November-December 20

Total Page:16

File Type:pdf, Size:1020Kb

November-December 20 International Piano International NO.46 NOV/DEC 2017 £5.50 www.international-piano.com AFTER THE DELUGE INSIDE Russia’s Revolution SHEET MUSIC and its musical PIANO TOPOGRAPHY repercussions BY EUAN MOSELEY SEE PAGE 55 NOVEMBER/DECEMBER 2017 PLUS WINNER FREE 2018 TAKES ALL? COMPETITIONS WALLPLANNER Piano competitions and their drawbacks PERSONAL TOUCH Ivan Ilić rediscovers the music of Reicha PLUS How to fi x your broken chords Kissin refl ects on success Gould’s Goldbergs LOUIS revisited www.international-piano.com LORTIE 11> Fluency and focus 077005 772042 9 IPND17_001_Cover_0910OM.indd 2 12/10/2017 14:03 COOPER COMPETITION AT OBERLIN PIANO 2018 For ages 13-18 $20,000 First Prize Finals with The Cleveland Orchestra broadcast live on WCLV 104.9 FM Travel assistance available Application Deadline: April 15, 2018 Finals: July 20, 2018 THE COOPER COMPETITION Presented by the Oberlin Conservatory of Music and The Cleveland Orchestra, the Thomas and Evon Cooper International Competition showcases the most promising young musicians from around the world. Now in its ninth year, the competition features more than $40,000 in prize money as well as full-tuition scholarships to attend Oberlin Conservatory of Music. George Li, ROGER MASTROIANNI 2010 First Prize. www.oberlin.edu/cooper IPND17.indd 2 13/10/2017 09:25:54 CONTENTS ELIAS PHOTOGRAPHY IRINA POPA 18 36 CLIVE BARDA CARL HYDE 61 82 Contents 5 EDITORIAL 39 WIN SOME, LOSE SOME 69 BACH CATALOGUE 27 AFTER THE DELUGE Embodied performers Stephen Wigler examines Revisiting Glenn Gould’s IP examines the musical the pros and cons of Goldberg Variations repercussions of Russia’s 6 LETTERS piano competitions 1917 Revolution Your thoughts and 71-79 NEW RELEASES comments 45 COMPETITIONS DIARY CDs, books & sheet music 32 NORTHERN STATES IP’s pick of the key Is there such a thing as a 9 NEWS & EVENTS competitions in 2018 80 TAKE FIVE ‘Nordic style’ of piano Injured Lang Lang Unconventional jazz playing? We find out from ‘borrows’ spare hand | 49 KEY NOTES master Mike Nock two Scandinavian masters Steinway Family turns 25 | Broken chords and why Andreas Haefliger signs they deserve practice 82 MUSIC OF MY LIFE 36 PERSONAL TOUCH with BIS Records | Leon McCawley recalls Ivan Ilić rediscovers the and more… 53 SHEET MUSIC his favourite recordings music of Antoine Reicha Piano Topographs by Euan from childhood 12 ONE TO WATCH Moseley GIVE THE GIFT OF A Pianist and composer MAGAZINE THIS CHRISTMAS! Yuanfan Yang 58 FESTIVAL FOCUS SPECIAL FEATURES 35% OFF! Víkingur Ólafsson’s 14 COMMENT stimulating Swedish 18 NOTES FROM A Can musical talent make Vinterfest GOLDEN AGE us mentally unbalanced? Louis Lortie waxes lyrical 61 LIVE REVIEWS about great pianists of the 16 ILL-TEMPERED CLAVIER Coverage from London, past while continuing to Cautionary tales of Lothian, Aix-en-Provence, experiment with SEE PAGE 38 pianists who pull faces Verbier and Gozo repertoire, old and new November/December 2017 International Piano 3 IPND17_003_Contents1010OM.indd 3 13/10/2017 10:56 GET CONNECTED Imagine a real piano that lets you play silently through headphones without disturbing others. Or a real piano with TransAcoustic technology so you can also control the volume of the instrument. Imagine real pianos that let you connect to the latest piano apps. Meet the Silent and TransAcoustic upright and grand pianos from Yamaha. Yamaha upgrade bonus Get up to £1325 extra part exchange allowance when you trade in your old digital or acoustic piano for a new Yamaha Silent or TransAcoustic piano.