Boston Symphony Orchestra Concert Programs, Summer, 1996
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BEYOND BOSTON Harborfest May Be the Main Show, but It’S Not the Only 4Th of July Party Around
what to do # where to go # what to see July 2–15, 2007 The Officficialial GuGuideide to BOSBOSTONTON Mr.Fourth of July Keith Lockhart and the Boston Pops Celebrate the U.S.A. PLUS: Boston with a French Accent New England Sand CHECK Sculpting Festival OUT OUR The Boston Lobsters NEW MAPS! Court Tennis Fans AFTER PAGE 80 www.panoramamagazine.com Come to Product availability may vary by store 2000707CELEbearATING 10 YEARS OF HUGS Visit us at Faneuil Hall Marketplace Over 300 stores worldwide! æ www.buildabear.com æ (toll free) 1-877-789-BEAR (2327) Coupon expires August 31, 2007. Coupons may not be combined and cannot be bought, sold or exchanged for cash or coupons. Not valid on prior purchases, a Build-A-Party® celebration, Bear Buck$® card, in Eat With Your Bear Hands Cafe, in Build-A-Bear Workshop® within Rainforest Cafe® or in Build-A-Dino® within T-REX CafeTM. Not valid with any other offer. Local and state taxes, as applicable, are payable by bearer. Must present original coupon at time of purchase or enter 5-digit code on web purchase. Photocopies prohibited. Valid in the U.S. only. Valid for coupon recipient only. Limit one coupon per person, per visit. Nontransferable. Offer good while supplies last. Void where Key #91388 prohibited or restricted. Where required cash value 1/100 of 1 cent. contents COVER STORY FEATURE STORY 22 Go Fourth! 24 Vive la France Panorama spotlights in Boston! Harborfest, the Hub’s How to celebrate Bastille Day official July 4th and French culture around town celebration DEPARTMENTS 8 around the hub 8 NEWS & NOTES 18 STYLE 14 DINING 20 NIGHTLIFE 16 ON STAGE 28 the hub directory 29 CURRENT EVENTS 35 MUSEUMS & GALLERIES 39 CLUBS & BARS 41 SIGHTSEEING 46 MAPS 53 EXCURSIONS 56 FREEDOM TRAIL 58 SHOPPING 64 RESTAURANTS 80 NEIGHBORHOODS 94 5 questions with… Conductor KEITH LOCKHART on the cover: Keith Lockhart relaxes at Symphony Hall before getting ready to lead the Boston Pops in its annual July 4 concert at the Hatch Shell on the Esplanade. -
To See the 2018 Tanglewood Schedule
summer 2018 BERNSTEIN CENTENNIAL SUMMER TANGLEWOOD.ORG 1 BOSTON SYMPHONY ORCHESTRA ANDRIS NELSONS MUSIC DIRECTOR “That place [Tanglewood] is very dear to my heart, that is where I grew up and learned so much...in 1940 when I first played and studied there.” —Leonard Bernstein (November 1989) SEASONHIGHLIGHTS Throughoutthesummerof2018,Tanglewoodcelebratesthecentennialof AlsoleadingBSOconcertswillbeBSOArtisticPartnerThomas Adès(7/22), Lawrence-born,Boston-bredconductor-composerLeonardBernstein’sbirth. BSOAssistantConductorMoritz Gnann(7/13),andguestconductorsHerbert Bernstein’scloserelationshipwiththeBostonSymphonyOrchestraspanned Blomstedt(7/20&21),Charles Dutoit(8/3&8/5),Christoph Eschenbach ahalf-century,fromthetimehebecameaprotégéoflegendaryBSO (8/26),Juanjo Mena(7/27&29),David Newman(7/28),Michael Tilson conductorSergeKoussevitzkyasamemberofthefirstTanglewoodMusic Thomas(8/12),andBramwell Tovey(8/4).SoloistswiththeBSOalsoinclude Centerclassin1940untilthefinalconcertsheeverconducted,withtheBSO pianistsEmanuel Ax(7/20),2018KoussevitzkyArtistKirill Gerstein(8/3),Igor andTanglewoodMusicCenterOrchestraatTanglewoodin1990.Besides Levit(8/12),Paul Lewis(7/13),andGarrick Ohlsson(7/27);BSOprincipalflute concertworksincludinghisChichester Psalms(7/15), alilforfluteand Elizabeth Rowe(7/21);andviolinistsJoshua Bell(8/5),Gil Shaham(7/29),and orchestra(7/21),Songfest(8/4),theSerenade (after Plato’s “Symposium”) Christian Tetzlaff(7/22). (8/18),andtheBSO-commissionedDivertimentoforOrchestra(also8/18), ThomasAdèswillalsodirectTanglewood’s2018FestivalofContemporary -
