 Pee Wee Erwin, Bob Price, Ardell Garrett-tp; Glenn Miller, Jesse Ralph, Bud Smith-tb; Hal McIntyre, Tony Viola-as; Irving Fazola-cl, as; Jerry Jerome, Carl Biesecker-ts; Chummy MacGregor-p; Carmen Mastren-g; Rowland Bundock-b; Doc Carney-dr; George Siravo-arr. New York, November 29, 1937. Brunswick 8062/B 22080-1. [Columbia 471656] 3. Moonlight Serenade (Glenn Miller) 3:25 Bob Price, Legh Knowles, Dale McMickle-tp; Glenn Miller-tb, arr, Al Mastren, Paul Tanner- tb; Hal McIntyre-as; Stanley Aronson-as, bs; Wilbur Schwartz-cl, as; Tex Beneke, Al Klink-ts; Chummy MacGregor-p; Allan Reuss-g; Rowland Bundock-b; Frank Carlson-dr. New York, April 4, 1939. Bluebird 10214-B/035701-1. [CD: RCA ND90600] 4. In the Mood (Joe Garland) 3:34 Clyde Hurley, Legh Knowles, Dale McMickle-tp; Glenn Miller, Al Mastren, Paul Tanner-tb; Hal McIntyre-as; Harold Tennyson-as, bs, cl; Wilbur Schwartz-cl, as; Tex Beneke, Al Klink-ts; Chummy MacGregor-p; Richard Fisher-g; Rowland Bundock-b; Maurice Purtill-dr; Joe Garland, Glenn Miller, Eddie Durham???/arr. New York, August 1, 1939. -
Harold MABERN: Teo MACERO
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Harold MABERN: "Workin' And Wailin'" Virgil Jones -tp,flh; George Coleman -ts; Harold Mabern -p; Buster Williams -b; Leo Morris -d; recorded June 30, 1969 in New York Leo Morris aka Idris Muhammad 101615 A TIME FOR LOVE 4.54 Prest PR7687 101616 WALTZING WESTWARD 9.26 --- 101617 I CAN'T UNDERSTAND WHAT I SEE IN YOU 8.33 --- 101618 STROZIER'S MODE 7.58 --- 101619 BLUES FOR PHINEAS 5.11 --- "Greasy Kid Stuff" Lee Morgan -tp; Hubert Laws -fl,ts; Harold Mabern -p; Boogaloo Joe Jones -g; Buster Williams -b; Idriss Muhammad -d; recorded January 26, 1970 in New York 101620 I WANT YOU BACK 5.30 Prest PR7764 101621 GREASY KID STUFF 8.23 --- 101622 ALEX THE GREAT 7.20 --- 101623 XKE 6.52 --- 101624 JOHN NEELY - BEAUTIFUL PEOPLE 8.33 --- 101625 I HAVEN'T GOT ANYTHING BETTER TO DO 6.04 --- "Remy Martin's New Years Special" James Moody Trio: Harold Mabern -p; Todd Coleman -b; Edward Gladden -d; recorded December 31, 1984 in Sweet Basil, New York it's the rhythm section of James Moody Quartet 99565 YOU DON'T KNOW WHAT LOVE IS 13.59 Aircheck 99566 THERE'S NO GREEATER LOVE 10.14 --- 99567 ALL BLUES 11.54 --- 99568 STRIKE UP THE BAND 13.05 --- "Lookin' On The Bright Side" Harold Mabern -p; Christian McBride -b; Jack DeJohnette -d; recorded February and March 1993 in New York 87461 LOOK ON THE BRIGHT SIDE 5.37 DIW 614 87462 MOMENT'S NOTICE 5.25 --- 87463 BIG TIME COOPER 8.04 --- 87464 AU PRIVAVE -
Magic Carpet
Armed Forces Radio Service MAGIC CARPET TEEN TIMERS CLUB Edit and Preparation: Dennis M. Spragg Primary Documentation: Lothar Polomski Source Materials: Dr. Michael Arié Updated: May 17, 2017 GMA-22 TABLE OF CONTENTS 1. INTRODUCTION .......................................................................................................... 3 2. PROGRAMS .............................................................................................................. 10 3. ARTISTS .................................................................................................................. 175 4. LOCATIONS ............................................................................................................ 201 5. ISSUES .................................................................................................................... 212 6. GLENN MILLER ARCHIVE ..................................................................................... 230 7. STAR SPANGLED RADIO HOUR .......................................................................... 233 ACKNOWLEGMENTS This is the first comprehensive public catalog of the AFRS “Magic Carpet” series R-4 and AFRS “Teen Timers Club” series. It is being released in stages as the documentation of all the 1,020 “Magic Carpet” programs is completed for publication. The late Lothar Polomski of Berlin, Germany prepared comprehensive “Magic Carpet” and “Teen Timers Club” studies that he passed to Carl Hällström in 1977. Lothar’s study is the original basis for this report, which adds information -
Ray Evans Papers Ms
Ray Evans papers Ms. Coll. 860 Finding aid prepared by Finding aid prepared by Juliette L. Appold; additions and editing by John F. Anderies. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2011 Ray Evans papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 Correspondence........................................................................................................................................9 Sheet music........................................................................................................................................... -
