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MAMLU±K STUDIES REVIEW VII 2003 MIDDLE EAST DOCUMENTATION CENTER (MEDOC) THE UNIVERSITY OF CHICAGO PLEASE NOTE: As of 2015, to ensure open access to scholarship, we have updated and clarified our copyright policies. This page has been added to all back issues to explain the changes. See http://mamluk.uchicago.edu/open-acess.html for more information. MAMLŪK STUDIES REVIEW published by the middle east documentation center (medoc) the university of chicago E-ISSN 1947-2404 (ISSN for printed volumes: 1086-170X) Mamlūk Studies Review is an annual, Open Access, refereed journal devoted to the study of the Mamluk Sultanate of Egypt and Syria (648–922/1250–1517). The goals ofMamlūk Studies Review are to take stock of scholarship devoted to the Mamluk era, nurture communication within the field, and promote further research by encouraging the critical discussion of all aspects of this important medieval Islamic polity. The journal includes both articles and reviews of recent books. Submissions of original work on any aspect of the field are welcome, although the editorial board will periodically issue volumes devoted to specific topics and themes.Mamlūk Studies Review also solicits edited texts and translations of shorter Arabic source materials (waqf deeds, letters,fatawa and the like), and encourages discussions of Mamluk era artifacts (pottery, coins, etc.) that place these resources in wider contexts. An article or book review in Mamlūk Studies Review makes its author a contributor to the scholarly literature and should add to a constructive dialogue. Questions regarding style should be resolved through reference to the MSR Editorial and Style Guide (http://mamluk.uchicago.edu/msr.html) and The Chicago Manual of Style. Transliterated Middle Eastern languages should conform to the system utilized by the Library of Congress (see the conversion chart near the end of this volume). The Style Guide covers Unicode fonts and diacritical marks, specifications for photos, maps and other graphics, text formatting, and other matters. Please read it carefully. Articles which diverge widely from the guidelines may not be accepted, and graphics which do not meet the requirements may not be usable. Submissions may be made by emailing the editor at the address below. Please contact the editor with questions about format, graphics or other matters before sending the article. OPEN ACCESS Mamlūk Studies Review is an Open Access publication. We believe that free and open access to scholarship benefits everyone. Open Access means that users, whether individual readers or institutions, are able to access articles and other content in Mamlūk Studies Review at no charge. All content published in Mamlūk Studies Review will be immediately and permanently free for anyone to use. Content in Mamlūk Studies Review is copyrighted by its authors and published under a Creative Commons Attribution 4.0 International license (CC-BY), which explicitly grants anyone permission to read, download, copy, distribute, print, search, use, or link to the work, as long as users properly cite the author(s) and Mamlūk Studies Review. Please contact the editor regarding uses which may fall outside of this description. For more information, please see http://mamluk.uchicago.edu/msr.html. CONTACT All communications should be sent to: The Editor,Mamlūk Studies Review, 5828 South University Avenue, 201 Pick Hall, Chicago, IL 60637, USA. The editor can be contacted by email at msaleh@ uchicago.edu. The logo that appears on the cover and title page was created by John E. Woods. Readers of Mamlūk Studies Review are encouraged to visit MEDOC’s websites, including http://guides.lib.uchicago.edu/mideast and http://mamluk.uchicago.edu. These sites provide links to back issues of this journal, The Chicago Online Bibliography of Mamluk Studies (a fully searchable database of thousands of primary and secondary sources), and other Mamluk Studies resources created and maintained by MEDOC. The site also has information about subscribing to the Mamluk listserv, an open forum for discussing all aspects of the history and culture of the Mamluk Sultanate. The Editors of Mamlūk Studies Review encourage readers to use the listserv to comment upon and discuss issues raised in the journal.. This work is made available under a Creative Commons Attribution 4.0 International license (CC-BY). Mamlūk Studies Review is an Open Access journal. See http://mamluk.uchicago.edu/msr.html for more information. MAMLU±K STUDIES REVIEW Published by the MIDDLE EAST DOCUMENTATION CENTER (MEDOC) THE UNIVERSITY OF CHICAGO Mamlu≠k Studies Review is an annual refereed journal devoted to the study of the Mamluk Sultanate of Egypt and Syria (648-922/1250-1517). The goals of Mamlu≠k Studies Review are to take stock of scholarship devoted to the Mamluk era, nurture communication within the field, and promote further research by encouraging the critical discussion of all aspects of this important medieval Islamic polity. The journal will include both articles and reviews of recent books. Submissions of original work on any aspect of the field are