Revised Minutes of 39Th Meeting of the Cultural
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Siddheshwari Devi Final Edit Rev 1
Siddheshwari Devi – The Queen of Thumri1 by Aditi Desai Kashi, Benares or Varanasi; the ancient spiritual centre of Hindustan, famous for its Ganga, its temples and ghats, pandits and pandas, had another more sensual side in its graceful yet throbbing sub-culture of music and dance. There was a time when for every devotee going to a temple to propitiate the gods there was another who, chewing his delicately flavoured paan, 1 Edited, updated and rewritten version based on: Original article written by Aditi Desai for The India Magazine, Aug. 1981, No. 9 would be strolling towards some singer’s or dancer’s house. In the Benares sunset, the sound of temple bells intermingled with the soul stirring sounds of a bhajan, a thumri, a kajri, a chaiti, a hori. And accompanying these were the melodious sounds of the sarangi or flute and the ghunghroos on the beat of the tabla that quickened the heartbeat. So great was the city’s preoccupation with music, that a distinctive style of classical music, rooted in the local folk culture, emerged and was embodied in the Benaras Gharana ( school or a distinctive style of music originating in a family tradition or lineage that can be traced to an instructor or region). A few miles from Benares, there is a village called Torvan, which appears to be like any other Thakur Brahmin village of that region. But there is a difference. This village had a few families belonging to the Gandharva Jati, a group whose traditional occupation was music and its allied arts. Amongst Gandharvas, it was the men who went out to perform while the women stayed behind. -
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ODISHA REVIEW VOL. LXXI NO. 5 DECEMBER - 2014 MADHUSUDAN PADHI, I.A.S. Commissioner-cum-Secretary RANJIT KUMAR MOHANTY, O.A.S, ( SAG) Director DR. LENIN MOHANTY Editor Editorial Assistance Production Assistance Bibhu Chandra Mishra Debasis Pattnaik Bikram Maharana Sadhana Mishra Cover Design & Illustration D.T.P. & Design Manas Ranjan Nayak Hemanta Kumar Sahoo Photo Raju Singh Manoranjan Mohanty The Odisha Review aims at disseminating knowledge and information concerning Odisha’s socio-economic development, art and culture. Views, records, statistics and information published in the Odisha Review are not necessarily those of the Government of Odisha. Published by Information & Public Relations Department, Government of Odisha, Bhubaneswar - 751001 and Printed at Odisha Government Press, Cuttack - 753010. For subscription and trade inquiry, please contact : Manager, Publications, Information & Public Relations Department, Loksampark Bhawan, Bhubaneswar - 751001. Five Rupees / Copy E-mail : [email protected] Visit : http://odisha.gov.in Contact : 9937057528(M) CONTENTS Shrikshetra, Matha and its Impact Subhashree Mishra ... 1 Good Governance ... 3 India International Trade Fair - 2014 : An Overview Smita Kar ... 7 Mo Kahani' - The Memoir of Kunja Behari Dash : A Portrait Gallery of Pre-modern Rural Odisha Dr. Shruti Das ... 10 Protection of Fragile Ozone Layer of Earth Dr. Manas Ranjan Senapati ... 17 Child Labour : A Social Evil Dr. Bijoylaxmi Das ... 19 Reflections on Mahatma Gandhi's Life and Vision Dr. Brahmananda Satapathy ... 24 Christmas in Eternal Solitude Sonril Mohanty ... 27 Dr. B.R. Ambedkar : The Messiah of Downtrodden Rabindra Kumar Behuria ... 28 Untouchable - An Antediluvian Aspersion on Indian Social Stratification Dr. Narayan Panda ... 31 Kalinga, Kalinga and Kalinga Bijoyini Mohanty .. -