Night and Day Full Score
Jazz Lines Publications Presents night and day (1942/1947 version) recorded by frank sinatra Arranged By axel stordahl prepared by rob duboff and jeffrey sultanof full score jlp-9872 By Cole Porter © 1932 (Renewed) WB MUSIC CORP. All Rights Reserved NOTE: 1944 - French Version by Emelia Renaud 1947; Spanish Version by Johnnie Camacho All Rights Reserved Used by Permission Frank Sinatra Is Under License from Frank Sinatra Enterprises LLC. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA frank sinatra series night and day (1942/1947 version) Background: Francis Albert Sinatra was one of the greatest figures in the history of American entertainment and pop culture. Born December 12, 1915, in Hobo- ken, New Jersey, he developed an early interest in music, becoming proficient as a singer and arranging for bands by his teens. He soon dropped out of high school to pursue a career in music. Following the exposure resulting from a successful appearance on the then-popular Major Bowes Amateur Hour radio show, he came to the attention of Harry James, who hired him to front his big band. While he gained experience and released his first records with James, they did not sell well and he soon grew frustrated with the James band and left to join Tommy Dorsey, with whom he had his first huge successes. Seeing his popularity begin to skyrocket, Sinatra soon felt the need to become a solo artist, and left Dorsey, taking ar- ranger Axel Stordahl with him; this would be the first of several very close relationships Sinatra would enjoy with arrangers over the years. -
Guide to the Duncan P. Schiedt Photograph Collection
Guide to the Duncan P. Schiedt Photograph Collection NMAH.AC.1323 Vanessa Broussard Simmons, Franklin A. Robinson Jr., and Craig A. Orr. Processing and encoding funded by a grant from the Council on Library and Information Resources. 2016 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Background Information and Research Materials, 1915-2012, undated..................................................................................................................... 4 Series 2: Photographic Materials, 1900-2012, -
Larry O'brien Interview Book Review About Sinatra Singing Arranger Profile of Don Costa
Larry O'Brien Interview Book review about Sinatra Singing Arranger profile of Don Costa BIG BAND •nmp NEWSLETTER VOLUME 130 BIG BAND JUMP NEWSLETTER SEPTEMBER-OCTOBER, 2010 INTERVIEW - LARRY O'BRIEN with that and when we called for this interview he had just finished walking for over an The Background hour. He wasn’t jogging, he explained, because he’dhad Larry O’Brien, director of the official Glenn Miller a cataract removed the day Orchestra, announced he’s leaving the orchestra De before. cember 31,2010. He has directed the Miller Orchestra longer than anyone in the history of that organization, The Interview including Glenn Miller. His versionoftheMillerBand provides precision while not sacrificing swing. O’ Brien BBJ: How long have dug into the Miller archives to come up with arrange you been a profes ments not often heard as well as a few tunes never The posed O’Brien sional musician? performed in public by Glenn Miller but not at the sacrifice of the familiar Miller sound and Miller stan LO: Since I was about twenty-two years old, so it’s dards. about fifty-five years. My first professional main band gig was with Sammy Kaye. (Editor’s note: The last time we saw Larry O’Brien was in June at He was first trombone with the New York High School Chattanooga, Tennessee at the Chattanooga Choo Choo All-Star Symphony at age fifteen.) Hotel where singer Julia Rich first performed with the band, and where she made her final appearance. As we BBJ: Not including Miller, how many leaders has pulled into the hotel parking lot on a steamy summer the Miller Orchestra had? afternoon, there was Larry O’Brien running around the perimeter of the hotel, perspiring profusely. -
RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No. -
GSAS Submission 131202