National Conference Performing Choirs
National Conference Performing Choirs 20152015 ACDA FestivalFestival ChoirChoir UniversityUniversity ofof Utah A Cappella Choir Thursday 8:00 pm - 9:45 pm Abravanel Hall (Blue Track) Friday 8:00 pm - 9:45 pm Abravanel Hall (Gold Track) The 2015 ACDA Festival Choir includes the Utah Sym- phony Chorus, Utah Chamber Artists, the University of Utah Chamber Choir, and the University of Utah A Cappella Choir conducted by Barlow Bradford. The Utah Symphony is con- ducted by Thierry Fischer. Founded in 1962, the A Cappella Choir offers singers the opportunity to perform works for larger choirs and to fi ne- tune the art of choral singing through exposure to music from Utah Chamber Artists the Renaissance through the twenty-fi rst century. Choir mem- bers hone musicianship skills such as rhythm, sight-reading, and the understanding of complex scores. They develop an understanding of the intricacies of vocal production, includ- ing pitch, and how to blend individual voices together into a unifi ed, beautiful sound. In recent years, the A Cappella Choir has become a standard of excellence in student singing in the State of Utah. Last fall, they sang Mozart’s Trinity Mass with the Utah Symphony and the Utah Symphony Chorus under the direction of Thierry Fischer. This renewed a tradition of collaboration between the choirs of the University of Utah and the Utah Symphony, and their outstanding performance resulted in invitations for return engagements in 2015. Utah Chamber Artists was established in 1991 by Barlow University of Utah Chamber Choir Bradford and James Lee Sorenson. The ensemble comprises forty singers and forty players who create a balance and so- nority rarely found in a combined choir and orchestra. -
Tanglewood Brochure
2020 SEASON AT-A-GLANCE In the 2020 Tanglewood season, BSO Music Director Andris Nelsons leads twelve BSO concerts including Act III of Wagner’s Tannhäuser (7/11) and three programs showcasing Paul Lewis in all five Beethoven piano concertos (7/17–19). Other highlights include: • a weekend-long celebration of the 100th anniversary of Isaac Stern’s birth, with performances by violinists Augustin Hadelich, Midori, Pamela Frank, and Joshua Bell (7/24–26) • the Tanglewood Festival Chorus’s 50th Anniversary celebrated with six BSO collaborations (7/10–11, 8/1–2, 8/22–23) • Keith Lockhart leads the Boston Pops in Star Wars: The Empire Strikes Back (8/21) and the annual John Williams’ Film Night, hosted by Mr. Williams (8/15) • Ozawa Hall appearances by the Mark Morris Dance Group (7/1 & 2), Meow Meow (7/8), Emerson String Quartet with Emanuel Ax (7/9), Paul Lewis (7/14), and more • Popular Artists concerts with Ringo Starr (6/19), Trey Anastasio (6/20), Judy Collins and Arlo Guthrie (6/21), and the return of Wait Wait, Don’t Tell Me! (8/27) The Tanglewood Music Center (TMC) is the Boston Symphony Orchestra’s summer academy for advanced musical study. The TMC offers an intensive schedule of study and performance for emerging professional instrumentalists, singers, conductors, and composers. Orchestra Concerts July 6, 13, 20, 28, August 10 & 16 Chamber Music Concerts Sundays, June 28–August 16 Vocal Concerts July 12, 16, 26, August 3 & 9 Prelude Concerts Saturdays, July 11–August 15 Festival of Contemporary Music August 6–10 TMC-BBC Radio 3 New Generation Artists Recital* Mondays, July 6–August 10 *Free recitals presented in association with BBC Radio 3 Special Events String Quartet MasterPass* June 21–28 Bach Cantatas June 28 Mark Morris Dance Group July 1 & 2 MasterPass* Wednesdays July 1, 8, 15, 22, August 8 & 12 Full Tilt* July 5 & 27 TLI-TMC OpenStudio* July 13, 14 & 24 *Presented in collaboration with TLI 2 2020 SEASON The Tanglewood Learning Institute (TLI) offers engaging programs for curious minds, year-round. -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
