New Territories 2010 Brochure
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The Shadow Kin 01 Quill’s Got A Gun 02 Rhodia 03 Death Awaits Us 04 The Doctor Will See You Now 05 Aftermath 06 Time Has Looked At Your Faces 07 Night Music 08 The Cabinet Of Souls 09 BLAIR MOWAT Back To School 10 Once Upon A Time In The Classroom 11 Chasing The Dragon 12 Dragon Attack 13 Reflections 14 Strands From The Rift 15 April’s Past 16 Gathering Strength 17 Here She Comes In A Ruddy Great Bus 18 Heavy Petal 19 To Share A Heart 20 COMPOSED & ARRANGED BY Rescue 21 Regicide 22 33 The Lost Rise To Power 23 34 Charlie Laying Down The Law First Steps 24 35 We Are Academics Asteroid 25 36 Fight Music Angry Enough To Kill 26 37 Finding Courage Charlie’s Angry, Charlie’s Winning 27 38 If They Die April Dies Planet Of The Arn 28 39 This Is The One You Will Not Tolerate All Species Say That 29 40 Fight Till Your Last Breath This Form I Wear 30 41 Souls Released Quill Vs Lore 31 42 Governors Revealed I Am War Itself 32 43 Class Credits I loved making Class. Loved it. I’m so proud of FOREWORD the episodes we made and of the Class love I still get regularly from fans wanting more. FROM One thing they always ask about is Blair’s music. Propulsive, atmospheric, super- PATRICK exciting, sometimes seeded with Doctor Who Easter Eggs if you’re listening close enough, NESS the clever boy. Music was very important to me on the show (I hand-picked the theme song and will argue with you about it), and Blair was a perfect fit. -
Destiny of the Daleks: (4Th Doctor TV Soundtrack) Ebook
DOCTOR WHO: DESTINY OF THE DALEKS: (4TH DOCTOR TV SOUNDTRACK) PDF, EPUB, EBOOK Terry Nation,Full Cast,Lalla Ward,Tom Baker | 1 pages | 26 Mar 2013 | BBC Audio, A Division Of Random House | 9781471301469 | English | London, United Kingdom Doctor Who: Destiny of the Daleks: (4th Doctor TV Soundtrack) PDF Book Howe and Stephen James Walker. Last Christmas. Heard when Bill's housemate Pavel is in their new house on his own at night, and gets absorbed into the wall in his bedroom. Telegraph Online. He identifies himself as Starship Engineer Tyssan , captured by the Daleks two years ago. Episode Guide. The Doctor unharmed is with the Movellans , as these silver-haired humanoids are called. Played in the Inferno Club. He is delighted, until he realises that she again resembles Astra, only in different clothing. Norfolk: BBC. Season 9 : Five classic novelisations. In the Kaled bunker, Davros accuses Ronson of giving the Thals the chemical formula and then kills him, and convinces the remaining leaders to let him have his Daleks attack the Thal dome. She backs away from the wall. Season 21 : David Spode's sets were incredible, Sylvia and Barbara achieved wonders with makeup and costume, and then there were the actors [ Outpost Gallifrey. Kate Harvey as the Nightclub Singer. Played at the wedding reception. But he has not bargained for the Movellans having a few secrets of their own, and soon he, Romana and the human refugee Tyssan are wondering who exactly they can trust. As he is about to touch the two exposed wire ends to set them off, he hesitates, questioning whether he has the right to make that decision. -
Imposition Is the Networked Performance of an Evolving Collaborative Work Engaged with Ambient, Time-Based Poetics and Harmonically Organized, Language-Driven Sound
i m p o s i t i o n John Cayley with Giles Perring imposition is the networked performance of an evolving collaborative work engaged with ambient, time-based poetics and harmonically organized, language-driven sound. imposition emerges from translation, a series of pieces which were developed, in turn, from overboard, our first essay in ambient poetics. [1] imposition uses the same texts and procedures as translation . It continues an investigation of iterative, procedural removal from one text or language to another. During the performance, four passages from the source texts of imposition [2] will be presented in any one of three shifting states: surfacing, floating or sinking. A passage will also be in one of three changing lan - guage states: German, French or English. If a passage sinks in one language it may, for example, surface in another. servlet listens for states and rebroadcasts them symbols indicate what clients ‘hear’ ) ) f French, passage ‘sinking’ ) ) d German, passage ‘sinking’ ) ) e When you download a listener from http://imposition.literalart.net you English, passage ‘floating’ choose which passage the client will listen to and which language it will ) ) d display. These do not change (although German, passage ‘surfacing’ you could download other clients). imposition sends states of each of its four passages to a servlet: each passage’s ‘language’ and its legible ‘buoyancy’: ‘sinking,’ ‘floating,’ or ‘surfacing.’ imposition now distributes these states over the internet in order to enable a networked transliteral and musical performance. imposition’s main display shows the four transliterating passages on a large projection and broadcasts their states via a server on the internet. -
Samuel Beckett October 5-9, 2016 | Emerson/Paramount Mainstage Tickets on Sale Now