Performing Conformity, Unleashing Craft: Female Vocalists of Postwar Pop, 1945-1956 Sarah Elizabeth Culpeper Charlottesville, Virginia B.A., University of Toronto, 1998 B.F.A., Concordia University, 2002 M.A., McGill University, 2005 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia December, 2013 Abstract Performing Conformity, Unleashing Craft: Female Vocalists of Postwar Pop, 1945-1956 By Sarah Elizabeth Culpeper This dissertation centers on female postwar pop singers and the hit records they made between the years 1945 and 1956. I consider the vocal styles of Doris Day, Patti Page and Mary Ford in combination with the personae and images they projected through records and other media. The project serves in part to document and recuperate the sometimes-disparaged genre of postwar pop, and to restore its neglected female singers to popular music history narratives. I glean my understanding of the singing voice from pedagogy and science literature, and from these sources I build a technique-based analytical vocabulary for vocal style. I apply this vocabulary to close readings and interpretations of the singers’ hit recordings, and I bring my readings into dialogue with historical reception discourse. To understand how the singers may have resonated with postwar audiences beyond the vocal dimension, I connect the images they projected to historical scholarship about gender and sexuality in postwar America. All three singers presented a degree of conformity while also complicating the era’s mores. Day never transgressed norms of postwar sexual propriety, yet the discourse around her appeal suggests that audiences found her sexually desirable. -
Recorded by Frank Sinatra Arranged by Axel Stordahl
Jazz Lines Publications Presents laura recorded by frank sinatra Arranged By axel stordahl prepared by rob duboff and jeffrey sultanof full score jlp-9874 Lyrics by Johnny Mercer Music by David Raksin © 1945 (Renewed) by TWENTIETH CENTURY MUSIC CORPORATION All Rights (Excluding Print) Controlled and Administered by EMI ROBBINS CATALOG INC. Exclusive Print Rights Controlled and Administered by ALFRED MUSIC This Arrangement © 2019 ALFRED MUSIC. All Rights Reserved. Used by Permission of ALFRED MUSIC Frank Sinatra Is Under License from Frank Sinatra Enterprises LLC. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA frank sinatra series laura (1947) Background: Francis Albert Sinatra was one of the greatest figures in the history of American entertainment and pop culture. Born December 12, 1915, in Hobo- ken, New Jersey, he developed an early interest in music, becoming proficient as a singer and arranging for bands by his teens. He soon dropped out of high school to pursue a career in music. Following the exposure resulting from a successful appearance on the then-popular Major Bowes Amateur Hour radio show, he came to the attention of Harry James, who hired him to front his big band. While he gained experience and released his first records with James, they did not sell well and he soon grew frustrated with the James band and left to join Tommy Dorsey, with whom he had his first huge successes. Seeing his popularity begin to skyrocket, Sinatra soon felt the need to become a solo artist, and left Dorsey, taking ar- ranger Axel Stordahl with him; this would be the first of several very close relationships Sinatra would enjoy with arrangers over the years. -
JUBILEE PART 3 Programs 201-300
JUBILEE PART 3 Programs 201-300 GMA 15-C AFRS/SSD SERIES H-11 BLUE 2014 Third Edition GREEN 2005 Second Edition Updated: August 4, 2016 Prepared by: Dennis M. Spragg 201 AFRS program announcer: Master of Ceremonies: Ernest “Bubbles” Whitman Studios: NBC Hollywood Pre-recording dates: September 1946 Date of dubbing: Label information: Notes: Side 1, wax info: HD6-MM-7426-1 01 Introduction & theme 01 Suddenly It‘s Swing 02 Be Happy, Pappy 01 Come Rain Or Come Shine 02 Tea For Two Side 2, wax info: HD6-MM-7548-1 01 Bedlam 02 Red Light 01 Let‘s Eat- v BS 01 Sign off & theme: - 01 Bobby Sherwood and his Orchestra Probably Bobby Sherwood, trumpet, guitar, arranger, vocal, leader; Don Dean, Ray Downs, Mannie Klein, Jack Waller, trumpets; Wes Cope, Skip Layton, Bob Leaman, Jim Marshall, trombones; Merle Bredwell, basoon; Harry Facometta, Red Press, alto sax; Dave Cavanaugh, Marty Glaser, Herbie Haymer, tenor sax; Ike Carpenter, piano; Basil Hutchinson, guitar; Bart Edwards, string bass; Keith Williams, drums. NOTE: This recording session probably took place while Sherwood played an extended engagement at the Avadon Ballroom, Los Angeles, in mid-1946. MC Whitman refers to the outfit as “his fine new band”. Sherwood reformed his Orchestra in late 1946, moving to the Casino Gardens, Ocean Park, California, on January 11th, 1947. - 02 Red Callender Trio Emmanuel “Duke” Brooks, piano; Louis Gonzales, guitar, George “Red” Callender, string bass. (Disc Serial numbers updated May 2015) 202 AFRS program announcer: George Dvorak Master of Ceremonies: Ernest “Bubbles” Whitman Studios: NBC Hollywood Pre-recording dates: October 1946 Date of dubbing: Label information: Notes: (1) Some of this material was re-issued on Jubilee No.