Keith Lockhart
symphony hall tel: (617) 266-1492 301 massachusetts avenue fax: (617) 638-9493 boston, ma 02115-4511 www.bso.org KEITH LOCKHART Keith Lockhart became the twentieth conductor of the Boston Pops in 1995, adding his artistic vision to the Pops tradition established by his predecessors John Williams and Arthur Fiedler. During his 15-year tenure, he has conducted the Boston Pops in more than 1,200 concerts and introduced the innovative JazzFest and EdgeFest series, which feature the Pops performing with some of today’s most prominent jazz and indie artists including Chick Corea, Dianne Reeves, Guster, My Morning Jacket, and Natalie Merchant. The 2009 New Year’s Eve concert featured special guest Amanda Palmer. Reflecting a passionate commitment to music of the Broadway stage, Mr. Lockhart has led the Boston Pops in collaboration with the Tanglewood Music Center in concert performances of Rodgers and Hammerstein’s Carousel and Stephen Sondheim’s A Little Night Music, as well as musical reviews of the works of Sondheim and Bernstein, performed both at Symphony Hall in Boston and at Tanglewood. He has also spearheaded collaborations with students from the Boston Conservatory and Berklee College of Music, and visits music programs in the Boston Public Schools whenever his schedule allows. Mr. Lockhart has been the driving force behind the success of PopSearch and the Boston Pops High School Sing-Off, performing competitions that have offered talented singers throughout Massachusetts and the United States an opportunity to perform with the Boston Pops at Symphony Hall and the July 4 concert on Boston’s Charles River Esplanade. -
Presenting the Best of Music, Dance, Comedy and Entertainment from Around the World
2015 / 2016 SEASON PRESENTING THE BEST OF MUSIC, DANCE, COMEDY AND ENTERTAINMENT FROM AROUND THE WORLD. FUN EVENTS FOR KIDS AND THE ENTIRE FAMILY. JORGENSEN Center for the Performing Arts jorgensen.uconn.edu | 860-486-4226 Saturday, December 5, 2015 at 8:00 pm University of Connecticut School of Fine Arts Anne D'Alleva, Dean Jorgensen Center for the Performing Arts Rodney Rock, Director presents Holiday Pops Concert THE BOSTON POPS ESPLANADE ORCHESTRA KEITH LOCKHART Julian & Eunice Cohen Boston Pops Conductor JOHN WILLIAMS George & Roberta Berry Boston Pops Conductor Laureate KEITH LOCKHART conducting with The Metropolitan Chorale of Brookline Lisa Graham, Music Director Duane Moody, tenor Columbia Artists Management 1790 Broadway New York, NY 10019 (212) 841-9509 www.cami.com PROGRAM Sing Noel Cutter Christmas Canticles O'Loughlin Hallelujah Chorus, from Messiah Handel–Mozart Tomorrow Is My Dancing Day arr. Hollenbeck In the Bleak Midwinter arr. Parker/Shaw Waltz of the Flowers from The Nutcracker Tchaikovsky The Christmas Story arr. Lane/Lockhart/Elliot Duane Moody, tenor and narrator INTERMISSION Wonderful! arr. Chase/Elliot Blue Christmas Blues Hayes/Johnson/Holt/Cahn-Oddo Cool Yule Allen-Oddo Duane Moody, tenor Winter Weather Medley arr. Chase/Sebesky I Love the Winter Weather–Baby It's Cold Outside–I've Got My Love to Keep Me Warm A Visit From St. Nicholas ('Twas the Night Before Christmas) arr. Reisman Text by Clement C. Moore with a very special guest narrator A Merry Little Sing-Along arr. Reisman Rudolph the Red-Nosed Reindeer -
Peter Boyer Concert Works, Performances, Recordings & Broadcasts As of March 2016