FOR IMMEDIATE RELEASE Contact: Ami Bennitt 617.797.8267, [email protected] H E R E A L L N I G H T THE NEW ENGLAND PREMIERE OF GARE ST LAZARE IRELAND’S ACCLAIMED THEATRICAL WORK BASED ON THE TEXTS AND MUSIC OF SAMUEL BECKETT OCTOBER 5-9, 2016 | EMERSON/PARAMOUNT MAINSTAGE TICKETS ON SALE NOW The press performance is Thursday, October 6, at 8PM. Email for RSVP, high resolution images, and interviews. [Boston, MA – August 24, 2016] Tickets for the New England premiere engagement of Here All Night are now on sale. Created by Gare St Lazare Ireland, who wowed ArtsEmerson audiences with their productions of Waiting for Godot and Moby Dick, Here All Night is an immersive and haunting blend of spoken word and musical performance based on the writings and compositions of Samuel Beckett. ArtsEmerson will host this engagement for six performances only, October 5-9, 2016, at the Emerson/Paramount Mainstage, located at 559 Washington Street in Boston’s historic theatre district. Tickets, which range in price from $20-80, may be purchased online at www.artsemerson.org or by calling 617.824.8400. Group, student, and senior discounts are available. Photos by Shane Mahon The prose and music of Samuel Beckett's writing find new life, and a fresh resonance, in this stunning new theatrical work for soprano, actor and chamber orchestra. Arriving from Ireland as part of a year- long celebration of the centenary of the 1916 Easter Rising, Here All Night brings back the players of Gare St Lazare Ireland, among the world's foremost interpreters of Beckett's work. -
Radio 3 Listings for 26 July – 1 August 2008
Radio 3 Listings for 26 July – 1 August 2008 Page 1 of 18 SATURDAY 26 JULY 2008 Chopin: Polonaise in A flat, Op 53 Alfred Brendel (piano) SAT 01:00 Through the Night (b00cm6fp) VANGUARD CLASSICS 08402371 With John Shea. Bax: Mediterranean Including: London Philharmonic Orchestra Bryden Thomson (conductor) Rachmaninov, Sergei (1873-1943): Caprice bohemien, Op 12; CHANDOS CHAN 8494 Piano Concerto No 2 in C minor; Symphony No 1 in D minor Brahms, Johannes (1833-1897): String Quartet No 1 in C minor, Prokofiev, transcr. Chiu: Lieutenant Kije Suite Op 51 No 1 Frederic Chiu (piano) Haydn, Joseph (1732-1809): Sonata in E flat, H XVI 49 HARMONIA MUNDI HMX 2907301.10 Nicolai, Carl Otto (1810-1849): Mass for soloists, chorus and orchestra in D Mondonville: Sonata No 5, Op 3 Dupre, Marcel (1886-1971): Cortege et Litanie Les Musiciens du Louvre Abel, Carl Friedrich (1723-1787): Trio in G for two flutes and Marc Minkowski (director) continuo, Op 16 No 4 ARCHIV 457 6002 Cart, Jiri (1708-1778): Sonata for two violins and continuo Sor, Fernando (1778-1839): Fantaisie et variations brillantes sur Arnold: Concerto for harmonica and orchestra, Op 46 2 airs favoris connus in E minor for guitar in E minor (Fantasia Tommy Reilly (harmonica) No 7) Basel Radio Symphony Orchestra Trad. 17th century: Ai! La Bono Fourtuno; Bressarello Cedric Dumont (conductor) Donizetti, Gaetano (1797-1848): Sinfonia for wind instruments CHANDOS 9248 in G minor Henriques, Fini (1867-1940): Air for string orchestra Gurney: Black Stitchel Schmitt, Georges (fl.1850): Two movements from Magnficat Anthony Rolfe Johnson (tenor) sollonelle for organ David Willison (piano) Tippett, Michael (1905-1998): Five Spirituals (A Child of Our EMI 5759262 Time) Gottschalk, Louis Moreau (1829-1869): Bamboula Anon: Gloria (Mass of Tournai) Gotovac, Jakov (1895-1982): The Balkan Song and Dance, Op Trio Mediaeval 16 ECM 461 782-2 Telemann, Georg Philipp (1681-1767): Trio No 3 (Essercizii Musici) Scriabin: Romance Liszt, Franz (1811-1886): Ave Maria Rachmaninov: Lied Schubert, Franz (1797-1828), arr. -
Att Smith's Doctor Fell out of the Sky in Easter 2010: Square Jawed, Floppy
att Smith’s Doctor fell out of the sky in Easter 2010: Square Mjawed, floppy fringed with a new theme, new clothes and a renovated TARDIS. The mood of the opening episode was fairy tale, desolate, orphaned- a lonely swing and a child’s windmill; an apple carved with a smiley face; the remnant of an absent mother; doors that no one had ever noticed and barking men walking yelling dogs. Steven Moffat’s new vision of Doctor Who was everything anyone who had seen his previous episodes for the series might have hoped it would be. It was meticulously crafted, and introspective, yet somehow on an epic scale. It was romantic and funny, and it introduced some wonderful new characters. It was, of course, scary, sometimes sad but always, as Doctor Who should be, brimming with life. By the season’s finale, The Big Bang, we had been on a ride from the beginning of everything to the end of everything and back again. The music here is presented in episode order and should give a sense of roaming through this gigantic scope. It’s a second consecutive ‘double album’ (as they used to be called). The last one in the same format seemed popular with listeners, so Silva Screen have allowed another to sneak out their factory gates. If it’s too much, we’ll go back to singles. VOLUME ONE 1. Doctor Who Xl Steven Moffat wanted a new theme. I wanted it to sound a bit reckless. It got a big brass riff at the front and a sped-up tempo.