Mukta Arts 18 January 2017
Institutional Equities Mukta Arts 18 January 2017 Reuters: MUKR.BO; Bloomberg: MKTA IN Looking To Attain Critical Mass In Its ‘Affordable’ Positioning NOT RATED We had a meeting with Mr Rahul Puri, CEO of Mukta Arts (MAL) to understand its plans in Sector: Film Exhibition the film exhibition business. Despite starting out as a film production house of Mr. Subash Ghai in 1982, in FY16 its consolidated revenues were dominated by film exhibition CMP: Rs97 (50%) and education (31%). The film exhibition business was started in 2011. While players like PVR, Inox Leisure and Cinepolis cater to the mid to premium end customers Girish Pai in Tier-1 and Tier-2 cities, MAL is focused on providing affordable movie viewing in Tier-2 Head of Research and Tier-3 cities (as well as in Tier-1 cities selectively). While PVR’s current average ticket [email protected] +91-22-3926 8017 price (ATP) is ~Rs200 and average F&B spend per head (SPH) is Rs85, the corresponding numbers for MAL are ~Rs120 and Rs33, respectively. While annual revenue per screen was ~Rs35mn for PVR it was ~Rs13mn for MAL in FY16. With EBITDA margin indicated to Key Data be broadly similar, EBITDA/screen difference between the two will mirror revenues. The Current Shares O/S (mn) 22.6 scale-up, which has been slow so far, has picked up considerable pace with likely doubling of screens by the end of FY17 from 36 screens (as of FY16-end). MAL is planning Mkt Cap (Rsbn/US$mn) 2.2/32.4 Update to hive off its film exhibition business into a 100% subsidiary and intends to scale up the 52 Wk H / L (Rs) 133/40 screen number to 200-250 in three years. -
Godrej Consumer Products Limited
GODREJ CONSUMER PRODUCTS LIMITED List of shareholders in respect of whom dividend for the last seven consective years remains unpaid/unclaimed The Unclaimed Dividend amounts below for each shareholder is the sum of all Unclaimed Dividends for the period Nov 2009 to May 2016 of the respective shareholder. The equity shares held by each shareholder is as on Nov 11, 2016 Sr.No Folio Name of the Shareholder Address Number of Equity Total Dividend Amount shares due for remaining unclaimed (Rs.) transfer to IEPF 1 0024910 ROOP KISHORE SHAKERVA I R CONSTRUCTION CO LTD P O BOX # 3766 DAMMAM SAUDI ARABIA 180 6,120.00 2 0025470 JANAKIRAMA RAMAMURTHY KASSEMDARWISHFAKROO & SONS PO BOX 3898 DOHA QATAR 240 8,160.00 3 0025472 NARESH KUMAR MAHAJAN 176 HIGHLAND MEADOW CIRCLE COPPELL TEXAS U S A 240 8,160.00 4 0025645 KAPUR CHAND GUPTA C/O PT SOUTH PAC IFIC VISCOSE PB 11 PURWAKARTA WEST JAWA INDONESIA 360 12,240.00 5 0025925 JAGDISHCHANDRA SHUKLA C/O GEN ELECTRONICS & TDG CO PO BOX 4092 RUWI SULTANATE OF OMAN 240 8,160.00 6 0027324 HARISH KUMAR ARORA 24 STONEMOUNT TRAIL BRAMPTON ONTARIO CANADA L6R OR1 360 12,240.00 7 0028652 SANJAY VARNE SSB TOYOTA DIVI PO BOX 6168 RUWI AUDIT DEPT MUSCAT S OF OMAN 60 2,040.00 8 0028930 MOHAMMED HUSSAIN P A LEBANESE DAIRY COMPANY POST BOX NO 1079 AJMAN U A E 120 4,080.00 9 K006217 K C SAMUEL P O BOX 1956 AL JUBAIL 31951 KINGDOM OF SAUDI ARABIA 180 6,120.00 10 0001965 NIRMAL KUMAR JAIN DEP OF REVENUE [INCOMETAX] OFFICE OF THE TAX RECOVERY OFFICER 4 15/295A VAIBHAV 120 4,080.00 BHAWAN CIVIL LINES KANPUR 11 0005572 PRAVEEN -
Unclaimed Dividend Details of 2019-20 Interim
