Leave It to Jane Program

Total Page：16

File Type：pdf, Size：1020Kb

University of Southern Maine USM Digital Commons Theatre Programs 1970-1989 Theatre Programs 1-1988 Leave it to Jane Program University of Southern Maine Department of Theatre Follow this and additional works at: https://digitalcommons.usm.maine.edu/theatre-programs-1970-1989 Part of the Theatre History Commons Recommended Citation University of Southern Maine Department of Theatre, "Leave it to Jane Program" (1988). Theatre Programs 1970-1989. 25. https://digitalcommons.usm.maine.edu/theatre-programs-1970-1989/25 This Program is brought to you for free and open access by the Theatre Programs at USM Digital Commons. It has been accepted for inclusion in Theatre Programs 1970-1989 by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. Russell Square Players ORCHESTRA present Piano ... .. Jaye Churchill Bass . Lawrence Williams Clarinets. ..• Sheri Pek .Kristin Marshall Drum. .. Michael Murphy PRODUCTION CREW Stage Manager ..... .. Stacey Knight Assistant Stage Manager. .. Steven Huss Wardrobe Manager ... .Christenia Kinne Light Board Operator .. .Ann Gilpatrick Assistant Light Board Operator . Diana Chase ~~~ Sound Operator .•.. Ali Koushan Follow Spot Operators. Janeen Greenlaw Jerome Kern's musical ... Ed Davis Dressers . Jill Ingram Michael Hatch LEAVE IT Stage Crew Dave Dearborn Rick Bourcier Conrad Arbogast TO JANE COMING TO RUSSELL SQUARE PLAYERS COMEDY OF ERRORS February 26, 27, March 2, 3, 4, 5, 1988 Curtain: 8:00 p.m. February 28, 1988 2:00 p.m. Matinee HEDDA GABLER April 22, 23, 27, 28, 29, 30, 1988 Curtain: 8:00 p.m. April 24, 1988 2:00 p.rn. Matinee SPONSORED BY GORHAM SAVINGS BANK ACT ! ... Atwater College. The terrace of Memorial University of Southern Maine Hall on the opening day of the fall term. Late afternoon. ACT II .... Outside the football field. Russell Square Players There will be a fifteen minute intermission. CHARACTERS IN SPONSORSHIP WITH Jane Witherspoon. Josie Packard GORHAfl SAVINGS BANK Billy Bolton •.. .Thomas Spurr Bessie Tanner ... Gait Winn AND "Stubby" Talmadge . Joey Murray COOPERATION WITH Elan Hicks. • , .. Eric Bray SIGMA NU FRATERNITY "Bub" Hicks .. Daemeon Pratt Hiram Bolton .. Peter Dromgoole Peter Witherspoon . Roger Dutton PRESENT Matty McGowan. Ian {.uce Howard Talbot . .. Ed Moore LEAVE IT "Silent" Murphy .Richard Petereit Ollie Mitchell. Robert Weagle TO JANt Flora Wiggins , . Meagan Hoff Musical Comedy in Two Acts FEMALE CHORUS Sally Cameron. • .. Mare Bird Book and Lyrics by Guy Bolton and P. G. Wodehouse Martha Abbott , • . Kerry Campbell Cora Jenks, , , Michelle Damato Cissie Summers. Heidi Churchi 11 Music by Luella Banks, . .Jennifer Manzi Jerome Kern Josephine Bargley Catherine Rasco Bertha Tyson ... .Tamara Schmidt MALE CHORUS Staged ......... ... Minor RouLes ''Happy" Jones . Set Design . .. Charles Kading . Richard Gilbert Dick McAllister . Robert St. John Costume & Make-Up Design. .Susan E. Picinich Jinuny Hopper .• Light Design ... ..• Fred Fauver J. Michael Werner Choreographer .. • .Reginald Osborn Musical Directors Robert Edwards FOOTBALL PLAYERS . ' ... ' . Jaye Churchill Andy Pyzynski Jeff Provost Sean Bragdon .

Copy Link

Recommended publications

Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public).