Peter Boyer Concert Works, Performances, Recordings & Broadcasts As of March 2016 All works are published by Propulsive Music (BMI), Bill Holab Music, publishing agent, except where noted. Rolling River (Sketches on “Shenandoah”) for orchestra [after the American folk tune] (2014–duration: 5 minutes) Commissioned by the Cincinnati Pops Orchestra Premiered by the Cincinnati Pops Orchestra, David Charles Abell, conductor, at Riverbend Music Center, July 4, 2014 Performed by the Cincinnati Pops Orchestra, John Morris Russell, conductor, July 18, 2014 Performed by the Cincinnati Pops Orchestra, John Morris Russell, conductor, September 10 & 11, 2014 Performed by the Cincinnati Pops Orchestra, John Morris Russell, conductor, at Music Hall, Cincinnati, January 23, 24, & 25, 2015; recorded live by these performers for American Originals album, released on Fanfare Cincinnati (#FC-005, distributed by Naxos), September 2015 Performed by the Cincinnati Pops Orchestra, John Morris Russell, conductor, July 1, 2015 Performed by the Cincinnati Pops Orchestra, John Morris Russell, conductor, at the Lumenocity Festival, August 5-9, 2015 (five performances) Performed by the Cincinnati Pops Orchestra, John Morris Russell, conductor, September 18 & 20, 2015 To be performed by the Metropolitan Youth Orchestra of New York, Phil Preddice, conductor, at Carnegie Hall, May 15, 2016 Cincinnati Pops Orchestra recording broadcast numerous times on WGUC, Cincinnati, beginning August 2015 Symphony No. 1 for orchestra (2012-13–duration: 24 minutes) Commissioned by -
Maestro Keith Lockhart Residency Program
Wright State University CORE Scholar Keith Lockhart Residency A Long Long Way: Echoes of the Great War 3-2015 Maestro Keith Lockhart Residency Program CELIA Follow this and additional works at: https://corescholar.libraries.wright.edu/celia_lockhart_residency Part of the Arts and Humanities Commons Repository Citation CELIA, "Maestro Keith Lockhart Residency Program" (2015). Keith Lockhart Residency. Book 1. https://corescholar.libraries.wright.edu/celia_lockhart_residency/1 This Program is brought to you for free and open access by the A Long Long Way: Echoes of the Great War at CORE Scholar. It has been accepted for inclusion in Keith Lockhart Residency by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. MAESTRO KEITH LOCKHART of the Boston Pops and BBC Concert Orchestra 2014–15 Wright State University Distinguished Visiting Artist March 9–14, 2015 MAESTRO KEITH LOCKHART of the Boston Pops and BBC Concert Orchestra 2014–15 Wright State University Distinguished Visiting Artist March 9–14, 2015 Monday, March 9 10 a.m.–noon Master Class: WSU Percussion Ensemble (Schuster Hall) Tuesday, March 10 10 a.m.–noon Master Class: WSU Student & Faculty Piano Trios (Schuster Hall) Wednesday, March 11 10–11:30 a.m. Master Class: WSU Voice Students (Schuster Hall) Thursday, March 12 1–3 p.m. Voices of World War I: Maestro Keith Lockhart & Dr. Paul Lockhart (Schuster Hall) Friday, March 13 10–11 a.m. Open Forum and Q&A with Students (Schuster Hall) 7 p.m. Take Note Pre-Concert Lecture: Dr. Paul Lockhart 8 p.m. Britten’s War Requiem Performance (Schuster Center, Downtown Dayton) Saturday, March 14 7 p.m. -
2019 Tanglewood Season Listing All Programs and Artists Are Subject to Change
2019 Tanglewood Season Listing All programs and artists are subject to change. All updates to original November 2018 season announcement appear in green Saturday, June 15, 5:45 p.m. Shed Tuesday July 2, 7 p.m. The Shed Popular Artists Series Popular Artists Series Live from Here with Chris Thile at Tanglewood Josh Groban with Ben Folds, Tig Nataro and I’m with Her Josh Groban is an internationally renowned singer, Live broadcast songwriter, and actor whose baritone voice is instantly American Public Media’s popular Live from Here returns to recognizable and unparalleled among his peers. He has Tanglewood, with its host Chris Thile. He will be joined by entertained fans across the globe with his multiplatinum an incredible array of special musical guests—some known albums and DVDs (selling more than 30 million worldwide), to all, and some who soon will be!