LAURUS LABS LIMITED Dividend UNPAID REGISTER FOR THE YEAR INT. DIV. 2019-20 as on September 30, 2020 Sno Dpid Folio/Clid Name Warrant No Total_Shares Net Amount Address-1 Address-2 Address-3 Address-4 Pincode 1 120339 0000075396 RAKESH MEHTA 400003 1021 1531.50 104, HORIZON VIEW, RAHEJA COMPLEX, J P ROAD, OFF. VERSOVA, ANDHERI (W) MUMBAI MAHARASHTRA 400061 2 120289 0000807754 SUMEDHA MILIND SAMANGADKAR 400005 1000 1500.00 4647/240/15 DR GOLWALKAR HOSPITAL PANDHARPUR MAHARASHTRA 413304 3 LLA0000191 MR. RAJENDRA KUMAR SP 400008 2000 3000.00 H.NO.42, SRI VENKATESWARA COLONY, LOTHKUNTA, SECUNDERABAD 500010 500010 4 IN302863 10001219 PADMAJA VATTIKUTI 400009 1012 1518.00 13-1-84/1/505 SWASTIK TOWERS NEAR DON BASCO SCHOOL MOTHI NAGAR HYDERABAD 500018 5 IN302863 10141715 N. SURYANARAYANA 400010 2064 3096.00 C-102 LAND MARK RESIDENCY MADINAGUDA CHANDANAGAR HYDERABAD 500050 6 IN300513 17910263 RAMAMOHAN REDDY BHIMIREDDY 400011 1100 1650.00 PLOT NO 11 1ST VENTURE PRASANTHNAGAR NR JP COLONY MIYAPUR NEAR PRASHANTH NAGAR WATER TANK HYDERABAD ANDHRA PRADESH 500050 7 120223 0000133607 SHAIK RIYAZ BEGUM 400014 1619 2428.50 D NO 614-26 RAYAL CAMPOUND KURNOOL DIST NANDYAL Andhra Pradesh 518502 8 120330 0000025074 RANJIT JAWAHARLAL LUNKAD 400020 35 52.50 B-1,MIDDLE CLASS SOCIETY DAFNALA SHAHIBAUG AHMEDABAD GUJARAT 38004 9 IN300214 11886199 DHEERAJ KOHLI 400021 80 120.00 C 4 E POCKET 8 FLAT NO 36 JANAK PURI DELHI 110058 10 IN300079 10267776 VIJAY KHURANA 400022 500 750.00 B 459 FIRST FLOOR NEW FREINDS COLONY NEW DELHI 110065 11 IN300206 10172692 NARESH KUMAR GUPTA 400023 35 52.50 B-001 MAURYA APARTMENTS 95 I P EXTENSION PATPARGANJ DELHI 110092 12 IN300513 14326302 DANISH BHATNAGAR 400024 100 150.00 67 PRASHANT APPTS PLOT NO 41 I P EXTN PATPARGANJ DELHI 110092 13 IN300888 13517634 KAMNI SAXENA 400025 20 30.00 POCKET I 87C DILSHAD GARDEN DELHI . -
Master of Performing Arts (Vocal & Instrumental)
MASTER OF PERFORMING ARTS (VOCAL & INSTRUMENTAL) I SEMESTER Course - 101 (Applied Theory) Credits: 4 Marks: 80 Internal Assessment: 20 Total: 100 Course Objectives:- 1. To critically appreciate a music concert. 2. To understand and compare the ragas and talas prescribed for practical’s. 3. To write compositions in the prescribed notation system. 4. To introduce students to staff notation. Course Content:- I. Theoretical study of Ragas and Talas prescribed for practical and their comparative study wherever possible. II. Reading and writing of Notations of compositions Alap, Taan etc. in the Ragas and Talas with prescribed Laykraries. III. Elementary Knowledge of Staff Notation. IV. Critical appreciation of Music concert. Bibliographies:- a. Dr. Bahulkar, S. Kalashastra Visharad (Vol. 1 - 4 ). Mumbai:: Sanskar Prakashan. b. Dr. Sharma, M. Music India. A. B. H. Publishing Hoouse. c. Dr. Vasant. Sangeet Visharad. Hatras:: Sangeet Karyalaya. d. Rajopadhyay, V. Sangeet Shastra. Akhil Bhartiya Gandharva Vidhyalaya e. Rathod, B. Thumri. Jaipur:: University Book House Pvt. Ltd. f. Shivpuji, G. Lay Shastra. Bhopal: Madhya Pradesh Hindi Granth. Course - 102 (General Theory) Credits: 4 Marks: 80 Internal Assessment: 20 Total: 100 Course Objectives:- 1. To study Aesthetics in Music. 2. To appreciate the aesthetic aspects of different forms of music. Course Content:- I. Definition of Aesthetics and its Application in Music. II. Aesthetical principles of Different Haran’s. III. Aesthetical aspects of different forms of Music. a. Dhrupad, Dhamar, Khayal, Thumri, Tappa etc. IV. Merits and demerits of vocalist. Bibliographies:- a. Bosanquet, B. (2001). The concept of Aesthetics. New Delhi: Sethi Publishing Company. b. Dr. Bahulkar, S. Kalashastra Visharad (Vol. -