[Show full text]
Who's Who in the Cast
WHO’S WHO IN THE CAST ROBERT PETKOFF (Bruce). Broadway: All The Way with Bryan Cranston, Anything Goes, Ragtime, Spamalot, Fiddler On The Roof and Epic Proportions. London: The Royal Family with Dame Judi Dench and Tantalus. Regional: Sweeney Todd, Hamlet, Troilus & Cressida, Follies, Romeo & Juliet, Compleat Female Stage Beauty and The Importance Of Being Earnest. Film: Irrational Man, Vice Versa, Milk and Money, Gameday. TV: Elementary, Forever, Law and Order: SVU, The Good Wife and more. Robert is an award-winning audiobook narrator. SUSAN MONIZ (Helen). Broadway: Grease – Sandy & Rizzo. Regional: Follies – Sally (Chicago Shakespeare Theater); October Sky –Elsie (world premier); Peggy Sue Got Married – Peggy (world premier); Kismet (Joseph Jefferson award); Into the Woods, 9 to 5, Carousel, (Marriott Theatre); The Merry Widow, The Sound Of Music, (Chicago Lyric Opera); Hot Mikado (Ford’s Theatre); Phantom, Chitty- Chitty Bang-Bang (Fulton Theatre); Shadowlands, The Spitfire Grill, (Provision Theatre); Evita, BIG, (Drury Lane Theatre). TV: Chicago PD; Romance, Romance (A&E). KATE SHINDLE (Alison). Broadway: Legally Blonde (Vivienne), Cabaret (Sally Bowles), Wonderland (Hatter), Jekyll & Hyde. Elsewhere: Rapture, Blister, Burn (Catherine), After the Fall (Maggie), Restoration, A Midsummer Night’s Dream, Gypsy, Into the Woods, The Last Five Years, First Lady Suite, The Mousetrap. Film/TV: Lucky Stiff, SVU, White Collar, Gossip Girl, The Stepford Wives, Capote. Kate is a longtime activist, author of Being Miss America: Behind the Rhinestone Curtain and President of Actors’ Equity Association. twitter.com/AEApresident ABBY CORRIGAN (Middle Alison). Stage: Cabaret, A Chorus Line (TCS); Shrek (Blumey award), In The Heights, Peter Pan, Rent (NWSA); Next to Normal (QCTC); Film/TV: Headed South For Christmas (Painted Horse), A Smile As Big As The Moon (Hallmark), Homeland (HBO), Rectify (Sundance), Banshee (Cinemax).
[Show full text]
Full Casting Announced for the Philadelphia Premiere of Roundabout Theatre Company’S Tony Award® -Winning Production of Cabaret
Tweet it! What good is sitting, alone in your room? Come hear the @Cabaret_Musical music play at the @KimmelCenter’s Academy of Music! 4/4-9 Press Contacts: Amanda Conte Carole Morganti, CJM Public Relations [email protected] [email protected] (215) 790-5847 (609) 953-0570 FULL CASTING ANNOUNCED FOR THE PHILADELPHIA PREMIERE OF ROUNDABOUT THEATRE COMPANY’S TONY AWARD® -WINNING PRODUCTION OF CABARET PLAYING THE ACADEMY OF MUSIC APRIL 4–9, 2017 “Five stars! WILLKOMMEN HOME. A Broadway jewel returns in all its glittering glory.” -Time Out New York “Truly unmissable! Even if you saw it last time, you are strongly advised – no, URGED – to return.” -USA Today “Sam Mendes & Rob Marshall’s production is thrilling!” – Hollywood Reporter FOR IMMEDIATE RELEASE (Philadelphia, PA, February 22, 2017) –– Full casting has been announced for the national tour of Roundabout Theatre Company’s Tony Award®-winning production of Cabaret, directed by Sam Mendes (Spectre, American Beauty) and Rob Marshall (Into the Woods, Chicago [films]). The show will make its Philadelphia Premiere at the Kimmel Center’s Academy of Music April 4 – 9, 2017, as part of the 2016–17 Broadway Philadelphia season, presented collaboratively by The Kimmel Center for the Performing Arts and The Shubert Organization. “We know our theater fans have been waiting for this classic musical to return to Philadelphia and what better way to return than with this award-winning production,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Everyone is certainly familiar with the memorable songs, and we are thrilled to present this incredible story on stage at the beautiful Academy of Music.” Jon Peterson, a veteran of Roundabout’s Cabaret on Broadway and well known for his various roles on London’s West End, including CATS, A Chorus Line and The Sound of Music, will be starring in the role as the Emcee, while Leigh Ann Larkin, known on Broadway for her roles in Gypsy (Dainty June) and A Little Night Music, will be making her Cabaret debut as Sally Bowles.