* Ask your dealer for more information or visit uk.yamaha.com/pianopromotions * Offer available on selected models from 1st September 2017 to 15th January 2018 IPND17.indd 4 12/10/2017 12:26:06 EDITOR’ S NOTE Welcome he London Piano Festival offers a rare opportunity Managing Editors Ashutosh Khandekar, to hear multiple pianists performing in a range Owen Mortimer of combinations over the concentrated time-span Editor Owen Mortimer Tof a weekend. This year’s event at Kings Place built on Head of Design & Production / Designer Beck Ward Murphy the success of last year’s inaugural LPF with a Two-Piano Production Controller Gordon Wallis Marathon that brought together six temperamentally Advertising Sales Edward Croome diverse artists in repertoire ranging from Mozart’s brilliant [email protected] Sonata for Two Pianos to the world premiere of Elena Marketing Manager Alfred Jahn Director of Finance and Operations Tony Soave Langer’s colourful and energetic RedMare. Publisher Derek B Smith Seeing so many performers together, I was struck by the Printed by HALSTAN UK, 2-10 Plantation Road, huge differences in their stage personas. During a typical Amersham, Buckinghamshire HP6 6HJ solo recital, the performer’s physical presence is not likely Distributed by Comag Specialist Division to be the focus of attention (and indeed, should not be the Tel: +44 (0)1895 433800 focus of attention) unless they are given to histrionics. On this occasion, smaller differences Advertising became much more evident as the artists came and went in quick succession. Tel: +44 (0)20 7333 1733 Fax: +44 (0)20 7333 1736 Regular readers of our ‘Ill-Tempered Clavier’ column may be amused by Charivari’s Production comments on this subject (page 16). As expected, he lambasts those who put themselves Tel: +44 (0)20 7333 1751 before the music, turning their performances into a circus act. Such displays might impress Fax: +44 (0)20 7333 1768 a newcomer, but not a seasoned old curmudgeon like Charivari… Editorial Yet there is a serious issue here, too. Fidelity to the score and the composer is all very well, Tel: +44 (0)7824 884 882 but artists also need to display showmanship: an inert, poker-faced performer, however [email protected] www.rhinegold.co.uk | www.international-piano.com wonderfully they play, will not connect with the audience in the same way as someone Twitter: @IP_mag who physically embodies the music. Moreover, if recent scientific research is correct, our Subscriptions Tel: +44(0)1293 312233 response to visual cues from people around us is neurologically hard-wired into our brains. [email protected] The neuroscientist, author and broadcaster V S Ramachandran looks at the role of so- International Piano, Intermedia, Unit 6, The Enterprise Centre, Manor Royal, Crawley, West called ‘mirror neurons’ in his 2011 book The Tell-Tale Brain. He describes these specialised Sussex, RH10 9PE No part of this publication may be reproduced, stored in a retrieval brain cells as ‘The Neurons That Shaped Civilization’ due to the capacity they grant us system or transmitted in any form or any means (electronic, mechanical, photocopying, recording or otherwise) without the prior for empathy. When one person sees another performing any action, says Ramachandran, permission of Rhinegold Publishing Ltd. The views expressed here are those of the authors and not of the publisher, editor, Rhinegold we not only observe them passively, but our own brain circuits fire as if we ourselves were Publishing Ltd or its employees. We welcome letters but reserve the right to edit for reasons of grammar, length and legality. No doing the same thing. responsibility is accepted for returning photographs or manuscripts. This compelling evidence from modern brain imaging provides a key to why we love We cannot acknowledge or return unsolicited material. International Piano, 977204207700507, is published bi-monthly by seeing live music and not only listening to recordings. It also explains the powerful hold Rhinegold Publishing, 20 Rugby Street, London, WC1N 3QZ, UK. The US annual subscription price is US$83.00. Airfreight and mailing that the best conductors have over orchestral musicians: I have heard it said, for example, in the USA by agent named Worldnet Shipping Inc., 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Periodicals postage paid that if a conductor purses their lips when cueing a brass player, the