Declaration Under Section 4 (4) of the Telecommunication (Broadcasting and Cable) Services Interconnection (Addressable System) Regulation, 2017 (No
Version 1.0/2019 Declaration Under Section 4 (4) of The Telecommunication (Broadcasting and Cable) Services Interconnection (Addressable System) Regulation, 2017 (No. 1 of 2017) 4(4)a: Target Market Distribution Network Location States/Parts of State covered as "Coverage Area" Bangalore Karnataka Bhopal Madhya Pradesh Delhi Delhi; Haryana; Rajasthan and Uttar Pradesh Hyderabad Telangana Kolkata Odisha; West Bengal; Sikkim Mumbai Maharashtra 4(4)b: Total Channel carrying capacity Distribution Network Location Capacity in SD Terms Bangalore 506 Bhopal 358 Delhi 384 Hyderabad 456 Kolkata 472 Mumbai 447 Kindly Note: 1. Local Channels considered as 1 SD; 2. Consideration in SD Terms is clarified as 1 SD = 1 SD; 1 HD = 2 SD; 3. Number of channels will vary within the area serviced by a distribution network location depending upon available Bandwidth capacity. 4(4)c: List of channels available on network List attached below in Annexure I 4(4)d: Number of channels which signals of television channels have been requested by the distributor from broadcasters and the interconnection agreements signed Nil Page 1 of 37 Version 1.0/2019 4(4)e: Spare channels capacity available on the network for the purpose of carrying signals of television channels Distribution Network Location Spare Channel Capacity in SD Terms Bangalore Nil Bhopal Nil Delhi Nil Hyderabad Nil Kolkata Nil Mumbai Nil 4(4)f: List of channels, in chronological order, for which requests have been received from broadcasters for distribution of their channels, the interconnection agreements -
MUKTA ARTS LTD. MUKTA ARTS LTD ENTERTAINMENT INDUSTRY 1 BSE Scrip Code: 532357 CMP Rs
CARE IndependentEQUITY Equity Research RESEARCH MUKTA ARTS LTD. MUKTA ARTS LTD ENTERTAINMENT INDUSTRY 1 BSE Scrip Code: 532357 CMP Rs. 31.9 March 1, 2012 Strong brand value in movie production Mukta Arts Ltd (MAL) primarily produces movies; it has a 17- film library of which 12 are blockbusters. The company has produced such popular Hindi films as Karz, Hero, Karma, Ram- Lakhan, Saaudagar, Khalnayak, Pardes, Taal and Yaadein. MAL has also produced movies with outside directors including Jogger‟s Park, Aitraaz, Iqbal, 36 Chinatown, Paying Guest, Right Yaaa Wrong, Hello Darling, Paschim Express, the Bengali movie Nauka Dubi and the Marathi movie Sanai Choughade, etc. MAL to enter film exhibition business MAL has entered into the film exhibition business to tap revenue across multiple streams. The company is looking at starting a chain of multiplexes under the brand name „Mukta Cinemas‟ in various cities across the country. By entering in exhibition, MAL will extend and complete its presence in all major streams of the film business. The locations tied up so far include smaller centres such as Vadodara, Ahmedabad and Bhopal. Expansion into Mumbai and other metros will depend on the response to the initial launch. Key concerns Slowdown in economic growth Piracy has an adverse impact on revenues Intensely competitive environment and success at box office. Technological obsolescence Valuations MAL is currently trading at trailing EV/EBITDA multiple of 75.9x. 1 www.careratings.com CARE EQUITY MUKTA ARTS LTD. RESEARCH HISTORY AND BACKGROUND Background MAL is an India-based holding company, incorporated in 1982 and converted into a public company in September 2000. -