[Show full text]
Songs of the Ziegfeld Follies
SONGS OF THE ZIEGFELD FOLLIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Ann Ommen, B.M., M.A. The Ohio State University 2007 Dissertation Committee: Professor Graeme Boone, Adviser Approved by Professor Thomas Postlewait Professor Danielle Fosler-Lussier _________________________ Adviser Graduate Program in Music Copyright by Ann Ommen 2007 ABSTRACT Enormously popular in their own time, the Ziegfeld Follies have become an icon of American popular culture. Produced annually by Florenz Ziegfeld, Jr. between 1907 and 1931, these revues were and still are best-known for their lavish production numbers which brought unprecedented attention to members of the chorus. They have served as inspiration for generations of filmmakers, playwrights, and popular authors, but have only been studied by a small number of scholars, primarily those working in cultural studies. For the first time, this dissertation brings a musicological identity to the Follies by examining their songs. It addresses the legends surrounding certain songs so that their performance history can be better understood. It discusses representations of gender, race, and national identity in songs of the Follies, revealing the cultural beliefs Ziegfeld thought would be most acceptable to his largely white, middle-class audiences. It dissects comic song performances to show a specifically musical component to the humor of the Follies. Finally, it analyzes compositional techniques in the lyrics of Gene Buck and in the songs written by Irving Berlin for the Ziegfeld Follies of 1927 , the only Follies production to have been written by a single songwriter.
[Show full text]
Book by GUY BOLTON Music by JEROME KERN
1 SALLY Book By GUY BOLTON Music by JEROME KERN Copyrighted Version of January, 1921 CHARACTERS SALLY BLAIR FARQUAR OTIS HOOPER ROSALINE RAFFERTY CONSTANTINE ("CONNIE") "POPS" --Proprieter of the Elm Tree Inn. MRS. TEN BROCK JIMMIE SPELVIN RICHARD FARQUAR OLD MAN GIRL FLUNKEY TOTO SYNOPSIS OF SCENES ACT ONE: The Elm Tree Alley Inn. ACT TWO: Garden of Richard Farquar. ACT THREE: Scene I: Butterfly Ballet Scene II: Dressing Room Scene III: Church around the corner. SALLY ACT ONE PROPERTY LIST ACT I: A number of small restaurant tables and chairs on the scene, sufficent to accommodate the number of people you are using. Table cloths - napkins and glasses on table - check pads and pencils for waiters. Paper hats for chorus in number Joan of Arc. Tray and plates or small dishes for Connie. Engagement book for Connie with pencil Book for Blair - a street organ off L. 2 Visiting cards for Blair - Menus on tables. A mongrel dog on a rope for Sally off stage L. A tray with celery and prop Grisini for Connie A Waiter from E.3 with tray filled with silver dishes Another clears Grisini-table R. front- (Newspaper for Otis) Tap-bell on some of tables - (a hip flask for Otis)- a lemon for Otis- a whisk broom for Connie-(a hip flask for Connie) Note - the phone can be fastened to a tree A dish pail for Sally to wash dishes in ACT II: Richard Farquar's Garden Scene I Custard, ornamented with a large bow ribbon carried by Rosie A tray of liquors and a tray with coffee, carried by two flunkeys - a flunkey with a cart and liquors.