—for a unique blend of electrifying live performances, and comedic film and comedy and spoken word. A vocalist and mandolin television appearances. VIP Packages Available! virtuoso, Chris will perform his Song of the Week, written especially by Thile for the evening's program. Wednesday, July 3, 8 p.m. Shed Thursday, July 4, 8 p.m. Shed Sunday, June 16, 2:30 p.m. Shed Popular Artists Series Popular Artists Series James Taylor at Tanglewood Brian Wilson presents Pet Sounds James Taylor returns to Tanglewood with his All-Star Band for two nights! Friday, June 21, 8 p.m. Ozawa Hall Only New England performances this summer Popular Artists Series Richard Thompson Fireworks to follow the July 4 concert Saturday, June 22, 8 p.m. -
125 Years of the Boston Pops (Timeline)
symphony hall tel: (617) 266-1492 301 massachusetts avenue fax: (617) 638-9493 boston, ma 02115-4511 www.bso.org Boston Pops Timeline The Origins of the Pops: 1881 – 1899 • 1881 - Civil War veteran Henry Lee Higginson founds the Boston Symphony Orchestra and writes of his intention to present “especially in the summer, concerts of a lighter kind of music,” and the seed is planted for Boston Pops concerts, originally called “Promenade Concerts.” The introduction of these concerts also provided year-round employment for the Boston Symphony musicians. • 1885 - The first Promenade Concert, led by Adolf Neuendorff, takes place on July 11 at the old Boston Music Hall, the only locale in the city allowing food and beverages to be served in the performance space. Response from audience and critics is favorable. • 1890 - By this time, the public customarily refers to these “popular” concerts in the shorthand “Pop” or “Pops.” • 1896 - The tradition of annual “college nights” at the Pops begins when Harvard hosts Harvard Night at the Pops. Harvard was followed by MIT in 1897, Tufts in 1901, and a host of others. • 1897 - A new march by John Philip Sousa, The Stars and Stripes Forever, is played in its orchestral version for the first time. Works by other American composers are played more frequently at the concerts, contributing to their increasing “American-ness.” The Move to Symphony Hall: 1900– 1929 • 1900 - The BSO management officially changes the name of the concerts to the “Pops,” andThe Stars and Stripes Forever regularly serves as the grand finale. • Symphony Hall, the new home of the Boston Symphony and Boston Pops, opens in October. -
UNLV Symphonic Winds, UNLV Flute Ensemble, and Sin City Winds
Wind Ensemble Ensembles 4-17-2014 UNLV Symphonic Winds, UNLV Flute Ensemble, and Sin City Winds Anthony LaBounty University of Nevada, Las Vegas Adam Hille University of Nevada, Las Vegas Keith Larsen University of Nevada, Las Vegas Adam Steff University of Nevada, Las Vegas Jennifer Grim University of Nevada, Las Vegas SeeFollow next this page and for additional additional works authors at: https:/ /digitalscholarship.unlv.edu/music_wind_ensemble Part of the Music Performance Commons Repository Citation LaBounty, A., Hille, A., Larsen, K., Steff, A., Grim, J., Cao, C., UNLV Graduate Sextet (2014). UNLV Symphonic Winds, UNLV Flute Ensemble, and Sin City Winds. 1-6. Available at: https://digitalscholarship.unlv.edu/music_wind_ensemble/40 This Music Program is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Music Program in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Music Program has been accepted for inclusion in Wind Ensemble by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Authors Anthony LaBounty, Adam Hille, Keith Larsen, Adam Steff, Jennifer Grim, Carmella Cao, and UNLV Graduate Sextet This