Tumhein Dil Se Kaise Juda Hum Karain Gay Mp3 Download
Tumhein dil se kaise juda hum karain gay mp3 download CLICK TO DOWNLOAD · Tumhein Dil Se Kaise Juda Hum Karenge Full Song _ Doodh Ka Karz _ Jackie Shroff, Neelam. pitersondavid. Tumhein Hum Bahut Pyar. Honest Liar. Tumhein Hum Bahut Pyar. Punjabi Meego. Hum Aise karenge pyar - Jaan. Bolly HD renuzap.podarokideal.ru Tumhein dillagi bhool jani pare gi Muhabbat ki raahon mein aa kar to dekho Tarapne pe mere na phir tum hanso ge Tarapne pe mere na phir tum hanso ge Kabhi dil kissi se laga kar to dekho Honton ke paas aye hansi, kya majaal hai Dil ka muamla hai koi dillagi nahin Zakhm pe zakhm kha ke ji Apne lahoo ke ghont pi Aah na kar labon ko si Ishq hai renuzap.podarokideal.ru+tumhe+dillagi+bhool. Mere Dil Ko Tere Dil Ki Mp3 Downloadrenuzap.podarokideal.ru Explore Trending Bollywood hits back to back featuring Guru Randhawa, Arijit Singh, Mohit Chauhan, Zubin Nautiyal & many more. Our algorithm automatically provides quality content to explore based on your likes. CatchItFirst!renuzap.podarokideal.ru A site about ziaraat of Muslim religious sites with details, pictures, nohas, majalis and renuzap.podarokideal.ru Kaise kare online business kamayi internet youtube se paise kaise kamaye youtube se song video kaise download upload kare ladki se dosti, ladki ko propose impress Pyar ka izhar kaise kare friendship, bridal makeup kaise kare exam ki taiyari study renuzap.podarokideal.ru · Download Koi Apna Nahi Mp3 Mp3 Sound. Nikala Nahi Jata Kisi Ko Dil Se Shab - Love Motivational Whatsapp Status Video Status Video Song Free Download, Nikala Nahi -
A Tribute to Chetan Datar,Bharangam 13 – All the Plays of B
Snake, Love and Sexuality Ravindra Tripathi’s There are a lot of stories in Indian mythology and folklores where you find the snake or the serpent as sexual motif. Some modern plays are also based upon it. For example Girish Karnad’s play Nagmandala. The snake as sexual motif is not limited only to India. In 13th bharat rang mahotsav, the Japanese play Ugetsu Monogatari (directed by Madoka okada) also presents the snake as a charmer and lover of human being. It is story of 10th century Japan. There is a young man, named Toyoo, son of a fisherman. He lives near seashore. A beautiful woman named Manago comes to his home in a rainy night. Toyoo is attracted towards her. He also lends his umbrella and promises to meet her again in near future. After some days he goes to her house on the pretext of going back his umbrella. During that he gets intimate with her. Manago gives him a beautiful sword as a token of their relationship. But after sometime it comes out that the sword was stolen from a shrine. Toyoo is caught by the officials on the charge of theft. He is taken to the house of Manago and there it is discovered that actually Manago is not a woman but a serpent. She transforms herself as a woman to get Toyoo love. Now the question is what will happen of their relationship. Will Toyoo accept Manago, the serpent as his beloved or leave her? Ugetsu monogatari is a play about coexistence of natural and supernatural in human life. -
(DLNA) of the Cyclone Fani in Odisha