[Show full text]
Broadway Sheet Music Collection Print Collection 31 Finding Aid Prepared by Siduri Beckman
Broadway sheet music collection Print Collection 31 Finding aid prepared by Siduri Beckman. Last updated on July 26, 2016. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2016 June 28 Broadway sheet music collection Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 - Page 2 - Broadway sheet music collection Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Title Broadway sheet music collection Call number Print Collection 31 Date [inclusive] 1918-1929 Extent 2 linear feet (6 boxes) Language English Language Note The bulk of the material is
[Show full text]
The Evolution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Spring 4-6-2013 The volutE ion of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference DJ Kaiser Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Part of the Comparative Literature Commons Recommended Citation Kaiser, DJ, "The vE olution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference" (2013). All Theses and Dissertations (ETDs). 1076. https://openscholarship.wustl.edu/etd/1076 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Program in Comparative Literature Dissertation Examination Committee: Robert Hegel, Chair Todd Decker Robert Henke Ignacio Infante Lara Teeter Julia Walker Gerhild Williams The Evolution of Broadway Musical Entertainment, 1850-2009: Interlingual and Intermedial Interference by DJ Kaiser A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2013 St. Louis, Missouri ii © Copyright 2013 by DJ Kaiser. All rights reserved. iii TABLE OF CONTENTS List of Figures……………………………………………………………………………………. iii List of Tables……………………………………………………………………………………. vii Acknowledgements……………………………………………………………………………...viii Abstract………………………………………………………………………………………….... x Chapter 1: Introduction…………………………………………………………………………… 1 Chapter 2: The Methods, Problems, and Possibilities of Cataloguing Musical Entertainment…. 43 Chapter 3: Interlingual Interference during the Operetta Century: 1850-1949…………………. 91 Chapter 4: Intermedial Interference in Broadway Musical Entertainment…………………….
[Show full text]
Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
Film Terms Glossary Cinematic Terms Definition and Explanation Example (if applicable) a screen direction rule that camera operators must follow - Camera placement an imaginary line on one side of the axis of action is made must adhere to the (e.g., between two principal actors in a scene), and the 180 degree rule 180 degree rule camera must not cross over that line - otherwise, there is a distressing visual discontinuity and disorientation; similar to the axis of action (an imaginary line that separates the camera from the action before it) that should not be crossed Example: at 24 fps, 4 refers to the standard frame rate or film speed - the number projected frames take 1/6 of frames or images that are projected or displayed per second to view second; in the silent era before a standard was set, many 24 frames per second films were projected at 16 or 18 frames per second, but that rate proved to be too slow when attempting to record optical film sound tracks; aka 24fps or 24p Examples: the first major 3D feature film was Bwana Devil (1953) [the first a film that has a three-dimensional, stereoscopic form or was Power of Love (1922)], House of Wax appearance, giving the life-like illusion of depth; often (1953), Cat Women of the Moon (1953), the achieved by viewers donning special red/blue (or green) or MGM musicalKiss Me Kate polarized lens glasses; when 3-D images are made (1953), Warner's Hondo (1953), House of 3-D interactive so that users feel involved with the scene, the Wax (1953), a version of Hitchcock's Dial M experience is
[Show full text]
The Roots of the American Musical Film (1927-1932)," To
• f^^ NO. 63 The Museum of ModerniMr Arti FOR IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart JUNE 14, 1971 FIRST TIME AMERICAN MUSICAL FILM RETROSPECTIVE FEATURES EARLY MUSICALS NOT SHOWN IN FORTY YEARS Forty musical films, twenty of which have not been seen here in four decades, are part of a major retrospective, titled "The Roots of the American Musical Film (1927-1932)," to be presented over a seven week period, starting Thursday, June 17, at The Museum of Modem Art. Covering the first five years of sound movies, the retrospective, which is the first of its kind, includes such classic film musicals as "Whoopee," starring Eddie Cantor, Al Jolson in "The Jazz Singer," the four Marx Brothers in "The Cocoanuts" and "Rio Rita," starring Bebe Daniels and John Boles, with the famous comedy team Bert Wheeler and Robert Wooley. The music for these films, many of them originally Broadway plays, was provided by Irving Berlin, Sigmund Romberg, De Sylva, Brown and Henderson, Jerome Kern and George Gershwin among other famous composers. This unique series was conceived and assembled by'Miles Kreuger, theatre and film historian, author of an 800 page volume "The American Musical Film," to be published by E. P. Dutton this fall. Mr. Kreuger, who has one of the world' s largest research collections on American musical plays and films, will be present on the opening night to discuss the growth of this indigenous type of American film art "from the technical experimentation of ' The Jazz Singer' in 1927 to the exquisite sophistication and flamboyant artistry of Rouben Mamoulian' s ' Love Me Tonight,' produced only five years later." Burrowing into film vaults from Hollywood to Europe, the Museum has unearthed an original Technicolor print of Marilyn Miller in "Sally," and from Czechoslovakia has come the all-Technicolor print of Sam Goldwyn' s "Whoopee," featuring almost all the principals of the Flo Ziegfeld stage production.