musician in question is at Jamaica NY 11431. US Postmaster: Send address changes to International Piano, more likely to split a note. The same goes for pianists and their effect on audiences, which Worldnet Shipping Inc., 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA is why stage demeanour is so crucial to the success of any live performance. Air Business Ltd is acting as our mailing agent. Editorial and image research services for International Piano are provided by C Sharp LLP OWEN MORTIMER EDITOR © Copyright Rhinegold Publishing 2017 International Piano is proud to be a media partner of the International IP is available as an interactive International Piano NO.46 NOV/DEC 2017 £5.50 www.international-piano.com Piano Series at Southbank Centre digital magazine from AFTER THE DELUGE INSIDE Russia’s Revolution SHEET MUSIC and its musical PIANO TOPOGRAPHY repercussions BY EUAN MOSELEY SEE PAGE 55 pocketmags.com, iTunes and NOVEMBER/DECEMBER 2017 PLUS WINNER FREE 2018 TAKES ALL? COMPETITIONS WALLPLANNER Piano competitions and their drawbacks PERSONAL TOUCH Ivan Ilić rediscovers the music of Reicha PLUS GooglePlay – read on your How to fi x your broken chords Kissin refl ects on success Gould’s Goldbergs iPad, iPhone, Android device, LOUIS revisited www.international-piano.com LORTIE Kindle Fire or computer. Fluency and focus App FREE, single issues £2.99 November/December 2017 International Piano 5 IPND17_005_Editorial1010OM.indd 5 12/10/2017 14:04 LETTERS LETTERS Write to International Piano, 20 Rugby Street, London, WC1N 3QZ, email [email protected] or tweet @IP_mag. Star letters will receive S P O N S O R E D BY a free CD from Hyperion’s best-selling Romantic Piano Concerto series HYPERION RECORDS I attended the London Piano Festival at informative backdrop to all the superb will come later.
Recommended publications
  • NSF Programme Book 23/04/2019 12:31 Page 1
    two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA.
    [Show full text]
  • Leeds International Piano Competition Announces the 24 Pianists from 18 Countries Selected to Enter Final Rounds in Leeds
    LEEDS INTERNATIONAL PIANO COMPETITION ANNOUNCES THE 24 PIANISTS FROM 18 COUNTRIES SELECTED TO ENTER FINAL ROUNDS IN LEEDS WIDEST EVER DIVERSITY OF COUNTRIES REPRESENTED IN HISTORY OF THE COMPETITION Austria, Bulgaria, Canada, China, Croatia, Germany, Iran, Israel, Italy, Japan, Kazakhstan, Morocco, Peru, Poland, Russia, South Korea, Ukraine & UK all represented SECOND ROUND 8 - 10 SEPTEMBER SEMI-FINALS 12 – 14 SEPTEMBER FINALS 17 – 18 SEPTEMBER One of the world’s leading music competitions, The Leeds International Piano Competition, today announces details of the 24 pianists who have been selected to go through to the final rounds of the 20th Edition of the Competition in Leeds in September. Originally due to take place in three cities, the First Round of The Leeds International Piano Competition recently took place in 17 locations around the world with the jury remotely viewing all 62 competitors’ 25- minute recitals under identical conditions with all of them playing a Steinway Model D, and the same HD camera and audio set up. In a line-up more diverse than ever before in the Competition’s 58-year history, 18 countries will be represented in Leeds: three from China; two from Britain, Russia, South Korea & Ukraine and one from Austria, Bulgaria, Canada, Croatia, Germany, Iran, Israel, Italy, Japan, Kazakhstan, Morocco, Peru and Poland. A full list of the 24 shortlisted competitors can be viewed here: https://www.leedspiano.com/2021- competitors Adam Gatehouse, Artistic Director and juror, commented: “As the Leeds International Piano Competition prepares to celebrate its 20th Edition in September this year it’s particularly fitting that the Competition, which has transformed the lives and careers of so many pianists from all over the world, should be welcoming its most internationally diverse group of brilliant young pianists in its history to go forward to the Second Round in Leeds.