讼µĝ uµ Photographs: United Nations Children’s Fund (UNICEF) and Odisha State Disaster Management Authority (OSDMA) Publishing support including editing and designing: Lucid Solutions, www.lucidsolutionsonline.com Contents Foreword v Acknowledgements vii Executive Summary xi SOCIAL SECTORS 1. Housing, Land, and Settlements 3 2. Education and Child Protection 20 3. Health, Nutrition, and Food Security 28 4. Cultural Heritage and Tourism 38 PRODUCTIVE SECTORS 5. Agriculture, Fisheries, and Livestock 53 INFRASTRUCTURE SECTORS 6. Power 81 7. Telecommunications 86 8. Roads 91 9. Water, Sanitation, and Hygiene 99 10. Public Buildings 109 11. Water Resources 114 CROSS CUTTING SECTORS 12. Employment, Livelihoods, and Social Protection 119 13. Gender and Social Inclusion 133 14. Environment 143 15. Disaster Risk Reduction 149 Contents HUMAN IMPACT AND MACROECONOMIC IMPACT 16. Human Impact Assessment 159 17. Macroeconomic Impact Assessment 174 RECOVERY STRATEGY 18. Recovery Strategy 187 ANNEXES Annexes to Chapters 195 Abbreviations and Acronyms 229 DLNA Sector Teams and Contributors 232 iv NAVEEN PATNAIK STATE SECRETARIAT CHIEF MINISTER, ODISHA BHUBANESWAR FOREWORD Odisha faced Extremely Severe Cyclone ‘FANI’ in 3rd May this year. FANI was one of the rarest of rare summer cyclones, the fi rst one to hit in 43 years and one of the only three cyclones to hit Odisha in the last 150 years. It caused havoc in Puri and Khurda districts and left marks of extensive damage to life and property of more than 1.65 crore people in 12 districts it passed through. As Odisha has already set global benchmark in handling disasters by leveraging technology, strengthening institutional capacities and building resilient measures, it was fully prepared to face all possible eventualities in the face of this calamity of national magnitude. -
03 October 2019 Current Affairs Lqcg% 7 Cts@ Mahendra's Youtube Channel
03 October 2019 Current Affairs lqcg% 7 cts @ Mahendra's YouTube Channel • Top-ranked Kento Momota of Japan clinched the men's • January 11, 1966, he took breathed his last in Tashkent, singles tournament. (badminton player ) Uzbekistan. • शीर्ष वरीयता प्राप्त जापान के कᴂ टो मोमोता ने पु셁र् एकल टूनाषमᴂट जीता। • 11 जनवरी, 1966 को उ煍बेपकस्तान के ताशकं द मᴂ उꅍहⴂने अंपतम सांस • Sumit Nagal wons Buenos Aires ATP (Tennis). ली। • Kaushal Dharmamer - Maldives International Challenge • Bharat Ratna Award / भारत र配न स륍मान - 1966 (Badminton) - Mumbai • Book – Lal Bahadur Shastri : Politics and Beyond by Sandeep Shashtri. • Place of Death / मृ配यु स्थल: Delhi, India • Father / पपता: Karamchand Uttamchand Gandhi • Mother / माता: Putlibai Gandhi • Spouse / प配नी: Kasturba Gandhi • The second Prime Minister of India, Lal Bahadur Shastri, whose 115th birth anniversary was celebrated. • भारत के दूसरे प्रधान मंत्री, लाल बहादुर शास्त्री, पजनकी 115 वĂ जयंती मनाई गई। • जꅍम - (2 October 1904 – 11 January 1966) Shastri was born in 1904 in Uttar Pradesh’s Mughal Sarai. • ‘Jai Jawan Jai Kisan’ / जय जवान जय पकसान • Launched the 'Ayushman Bharat Start-Up Grand Challenge' and released a commemorative stamp on the occasion. • यु मान भारत स्टाटष अप लᴂज का शुभारंभ पकया गया र एक स्मारक ाक पटकट जारी पकया। • Andhra Pradesh – Kolattam (Stick Dance), Gobi & Dhimsa. • Assam – Bihu, Jhumur Naach ( Adivasi naach ), Ali Ai Ligang & Bagurumba • Arunachal Pradesh – Bardo Chham, Lion and Peacock dance. • Chhattisgarh – Raut Naach • Gujarat – Garba, Dandiya Ras & Tippani Dance •