[Show full text]
Cabaret MUSIC by John Kander LYRICS by Fred Ebb BOOK by Joe Masteroff
Manhattan School of Music MUSICAL THEATRE LIZA GENNARO, ASSOCIATE DEAN AND CHAIR Cabaret MUSIC BY john kander LYRICS BY fred ebb BOOK BY joe masteroff don stephenson, DIRECTOR liza gennaro, CHOREOGRAPHER DAVID LOUD, MUSIC DIRECTOR FEB 4–6, 2019 MONDAY, FEBRUARY 4, 2019 | 7:30 PM TUESDAY, FEBRUARY 5, 2019 | 7:30 PM WEDNESDAY, FEBRUARY 6, 2019 | 7:30 PM NEIDORFF-KARPATI HALL CABARET Book by Joe Masteroff Based on the play by John Van Druten and stories by Christopher Isherwood Music by John Kander Lyrics by Fred Ebb Broadway production directed by Harold Prince Produced for the Broadway Stage by Harold Prince Don Stephenson, Director Liza Gennaro, Choreographer David Loud, Music Director Scott Davis, Scenic Designer Sue Makkoo, Costume Designer Shawn Kaufman, Lighting Designer Scott Stauffer, Sound Designer Leigh Walter, Production Stage Manager Tinc Productions, Production Management Original Choreography for “The Telephone Dance” by Ron Field Cabaret is presented by arrangement with Tams-Witmark. There will be one 15-minute intermission. THE CAST Sally Bowles Jasmine Rogers The Emcee Daniel Lawrence Clifford Bradshaw Chandler Sinks Fraulein Schneider Laura Zimmer Herr Schultz Xander Pietenpol Ernst Ludwig Joseph Zook Fraulein Kost Talitha McDougall Jones Max/Waiter Sam Johns Bobby/Waiter/Telephone Boy Joseph Grosso Victor/Waiter/Telephone Boy/Taxi Man Lars Hafell German Sailor 1/Customs Officer/ Bus Boy/Telephone Boy Austin Prebula German Sailor 2/German Soldier/ Waiter/Telephone Boy Jonathan Saminski German Sailor 3/German Soldier/ Waiter/Telephone
[Show full text]
List of 7200 Lost US Silent Feature Films 1912-29
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916)
[Show full text]
Festival Program
TABLE OF CONTENTS WELCOME... Welcome to the National Alliance for Festival Schedule back Musical Theatre's Annual Festival of New Musicals. Our 15th Festival is an exciting, cover eclectic selection of new works by both seasoned professionals and emerging writ- About NAMT p. 1 ers, featuring dozens of gifted singers, actors and musicians. We extend our grati- tude to all of them, as well as the mem- About the Festival p. 2 bers, staff, sponsors and funders who make all of this possible. Festival Show Information NAMT and its 133 members actively promote the creation, development and AMBITION BIRD p. 3 production of new musical theatre. Our 14 previous Festivals have showcased 131 BALLAD OF p. 5 new musicals which have collectively gone LITTLE PINKS on to hundreds of subsequent productions worldwide. These statistics support our HAROLD AND p. 7 belief that there is a vibrant future for the MAUDE art form we cherish and that NAMT, its members, and our audiences are a vital part of that future. PRINCESSES p. 9 Anniversaries encourage us to look back at SARAH, PLAIN p. 11 where we've been, take stock of where we AND TALL are, and look forward to new adventures and challenges. I for one am confident that TWO QUEENS, p. 13 the best is yet to come. Thank you for ONE CASTLE being part of our celebration! WAS p. 15 SWING SHIFT p. 17 Anniversary Section p. 20 Sue Frost, President of the NAMT Board of Board, Committee, p. 35 Directors Staff, and Special Associate Producer of Goodspeed Musicals Thanks NAMT Member List p.
[Show full text]