    [Show full text]
  • The Young Conductor Looks to the Future
    THE WORLD’S BEST CLASSICAL MUSIC REVIEWS Est 1923 . APRIL 2018 gramophone.co.uk Robin Ticciati The young conductor looks to the future PLUS Paul Lewis explores Haydn’s piano sonatas Handel’s Saul: the finest recordings UNITED KINGDOM £5.75 Intimate concerts featuring internationally acclaimed classical musicians in central London Now Booking Until July 2018 Igor Levit Cuarteto Casals: Beethoven Cycle Roderick Williams: Exploring Schubert’s Song Cycles O/Modernt: Purcell from the Ground Up Haydn String Quartet Series Jörg Widmann as Composer-Performer and much more… The Wigmore Hall Trust 36 Wigmore Street, London W1U 2BP Director: John Gilhooly OBE www.wigmore-hall.org.uk Registered Charity Number 1024838 A special eight-page section focusing on recent recordings from the US and Canada JS Bach Solo Violin Sonatas and Partitas, BWV1001-1006 talks to ... Johnny Gandelsman vn In a Circle F b ICR101 (124’ • DDD) Johnny Gandelsman The violinist and co-founder Bach’s Violin of Brooklyn Rider discusses his Sonatas and debut solo recording of Bach Partitas are among the most frequently Was it a challenge to plunge straight into performed works for the instrument, Bach for your first solo recording? or any instrument. Recordings evince a Not really. Over the the last three years spectrum of approaches, from historical I’ve performed all six Sonatas and Partitas treatments on period instruments to in concert about 30 times, which has been concepts Romantic and beyond. deeply rewarding. I wanted to capture this Among the newest journeys is Johnny moment of personal learning and growth. Gandelsman’s freshly considered account Do you miss the collaborative process of these monuments.
    [Show full text]
  • The Leeds the Leeds International International Piano Competition Piano Competition
    LIPC logo white LIPC logo dark grey R-255 G-255 B-255 R-46 G-45 B-44 THE LEEDS THE LEEDS INTERNATIONAL INTERNATIONAL PIANO COMPETITION PIANO COMPETITION INTERNATIONAL FIRST ROUND 3 - 12 APRIL 2018 WELCOME FROM THE 2018 COMPETITION THE ARTISTIC DIRECTORS First Round 3, 4, 5 April – Berlin University of the Arts / Universität der Künste Berlin 8 April – Singapore Yong Siew Toh Conservatory 11 & 12 April – New York The DiMenna Center for Classical Music Second Round 6, 7, 8 September Great Hall, University of Leeds Semi-Finals Welcome to the First Round of the Leeds Several of the world’s most illustrious pianists started 9, 10, 11 September International Piano Competition, being their careers at Leeds, including Radu Lupu, Murray Great Hall, University of Leeds held for the first time in Berlin, Singapore Perahia, Mitsuko Uchida, András Schiff, Lars Vogt, and New York. and more recently Denis Kozhukhin, Sunwook Kim Finals and Federico Colli. We are delighted that you are 14 & 15 September The Leeds has been at the forefront of the world’s joining us in our quest to discover the next generation Leeds Town Hall piano competitions since its creation in 1963 by of pianists who we hope will join this distinguished the legendary Dame Fanny Waterman, and we are pantheon of world ranking musicians. And we hope thrilled to be taking this wonderful Competition to its that some of you may come to Leeds in September next stage. In bringing our First Round to these three 2018 for the next rounds of this great Competition.