welcome, although the editorial board will periodically issue volumes devoted to specific topics and themes. Mamlu≠k Studies Review also solicits edited texts and translations of shorter Arabic source materials (waqf deeds, letters, fata≠wá and the like), and encourages discussions of Mamluk era artifacts (pottery, coins, etc.) that place these resources in wider contexts. Transliterated Middle Eastern languages should conform to the system utilized by the Library of Congress. All questions regarding style should be resolved through reference to The Chicago Manual of Style, 14th edition. All submissions should be typed double-spaced. Submissions must be made on labeled computer disk together with a printed copy. The print copy should have full and proper diacritics, but the disk copy should have no diacritics of any kind. Note: Readers of Mamlu≠k Studies Review who have access to the World Wide Web are referred to the MEDOC home page: http://www.lib.uchicago.edu/e/su/mideast. This site provides links to the searchable primary and secondary Mamluk bibliographies maintained by MEDOC. Authors may download editorial and style guidelines from the Mamluk Studies Review page. The site also has information about subscribing to the Mamluk listserv. The Mamluk listserv is an open forum for discussions of all aspects of the history and culture of the Mamluk Sultanate. The Editors of Mamlu≠k Studies Review encourage readers to use the listserv to comment upon and discuss issues raised in the Review. ISSN 1086-170X. Copyright © 2003 Middle East Documentation Center, The University of Chicago. All rights reserved. No part of this publication may be reproduced, in any form or by any means, electronic, photocopying or otherwise, without permission in writing from the Middle East Documentation Center. The logo that appears on the cover and title page was created by John E. Woods. All communications should be sent to: The Editor, Mamlu≠k Studies Review, 5828 South University Avenue, 201 Pick Hall, Chicago, Illinois 60637, USA This issue can be downloaded at http://mamluk.uchicago.edu/MamlukStudiesReview_VII-1_2003.pdf MAMLU±K STUDIES REVIEW Editor BRUCE D. CRAIG, The University of Chicago Associate Editors MARLIS J. SALEH, The University of Chicago WARREN C. SCHULTZ, DePaul University Review Editor DAVID REISMAN, University of Illinois at Chicago Editorial Board REUVEN AMITAI, Hebrew University of Jerusalem DORIS BEHRENS-ABOUSEIF, School of Oriental and African Studies, University of London ANNE F. BROADBRIDGE, University of Massachusetts at Amherst W. W. CLIFFORD, The University of Chicago LI GUO, University of Notre Dame TH. EMIL HOMERIN, University of Rochester R. STEPHEN HUMPHREYS, University of California, Santa Barbara DONALD P. LITTLE, McGill University JOHN L. MELOY, American University of Beirut CARL F. PETRY, Northwestern University JOHN E. WOODS, The University of Chicago This issue can be downloaded at http://mamluk.uchicago.edu/MamlukStudiesReview_VII-1_2003.pdf Editor's Note In the front matter of every volume of Mamluk Studies Review you will find a statement that ". .the editorial board will periodically issue volumes devoted to specific topics and themes." With the partial exception of the first volume, with its heavy emphasis on "state of the art" essays, this is the first such volume. The topic addressed is the "literary culture" of the Mamluk era, and the hope of the editors is that these essays may serve to inspire a fresh and unbiased look at a topic that has too frequently been relegated to a sort of scholarly oblivion. It has been my good fortune to have had the assistance of Professor Th. Emil Homerin, of the University of Rochester, as my collaborator in the planning and execution of this volume. I want to take this opportunity to acknowledge his contribution as guest editor, and to thank him for his patience, energy, and insight. It should also be noted that Professor Donald P. Little lent a hand with the editing of several articles, and that his efforts have improved the volume substantially. Marlis Saleh has, as always, contributed significantly to the final product. Finally, thanks are due the individual contributors, who responded with enthusiasm to the opportunity to produce a volume on Mamluk literature. This issue can be downloaded at http://mamluk.uchicago.edu/MamlukStudiesReview_VII-1_2003.pdf CONTENTS ARTICLES Mamluk Literature 1 ROBERT IRWIN Poetry for Easy Listening: Insija≠m and Related 31 Concepts in Ibn H˛ijjah's Khiza≠nat al-Adab GEERT JAN VAN GELDER Communication and Emotion: 49 The Case of Ibn Nuba≠tah's Kindertotenlieder THOMAS BAUER An Alexandrian Age in Fourteenth-Century Damascus: 97 Twin Commentaries on Two Celebrated Arabic Epistles EVERETT ROWSON Vindicating a Profession or a Personal Career? 111 Al-Qalqashand|'s Maqa≠mah in Context MUHSIN JASSIM AL-MUSAWI The First Layer of the S|rat Baybars: Popular Romance 137 and Political Propaganda THOMAS HERZOG The Shadow Play in Mamluk Egypt: 149 The Genre and Its Cultural Implications AMILA BUTUROVI¶ The Devil's Advocate: 177 Ibn Da≠niya≠l's Art of Parody in His Qas˝|dah No.
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