    [Show full text]
  • July 2018 2017/18 Season 2 •
    April – July 2018 2017/18 Season 2 • We celebrate Purcell in a big way this April. ‘Genius’ may be an overworked term but it surely applies to the composer and his Dido and Aeneas. David Bates and La Nuova Musica offer a lunchtime date with the opera’s passions and high emotions, its earthy humour and profound tragedy. Music of lament and consolation occupy the latest imaginative programme from Hugo Ticciati’s O/Modernt. The ground-breaking ensemble explores Purcell from the Ground Up, a series of concerts not to be missed. During his student days Igor Levit, captivated by Frederic Rzewski’s music, asked the composer to Director’s write a new piece – which he did. Their deep artistic friendship is marked with the première of a special Wigmore Hall commission to celebrate Rzewski’s 80th Introduction birthday. Igor also joins us on 21 July in a programme of Brahms, Busoni, Schumann, Wagner and Liszt. Brahms wrote his violin sonatas chiefly during summertime stays in alpine resorts. Alina Ibragimova and Cédric Tiberghien reveal the warmth and lyricism, together with the stormy emotional outbursts and nostalgic yearning, of these late Romantic landmarks. Russian pianist Pavel Kolesnikov commemorates the centenary of Debussy’s death by offering fresh perspectives on his Children’s Corner. ‘My homage to Debussy aims to explore his diversity and, like his music, includes something that will touch every listener’, he notes. By a happy coincidence, both Pavel Kolesnikov and Cédric Tiberghien include the Schumann Fantasie in their April programmes, so it will make an interesting comparison. Cédric Tiberghien is hailed for his rich imagination and he brings three great Romantic compositions for his solo recital on 23 April.
    [Show full text]
  • Adam Gatehouse Becomes Sole Artistic Director of the Leeds, As Paul Lewis Concentrates on International Performing Career
    Adam Gatehouse becomes sole Artistic Director of The Leeds, as Paul Lewis concentrates on international performing career Following a hugely successful 2018 event, Paul Lewis has decided to step down as co-Artistic Director of the Leeds International Piano Competition to enable him to concentrate on his international performing career. Adam Gatehouse becomes the sole Artistic Director of The Leeds. Paul is delighted to have been part of the remarkable team that helped to formulate and build a vital and exciting new vision for The Leeds following the retirement of Dame Fanny Waterman in 2015. Looking ahead to the next three years and his performance and family commitments, Paul feels that he will not have the time to give the Competition the attention it deserves. Paul Lewis said: “The journey at LIPC over last three years has been an endlessly fascinating one, full of discoveries, challenges, and surprises along the way. It has been a huge thrill and a privilege to have played a part in the process of renewing the competition, and I have no doubt that The Leeds will continue to evolve and develop in exciting ways over the coming years.” Adam Gatehouse, Artistic Director of The Leeds, said: “It has been a pleasure and a privilege working with my old friend Paul Lewis on re-envisaging and transforming the Competition these past three years. We will all miss the knowledge, passion, inventiveness and commitment that Paul has brought to the Competition. The Leeds is now in a great place and I look forward to working with our team in further developing and enhancing its position as one of the world’s pre- eminent music competitions in the coming years.” Fiona Sinclair, newly-appointed Chief Executive of The Leeds, said: “Paul Lewis brought a passionate and visionary approach to The Leeds and I have greatly admired his very personal commitment to supporting the welfare and development of young pianists.
    [Show full text]
  • Three Blind Mice — Issue 126, 1 October 2018
    C L A S S I C A L M U S I C D A I L Y Three Blind Mice — Issue 126, 1 October 2018 ENSEMBLE — TRIUMPH FOR THE 'FIRST' MACBETH Giuseppe Pennisi: The 2018 Verdi Festival started on 27 September with a real triumph for a rarely performed opera: Macbeth in the 1847 version for the Teatro La Pergola in Florence. Verdi revised the opera twice: in 1865 for the Théâtre des Italiens in Paris and in 1874 for La Scala Milan. The 1865 revision was drastic, not only to accommodate the French taste and rules — ie a ballet scene — but also to take account of Verdi's own evolution over twenty years. Less deep the 1874 version, it is often ignored in music books. As a matter of fact, the 1865 version is normally performed. I remember having seen and heard the 1874 version only once, some fifteen years ago at the Macerata Sferisterio Festival. In 2011, the Salzburg Summer Festival and Teatro dell'Opera di Roma presented a version that combined the 1865 and the 1874 edition: that experiment was strongly supported by Riccardo Muti, a staunch fan of Macbeth. This summary of performance histories is important to understand the relevance of the Verdi Festival's rediscovery of the 1847 version. It is, in a way, composed in a style similar to that of Ernani or Giovanna D'Arco. However, in the use of recitative and declamation it is very modern, and it contains the germs of Otello ... The opening night was a triumph, even though some upper tier strong traditionalists expressed discontent with the staging.
    [Show full text]